Punch-Drunk Love

Total Page:16

File Type:pdf, Size:1020Kb

Punch-Drunk Love Who’s Who Punch-Drunk Love Fulbright scholar and the first-ever recipient of my life making music, because it will always both the Sir Georg Solti Emerging Conductor be above me. There will always be something Award and the Glimmerglass-Aspen Prize for else to learn.’” Opera Conducting. He lives in Brooklyn with his wife, the extraordinary dancer-actress Laura NORAH JONES first emerged on the world Careless. stage with the February 2002 release of Come Away With Me, her self-described “moody little JON BRION has brought a singular musical record” that introduced a singular new voice voice to Paul Thomas Anderson’s films Hard and grew into a global phenomenon, sweeping Eight, Magnolia, and Punch-Drunk Love. He the 2003 Grammy Awards and signaling a par- has scored some of the past decade’s other adigm shift away from the prevailing synthetic unforgettably unorthodox films, such as Michel pop music of the time. Since then, Jones has Gondry’s Eternal Sunshine of the Spotless sold over 40 million albums worldwide and be- Mind, Charlie Kaufman’s Synecdoche, New come a nine-time Grammy winner. She has re- York, and David O. Russell’s I Heart Huck- leased a series of critically acclaimed and com- abees. He has also written music for the hit mercially successful solo albums—Feels Like comedies The Break-Up and Step Brothers, Home (2004), Not Too Late (2007), The Fall the gothic animated feature, ParaNorman, (2009), and Little Broken Hearts (2012)—as Judd Apatow’s This is 40, and Pixar’s Blue well as two albums with her country collec- Umbrella short. Brion’s music was most tive The Little Willies. The 2010 compilation recently featured in Paramount Pictures’ crime …Featuring Norah Jones showcased her drama The Gambler starring Mark Wahlberg incredible versatility by collecting her collabo- and Judd Apatow’s hit comedy Trainwreck rations with artists as diverse as Willie Nelson, starring Amy Schumer. Up next for Brion is Outkast, Herbie Hancock, and Foo Fighters. Fox Searchlight Pictures’ Wilson starring Judy Little Broken Hearts, which was produced by Greer, Laura Dern, and Woody Harrelson. Brion Danger Mouse, was a fascinating step in the showed musical promise from his beginnings artistic evolution of one of the music world’s BAM and Wordless Music present in New Jersey, and formed a band out of high most consistently intriguing singer-songwriters. school. He played with artists like Aimee Mann Jones had previously collaborated with Danger and The Wallflowers before becoming a pro- Mouse on his acclaimed 2011 album ROME, a Paul Thomas Anderson’s ducer—and sometimes songwriter—for Fiona valentine to classic Italian film score music that Apple, Rufus Wainwright, and Kanye West also featured Jack White. Jones is currently (among others). “When I was eight or nine,” putting the final touches on her sixth solo recalls a prescient Brion, “I said to myself, ‘It’s album, which is due to be released this fall on Punch-Drunk Love really good that I’m going to spend the rest of Blue Note Records. Mar 19, 2016 at 8pm | BAM Howard Gilman Opera House Music by Jon Brion Wordless Music Orchestra Ryan McAdams conductor Jon Brion keyboards, percussion, electronics, celesta, piano, modular synths Norah Jones, guest vocalist #PunchDrunkLove #PunchDrunkLove Wordless Music Orchestra Who’s Who VIOLIN OBOE WORDLESS MUSIC ORCHESTRA is the Angeles debut with composer/conductor Mica Pauline Kim Harris, Michelle Farah house band of New York City’s Wordless Music Levi in the US premiere of Under the Skin; concertmaster Arthur Sato* series, which was founded by non-musician performed the US premiere of Pablo Berger’s Megan Atchley Ronen Givony in 2006 and has since present- Blancanieves; and reprised its collaboration Tom Chiu CLARINET with Benh Zeitlin and Dan Romer for an encore Monica Davis Bill Kalinkos ed concerts in museums, churches, nightclubs, Elizabeth