Eastern Objects and Western Desires: Relics and Reliquaries Between Byzantium and the West
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Atlas of American Orthodox Christian Monasteries
Atlas of American Orthodox Christian Monasteries Atlas of Whether used as a scholarly introduction into Eastern Christian monasticism or researcher’s directory or a travel guide, Alexei Krindatch brings together a fascinating collection of articles, facts, and statistics to comprehensively describe Orthodox Christian Monasteries in the United States. The careful examina- Atlas of American Orthodox tion of the key features of Orthodox monasteries provides solid academic frame for this book. With enticing verbal and photographic renderings, twenty-three Orthodox monastic communities scattered throughout the United States are brought to life for the reader. This is an essential book for anyone seeking to sample, explore or just better understand Orthodox Christian monastic life. Christian Monasteries Scott Thumma, Ph.D. Director Hartford Institute for Religion Research A truly delightful insight into Orthodox monasticism in the United States. The chapters on the history and tradition of Orthodox monasticism are carefully written to provide the reader with a solid theological understanding. They are then followed by a very human and personal description of the individual US Orthodox monasteries. A good resource for scholars, but also an excellent ‘tour guide’ for those seeking a more personal and intimate experience of monasticism. Thomas Gaunt, S.J., Ph.D. Executive Director Center for Applied Research in the Apostolate (CARA) This is a fascinating and comprehensive guide to a small but important sector of American religious life. Whether you want to know about the history and theology of Orthodox monasticism or you just want to know what to expect if you visit, the stories, maps, and directories here are invaluable. -
Awkward Objects: Relics, the Making of Religious Meaning, and The
Awkward Objects: Relics, the Making of Religious Meaning, and the Limits of Control in the Information Age Jan W Geisbusch University College London Thesis submitted in partial fulfilment of the requirements for the degree of Doctor in Anthropology. 15 September 2008 UMI Number: U591518 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U591518 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Declaration of authorship: I, Jan W Geisbusch, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Signature: London, 15.09.2008 Acknowledgments A thesis involving several years of research will always be indebted to the input and advise of numerous people, not all of whom the author will be able to recall. However, my thanks must go, firstly, to my supervisor, Prof Michael Rowlands, who patiently and smoothly steered the thesis round a fair few cliffs, and, secondly, to my informants in Rome and on the Internet. Research was made possible by a grant from the Economic and Social Research Council (ESRC). -
First Line of Title
MADE IN THE AMERICAS? DECIPHERING THE ENIGMA OF THE MANO PODEROSA by Karla Francheska Torres Avilés A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Master of Arts in Art History Spring 2011 Copyright 2011 Karla Francheska Torres Avilés All Rights Reserved MADE IN THE AMERICAS? DECIPHERING THE ENIGMA OF THE MANO PODEROSA by Karla Francheska Torres Avilés Approved: __________________________________________________________ Mónica Domínguez Torres, Ph.D. Professor in charge of thesis on behalf of the Advisory Committee Approved: __________________________________________________________ Nina M. Athanassoglou-Kallmyer, Ph.D. Chair of the Department of Art History Approved: __________________________________________________________ George H. Watson, Ph.D. Dean of the College of Arts and Sciences Approved: __________________________________________________________ Charles G. Riordan, Ph.D. Vice Provost for Graduate and Professional Education ACKNOWLEDGMENTS I would like to dedicate this thesis to an exemplary human being, my Abuelo, Edwin Torres-Seda. Without his constant support and love, I would have never been able to fulfill my dreams of pursuing a graduate degree. He is truly an inspiration and I wish to express my deepest gratitude from the bottom of my heart. ¡Gracias Abuelo! I am personally indebted to everyone at the Department of Art History at the University of Delaware for providing the tools and knowledge required for me to excel in this field. My academic adviser, Dr. Mónica Domíguez Torres, has been instrumental in my professional growth. I wish to thank her for her academic support and for helping me overcome various hurdles in my graduate career. I am also extremely grateful to Dr. -
