A Byzantine Jerusalem. the Imperial Pharos Chapel As the Holy Sepulchre
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The Trial by Fire of Peter Bartholomew: a Case Study in Medieval Social Conflict' Kostick, Conor
'The trial by fire of Peter Bartholomew: a case study in medieval social conflict' Kostick, Conor Citation Kostick, C. (2012). 'The trial by fire of Peter Bartholomew: a case study in medieval social conflict'. Leidschrift : Met Het Kruis Getekend, 27(December), 21-40. Retrieved from https://hdl.handle.net/1887/73165 Version: Not Applicable (or Unknown) License: Leiden University Non-exclusive license Downloaded from: https://hdl.handle.net/1887/73165 Note: To cite this publication please use the final published version (if applicable). The trial by fire of Peter Bartholomew: a case study in medieval social conflict Conor Kostick If Omnipotent God talked to this man face to face, and Saint Andrew revealed the Holy Lance to him when he was keeping vigil, let him walk through the fire unhurt; but if this is a lie let him and the Lance he will carry in his hand be consumed by fire. 1 The ordeal by fire of Peter Bartholomew during the course of the First Crusade (1096-1099) is one of the more dramatic examples of a medieval trial by ordeal. Much discussed by historians of the crusades, it deserves wider attention as a case study of a particular type of legal case: one where contending political and social factions agree to put their dispute to a test, a test whose outcome they then attempt to influence. Despite the canonical hesitancy over the legitimacy of the practice of the ordeal, 2 at the time of the First Crusade the trial by ordeal was a powerful tradition, invoked especially in circumstances where other evidence was lacking.3 In his An Introduction to English Legal History, however, J.H. -
From Charlemagne to Hitler: the Imperial Crown of the Holy Roman Empire and Its Symbolism
From Charlemagne to Hitler: The Imperial Crown of the Holy Roman Empire and its Symbolism Dagmar Paulus (University College London) [email protected] 2 The fabled Imperial Crown of the Holy Roman Empire is a striking visual image of political power whose symbolism influenced political discourse in the German-speaking lands over centuries. Together with other artefacts such as the Holy Lance or the Imperial Orb and Sword, the crown was part of the so-called Imperial Regalia, a collection of sacred objects that connotated royal authority and which were used at the coronations of kings and emperors during the Middle Ages and beyond. But even after the end of the Holy Roman Empire in 1806, the crown remained a powerful political symbol. In Germany, it was seen as the very embodiment of the Reichsidee, the concept or notion of the German Empire, which shaped the political landscape of Germany right up to National Socialism. In this paper, I will first present the crown itself as well as the political and religious connotations it carries. I will then move on to demonstrate how its symbolism was appropriated during the Second German Empire from 1871 onwards, and later by the Nazis in the so-called Third Reich, in order to legitimise political authority. I The crown, as part of the Regalia, had a symbolic and representational function that can be difficult for us to imagine today. On the one hand, it stood of course for royal authority. During coronations, the Regalia marked and established the transfer of authority from one ruler to his successor, ensuring continuity amidst the change that took place. -
Eastern Objects and Western Desires: Relics and Reliquaries Between Byzantium and the West
Eastern Objects and Western Desires: Relics and Reliquaries between Byzantium and the West Holger A. Klein Dumbarton Oaks Papers, Vol. 58. (2004), pp. 283-314. Stable URL: http://links.jstor.org/sici?sici=0070-7546%282004%2958%3C283%3AEOAWDR%3E2.0.CO%3B2-U Dumbarton Oaks Papers is currently published by Dumbarton Oaks, Trustees for Harvard University. Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/about/terms.html. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/journals/doaks.html. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. The JSTOR Archive is a trusted digital repository providing for long-term preservation and access to leading academic journals and scholarly literature from around the world. The Archive is supported by libraries, scholarly societies, publishers, and foundations. It is an initiative of JSTOR, a not-for-profit organization with a mission to help the scholarly community take advantage of advances in technology. For more information regarding JSTOR, please contact [email protected]. -
Saint Maximus the Confessor and His Defense of Papal Primacy