Derham Eileen Mack* and out-of-doors, pairing artists from the performance of Beasts of the Southern Wild at Pala Garcia sound worlds of so-called classical, electronic, the Saenger Theater in New Orleans. In 2016, Mario Gotoh BASSOON and rock music. Comprising New York’s most Wordless Music Orchestra also performs the William Knuth Brad Balliett* omnivorous young musicians, and members world premiere live scores for Terrence Malick’s Laura Lutzke* Jack Chan of groups such as Alarm Will Sound, ACME, The Tree of Life at the National Concert Hall in Jessica McJunkins and Ensemble Signal, the orchestra presented Dublin and for Paul Thomas Anderson’s Punch- Chris Otto HORN Ben Russell Kate Sheeran* its first concerts in 2008 under conductor Drunk Love in Los Angeles. Andie Springer Jason Sugata Brad Lubman, with the US premiere of Jonny Mary Jo Stilp Greenwood’s Popcorn Superhet Receiver, on RYAN McADAMS made his European debut in ACCORDION a program with music of Gavin Bryars and 2010 with the Maggio Musicale in Florence, VIOLA Aaron Roche John Adams. In 2010, the Wordless Music his Eastern European debut in Croatia with Caleb Burhans* Lucie Vítková* Orchestra performed alongside the Hilliard the Academy of St. Martin in the Fields in Kallie Ciechomski Ensemble and Latvian National Choir as part of 2010, and his subscription debut with the Jeanann Dara HARP Isabel Hagen Jane Yoon* Lincoln Center’s inaugural White Light Festival, Israel Philharmonic in 2011. He has returned Caitlin Lynch in world premiere compositions for orchestra to the Israel Philharmonic twice since, most PERCUSSION and voices by Kjartan Sveinsson and Jónsi recently on tour with cellist Alisa Weilerstein CELLO Yuri Yamashita-Morales* Birgisson of Sigur Rós with his partner, Alex and Orff’s Carmina Burana. His appearances Clara Kennedy Wilson Torres* Somers. On September 11, 2011, Wordless in 2015—16 include Bizet’s Les pêcheurs de Rubin Kodheli Matt Smallcomb Music Orchestra performed a memorial concert perles with the Orchestra Sinfonica Nazionale Lauren Radnofsky* Joe Wong for the 10th anniversary of the September della RAI and the Maggio Musicale in Florence, Seth Parker Woods SOUND ENGINEER 11 attacks in the Temple of Dendur at the Il barbiere di Siviglia with Opera Theatre of St. BASS Richie Clarke Metropolitan Museum of Art, with the world Louis, Don Giovanni with New York’s Venture Tomoya Aomori* premiere orchestration of William Basinski’s Opera, Carmen with the Teatro Regio Torino, Eleonore Oppenheim PRODUCER Disintegration Loop 1.1. In 2013, the orches- L’elisir d’amore with Gulfshore Opera, concerts Ronen Givony tra performed a world premiere live score to with Santa Fe Symphony, a collaboration with FLUTE the film Beasts of the Southern Wild for an Lincoln Center Jazz and the Phoenix Sym- Erin Lesser* *principal outdoor audience of 7,000 at Prospect Park in phony, and concerts with the Wordless Music Jessica Schmitz Brooklyn; with the legendary Kranky ambient Orchestra and Philadelphia’s Orchestra 2001. duo Stars of the Lid at Brooklyn’s Basilica of Recent highlights include appearances with Our Lady of Perpetual Help; and with musical the Vancouver Symphony, Louisville Orchestra, icon John Cale for songs from Cale’s classic Orchestre Symphonique et Lyrique de Nancy, album Paris 1919, as part of the 2012 BAM Columbus Symphony, Princeton Symphony, St. New orchestral arrangements for Jon Brion’s original score were made for this performance by Next Wave Festival. In 2014, Wordless Music Paul Chamber Orchestra, L’Orchestre de Cham- Matt Marks and Jay Lin. Orchestra made its Australian debut with Max bre de Genève, Los Angeles Philharmonic, Indianapolis Symphony, CityMusic Cleveland, Thank you: Erica Frauman, Paul Thomas Anderson, Norah Jones, Jonathan Karp, Matt Richter at the Sydney Opera House and Mel- Marks, Steve Barnett, Mark Flanagan, Dave Jennings, Richard Kraft, Dan North, Skywalker bourne