RUDOLF HIESTAND Kingship and Crusade in Twelfth-Century Germany
RUDOLF HIESTAND Kingship and Crusade in Twelfth-Century Germany in ALFRED HAVERKAMP AND HANNA VOLLRATH (eds.), England and Germany in the High Middle Ages (Oxford: Oxford University Press, 1996) pp. 235–265 ISBN: 978 0 19 920504 3 The following PDF is published under a Creative Commons CC BY-NC-ND licence. Anyone may freely read, download, distribute, and make the work available to the public in printed or electronic form provided that appropriate credit is given. However, no commercial use is allowed and the work may not be altered or transformed, or serve as the basis for a derivative work. The publication rights for this volume have formally reverted from Oxford University Press to the German Historical Institute London. All reasonable effort has been made to contact any further copyright holders in this volume. Any objections to this material being published online under open access should be addressed to the German Historical Institute London. DOI: 10 Kingship and Crusade in Twelfth-Century Germany RUDOLF HIESTAND The title of ·this essay may seem paradoxical. Otto of Freising's chronicle contains a well-known passage deploring that because of the schism, Urban II's proclamation at Clermont 'Francos orientales minus permovit' .1 As for the Second Crusade, in which he had participated, he declares quite frankly that he will not discuss it at any length. 2 Most modern historians of the crusades accept his account. They describe the First Crusade as an enterprise in which no Germans except for Geoffrey of Bouillon and his men from Lorraine -
Papal and Secular Protection of the Families and Properties the Crusaders Left Behind, C.1095-1226
1 ‘Under Our Protection, That of the Church and Their Own’- Papal and Secular Protection of the Families and Properties the Crusaders Left Behind, c.1095-1226. Danielle Park Royal Holloway College, University of London PhD 2 Declaration of Authorship I, Danielle Park, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others this is always clearly stated. Signed:___________ Dated:____________ 3 Throughout this project I have received assistance and encouragement from many people and it is a great pleasure to express my appreciation for them here. I thank the Arts and Humanities Research Council (www.ahrc.ac.uk) for providing me with a three-year Doctoral Award. I am especially indebted to Jonathan Phillips for first introducing me to the Crusades and for his invaluable insight, guidance and support as my supervisor. I offer my sincere thanks to Jonathan Harris and Peregrine Horden for reading the thesis in full and providing constructive advice and encouragement throughout the project. I am particularly obliged to Hannes Kleineke, Marian Ciuca and Martin Hall for their advice on translating various Latin texts. I am fortunate to have received help from numerous scholars at various stages of the project, I am especially grateful for the generosity of Thomas Asbridge, Barbara Bombi, Marcus Bull, Lindy Grant, Bernard Hamilton, Alan V. Murray, Thomas Madden, William Purkis and Jochen Schenk. Likewise I am pleased to express my thanks to both the History tutors and my PhD peers at Royal Holloway. It is a pleasure to acknowledge my students on HS2009 and HS2010 for their enthusiasm and for teaching me so much about style, clarity and brevity, and equally to thank the MA students on HS5209A for showing such interest in my subject and for discussing many of the ideas and themes that appear in my thesis. -