Love that unites and vanishes: Saint Maximus the Confessor and his defense of papal primacy Author: Jason C. LaLonde Persistent link: http://hdl.handle.net/2345/bc-ir:108614 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2019 Copyright is held by the author, with all rights reserved, unless otherwise noted. Love that Unites and Vanishes: Saint Maximus the Confessor and his Defense of Papal Primacy Thesis for the Completion of the Licentiate in Sacred Theology Boston College School of Theology and Ministry Fr. Jason C. LaLonde, S.J. Readers: Fr. Brian Dunkle, S.J., BC-STM Dr. Adrian Walker, Catholic University of America May 3, 2019 2 Introduction 3 Chapter One: Maximus’s Palestinian Provenance: Overcoming the Myth of the Greek Life 10 Chapter Two: From Monoenergism to Monotheletism: The Role of Honorius 32 Chapter Three: Maximus on Roman Primacy and his Defense of Honorius 48 Conclusion 80 Appendix – Translation of Opusculum 20 85 Bibliography 100 3 Introduction The current research project stems from my work in the course “Latin West, Greek East,” taught by Fr. Brian Dunkle, S.J., at the Boston College School of Theology and Ministry in the fall semester of 2016. For that course, I translated a letter of Saint Maximus the Confessor (580- 662) that is found among his works known collectively as the Opuscula theologica et polemica.1 My immediate interest in the text was Maximus’s treatment of the twin heresies of monoenergism and monotheletism. As I made progress -
First Line of Title
MADE IN THE AMERICAS? DECIPHERING THE ENIGMA OF THE MANO PODEROSA by Karla Francheska Torres Avilés A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Master of Arts in Art History Spring 2011 Copyright 2011 Karla Francheska Torres Avilés All Rights Reserved MADE IN THE AMERICAS? DECIPHERING THE ENIGMA OF THE MANO PODEROSA by Karla Francheska Torres Avilés Approved: __________________________________________________________ Mónica Domínguez Torres, Ph.D. Professor in charge of thesis on behalf of the Advisory Committee Approved: __________________________________________________________ Nina M. Athanassoglou-Kallmyer, Ph.D. Chair of the Department of Art History Approved: __________________________________________________________ George H. Watson, Ph.D. Dean of the College of Arts and Sciences Approved: __________________________________________________________ Charles G. Riordan, Ph.D. Vice Provost for Graduate and Professional Education ACKNOWLEDGMENTS I would like to dedicate this thesis to an exemplary human being, my Abuelo, Edwin Torres-Seda. Without his constant support and love, I would have never been able to fulfill my dreams of pursuing a graduate degree. He is truly an inspiration and I wish to express my deepest gratitude from the bottom of my heart. ¡Gracias Abuelo! I am personally indebted to everyone at the Department of Art History at the University of Delaware for providing the tools and knowledge required for me to excel in this field. My academic adviser, Dr. Mónica Domíguez Torres, has been instrumental in my professional growth. I wish to thank her for her academic support and for helping me overcome various hurdles in my graduate career. I am also extremely grateful to Dr. -
Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-1992 Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance Leon Stratikis University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Modern Languages Commons Recommended Citation Stratikis, Leon, "Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance. " PhD diss., University of Tennessee, 1992. https://trace.tennessee.edu/utk_graddiss/2521 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Leon Stratikis entitled "Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Modern Foreign Languages. Paul Barrette, Major Professor We have read this dissertation and recommend its acceptance: James E. Shelton, Patrick Brady, Bryant Creel, Thomas Heffernan Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation by Leon Stratikis entitled Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance. -