Recital Centre; performed with Jonny New Jersey Symphony, and Glimmerglass Op- Sound, Carlin Belkowski, Tara McPherson, Tom Mulvaney, and Zan Emerson. Greenwood at the Big Ears festival in Knoxville, era. McAdams served as associate conductor TN, and in two live film score performances of both New York City Opera and New York to Paul Thomas Anderson’s There Will Be City Ballet, assistant conductor of the Aspen Blood; and at London’s Barbican Centre for the Music Festival, music director of the New York European premiere of Beasts of the Southern Youth Symphony, and apprentice conductor to Wild. In 2015, the orchestra made its Los Lorin Maazel at the Castleton Festival. He is a Wordless Music Orchestra Who’s Who VIOLIN OBOE WORDLESS MUSIC ORCHESTRA is the Angeles debut with composer/conductor Mica Pauline Kim Harris, Michelle Farah house band of New York City’s Wordless Music Levi in the US premiere of Under the Skin; concertmaster Arthur Sato* series, which was founded by non-musician performed the US premiere of Pablo Berger’s Megan Atchley Ronen Givony in 2006 and has since present- Blancanieves; and reprised its collaboration Tom Chiu CLARINET with Benh Zeitlin and Dan Romer for an encore Monica Davis Bill Kalinkos ed concerts in museums, churches, nightclubs, Elizabeth Derham Eileen Mack* and out-of-doors, pairing artists from the performance of Beasts of the Southern Wild at Pala Garcia sound worlds of so-called classical, electronic, the Saenger Theater in New Orleans. In 2016, Mario Gotoh BASSOON and rock music. Comprising New York’s most Wordless Music Orchestra also performs the William Knuth Brad Balliett* omnivorous young musicians, and members world premiere live scores for Terrence Malick’s Laura Lutzke* Jack Chan of groups such as Alarm Will Sound, ACME, The Tree of Life at the National Concert Hall in Jessica McJunkins and Ensemble Signal, the orchestra presented Dublin and for Paul Thomas Anderson’s Punch- Chris Otto HORN Ben Russell Kate Sheeran* its first concerts in 2008 under conductor Drunk Love in Los Angeles.
Recommended publications
  • The Sound of Ruins: Sigur Rós' Heima and the Post
    CURRENT ISSUE ARCHIVE ABOUT EDITORIAL BOARD ADVISORY BOARD CALL FOR PAPERS SUBMISSION GUIDELINES CONTACT Share This Article The Sound of Ruins: Sigur Rós’ Heima and the Post-Rock Elegy for Place ABOUT INTERFERENCE View As PDF By Lawson Fletcher Interference is a biannual online journal in association w ith the Graduate School of Creative Arts and Media (Gradcam). It is an open access forum on the role of sound in Abstract cultural practices, providing a trans- disciplinary platform for the presentation of research and practice in areas such as Amongst the ways in which it maps out the geographical imagination of place, music plays a unique acoustic ecology, sensory anthropology, role in the formation and reformation of spatial memories, connecting to and reviving alternative sonic arts, musicology, technology studies times and places latent within a particular environment. Post-rock epitomises this: understood as a and philosophy. The journal seeks to balance kind of negative space, the genre acts as an elegy for and symbolic reconstruction of the spatial its content betw een scholarly w riting, erasures of late capitalism. After outlining how post-rock’s accommodation of urban atmosphere accounts of creative practice, and an active into its sonic textures enables an ‘auditory drift’ that orients listeners to the city’s fragments, the engagement w ith current research topics in article’s first case study considers how formative Canadian post-rock acts develop this concrete audio culture. [ More ] practice into the musical staging of urban ruin. Turning to Sigur Rós, the article challenges the assumption that this Icelandic quartet’s music simply evokes the untouched natural beauty of their CALL FOR PAPERS homeland, through a critical reading of the 2007 tour documentary Heima.
