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Efnisyfirlit
Efnisyfirlit SKIPULAGSSKRÁ .............................................................................................................................................. 3 STJÓRN OG STARFSLIÐ .................................................................................................................................. 6 SKÓLANEFND ...................................................................................................................................................... 6 SKÓLASTJÓRI ...................................................................................................................................................... 6 YFIRKENNARI ..................................................................................................................................................... 6 ÁFANGASTJÓRI ................................................................................................................................................... 6 FJARNÁMSSTJÓRI ................................................................................................................................................ 6 VERKEFNASTJÓRAR ............................................................................................................................................ 6 DEILDARSTJÓRAR ............................................................................................................................................... 6 KENNARAR ........................................................................................................................................................ -
Volcanic Action and the Geosocial in Sigur Rós's “Brennisteinn”
Journal of Aesthetics & Culture ISSN: (Print) 2000-4214 (Online) Journal homepage: https://www.tandfonline.com/loi/zjac20 Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn” Tore Størvold To cite this article: Tore Størvold (2020) Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn”, Journal of Aesthetics & Culture, 12:1, 1761060, DOI: 10.1080/20004214.2020.1761060 To link to this article: https://doi.org/10.1080/20004214.2020.1761060 © 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. Published online: 04 May 2020. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=zjac20 JOURNAL OF AESTHETICS & CULTURE 2020, VOL. 12, 1761060 https://doi.org/10.1080/20004214.2020.1761060 Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn” Tore Størvold Department of Musicology, University of Oslo, Oslo, Norway ABSTRACT KEYWORDS This article presents a musicological and ecocritical close reading of the song “Brennisteinn” Sigur Rós; anthropocene; (“sulphur” or, literally, “burning rock”) by the acclaimed post-rock band Sigur Rós. The song— ecomusicology; ecocriticism; and its accompanying music video—features musical, lyrical, and audiovisual means of popular music; Iceland registering the turbulence of living in volcanic landscapes. My analysis of Sigur Rós’s music opens up a window into an Icelandic cultural history of inhabiting a risky Earth, a condition captured by anthropologist Gísli Pálsson’s concept of geosociality, which emerged from his ethnography in communities living with volcanoes. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Amiina Puzzle Mp3, Flac, Wma