How to Write History: Thucydides and Herodotus in the Ancient Rhetorical Tradition
How to write history: Thucydides and Herodotus in the ancient rhetorical tradition A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Scott Kennedy, B.A., B.S. Graduate Program in Greek and Latin The Ohio State University 2018 Dissertation Committee: Anthony Kaldellis, Adviser Benjamin Acosta-Hughes Will Batstone Copyright by Scott Kennedy 2018 Abstract Modern students of Thucydides and Herodotus may find it odd to think of them as rhetoricians. Yet in the ancient world, both historians (and especially Thucydides) played an important role in rhetorical schools. They were among the favorite authors of ancient teachers of rhetoric and served as foundational pillars of the ancient curriculum, providing themes for school exercises and even for such seminal texts as Hermogenes' theoretical treatises on rhetoric. Modern scholars might never read technical rhetorical texts such as Hermogenes. They almost certainly would never turn to Hermogenes and his kind to help them understand Thucydides or Herodotus. But for our ancient intellectual predecessors, such an approach would have been unconscionable, as ancient rhetoric was the theoretical lens with which they understood and appreciated historical writings. In this dissertation, I explore the confluence of rhetoric and historiography in the ancient world through an examination of how Herodotus and Thucydides were used in ancient schools and then by later historians. Chapter 1 and 2 outline how these historians were embedded and encoded within the rhetorical curriculum. In Chapter 1, I examine how Herodotus and Thucydides entered the rhetorical curriculum and how rhetors incorporated them into the rhetorical curriculum through an examination of the surviving progymnasmata, scholia, and pedagogical myths. -
Bulletin 26Th July 2020,First Holy Communions and the Sacrament Of
Bulletin 2nd August 2020 Bulletin 2nd August 2020 St Bridget of Sweden – Duplicated From Wikipedia, the free encyclopedia Bridget of Sweden (c. 1303 – 23 July 1373); born as Birgitta Birgersdotter, also Birgitta of Vadstena, or Saint Birgitta (Swedish: heliga Birgitta), was a mystic and saint, and founder of the Bridgettines nuns and monks after the death of her husband of twenty years. Outside of Sweden, she was also known as the Princess of Nericia[2] and was the mother of Catherine of Vadstena. (Though normally named as Bridget of Sweden, she was not a member of Swedish royalty.) She is one of the six patron saints of Europe, together with Benedict of Nursia, Saints Cyril and Methodius, Catherine of Siena and Edith Stein. The most celebrated saint of Sweden was the daughter of the knight Birger Persson[3] of the family of Finsta, governor and lawspeaker of Uppland, and one of the richest landowners of the country, and his wife Ingeborg Bengtsdotter, a member of the so-called Lawspeaker branch of theFolkunga family. Through her mother, Ingeborg, Birgitta was related to the Swedish kings of her era. She was born in 1303. There is no exact recording for which precise date. In 1316, at the age of 14[3] she married Ulf Gudmarsson of the family of Ulvåsa, Lord of Närke, to whom she bore eight children, four daughters and four sons. Six survived infancy, which was rare at that time. Her eldest daughter was Märta Ulfsdotter. Her second daughter is now honored as St. Catherine of Sweden. Her youngest daughter was Cecilia Ulvsdotter. -
Middle Byzantine Aesthetics and the Incomparability of Islamic
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 2010 Middle Byzantine Aesthetics and the Incomparability of Islamic Art: The Architectural Ekphraseis of Nikolaos Mesarites Alicia Walker Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/hart_pubs Custom Citation Alicia Walker, "Middle Byzantine Aesthetics and the Incomparability of Islamic Art: The Architectural Ekphraseis of Nikolaos Mesarites," Muqarnas 27 (2010): 79-101. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/hart_pubs/57 For more information, please contact [email protected]. ALICIA WALKER MIDDLE BYZANTINE AESTHETICS OF POWER AND THE INCOMPARABILITY OF ISLAMIC ART: THE ARCHITECTURAL EKPHRASEIS OF NIKOLAOS MESARITES An early thirteenth-century historical treatise, The between churches and this building, or between sacred Palace Revolt of John Komnenos by Nikolaos Mesa and imperial icons and the images on the ceiling ofthe rites, an author of the middle Byzantine period (ca. Mouchroutas. Rather, these juxtapositions were con 843-1204), contains a passage that briefly describes an structed by Mesarites and indicate his reception of, not Islamic-style building, the Mouchroutas, which was part the original intentions behind, the Islamicizing work of of the imperial palace complex in Constantinople (see art. Appendix).l The author emphatically states that the Nikolaos Mesarites (d. ca. 1214) was a Byzantine structure was the work of "a Persian hand," that is to courtier from a prominent family. -
IMAGES of POWER: ROMANESQUE ART (Cluniac Churches in France) ROMANESQUE CLUNIAC ART and ARCHITECTURE
IMAGES OF POWER: ROMANESQUE ART (Cluniac Churches in France) ROMANESQUE CLUNIAC ART AND ARCHITECTURE Online Links: Cluny Abbey – Wikipedia Rule of St. Benedict – Wikipedia Romanesque Architecture - Sacred Destinations Seven deadly sins - Wikipedia, the free encyclopedia Autun Cathedral - Wikipedia, the free encyclopedia Romanesque – Smarthistory St. Lazare Autun – Smarthistory Ste. Foy in Conques - YouTube ROMANESQUE CLUNIAC ART AND ARCHITECTURE Online Links: Vezelay - Smarthistory Vezelay's Medieval Narrative Capitals Introduction to the Cluniac Abbey of St. Pierre and its cloister Abbaye St-Pierre de Moissac Information on the Tympanum of Saint-Foy at Conques Abbey of Ste. Foy in Conques - video on docuwat.ch The great abbey of Cluny in Burgundy, France, was founded in 910. The abbey church at Cluny was at 525 feet long, the largest church in Christendom. Cluny prospered under the leadership of a succession of able abbots, chief among them St. Odo (926-44), St. Odilo (994-1049), and Peter the Venerable (1122-57). Numerous other monasteries were founded which were ruled directly from Cluny, so that this part of the Benedictine Order became almost an independent European power. At one time these dependent monasteries and convents numbered nearly a thousand. In the turbulent world of the eleventh and twelfth centuries Cluny was thus both an oasis of order and a political and economic focus. The Abbey was notable for its adherence to the Rule of St. Benedict, a book of precepts written by St. Benedict of Nursia (c. 480-547) for monks living communally under the authority of an abbot. As such it became acknowledged as the leader of western monasticism. -
Ance of David Harrisville, Irina Tamarkina, and Charlotte Whatley, Cambridge University Press, Cambridge 2018, Pp
338 Book reviews Kolias G., Biographie, [in:] Léon Choerosphactès, Sénina T.A., Аnth. Gr. 15.12 de Léon le Philosophe magistre, proconsul et patrice. Biographie – Corréspon- comme source autobiographique, “Greek, Roman, and dance (texte et traduction), ed. G. Kolias, Athen 1939, Byzantine Studies” 57.3, 2017, p. 713–720. p. 15–73. Sv. Kassija Konstantinopol’skaja, Gimny, kanony, Lev Matematik i Filosof, Sočinenija, ed. et trans. epigrammy / T. Senina, Kassija Konstantinovskaja: T.A. Senina, Sankt-Peterburg 2017 [= Новая визан- žizn’ i tvorčestvo, Sankt-Peterburg 2015 [= Legenda тийская библиотека. Источники / Novaja Vizantij- legantur. Quadrivium издательский проект. Seria skaja Biblioteka. Istočniki]. Byzantina / Legenda legantur. Quadrivium izdatel’skij proekt. Seria Byzantina]. Magdalino P., In Search of the Byzantine Court- ier: Leo Choirosphaktes and Constantine Manasses, * [in:] Byzantine Court Culture from 829 to 1204, Mirosław J. Leszka (Łódź)3 ed. H. Maguire, Washington 1997, p. 146–161. Translated by Marek Majer Senina T.A., Ellinizm v Vizantii IX veka, Sankt-Pe- terburg 2018 [= Новая византийская библиотека. * Uniwersytet Łódzki, Wydział Filozoficzno-Historyczny, Источники / Novaja Vizantijskaja Biblioteka. Istočniki]. Katedra Historii Bizancjum DOI: 10.18778/2084-140X.08.22 Leonora Neville, Guide to Byzantine Historical Writing, with the assist- ance of David Harrisville, Irina Tamarkina, and