    [Show full text]
  • Flaming Lips'
    WILL CALHOUN’S DRUMSET $ WIN VALUED OVER 5,900 PINK’S MARK SCHULMAN GEARS UP MODERNTHE WORLD’S #1 DRUM MAGAZINE DRUMMERNOVEMBER 2013 FLAMING LIPS’ DROZD AND SCURLOCK LIGHT OUR FIRE AGAIN ILAN RUBIN HOT PARAMORE AND 10 NEW REGIME BEATS ’SREAL-DEAL RAGER PREPARATION, MEET OPPORTUNITY MODERNDRUMMER.com + TONY THOMPSON’s POWER STATION + IN THE STUDIO SPECIALTY MIC APPLICATIONS + KENNY WASHINGTON AND DAFNIS PRIETO ON BACKING SOLOISTS + REVIEWED: MAPEX SATURN IV MH EXOTIC KIT paiste.com THE NEW ALTERNATIVE FOR SIGNATURE PLAYERS Scan the QR Code to see Sutter Jason Vanderbilt, Franklin (pictured), Dean Butterworth and John Robinson demo the new Signature «Precision» series. The new Signature «Precision» series is created using Paiste’s proprietary Signature Alloy, and features the typical hallmarks of Paiste’s original Signature sound - brightness, fullness, strong presence and projection, with brilliant musicality. A particular quality of the Signature «Precision» is its clean and focused character in combination with a very articulate, straight-ahead sound. The goal for the Signature «Precision» was to create a more affordable Signature sound. Part of the success of this project is the incredible sound potency that already exists within the Signature Alloy. QUALITY HAND CRAFTED CYMBALS MADE IN SWITZERLAND • 830 Series Hardware • Demonator Bass Pedal • OptiLoc Tom Mounts • Blended Shell Construction • Exclusive Lifetime Warranty THE BEST SELLING DRUMSET OF ALL TIME. INTRODUCING THE ALL NEW EXPORT SERIES Welcome to Ground Zero for a legion of pro drummers. From Joey Jordison of Slipknot and Mike Wengren of Disturbed to Ray Luzier of Korn and Will Hunt of Evanescence, this is where it all began.
    [Show full text]
  • Afi European Union Film Showcase November 3–22
    ISSUE 54 AFI SILVER THEATRE AND CULTURAL CENTER NOVEMBER 3, 2011– FEBRUARY 2, 2012 AFI EUROPEAN UNION FILM SHOWCASE NOVEMBER 3–22 Festival of New Spanish Cinema More MuppetsTM, Music & Magic Alexander Payne Holiday Classics Washington Jewish Film Festival Pictured: Keira Knightley and Michael Fassbender in David Cronenberg's A DANGEROUS METHOD, one of the centerpiece screenings at the AFI European Union Film Showcase AFI.com/Silver Contents European Union Film Showcase 2011 AFI European Union Film Showcase ......... 2 November 3-22 Special Engagements ..................... 9,16 Now in its 24th year, the AFI European Union Film OPENING NIGHT Festival of New Spanish Cinema ...........10 Showcase features a first-class selection of films from EU member states. This year’s selection of more than The Films of Alexander Payne ...............11 oldwyn Films 40 films includes multiple award-winners, international G More Muppets™, Music & Magic: festival favorites, local box-office hits and debut works Jim Henson's Legacy ...........................12 by promising new talents, plus many countries’ official Oscar submissions for Best Foreign Language Film. Holiday Classics ..................................13 Courtesy of Samuel Highlights of the festival include Opening Night film AFI & Montgomery College/ THE WOMAN IN THE FIFTH, Pawel Pawlikowski’s Kids Euro Festival/ Talk Cinema/ moody thriller starring Ethan Hawke and Kristin Scott Washington Jewish Film Festival ...........14 Thomas; Aki Kaurismäki’s quirkily inspiring charmer Calendar ............................................15 LE HAVRE; the Dardenne brothers’ Cannes Grand Prix THE WOMAN IN THE FIFTH winner THE KID WITH THE BIKE; David Cronenberg’s LOOK FOR THE razor-sharp drama about Sigmund Freud, Carl Jung and THE WOMAN IN THE FIFTH the woman who came between them, A DANGEROUS Scheduled to appear: actress Joanna Kulig AFI Member passes accepted for METHOD, starring Michael Fassbender, Viggo Thu, Nov 3, 7:30, reception to follow designated screenings.