amiina Puzzle mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Puzzle Country: Iceland Released: 2010 Style: Post Rock, Experimental MP3 version RAR size: 1913 mb FLAC version RAR size: 1146 mb WMA version RAR size: 1116 mb Rating: 4.1 Votes: 195 Other Formats: RA WAV DMF AU MP2 AHX APE Tracklist Hide Credits Ásinn 1 5:31 Bass – Kjartan Sveinsson 2 Over And Again 3:39 What Are We Waiting For? 3 Bass – Kjartan SveinssonCello – Kristín LárusdóttirDouble Bass – Borgar MagnasonViola – 5:26 Guðrún Hrund HarðardóttirViolin – Bjarni Frímann Bjarnason, Ingrid Karlsdóttir 4 Púsl 6:13 In The Sun 5 4:16 Double Bass – Borgar Magnason 6 Mambó 4:56 Sicsak 7 Bass – Kjartan SveinssonCello – Kristín LárusdóttirDouble Bass – Borgar MagnasonViola – 6:51 Guðrún Hrund HarðardóttirViolin – Bjarni Frímann Bjarnason, Ingrid Karlsdóttir Thoka 8 Vocals [Additional] – Bryndís Nielsen, Inga Harðardóttir, Jóhann Ágúst Jóhannsson, Kjartan 3:55 Sveinsson, Sigtryggur Baldursson* Companies, etc. Recorded At – Sundlaugin Studio Recorded At – Grundarstíg Recorded At – Brekkustíg Recorded At – Granda Mixed At – Sundlaugin Studio Mastered At – Sterling Sound Credits Layout, Design – Sólrún Sumarliðadóttir Mastered By – Greg Calbi Mixed By – Birgir Jón Birgisson, amiina Music By, Performer – amiina Photography By [Photographs] – Lilja Birgisdóttir Notes Recorded in Sundlaugin, Grundarstíg, Brekkustíg, Granda and JL. Mixed in Sundlaugin Studio. Mastered at Sterling Sound, NYC. Digipak packaging The catalog# only appears on the CD matrix and sticker Track 4 was called "Þristurinn", track 7 "Tvisturinn" on their self-released record "Re Minore" Barcode and Other Identifiers Matrix / Runout: AMIINA5 *040415 Barcode (on sticker): 5 690351 110722 Other versions Category Artist Title (Format) Label Category Country Year Sound Of A shake 011, Puzzle (LP, shake 011, Amiina Handshake, Sound Of Germany 2011 SHAKE 011 Album) SHAKE 011 A Handshake Puzzle (CD, amiina5 amiina Amínamúsík Ehf. -
The Sound of Ruins: Sigur Rós' Heima and the Post
CURRENT ISSUE ARCHIVE ABOUT EDITORIAL BOARD ADVISORY BOARD CALL FOR PAPERS SUBMISSION GUIDELINES CONTACT Share This Article The Sound of Ruins: Sigur Rós’ Heima and the Post-Rock Elegy for Place ABOUT INTERFERENCE View As PDF By Lawson Fletcher Interference is a biannual online journal in association w ith the Graduate School of Creative Arts and Media (Gradcam). It is an open access forum on the role of sound in Abstract cultural practices, providing a trans- disciplinary platform for the presentation of research and practice in areas such as Amongst the ways in which it maps out the geographical imagination of place, music plays a unique acoustic ecology, sensory anthropology, role in the formation and reformation of spatial memories, connecting to and reviving alternative sonic arts, musicology, technology studies times and places latent within a particular environment. Post-rock epitomises this: understood as a and philosophy. The journal seeks to balance kind of negative space, the genre acts as an elegy for and symbolic reconstruction of the spatial its content betw een scholarly w riting, erasures of late capitalism. After outlining how post-rock’s accommodation of urban atmosphere accounts of creative practice, and an active into its sonic textures enables an ‘auditory drift’ that orients listeners to the city’s fragments, the engagement w ith current research topics in article’s first case study considers how formative Canadian post-rock acts develop this concrete audio culture. [ More ] practice into the musical staging of urban ruin. Turning to Sigur Rós, the article challenges the assumption that this Icelandic quartet’s music simply evokes the untouched natural beauty of their CALL FOR PAPERS homeland, through a critical reading of the 2007 tour documentary Heima. -
[177. Mál] Um Lagagildi Samnings Milli Ríkisstjórnar Íslands Og Swiss Aluminium Ltd., Um Álbræðslu Við Straumsvík
