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Leonard Stone Oral History Interview by Suzette Berkman, December 4, 2007 Leonard Stone (Interviewee)
University of South Florida Scholar Commons Digital Collection - Florida Studies Center Oral Digital Collection - Florida Studies Center Histories December 2007 Leonard Stone oral history interview by Suzette Berkman, December 4, 2007 Leonard Stone (Interviewee) Suzette Berkman (Interviewer) Follow this and additional works at: http://scholarcommons.usf.edu/flstud_oh Part of the American Studies Commons, and the Community-based Research Commons Scholar Commons Citation Stone, Leonard (Interviewee) and Berkman, Suzette (Interviewer), "Leonard Stone oral history interview by Suzette Berkman, December 4, 2007" (2007). Digital Collection - Florida Studies Center Oral Histories. Paper 269. http://scholarcommons.usf.edu/flstud_oh/269 This Oral History is brought to you for free and open access by the Digital Collection - Florida Studies Center at Scholar Commons. It has been accepted for inclusion in Digital Collection - Florida Studies Center Oral Histories by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. COPYRIGHT NOTICE This Oral History is copyrighted by the University of South Florida Libraries Oral History Program on behalf of the Board of Trustees of the University of South Florida. Copyright, 2008, University of South Florida. All rights, reserved. This oral history may be used for research, instruction, and private study under the provisions of the Fair Use. Fair Use is a provision of the United States Copyright Law (United States Code, Title 17, section 107), which allows limited use of copyrighted materials under certain conditions. Fair Use limits the amount of material that may be used. For all other permissions and requests, contact the UNIVERSITY OF SOUTH FLORIDA LIBRARIES ORAL HISTORY PROGRAM at the University of South Florida, 4202 E. -
Spring 2018/2 by Brian Wilson and Dan Morgan
Second Thoughts and Short Reviews - Spring 2018/2 By Brian Wilson and Dan Morgan Reviews are by Brian Wilson unless signed [DM]. Spring 2018/1 is here. Links there to earlier editions. Index: ADAMS Absolute Jest; Naïve and Sentimental Music_Chandos BACH Keyboard Music: Volume 2_Nimbus - Complete Organ Works Volume 7_Signum BEETHOVEN Triple Concerto_DG (+ BRAHMS) BORENSTEIN Violin Concerto, etc._Chandos BRAHMS Double Concerto_DG (+ BEETHOVEN) BRUCKNER Symphony No. 3_Profil - Symphony No. 4 in E-flat ‘Romantic’_LSO Live BUSONI Orchestral Works_Chandos ELGAR Violin Sonata, etc._Naxos_Chandos GERSHWIN Rhapsody in Blue_Beulah GUILMANT Organ Works_Chandos (+ WIDOR, FRANCK, SAINT-SAËNS) IRELAND Downland Suite, etc._Chandos - Mai Dun, Overlanders Suite, etc._Hallé JANITSCH Rediscoveries from the Sara Levy Collection_Chandos KARAYEV Symphony No.1; Violin Concerto_Naxos - Seven Beauties Suite, etc._Chandos LIDSTRÖM Rigoletto Fantasy_BIS (+ SHOSTAKOVICH Cello Concerto) LISZT A Faust Symphony_Alpha LUDFORD Missa Videte miraculum, etc._Hyperion MAHLER Symphony No.1_CAvi - Symphonies Nos. 4-6_Signum - Symphony No. 6_BIS MONTEVERDI Lettera Amorosa_Ricercar - Clorinda e Tancredi: Love scenes_Glossa - Night - Stories of Lovers and Warriors_Naïve PALUMBO Three Concertos_BIS RACHMANINOV The Bells, Symphonic Dances_BRKlassik ROSSINI Overtures – Gazza Ladra, Guillaume Tell_Beulah SAUER Piano Concerto No.1_Hyperion (+ SCHARWENKA) SCHARWENKA Piano Concerto No.4_Hyperion (+ SAUER) SHOSTAKOVICH Cello Concerto No.1_BIS (+ LIDSTRÖM) TALLIS Lamentations and Medieval Chant_Signum TIPPETT Symphonies Nos. 1 and 2_Hyperion VIVALDI Concertos Op.8/1-12_Chandos - Double Concertos_Chandos WESLEY, Samuel Symphonies_Chandos WESLEY, Samuel Sebastian Ascribe unto the Lord - Sacred choral works_Chandos WIDOR Organ Works_Chandos (see GUILMANT) Electric Django (Reinhardt)_Beulah *** MusicWeb International April 2018 Second Thoughts and Short Reviews - Spring 2018/2 Nicholas LUDFORD (c.1490-1557) Ninefold Kyrie (at Ladymass on Tuesday, Feria iii) [4:45] Alleluia. -
BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973) -
Critical Success Factors in Cello Training a Comparative Study
Critical success factors in cello training a comparative study by Anzél Gerber Submitted in partial fulfilment of the requirements for the degree PhD Music (Performance Practice) in the Department of Music Goldsmiths College, University of London Supervisor Professor Alexander Ivashkin 2008 (ii) DECLARATION I, Anzél Gerber, the undersigned, hereby declare that this dissertation, submitted in partial fulfilment for the degree PhD Music (Performance Practice), is my own original work. Signed: _______________________ Anzél Gerber (iii) ABSTRACT The research focused on the identification and ranking of critical success factors that contribute most significantly towards the training of a cello student. The empirical study was based on a sample of cello teachers in four countries selected for the study, namely Germany, Russia, the United Kingdom and the United States of America. A literature study, identifying a broad category