    [Show full text]
  • August 1-7, 2013
    AUGUST 1-7, 2013 -------------------------- Feature • Nic Cowan/Niko Moon ------------------------- Making His Own Kind of Music By Mark Hunter an, a native Texan trans- and low-paying bar gigs, playing his own planted to Atlanta and material and adhering to his father’s advice, Those of you expecting to hear raised in a family of mu- which was to be original at the expense Nic Cowan perform at the Botanical sicians. Like his father, of everything else. He played at night and Roots Outdoor Concert Series on a Moon was a drummer worked at UPS and as an apartment complex hot August night are in for a surprise. when he first started maintenance man during the day. Nic Cowan is now Niko Moon, and playing. He switched In addition to his own tunes, he began he’ll be playing acoustic versions to guitar in high school learning covers so he could get more gigs. from his self-titled debut CD as and started writing songs At one show he caught the eye of a booking Niko Moon. The Botanical Roots immediately. At first he agent named Francisco Vidal. Vidal eventu- show will be his first as Niko Moon bounced around genres ally got him a slot opening for Zac Brown. and the first to feature his new and ideals, from Soon Cowan found himself snugly under music. fronting a Brown’s wing, writing songs for Brown, Lee Miles, who is punk band touring with him and finally recording under still Lee Miles, and to leading Brown’s label. his band Illegitimate a worship From the start, Cowan fit right in with Sons will open.
    [Show full text]
  • Human Rights Abuses in Protest Arrests the Ascendancy of Ultraflex the Government-Sanctioned Amount of Yule Lad Content
    THE NEVER BEFORE HEARD HISTORY OF ODIN'S RAVEN MAGIC, IN WHICH... ALSO IN THIS ISSUE: HUMAN RIGHTS ABUSES IN PROTEST ARRESTS THE ASCENDANCY OF ULTRAFLEX THE GOVERNMENT-SANCTIONED AMOUNT OF YULE LAD CONTENT ... & MORE COVER PHOTO: Based on stills from the Odins Raven Magic The cover image is a concert recording in home-brewed homage Paris, 2008. to a faint memory of what mid-century Photocollage by scandinavian film Sveinbjörn Pálsson. posters looked like. 08: PROTEST = ARREST 11: SIGUR MF RÓS 31: ICE CAVES!!!1! 07: Hel, Half-Zombie 18: Ultraflex Makes You 28: COVID-Christmas Full-Sex Icon Sweat Buffets 06: High On Highlands 26: #YuleLadHoliday 30: Holiday-Scopes First EDITORIAL New Year Di!erent Mankind What will change in the new year? Well, But we were also reminded of how seem like a distant dream. That every- can’t be underestimated. This our wake everything—or not so much. The whole underfunded our healthcare system is. thing and everyone will get back on up call. And from what I have seen and world connected for a moment over Icelanders of my generation have been their feet. That tourism will come back. read and experienced myself in this the dreaded coronavirus. We saw what raised up to believe it was the best in the That we will be able to visit our loved pandemic, I’m more optimistic than leaders and nations are made of. And world. It is not. The reason is decades of ones when we want. And that the econ- pessimistic. Let’s wake up, do the work what’s perhaps more important, we politicians underfunding the system in omy will bloom.
    [Show full text]
  • LA MIA VITA È UNO ZOO È Una Storia Vera, Divertente E Suggestiva Che Mette in Luce La Prodigiosa Capacità Di Una Famiglia Di Reagire Di Fronte Alle Sfide Della Vita
    LA MIA VITA È UNO ZOO è una storia vera, divertente e suggestiva che mette in luce la prodigiosa capacità di una famiglia di reagire di fronte alle sfide della vita. È il primo film dell’acclamato regista Cameron Crowe (“Jerry Maguire”) destinato a tutte le fasce di pubblico ed ha per protagonisti Matt Damon, Scarlett Johansson e Thomas Haden Church. Damon veste i panni di un padre single che, volendo offrire alla sua famiglia la possibilità di un nuovo inizio, decide di trasferirsi in una casa situata al centro di uno zoo, che lui e i due figli dovranno cercare di riportare alle antiche glorie. Il film intreccia calore, umorismo e un incrollabile spirito di ottimismo. Il Benjamin Mee di Damon è uno scrittore di avventure e giornalista di un quotidiano di Los Angeles; è rimasto vedovo con i due figli e deve affrontare le difficoltà di crescerli. Augurandosi che un nuovo inizio e una vita diversa possano ravvivare lo spirito familiare, Mee lascia il lavoro e compra una vecchia casa di campagna con sette ettari di terreno fuori città; nel pacchetto è incluso uno straordinario atout: uno zoo chiamato Rosemoor Animal Park, in cui vivono dozzine di animali, curati dalla responsabile del parco Kelly Foster (Scarlett Johansson) e da un team di custodi scrupolosi. Benjamin, che ha poca esperienza, poco tempo e pochissimi soldi, decide di riaprire lo zoo, con l’aiuto della famiglia e della comunità locale. Ora non deve più scrivere una storia d’avventura, la deve vivere in prima persona… e proprio nel giardino dietro casa.