Nd. 434. Frumvarp til laga [177. mál] um lagagildi samnings milli ríkisstjórnar Íslands og Swiss Aluminium Ltd., um álbræðslu við Straumsvík. (Lagt fyrir Alþingi á 86. löggjafarþingi, 1965-66.) 1. gr. Með lögum þessum staðfestist samningur milli ríkisstjórnar Islands og Swiss Aluminium Limited, dags. 28. marz 1966, um byggingu og rekstur álbræðslu við Straumsvík, í lögsagnarumdæmi Hafnarfjarðar. Samningurinn er prentaður sem fylgiskjal með lögum þessum, á íslenzku og ensku. 2. gr. Ákvæði samnings þess, sem um ræðir í 1. gr., skulu hafa lagagildi hér á landi. 3. gr. Lög þessi öðlast þegar gildi. AÐALSAMNINGUR SAMNINGUR, gerður hinn 28. dag marzmánaðar 1966 MILLI RíKISSTJÓRNAR íSLANDS (hér eftir nefnd "ríkisstjórnin") ANNARS VEGAR OG SWISS ALUMINIUM LIMITED (hér eftir nefnt "Alusuisse"), sem er félag stofnað að svissneskum lögum HINS VEGAR MEÐ ÞVI að stóriðjunefnd, er skipuð var af iðnaðarmálaráðuneytinu hinn 5. mai 1961, og raforkumálastjórnin hafa um nokkurt árabil rannsakað kosti þess að virkja vatnsraforkumagn Islands í sambandi við raforkunotkun til iðnaðar; MEÐ ÞVI að Alusuisse, félag, er stundar alhliða áliðnað, hefur rætt við ríkis- stjórnina hagkvæmni þess að reisa á Íslandi álbræðslu, er noti orku frá islenzkum stöðvum um langt árabil; MEÐ Því að með lögum frá Alþingi nr. 59 20. maí 1965 var stofnuð Lands- virkjun, og henni heimilað að byggja raforkuver við Þjórsá og tilteknar eldsneytis- aflstöðvar ; MEÐ ÞVI að Hafnarfjarðarkaupstaður (hér á eftir nefndur "kaupstaðurinn") er reiðubúinn að byggja hafnarmannvirki við Straumsvík á Suðvesturlandi; MEÐ ÞVÍ að Alusuisse er reiðubúið að fela Íslenzka Alfélaginu hf. (Icelandic Aluminium Company Limited, hér á eftir nefnt "ISAL"), að byggja álbræðslu við Straumsvik; MEÐ ÞVÍ uð ISAL, Landsvirkjun og kaupstaðurinn hafa lögformlega sam- þykkt i rafmagnssamningi og hafnar- og lóðarsamningi að efna og takast á hendur þær skuldbindingar, sem lagðar eru á hvern um sig með tilteknum ákvæðum samn- ings þessa; ER HÉR MEÐ GERÐUR EFTIRFARANDI SAMNINGUR: I. -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY -
Contents Welome 2 Conference Programme 4 Abstracts 24 Panels
17th Biennial Conference of IASPM | Bridge Over Troubled Waters: Challenging Orthodoxies | Gijón 2013 Contents Welome 2 Conference programme 4 Abstracts 24 Panels 133 iaspm2013.espora.es 1 17th Biennial Conference of IASPM | Bridge Over Troubled Waters: Challenging Orthodoxies | Gijón 2013 Dear IASPM Conference Delegates, Welcome to Gijón, and to the 17th biennial IASPM Conference “Bridge over Troubled Waters”, a conference with participants from all over the world with the aim of bridging a gap between disciplines, perspectives and cultural contexts. We have received more than 500 submissions, of which some 300 made it to the programme, together with four outstanding keynote speakers. This Conference consolidates the increasing participation of Spanish delegates in previous conferences since the creation of the Spanish branch of IASPM in 1999, and reinforces the presence of Popular Music Studies at the Spanish universities and research groups. The University of Oviedo is one of the pioneer institutions in the Study of Popular Music in Spain; since the late nineties, this field of study is constantly growing due to the efforts of scholars and students that approach this repertoire from an interdisciplinary perspective. As for the place that hosts the conference, Gijón is an industrial city with an important music scene. I wouldn´t call it the Spanish Liverpool, but some critics called it the Spanish Seattle because it was an important place for the development of “noise music” in Spain during the 1990s. The venue, Laboral, is an exponent of the architecture of the dictatorship. Finished in 1956, it was conceived as a school for war orphans to learn a trade and in 2007 it was remodeled to become a “city for culture”. -
