Afi European Union Film Showcase November 3–22
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Spinal Tap, in Which He Performed As the Musician 5 Derek Smalls
Case 2:16-cv-07733 Document 1 Filed 10/17/16 Page 1 of 17 Page ID #:1 1 Peter L. Haviland (Bar Number 144967) [email protected] 2 Scott S. Humphreys (Bar Number 298021) [email protected] 3 Terrence M. Jones (Bar Number 256603) [email protected] 4 BALLARD SPAHR LLP 2029 Century Park East, Suite 800 5 Los Angeles, CA 90067-2909 Telephone: 424.204.4400 6 Facsimile: 424.204.4350 7 Attorneys for Plaintiff Century of Progress Productions 8 9 UNITED STATES DISTRICT COURT 10 CENTRAL DISTRICT OF CALIFORNIA 11 12 CENTURY OF PROGRESS ) Case No. 2:16-cv-07733 PRODUCTIONS, ) 13 ) Plaintiff, ) COMPLAINT FOR: 14 ) ) (1) Breach of Contract; v. ) 15 ) (2) Breach of the Implied Covenant 16 VIVENDI S.A.; STUDIOCANAL; ) of Good Faith and Fair Dealing; ) (3) Fraud; STUDIOCANAL IMAGE; ) 17 RON HALPERN, an individual; and (4) Accounting; and DOES 1 through 10, inclusive, ) 18 ) (5) Declaratory Relief Re: ) Trademark (28 U.S.C. § 2201) ) 19 Defendants. ) ) DEMAND FOR JURY TRIAL 20 Deadline) 21 ) 22 23 24 25 26 27 28 COMPLAINT AND DEMAND FOR JURY TRIAL Case 2:16-cv-07733 Document 1 Filed 10/17/16 Page 2 of 17 Page ID #:2 1 PRELIMINARY STATEMENT 2 1. Harry Shearer, creator of the radio and podcast program "Le Show," 3 and voice of some twenty-three characters on "The Simpsons," is co-creator of 4 the movie classic This Is Spinal Tap, in which he performed as the musician 5 Derek Smalls. 6 2. This Is Spinal Tap and its music, which Shearer also co-wrote, 7 including such songs as "Sex Farm" and "Stonehenge," have remained popular for 8 more than thirty years, and have earned considerable sums for the French 9 conglomerate Vivendi S.A. -
Factsheet MEDIA Success Stories
Factsheet MEDIA success stories Saul Fia (Son of Saul, 2015) directed by László Nemes (HU) Oscar for Best Foreign Language Film Grand Prix at Cannes Film Festival Support: € 697,585 for its distribution across Europe Son of Saul is a small-budget film – €1.5 million. MEDIA decided to back the project and contributed to distributed it in 24 countries across Europe – a record on its own. La Grande Bellezza (The Great Beauty, 2013) directed by Paolo Sorrentino (IT) Oscar and Golden Globe for Best Foreign Language Film Support: € 491,531 for its development and its distribution across Europe With La Grande Bellezza, Paolo Sorrentino gained international acclaim as a European director who could encapsulate the human dimension of his characters in a perfect shot. Youth (also funded by MEDIA) continued along the same path. In 2016, Sorrentino made a successful foray into television, with The Young Pope which he considers to be a 10 hour-long movie Ida (2013) directed by Pawel Pawlikowski (PL) Oscar for Best Foreign Language Film Lux Prize Support: € 646,282 for its development and its distribution across Europe MEDIA provided seed money for the development of Ida. It also helped foreign distributors to show the film abroad through distribution schemes: Memento Films in France received €29,000 to show Ida to French audiences. France had the highest proportion of admissions for the film across Europe, with 484,000 viewers, one third of its total admissions. Tabu (2012) directed by Miguel Gomes (PT) 18 prizes and 40 nominations Support: € 192,800 for its development and its distribution across Europe Tabu, by Portugese director Miguel Gomes, was developed with the support of MEDIA. -
CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…