    [Show full text]
  • „Undur Yfir Dundu“
    HÁSKÓLI ÍSLANDS Raunvísindadeild Jarð-og Landfræðiskor „Undur yfir dundu“ Áhrif Kötlugossins 1918 á byggð og samfélag í Vestur- Skaftafellssýslu Eftir Önnu Lilju Oddsdóttur M.S. ritgerð Reykjavík Umsjón: Ingibjörg Jónsdóttir Október 2008 Leiðbeinandi: Ragnheiður Kristjánsdóttir YFIRLÝSING Hér með lýsi ég því yfir að ritgerð þessi er byggð á mínum eigin athugunum, er samin af mér og hefur hvorki að hluta til né í heild verið lögð fram áður til hærri prófgráðu. Virðingarfyllst Anna Lilja Oddsdóttir ÁGRIP Gosin í Kötlu hafa í gegnum tíðina eytt gróðri og byggð í nágrenni Kötlu. Hættulegustu fylgifiskar gossins eru öskufall, jökulhlaup og eldingar í gosmekki. Tilgangur rannsóknarinnar er að fá innsýn inn í þær aðstæður sem urðu hjá íbúum í Vestur-Skaftafellssýslu í kjölfar Kötlugossins 1918. Byggist nálgunin á því að skoða samtímaheimildir frá þessum tíma. Annars vegar eru það töluleg gögn sem finna má í manntölum, prestþjónustubókum og búnaðarskýrslum og hins vegar eru þetta frásagnir sjónarvotta er upplifðu Kötlugosið 1918. Hugtakið varnarleysi skiptist upp í náttúrulegt varnarleysi sem ræðst af þeirri ógn sem náttúruvá veldur og mannlegt varnarleysi sem ræðst af félagslegum, efnahagslegum, stjórnmálalegum og menningarlegum þáttum innan hvers samfélags. Þessir tveir þættir voru notaðir sem einskonar mælieining á það hversu gífurlegar hamfarirnar voru innan hvers hrepps í sýslunni. Mannlegt varnarleysi réðst fyrst og fremst á því hversu einhæft bændasamfélagið var á þessum tíma þar sem tæknivæðing var lítil sem engin og afkoma bænda réðst af því hversu góðar jarðirnar voru fyrir búfénaðinn og hversu vel landið gaf af sér. Heyöflun var búin að vera lítil um sumarið 1918 vegna frosthörkunnar í janúar sama ár.
    [Show full text]
  • Persian Heri Tage
    Persian Heri tage Persian Heritage Vol. 20, No. 80 Winter 2016 www.persian-heritage.com FROM THE EDITOR’S DESK 6 Persian Heritage, Inc. 110 Passaic Avenue LETTERS TO THE EDITOR 8 Passaic, NJ 07055 NEWS 9 E-mail: [email protected] Telephone: (973) 471-4283 White House New Chief Floral Designer 9 Fax: 973 471 8534 COMMENTARY EDITOR Be Awake and Sleep Soundly 11 SHAHROKH AHKAMI (Norman Gabay) Meet Ramin Bahrani 13 EDITORIAL BOARD Dr. Mehdi Abusaidi, Shirin Ahkami Why British Engineered the Occupation of Iran? 14 Raiszadeh, Dr. Mahvash Alavi Naini, Mohammad Bagher Alavi, Dr. Talat (Hooshang Guilak) Bassari, Mohammad H. Hakami, Ardeshir Lotfalian, K. B. Navi, Dr. THE ARTS & CULTURE Kamshad Raiszadeh, Farhang A. Sadeghpour, Mohammad K. Sadigh, REVIEWS 16 M. A. Dowlatshahi. Yalda (from Wikipedia) 17 MANAGING EDITOR The Story of “Ey Iran” (Nahid Guilak) 19 HALLEH NIA The Sakas (Michael McClain) 20 ADVERTISING HALLEH NIA The Works of Farideh Sakhaeifar 23 Interview with Jahangir Sedaghatfar 24 * The contents of the articles and ad ver­ tisements in this journal, with the ex ception (Shahrokh Ahkami) of the edi torial, are the sole works of each in di vidual writers and contributors. This maga­ Interview with Anahita Sedaghatfar 26 zine does not have any confirmed knowledge as to the truth and ve racity of these articles. (Shahrokh Ahkami) all contributors agree to hold harmless and indemnify Persian Heri tage (Mirass-e Iran), Karaj, Little Iran 27 Persian Heritage Inc., its editors, staff, board of directors, and all those in di viduals di rectly An Overview of the Military Activities 28 associated with the publishing of this maga­ zine.