Christoph Eschenbach & Das Konzerthausorchester Berlin
Erleben Sie den neuen Chefdirigenten 2 ALLES NEU 18 NACHWUCHSFÖRDERUNG DIESE SAISONBROSCHÜRE HAT KEIN ENDE, Christoph Eschenbach Über unsere Orchesterakademie ABER ZWEI ANFÄNGE. über das Konzerthausorchester auf neuen Wegen EINMAL WENDEN, BITTE. 4 EIN PORTRÄT 22 GIDON KREMER Irene Dische über Über unsere Hommage Christoph Eschenbach an den großen Geiger 8 AUFTAKT & AUSSICHTEN 26 SOFIA GUBAIDULINA Christoph Eschenbach Über unseren Fokus 2019 / 20 über seine Pläne auf Werke der Komponistin 12 KEINE ZEIT FÜR STILLSTAND 28 SCHLÜSSELWERKE Über unser Fest zu Christoph Christoph Eschenbach Eschenbachs Achzigstem über Musik, die ihn geprägt hat 14 MENTOR UND FREUND Weggefährten über Christoph Eschenbach On some of our pages, you can nd short summaries in English. VORWORT Bei vielen meiner ersten Konzerte, die ich in den 1980er Jahren als Jugendlicher in Schleswig-Holstein überhaupt erlebte, saß Christoph Eschenbach als Solist am Klavier oder dirigierte. Er hat mir viele Werke auf unnachahmliche Weise geöffnet. Im Laufe der Jahrzehnte habe ich ihn regelmäßig erlebt, als Chefdirigenten von Orchestern in Hamburg, Paris oder Washington. Gerne bezeichne ich ihn auch als meinen Mentor, hatte er doch immer ein Ohr für meine Anliegen. Als ich ihn vor zwei Jahren fragte, ob er sich vorstellen könnte, unser neuer Chefdirigent zu werden, legte er lachend den Kopf in Nacken und sah mich dann mit funkelnden Augen an: „DAS IST JA EINE TOLLE GESCHICHTE, DASS WIR BEIDE NACH SO VIELEN JAHREN ZUSAMMENARBEITEN WERDEN!“ Christoph Eschenbach ist ein Humanist und Weltbürger, den als Dirigenten neben enormer Musikalität die Fähigkeit aus- zeichnet, Musikerinnen und Musiker rund um den Globus so zusammenzuführen, dass sie seinen Weg durch die Epochen der Musikgeschichte begeistert mitgehen. -
Sindri & the Glacial Picnickers
TOURIST OF THE YEAR Sindri & The Glacial Picnickers Sin Fang made Album of the Year, Song of the Year, and is posing as the Tourist of the Year. THE GRAPEVINE MUSIC AWARDS Issue 01 × 2014 January 10 - February 6 YOUR FREE COPY The Reykjavík Grapevine Issue 1 — 2014 2 Editorial | Anna Andersen Many Icelanders around me were pretty upset last “reports” predictions from these völvas. “I mean, ev- didn’t make it to Iceland, leaving Icelanders in the ASK YOUR VÖLVA month when the Associated Press ran a story about eryone basically knows it’s just a bunch of journalists dark, unexposed to rationalism. an “elf lobby” joining environmentalist in their strug- having fun, using their purported insight to predict The real problem with the elf story, as I Anna’s 36th Editorial gle to block road construction across a lava field. the future,” he wrote. see it, is the fact that it’s been so hammed up. Whata The story, which contained some factual Feeling unsure about this, I called the was once a quirky and enjoyable part of our cultural errors, played up the idea that Icelanders (A) believe editor of Vikan, one of Iceland’s oldest magazines, heritage has now been overplayed. We’re sick of the in elves and (B) take this belief so seriously that they which has been printing völva’s predictions since the elf story. We’re sick of having to explain it to people might halt road construction for fear of retribution 1970s. She confirmed, Vikan has always worked with who read a few lines from some international wire from the elves that supposedly have a church there real seers and the one the magazine currently works service looking for traction. -