5 JAN 18 1 FEB 18 1 | 5 JAN 18 - 1 FEB 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and counting… As you’ll spot deep within this programme (and hinted at on the front cover) January 2018 sees the start of a series of films that lead up to celebrations in October marking the 40th birthday of Filmhouse as a public cinema on Lothian Road. We’ve chosen to screen a film from every year we’ve been bringing the very best cinema to the good people of Edinburgh, and while it is tremendous fun looking back through the history of what has shown here, it was quite an undertaking going through all the old programmes and choosing what to show, and a bit of a personal journey for me as one who started coming here as a customer in the mid-80s (I know, I must have started very young...). At that time, I’d no idea that Filmhouse had only been in existence for less than 10 years – it seemed like such an established, essential institution and impossible to imagine it not existing in a city such as Edinburgh. My only hope is that the cinema is as important today as I felt it was then, and that the giants on whose shoulders we currently stand feel we’re worthy of their legacy. I hope you can join us for at least some of the screenings on this trip down memory lane... And now, back to the now. -
Stenastiftelsens Arsbok 2019-1.Pdf
STEN A OLSSONS KULTURSTIPENDIUM 2019 2 0 1 9 INDEX FÖRORD 08 RYGGMÄRGSSKADECENTRUM 12 DAVID DENCIK 28 SARAH KLANG 50 MASAYOSHI OYA 72 MATTIAS NORDKVIST 94 MARTHA OSSOWSKA PERSSON 120 MALIN WÄTTRING 142 EVA LÖFDAHL 164 CLAES ERIKSSON 186 MOTIVERINGAR 214 CURRICULUM VITAE 218 MOTTAGARE AV STEN A OLSSONS KULTURSTIPENDIUM 226 08 FÖRORD 09 NYA FORMER FÖR LÄRANDE, kunskapsförmedling och innova- Men 2019 års utan jämförelse största investering är stödet om tioner fortsätter att vara något av en röd tråd i Stenastiftelsens sammanlagt 50 miljoner kronor till uppbyggandet av Universeums satsningar. 3 juni 2019 invigdes, under högtidliga och festliga visualiseringslabb, under ledning av professor Anders Ynnerman, former, Ryggmärgsskadecentrum Göteborg, som under en upp- världsledande inom sitt område. Här sammanfaller fera av stiftel- byggnadsperiod av fem år beviljats stöd om cirka 34 miljoner sens fokusområden: satsningar på nya innovativa lärandeprocesser, kronor från Stenastiftelsen. Sedan etableringen 2017 har arbetet nydanande teknik och mångdisciplinära samarbeten. Den nya fortskridit i snabb takt. Målet är att detta än så länge unika visualiseringstekniken blir tillgänglig för publik i labbstationer projekt skall bli självfnansierande efter 2021. Centrets utveck- och kommer att kunna användas och utnyttjas i fera olika syften lingspotential är stor och arbetet mycket lovande. I årets katalog och sammanhang. Med hjälp av tekniken kan en djupare förstå- fnns en längre intervju med centrets projektledare Gunilla else och insikt uppnås – om mikrokosmos och makrokosmos, om Åhrén, där syfte och framtidsplaner belyses. rymden, människokroppen, stadsmiljön eller klimatet – för att Det är alltid lika glädjande att ta del av de framgångar som bara ge några exempel. På sikt kommer säkert samarbeten mellan såväl de tidigare kulturstipendiaterna som forskningsprojekten olika institutioner och discipliner att etableras för att dra nytta röner, samt hur stiftelsens uttalade ambition – att stödet skall av de nya upptäckter som avtäcks. -
AXS TV Canada Schedule for Mon. October 28, 2019 to Sun