    [Show full text]
  • Amiina Kurr Mp3, Flac, Wma
    Amiina Kurr mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Classical Album: Kurr Country: Iceland Released: 2017 Style: Modern Classical, Contemporary MP3 version RAR size: 1662 mb FLAC version RAR size: 1802 mb WMA version RAR size: 1278 mb Rating: 4.2 Votes: 662 Other Formats: XM TTA MP3 AUD WAV APE MP2 Tracklist Hide Credits A1 Sogg A2 Rugla A3 Glámur Seoul A4 Mastered By – Amiina, Birgir Jón Birgisson, Kjartan Sveinsson B1 Lúpína B2 Hilli B3 Sexfaldur B4 Kolapot B5 Saga Lóri B6 Bass Clarinet – Ereyja GummlaugsdóttirDrums – Orri Páll Dýrason Bláfeldur C1 Trombone – Helgi Hrafn Jónsson, Ingi Garðar Erlendsson, Samúel Jón SamúelssonTrumpet – Eiríkur Orri Ólafsson, Snorri Sigurðarson C2 Boga Companies, etc. Copyright (c) – Amiina Phonographic Copyright (p) – Amiina Pressed By – GZ Media – 162488E Credits Artwork By, Cover, Photography By – Egill Kalevi Karlsson Mastered By – Grahame* Photography By – Alex Somers, Lilja Birgisdóttir, Mads Brauer*, Scott Alario Recorded By – Eimmur Hákonarson, Kjartan Sveinsson, Mads Christian Brauer Recorded By, Mixed By – Birgir Jón Birgisson Written By, Performer, Recorded By, Mixed By, Producer – Amiina Notes 10th Anniversary Edition including a 12 page booklet featuring a selection of previously unreleased photographs and artwork that give insight into the time of making Kurr. This release includes etched signatures of Amiina members on side D. Barcode and Other Identifiers Barcode: 5024545798814 Matrix / Runout (Side A): AMIINA07LP-A 162488E1/A Matrix / Runout (Side B): AMIINA07LP-B
    [Show full text]
  • Sigur Rós – Inni (2011)
    Sigur Rós – Inni (2011) Written by bluesever Sunday, 11 December 2011 10:07 - Last Updated Friday, 11 January 2019 00:08 Sigur Rós – Inni (2011) Disc 1: 1. Svefn-g-englar (10:12) 2. Glósóli (6:52) 3. Ný batterí (8:38) 4. Fljótavík (3:38) 5. Við spilum endalaust (3:58) 6. Hoppípolla (4:13) play 7. Með blóðnasir (2:22) 8. Inní mér syngur vitleysingur (4:08) 9. E-Bow (9.09) Disc 2: 1. Sæglópur (7:40) 2. Festival (7:35) 3. Hafsol (8:28) 4. All Alright (5:41) play 5. Popplagið (15:23) 6. Lúppulagið (5:59) Personnel: Jón Þór Birgisson – vocals, guitar, piano, pump organ, keyboards, bass Kjartan Sveinsson – keyboards, guitar, backup vocals, flute Georg Hólm – bass, toy piano Orri Páll Dýrason – drums, keyboards, xylophone Releasing a Greatest Hits album doesn’t seem very Sigur Rós, so this live album will have to do. Since the Icelanders haven’t released a new album since 2008 (and the follow-up to Með suð í eyrum við spilum endalaust was scrapped before it was finished), Inni is also a welcome stopgap, if not the album fans wanted. Inni (‘Inside’) contains tracks from each of their albums, and comes with 75 minutes of concert footage (no frills; no audience even) from London’s Alexandra Palace in November 2008. The double-CD from the same two shows encompasses 105 minutes, enough for about five of their songs. Only kidding. There are 15 tracks in total, but Sigur Rós songs are the aural equivalent of the slow food club, each taste to be savoured and endured so that every classical, folk, ambient, rock and post-rock flavour can be absorbed.