Charlotte Whatley, Cambridge University Press, Cambridge 2018, pp. XII, 322. he work under discussion has been edited set before themselves and makes certain remarks Tby Leonora Neville, professor at the Uni- about the intended readers of their works. Some versity of Wisconsin and expert in the history space is also devoted to issues such as classicism, and culture of the Middle Byzantine period; the emphasis, and meaning in Byzantine historical bibliography was compiled with the assistance writings, as well as to the problems of dating, of David Harrisville, Irina Tamarkina and Char- nomenclature, and the language itself. -
Religious Exemption in Pre-Modern Eurasia, C. 300 -1300 Ce
medieval worlds comparative & interdisciplinary studies No. 6/2017 RELIGIOUS EXEMPTION IN PRE-MODERN EURASIA, C. 300 -1300 CE medieval worlds comparative & interdisciplinary studies medieval worlds comparative & interdisciplinary studies Volume 2017.6 Religious Exemption in Pre-Modern Eurasia, c. 300-1300 CE Guest Editor: Charles West medieval worlds comparative & interdisciplinary studies All rights reserved ISSN 2412-3196 Online Edition Media Owner: Institute for Medieval Research Copyright © 2017 by Austrian Academy of Sciences, Vienna Cover design, layout: Anneke Gerloff Austrian Academy of Sciences Press Dr. Ignaz Seipel Platz 2, 1010 Vienna, Austria Tel. +43-1-515 81/DW 3402-3406 Fax +43-1-515 81/DW 3400 hw.oeaw.ac.at, verlag.oeaw.ac.at Editors Walter Pohl, Austrian Academy of Sciences/University of Vienna Andre Gingrich, Austrian Academy of Sciences/University of Vienna Editorial Board Maximilian Diesenberger, Austrian Academy of Sciences Bert Fragner, Austrian Academy of Sciences Christian Gastgeber, Austrian Academy of Sciences Johann Heiß, Austrian Academy of Sciences Claudia Rapp, Austrian Academy of Sciences/University of Vienna Irene van Renswoude, Huygens Institute for the History of the Netherlands/ Royal Netherlands Academy of Arts and Sciences Pavlína Rychterová, Austrian Academy of Sciences Veronika Wieser, Austrian Academy of Sciences International Advisory Board Glenn Bowman , University of Kent Sabrina Corbellini, University of Groningen Mayke de Jong, Utrecht University Nicola di Cosmo, Institute for Advanced Study, -
Treasures of Heaven 3(#*$3, )! -#0 3, (*" "! 4,$#,* #* '!"#! 4(- ! 5),7!
TREASURES OF HEAVEN 3(#*$3, )! -#0 3, (*" "! 4,$#,* #* '!"#! 4(- ! 5),7! !"#$!" %& '()$#*( %(+*,-#, .,-+!) (. /-!#*, 0. +)#11#$. '(**, (*" 2('!3 ),%#*3,* $.! 0-!4!-(*" '53!5' ,1 ()$ • $.! 6(-$!)3 ()$ '53!5', %(-$#',)! • $.! %)#$#3. '53!5', -,*",* "#3$)#%5$!" %& &(-! 5*#4!)3#$& 7)!33, *!6 .(4!* (*" -,*",* The exhibition catalogue has been supported by Paul Ruddock and an anonymous donor. This publication accompanies the exhibition Treasures Copyright © ./,/ The Trustees of the Walters Art Gallery. Front cover: Reliquary with the Man of Sorrows, of Heaven: Saints, Relics, and Devotion in Medieval Europe, Essay and catalogue entries by Holger Klein copyright © ./,/ detail (cat no. ,..) organized by the Cleveland Museum of Art, the Walters The Cleveland Museum of Art. All rights reserved. No part Back cover: Panel-Shaped Reliquary of the True Cross, Art Museum, Baltimore, and the British Museum, London. of the contents of this book may be reproduced, stored detail (cat. no. 52) in a retrieval system, or transmitted in any form or by any !"#$%$&$'( )*&!+ means, including photocopy, recording, or other information and retrieval systems without the written permission of The Cleveland Museum of Art the copyright owners. ,- October ./,/–,- January ./,, The Walters Art Museum, Baltimore The Walters Art Museum ,0 February ./,,–,1 May ./,, 4// North Charles Street Baltimore, Maryland .,./, The British Museum, London thewalters.org .0 June ./,,–2 October ./,, Distributed by This exhibition is supported by an indemnity from the Federal Yale University Press Council on the Arts and Humanities P.O. Box ./2/5/ 0/. Temple Street Library of Congress Cataloging-in-Publication Data New Haven, Connecticut /41./-2/5/ Treasures of heaven : saints, relics, and devotion in medieval yalebooks.com Europe / edited by Martina Bagnoli ..