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Jan Milí č of Kroměř íž and Emperor Charles IV: Preaching, Power, and the Church of Prague Eleanor Janega UCL Thesis Submitted for the degree of PhD in History 1 I, Eleanor Janega, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in my thesis. 2 Abstract During the second half of the fourteenth century Jan Milí č of Krom ěř íž became an active and popular preacher in Prague. The sermons which he delivered focused primarily on themes of reform, and called for a renewal within the church. Despite a sustained popularity with the lay populace of Prague, Milí č faced opposition to his practice from many individual members of the city’s clergy. Eventually he was the subject of twelve articles of accusation sent to the papal court of Avignon. Because of the hostility which Milí č faced, historians have most often written of him as a precursor to the Hussites. As a result he has been identified as an anti-establishment rabble-rouser and it has been assumed that he conducted his career in opposition to the court of the Emperor Charles IV. This thesis, over four body chapters, examines the careers of both Milí č and Charles and argues that instead of being enemies, the two men shared an amicable relationship. The first chapter examines Milí č’s career and will prove that he was well-connected to Charles and several members of his court. It will also examine the most common reasons given to argue that Charles and Milí č were at odds, and disprove them. -
HYMNS, HOMILIES and HERMENEUTICS in BYZANTIUM Abstracts
HYMNS, HOMILIES AND HERMENEUTICS IN BYZANTIUM Abstracts John Damascene on the Transfiguration of the Lord: Mystical Homiletic Performance and Eschatological Hermeneutics Dr Vassilis Adrahtas (University of New South Wales) John Damascene’s oeuvre is generally seen as scholastic and rationalistic, and thus devoid of mysticism and eschatological fervour. However, this assertion is rather sweeping and does not do justice to the comprehensiveness, complexity and subtlety of John Damascene's theologising. On the basis of his homily On the Transfiguration of the Lord, the present paper will attempt to show that John Damascene did work through established mystical tropes and was indeed driven by an eschatological consciousness. In particular, it will be shown that this specific homily is articulated as a dramatised performance that mystically presents Jesus’ (historical) past in light of the experiencing of his (meta-historical) future. As a result, the homily in question is thoroughly informed by an eschatological hermeneutics, which apart from utilising traditional modes of biblical interpretation ultimately puts forward a mysticism of action and an iconic eschatology of being truly human. The Eye of the Soul in Plato and pseudo-Macarius: Alexandrian Theology and the Roots of Hesychasm A/Professor Eva Anagnostou-Laoutides (Macquarie University) Although the mystical tradition of Hesychasm is typically associated with Gregory Palamas and his fourteenth century dispute with Barlaam of Calabria (Meyendorff 1983: 6-8; Ware 1986: 249; Healey 1999: 227-8), its historical evolution in the writings of earlier writers such as Evagrius Ponticus (345-399; Ware 1986: 177), pseudo-Dionysius Areopagite (5th- 6th century; Russell 2004: 258; Perl 2007: 68); Maximus the Confessor (c. -
The Holy Lance of Antioch
The Holy Lance of Antioch A Study on the Impact of a Perceived Relic during the First Crusade Master Thesis By Marius Kjørmo The crucified Jesus and the Roman soldier Longinus with the spear that would become the Holy Lance. Portrait by Fra Angelico from the Dominican cloister San Marco, Florence. A Master Thesis in History, Institute of Archaeology, History, Culture Studies and Religion, University of Bergen, Spring 2009. 2 Contents Preface.........................................................................................................................................5 List of Maps..................................................................................................................................6 List of Illustrations.......................................................................................................................6 Cast of Characters.......................................................................................................................7 1. Introduction.........................................................................................................................................9 1.1. Introduction...........................................................................................................................9 1.2. Lance Historiography..........................................................................................................11 1.3. Terms and Expressions.......................................................................................................13 -
New Oxford History of Music Volume Ii