Plöntunæringar- Og Áburðarfræði Friðrik Pálmason Plöntunæringar- Og Áburðarfræði
Friðrik Pálmason Plöntunæringar- og áburðarfræði Friðrik Pálmason Plöntunæringar- og áburðarfræði Höfundur bókarinnar Friðrik Pálmar Pálmason er fæddur þann 16. apríl 1935 í Reykjavík. Friðrik er cand. agro. 1960 og lic. agro. 1965 frá Landbúnaðarháskólanum í Kaupmannahöfn. Störf: Sérfræðingur við Rannsóknastofnun landbúnaðarins 1967-77 og 1981-2005. Kennari við Búvísindadeild Bændaskólans á Hvanneyri 1965-66 og 1977-81, forstöðumaður Rannsóknastofu Bændaskólans á sama tíma. Kenndi plöntulífeðlisfræði við líffræðiskor verkfræði- og raunvísindadeildar HÍ 1967-76. Félagsstörf: Varaformaður Íslandsdeildar Norræna Búvísindafélagsins (Nordiske Jordbrugsforskeres Forening, NJF)1968-76. Fulltrúi Íslands í stjórn jarðvegsskorar NJF 1972-80. Form. Félags íslenskra náttúrufræðinga 1969-70. Ritstörf: Auk licentiatritgerðar um sextíu greinar og ritgerðir á fræðasviði höfundar Í ritnefnd Búnaðarblaðsins 1965-68 og Íslenskra landbúnaðarrannsókna 1969-73. Ritstjóri Búvísinda. Icelandic Agricultural Sciences 1988-2002. Útgefandi: Landbúnaðarháskóli Íslands. 1. útgáfa í maí 2013 ISBN 13 978-9979-881-19-3 Bók þessa má eigi afrita með neinum K WWLQHPDPHèOH\¿~WJHIDQGD Y( Ǧ ( 2 W>PEdhEZ/E'ZͲK'hZZ&Z/͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘ϰ &KZD>/͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘ϰ ,ĞŝŵŝůĚŝƌ͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘͘ϱ -
Effect of Transcutaneous Spinal Cord Stimulation on Spasticity, Mobility, Pain and Sleep in Community Dwelling Individuals Post-Stroke
Effect of Transcutaneous Spinal Cord Stimulation on Spasticity, Mobility, Pain and Sleep in Community Dwelling Individuals Post-Stroke A single case withdrawal design Belinda Chenery Thesis for the degree of Master of Science in Movement Science June 2019 Effect of Transcutaneous Spinal Cord Stimulation on Spasticity, Mobility, Pain and Sleep in Community Dwelling Individuals Post-Stroke A single case withdrawal design Belinda Chenery Thesis for the degree of Master of Science in Movement Science Number of credits: 60 ECTS Supervisor: Anestis Divanoglou Masters committee: Anestis Divanoglou, Kristín Briem, Þórður Helgason Department of Physical Therapy Faculty of Medicine School of Health Sciences June 2019 Áhrif raförvunar mænu með yfirborðsskautum á síspennu, hreyfigetu, verki og svefn einstaklinga sem hafa fengið heilaslag og búa heima Einliðavendisnið Belinda Chenery Ritgerð til meistaragráðu í hreyfivísindum Fjöldi eininga: 60 ECTS Umsjónarkennari: Anestis Divanoglou Meistaranámsnefnd: Anestis Divanoglou, Kristín Briem, Þórður Helgason Námsbraut í sjúkraþjálfun Læknadeild Heilbrigðisvísindasvið Háskóla Íslands Júní 2019 Thesis for master’s degree in Physiotherapy at the University of Iceland. No part of this publication may be reproduced in any form without the prior permission of the copyright holder. © Belinda Chenery, 2019 Prentun: Háskólaprent Reykjavík, Ísland, 2019 Abstract Effective treatment modalities for alleviating spasticity and pain and enhancing mobility and sleep are limited post-stroke. Some evidence suggests that techniques of transcutaneous spinal cord stimulation (tSCS) may be beneficial. However, these are typically small pretest-posttest studies with high risk of bias. To date, there are no studies that evaluate the effects of tSCS in stroke. The aim of the current study was to evaluate the effects of daily home-treatment with tSCS on spasticity, mobility, pain and sleep in community dwelling individuals post-stroke.