    [Show full text]
  • Releases | Discoveries 1Jan – 31Dec 2020
    releases | discoveries 1jan – 31dec 2020 www.6forty.com January 1, 2020 Buried Inside by GLACIERS (Oakland, California) https://soundofglaciers.bandcamp.com/album/buried-inside released January 3, 2020 Leaving Buenos Aires by Karhide (Nottingham, UK) https://karhide.bandcamp.com/track/leaving-buenos-aires released January 8, 2020 Uncut by Karhide (Nottingham, UK) https://karhide.bandcamp.com/track/uncut released January 2, 2020 Ghostbird by Magdalena Gornik (Bethlehem, Pennsylvania) https://magdalena.bandcamp.com/track/ghostbird 1st track off the upcoming full length album. released January 3, 2020 All Shall Be Hell - 'There's Still Time to Change the Road We're On' (All Shall Be Well AASBWAAMOTSBW) https://youtu.be/dwLow-5BP1Q Released on: 2020-01-01 Caspian - 'Circles on Circles' https://youtu.be/KLsDZRHOG_0 from the full length 'On Circles' - releases Jan24. MMXIX by MIDIRA RECORDS (Germany) https://midirarecords.bandcamp.com/album/mmxix released December 31, 2019 Conversations by Parallel Colors (Louisville, Kentucky) https://parallelcolors.bandcamp.com/album/conversations released June 1, 2019 The Time Thief by Home Brewed Universe (Hyderabad, India) https://homebreweduniverse.bandcamp.com/album/the- time-thief released January 8, 2020 Crystalline by worriedaboutsatan (sound in silence - Athens, Greece) https://soundinsilencerecords.bandcamp.com/album/crystalline released January 9, 2020 Testbild by We Deserve This (Germany) https://wedeservethis.bandcamp.com/album/testbild released January 1, 2020 Pillars by North Atlantic Drift
    [Show full text]
  • SIGUR ROS Sigur Ros: Ken Thomas & Jonsi Birgisson: Recording Sigur Ros
    Home | Digital Mags | Podcasts | WIN Prizes | Subscribe | Advertise | About SOS | Help Wed 19 Oct 2011 Search SOS Logged in Birgir Jon Birgisson Logout Sound On Sound : Est. 1985 Search News Articles Forum SOS TV Subscribe Shop Directory Readers' Adverts Information SOS Mix Rescue articles SIGUR ROS Sigur Ros: Ken Thomas & Jonsi Birgisson: Recording Sigur Ros Published in SOS July 2002 People + Opinion : Recording / Mixing Printer-friendly version Over the years, Iceland has produced more than its fair share of innovative, experimental pop music. The country's latest hot exports, Sigur Ros, are currently recording an album in a disused swimming pool... Mark Pytlik Iceland's Sigur Ros came to the world's notice in 2000 following the release of their sweeping, orchestral album Agætis Byrjun (Icelandic for "a good start"), a favourite of innumerable critics including Radiohead's Thom Yorke. Their unique sound combines quiet-loud-quiet-loud dynamism, lush instrumentation, and lead singer Jonsi Birgisson's cherubic falsetto. Sigur Ros (from left): Orri Páll Dyrason, Jonsi Birgisson, Kjartan Sveinsson and Following a lengthy tour to promote that album, Jonsi and his Georg Holm.Photo: Yoshika Horita bandmembers guitarist/keyboardist Kjartan Sveinsson, bassist/keyboardist Georg Holm and drummer Orri Páll Dyrason are now hard at work on a new record. Like Agætis Byrjun, the new album will be produced by Ken Thomas, who has a long track record of working with cutting-edge and experimental artists. "I started as an assistant on the early Queen albums," he remembers. "When they first arrived they were like an in-house band for Trident Studios.
    [Show full text]