AXS TV Canada Schedule for Mon. October 28, 2019 to Sun. November 3, 2019 Monday October 28, 2019 6:30 PM ET / 3:30 PM PT 6:00 AM ET / 3:00 AM PT The Very VERY Best of the 70s Tom Green Live Cartoons - From silly to educational, these cartoons made everyone laugh. Find out which 70s Paul Rodriguez - It’s comedy without borders as comedian and actor Paul Rodriguez shares his cartoons made our list as Michael Winslow, Mindy Cohn, Kim Fields, and more give us their wit and wisdom. opinions! 7:00 AM ET / 4:00 AM PT Premiere Classic Albums 7:00 PM ET / 4:00 PM PT Simply Red: Stars - Stars was released in 1991 and is regarded as the classic Simply Red album, Nothing But Trailers with outstanding hit tracks including “Something Got Me Started”, “Your Mirror”, “For Your Sometimes the best part of the movie is the preview! Watch some of the best trailers, old and Babies,” and the title track, “Stars.” This program takes a look at the classic songs from the album new, during this special presentation. and also includes specially recorded tracks, archive footage and promotional clips. Premiere 8:00 AM ET / 5:00 AM PT 8:00 PM ET / 5:00 PM PT Rock Legends The X Factor: Celebrity The Pretenders - The Pretenders, originally three Englishmen and an American woman, emerged Live Show 1 - This year, The X Factor is back but not as we know it... Well-known faces with at the close of the ‘70s as one of the new wave’s most commercially successful groups. -
BROTHERHOOD [Broderskab]
Presents A FILM BY NICOLO DONATO BROTHERHOOD [Broderskab] STARRING THURE LINDHARDT DAVID DENCIK NICOLAS BRO MORTEN HOLST Country of Origin: Denmark / In Danish with English Subtitles Running time: 90 minutes Shot On: RED1 Sound: Dolby SR Digital Screen Ratio: 1:2:35 Rating: Not Rated PRESS CONTACT SASHA BERMAN SHOTWELL MEDIA TEL: 310.450.5571 [email protected] Please download photos from our website: www.olivefilms.com New York Premiere August 6, 2010 SYNOPSIS When Lars (Thure Lindhardt) is cheated out of promotion to sergeant following rumors about his unbecoming behavior towards some of his men, he decides to leave the army. Back home, his overly proper suburban parents succeed in driving him nuts in record time, as they do everything in their power to sweep the embarrassing incident under the carpet. By chance, Lars runs into a small radical group of neo-Nazis led by the charismatic Michael ‘Fatso’ (Nicolas Bro). Initially, Lars distances himself from their ideology and methods, but fuelled by defiance against the system in general – and his parents in particular – Lars decides to join the group. Fatso immediately spots the potential in the intelligent eloquent Lars, even though his right-hand man, Jimmy (David Dencik), does not agree. Lars rapidly advances through the ranks and is nominated as an A member, despite the fact that this promotion should really have gone to Jimmy’s younger brother, Patrick (Morten Holst). Lars moves out of his parents’ house and into board chairman Ebbe’s remotely situated summer cottage, which Jimmy is in the process of renovating. Despite their initial dislike of each other, the attraction between the two men soon becomes too strong to ignore, and even though they feel torn between ideology and emotions, they begin a secret relationship. -
Jim Henson's Fantastic World
Jim Henson’s Fantastic World A Teacher’s Guide James A. Michener Art Museum Education Department Produced in conjunction with Jim Henson’s Fantastic World, an exhibition organized by The Jim Henson Legacy and the Smithsonian Institution Traveling Exhibition Service. The exhibition was made possible by The Biography Channel with additional support from The Jane Henson Foundation and Cheryl Henson. Jim Henson’s Fantastic World Teacher’s Guide James A. Michener Art Museum Education Department, 2009 1 Table of Contents Introduction to Teachers ............................................................................................... 