NEW OXFORD HISTORY OF MUSIC VOLUME II EDITORIAL BOARD J. A. WESTRUP (Chairman) GERALD ABRAHAM (Secretary) EDWARD J. DENT DOM ANSELM'HUGHES BOON WELLESZ THE VOLUMES OF THE NEW OXFORD HISTORY OF MUSIC I. Ancient and Oriental Music ii. Early Medieval Music up to 1300 in. Ars Nova and the Renaissance (c. 1300-1540) iv. The Age of Humanism (1540-1630) v. Opera and Church Music (1630-1750) vi. The Growth of Instrumental Music (1630-1750) vn. The Symphonic Outlook (1745-1790) VIIL The Age of Beethoven (1790-1830) ix. Romanticism (1830-1890) x. Modern Music (1890-1950) XL Chronological Tables and General Index ' - - SACRED AND PROFANE MUSIC (St. John's College, MS. B. Cambridge, 18.) Twelfth century EARLY MEDIEVAL MUSIC UP TO BOO EDITED BY DOM ANSELM HUGHES GEOFFREY CUMBERLEGE OXFORD UNIVERSITY PRESS LONDON NEWYORK TORONTO 1954 Oxford University Press, Amen House, London E.C.4 GLASGOW NEW YORK TORONTO MELBOURNE WELLINGTON BOMBAY CALCUTTA MADRAS KARACHI CAPE TOWN IBADAN Geoffrey Cumberlege, Publisher to the University PRINTED IN GREAT BRITAIN GENERAL INTRODUCTION THE present work is designed to replace the Oxford History of Music, first published in six volumes under the general editorship of Sir Henry Hadow between 1901 and 1905. Five authors contributed to that ambitious publication the first of its kind to appear in English. The first two volumes, dealing with the Middle Ages and the sixteenth century, were the work of H. E. Wooldridge. In the third Sir Hubert Parry examined the music of the seventeenth century. The fourth, by J. A. Fuller-Maitland, was devoted to the age of Bach and Handel; the fifth, by Hadow himself, to the period bounded by C. -
The Discovery of the True Cross in Jerusalem in 1099 : Evidence and Reconsideration
BARTŁOMIEJ DŹWIGAŁA Uniwersytet Kardynała Stefana Wyszyńskiego Instytut Historii ORCID: 0000-0003-3762-3917 The Discovery of the True Cross in Jerusalem in 1099 : Evidence and Reconsideration Key w ords: Relic of the Cross, True Cross, Kingdom of Jerusalem, First Crusade The discovery of the True Cross in Jerusalem just after the successful end of the First Crusade is probably one of the most baffling and neglected events in the history of the Kingdom of Jerusalem.1 Contemporaries perceived this miraculous discovery as the crowning point of the expedition, as well as a tangible sign of God’s favour, which is evident in the first letter sent by Pope Paschal II to the crusaders.2 The cen- trality of the Cross in the Latin Kingdom of Jerusalem is confirmed in a letter that Warmund, the patriarch of Jerusalem, sent to the archbishop of Santiago Compostela, where he stated that “we are ready to die rather than desert the holy city of Jerusalem and the Lord’s Cross and the most Holy Sepulchre of Christ.”3 These words clearly show that the responsibility for the protection of the True Cross was a key element in the identity of the crusader monarchy. The True Cross is alleged to have been discovered by Helena, mother of Con- stantine the Great. The legend of Helena’s finding of the Cross must have originated in the second half of the fourth century, most likely in Jerusalem.4 Relics of the Cross had spread across the Roman Empire by the middle of the fourth century and quickly 1 I would like to thank the De Brzezie Lanckoronski Foundation for its generous support, which allowed me to spent August 2018 in London and use the rich collections of the Warburg Institute Li- brary and the Institute of Historical Research Library. -
A Prophet Has Appeared Coming with the Saracens”: the Non-Islamic Testimonies on The
A prophet has appeared Coming with the Saracens”: The non-Islamic testimonies on the prophet and the Islamic conquest of Egypt in the 7th-8th centuries. Master Thesis for the Requirements of the MA Program: Eternal Rome, Radboud University Lykourgos Boras, S4803620 Supervisor: Dr MVM Van Berkel Radboud University Nijmegen June 2017 This thesis is dedicated to the memory of my teacher and friend Adrian Saunders († 2017). “Φέρ᾽ ὕδωρ, φέρ᾽ οἶνον, ὦ παῖ, φέρε <δ᾽> ἀνθεμόεντας ἡμὶν στεφάνους, ἔνεικον, ὡς δὴ πρὸς Ἔρωτα πυκταλίζω” Anacreon 27D 2 Index ➢ Introduction A. Status Questionis 6-8 B. Literature Review 8-11 C. Sources’ Selection 11-13 ➢ Chapter One: The Prophet A. The Doctrina Jacobi 14-21 i. Date, summary and authorship 14-15 ii. Context 15-21 B. The rest of the sources 21-26 i. The secrets of Rabbi Simon : date and authorship 21-22 ii. Context 22-24 iii. The Armenian History Attributed to the Bishop Sebeos: Date and Authorship 24 iv. Context 24-26 ➢ Chapter Two: The Greek sources A. Egypt on the eve of the Islamic Conquests 27-28 B. The Greek sources 29-39 i. The Patriarch Sophronius: The Synodical Letter, date and authorship 29 ii. Context 29-31 iii. Sophronius’ Speech on the Epiphany: Date and Context 31-32 iv. Maximus the Confessor: Letter to Peter the Illustrius: Date and authorship 32-33 v. Maximus’ Letter Context 33-35 3 vi. Anastasius of Sinai: The Hodegos, date and Authorship 35-36 vii. Context 36-39 ➢ Chapter 3: The Coptic Sources A. The anonymous testimonies 40-44 i.