3 Jim Henson: A Biography ............................................................................................... 4 Text Panels from Exhibition ........................................................................................... 7 Key Characters and Project Descriptions ........................................................................ 15 Pre Visit Activities:.......................................................................................................... 32 Elementary Middle High School Museum Activities: ........................................................................................................ 37 Elementary Middle/High School Post Visit Activities: ....................................................................................................... 68 Elementary Middle/High School Jim Henson: A Chronology ............................................................................................ -
Press Release
PRESS RELEASE #10 - MIDAMERICON II BRINGS THE FORCE BACK TO KANSAS CITY MidAmeriCon II, the 74th World Science Fiction Convention Kansas City, MO August 17-21, 2016 [email protected] www.midamericon2.org/press FOR IMMEDIATE RELEASE Monday, June 27, 2016 Kansas City, Missouri, USA - MidAmeriCon II is pleased to announce that it will be celebrating Star Wars with special guests, programming and exhibits on Friday, August 19. MidAmeriCon II’s “Star Wars Day” will take place exactly forty years after the first MidAmeriCon hosted just the third public presentation to be made about a then little known upcoming movie. Nine months before the May 1977 release which changed the world of cinema forever, advertising publicity supervisor Charles Lippincott presented the Worldcon members with a slide show promoting Star Wars: Episode IV, A New Hope. This was followed by a Q&A session where Charles was joined by actor Mark Hamill and producer Gary Kurtz. MidAmeriCon II is delighted to announce that Charles Lippincott and Gary Kurtz will once more be attending a Kansas City Worldcon to talk about the Star Wars phenomenon, along with Alan Dean Foster who ghost wrote the original Star Wars novelization (and more recently, wrote the novelization of Star Wars: The Force Awakens). During the afternoon of August 19, Charles, Gary, and Alan will take part in a panel and Q&A session to discuss the marketing of Star Wars. In the evening, Charles will recreate the original MidAmeriCon slide presentation and participate in a further Q&A session. There will also be an opportunity to watch a contemporary video of the original 1976 Q&A session. -
NEIL KREPELA ASC Visual Effects Supervisor
NEIL KREPELA ASC Visual Effects Supervisor www.neilkrepela.net FILM DIRECTOR STUDIO & PRODUCERS “THE FIRST COUPLE ” NEIL KREPELA Berliner Film Companie (Development – Animated Feature) Mike Fraser, Rainer Soehnlein “CITY OF EMBER ” GIL KENAN FOX -WALDEN Visual Effects Consultant Gary Goetzman, Tom Hanks, Steven Shareshian “TORTOI SE AND THE HIPPO” JOHN DYKSTRA WALDEN MEDIA Visual Effects Consultant “MEET THE ROBINSONS” STEPHEN ANDERSON WALT DISNEY ANIMATION Lighting & Composition Dorothy McKim, Bill Borden “TERMINATOR 3: RISE OF THE JONATHAN MOSTOW WARNER BROTHERS MACHINES” VFX Aerial Unit Director Mario F. Kassar, Hal Lieberman, & Cameraman Joel B. Michaels, Andrew G. Vajna, Colin Wilson “SCOOBY DOO ” RAJA GOSNELL WA RNER BROTHERS Additional Visual Effects Supervision Charles Roven, Richard Suckle “DINOSAUR ” ERIC LEIGHTON WALT DISNEY PICTURES Pam Marsden “MULTIPLICITY” (Boss Film Studio) HAROLD RAMIS COLUMBIA PICTURES Visual Effects Consult - Pre-production Trevor Albert “HEAT ” MICHAEL MANN WARNER BROTHERS /FORWARD PASS Michael Mann, Art Linson “OUTBREAK” – (Boss Film Studio ) WOLFGANG PETERSEN WARNER BROTHERS Wolfgang Petersen, Gail Katz, Arnold Kopelson “THE FANTASTICKS ” MICHAEL RITCHIE UNITED ARTISTS Linne Radmin, Michael Ritchie “THE SPECIALIST ” LUIS LLOSA WARNER BROTHERS Jerry Weintraub “THE SCOUT” - (Boss Film Studio) MICHAEL RITCHIE TWENTIETH CENTURY FOX Andre E. Morgan, Albert S. Ruddy Neil Krepela -Continued- “TRUE LIES ” JAMES CAMERON TWENTIETH CENTURY FOX (Boss Film Studio) James Cameron, Stephanie Austin “LAST ACTION -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Man on the Moon 1999
'•MAM ON TEE MOON" Written by Scott Alexander and Larry Karaszewski FIRST DRAFT December 8, 1997 * - FADE IN: Ijp*>\ INT. VOID - DAY Sitting in a nonexistent set is ANDY KAUFMAN, looking a bit nervous. Wide-eyed, tentative, he stares at us with a needy, unsettling cuteness. His hair is slicked-down, and he wears his father's loud blazer. Finally, Andy speaks — in a peculiar FOREIGN ACCENT. ANDY (AS FOREIGN MAN) Hallo. I am Andy. Welcoom to my movie. (beat; he gets upset) It was very good of you to come... but now you should leave. Because this movie ees terrible 1 It is all LIES! Tings are out of order... people are mixed-up... I rue the day I signed dat release! (he composes himself) So... just go. Tell de manager you want your mooney back. If you leave right now, he has to give you a refund. (he thinks) Or just sneak into another theater. Maybe they have one of those "event" movies. Well, bye-bye. Long pause. Andy sits patiently and HUMS... watching his imaginary audience leave and march up the aisles. Beat — then a sly smile. Andy leans in and WHISPERS. ANDY (AS FOREIGN MAN) Okay, good. Just my friends are left. I wanted to get rid of dose other people... they would have laughed in de wrong places. (beat) I was only kidding about de movie... it is actually VERY GOOD! It shows everything... from me as a little boy until my death — (his eyes pop; he covers his mouth) Oops!! I wasn't supposed to talk about that! Oh. -
Sing the Hit Songs of Sesame Street Mp3, Flac, Wma
Sesame Street Sing The Hit Songs Of Sesame Street mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Children's Album: Sing The Hit Songs Of Sesame Street Country: US Released: 1974 Style: Educational, Story MP3 version RAR size: 1396 mb FLAC version RAR size: 1217 mb WMA version RAR size: 1658 mb Rating: 4.2 Votes: 288 Other Formats: DXD AHX WMA MOD MPC AA AU Tracklist A1 –The Kids Sesame Street Theme A2 –The Kids Sing A3 –Kermit* Bein' Green A4 –Grover What Do I Do When I'm Alone? A5 –Oscar* I Love Trash A6 –Grover And Marty Has Anyone Seen My Dog? B1 –Ernie Rubber Duckie B2 –Cookie Monster "C" Is For Cookie B3 –Big Bird AB-C-DEF-GHI B4 –The Kids Somebody Come And Play B5 –Susan* And The Kids Someday, Little Children B6 –Big Bird And Snuffle-upagus* Nobody Credits Art Direction – Robert Pierce Edited By – James Timmens* Lyrics By [Words By], Music By – Jeffrey Moss, Joe Raposo Other [Project Coordinator] – Jacquie Turner Other [Project Directors For Ctw] – Christopher Cerf, Sharon Lerner Other [Properties Director] – Nat Mongioi Photography – Judy Ross, Sandy Speiser Producer [Album Produced By], Directed By [Musical Director] – Joe Raposo Supervised By [Project] – Arthur Shimkin Voice Actor [Big Bird, Oscar] – Carrol Spinney* Voice Actor [Bob] – Bob McGrath Voice Actor [Cookie Monster, Grover, Bert] – Frank Oz Voice Actor [David] – Northern Calloway Voice Actor [Ernie] – Jim Henson Voice Actor [Gordon] – Hal Miller Voice Actor [Herbert Birdsfoot, Suffle-upagus, The Count, Sherlock Hemlock, Farley, Herry Monster, Marty] – Jerry Nelson Voice Actor [Luis] – Emilio Delgado Voice Actor [Mr.