of factors that could contribute towards successful cello training, formed the basis of the questionnaire. These critical success factors included the quality of the teacher, acquired skills, the talent and giftedness of the student, support rendered to the student, and the curriculum. Each of these factors comprised five sub factors. The respondents were required to rank these factors in order of importance. In the final analysis, they were requested to rank the five main factors. A statistical process of ranking (forced ranking) and Kruskal-Wallis was applied to rank and analyse the responses of the cello teachers in the survey. The critical success factors that contribute the most significantly towards successful cello training were identified and compared. ________________________________ (iv) PREFACE This study is in partial fulfilment for the degree PhD Music Performance at Goldsmiths College, University of London. -
The Sound of Ruins: Sigur Rós' Heima and the Post
CURRENT ISSUE ARCHIVE ABOUT EDITORIAL BOARD ADVISORY BOARD CALL FOR PAPERS SUBMISSION GUIDELINES CONTACT Share This Article The Sound of Ruins: Sigur Rós’ Heima and the Post-Rock Elegy for Place ABOUT INTERFERENCE View As PDF By Lawson Fletcher Interference is a biannual online journal in association w ith the Graduate School of Creative Arts and Media (Gradcam). It is an open access forum on the role of sound in Abstract cultural practices, providing a trans- disciplinary platform for the presentation of research and practice in areas such as Amongst the ways in which it maps out the geographical imagination of place, music plays a unique acoustic ecology, sensory anthropology, role in the formation and reformation of spatial memories, connecting to and reviving alternative sonic arts, musicology, technology studies times and places latent within a particular environment. Post-rock epitomises this: understood as a and philosophy. The journal seeks to balance kind of negative space, the genre acts as an elegy for and symbolic reconstruction of the spatial its content betw een scholarly w riting, erasures of late capitalism. After outlining how post-rock’s accommodation of urban atmosphere accounts of creative practice, and an active into its sonic textures enables an ‘auditory drift’ that orients listeners to the city’s fragments, the engagement w ith current research topics in article’s first case study considers how formative Canadian post-rock acts develop this concrete audio culture. [ More ] practice into the musical staging of urban ruin. Turning to Sigur Rós, the article challenges the assumption that this Icelandic quartet’s music simply evokes the untouched natural beauty of their CALL FOR PAPERS homeland, through a critical reading of the 2007 tour documentary Heima. -
For Immediate Release Wso
FOR IMMEDIATE RELEASE WSO Presents Three Perspectives from Musical America Winnipeg, MB – November 3, 2014 – The Winnipeg Symphony Orchestra (WSO) continues the theme of human rights and freedom this season with Schwarz & Copland Third, Nov 14 & 15, conducted by eminent American maestro Gerard Schwarz in his WSO debut. Clans from Lowak Shoppala’ (Fire and Light) The concert begins with Jerod Impichchaachaaha' Tate’s acclaimed Clans from Lowak Shoppala’ (Fire and Light) with guest narrator Justice Murray Sinclair and vocalists Cory Campbell, Andrew Balfour and Michael Thompson. This work vividly tells the story of the Chickasaw Nation, a federally recognized Native American nation, located in Oklahoma, in eight scenes that each depict a part of Chickasaw culture and history. “In old Chickasaw culture, a family clan system was maintained through matrilineal descent. Each clan had an animal name. Clans focuses on seven of these family lines – Minko, Bird, Alligator, Squirrel, Skunk, Panther and Raccoon – and incorporates numerous traditional Chickasaw melodies and rhythms,” said Tate. Music from Schindler’s List The symphony will then play three pieces from John Williams’ heart-rending film score for Schindler’s List directed by Steven Spielberg, which won the 1993 Oscar for Best Original Score, with WSO Associate Concertmaster Karl Stobbe playing the solo violin. Williams described his own mission in creating the score: “The film’s ennobling story, set in the midst of the great tragedy of the Holocaust, offered an opportunity to create not only dramatic music, but also themes that reflected the more tender and nostalgic aspects of Jewish life during these turbulent years.” Copland’s Symphony No. -
Michael Schade at a Special Release of His New Hyperion Recording “Of Ladies and Love...”
th La Scena Musicale cene English Canada Special Edition September - October 2002 Issue 01 Classical Music & Jazz Season Previews & Calendar Southern Ontario & Western Canada MichaelPerpetual Schade Motion Canada Post Publications Mail Sales Agreement n˚. 40025257 FREE TMS 1-01/colorpages 9/3/02 4:16 PM Page 2 Meet Michael Schade At a Special Release of his new Hyperion recording “Of ladies and love...” Thursday Sept.26 At L’Atelier Grigorian Toronto 70 Yorkville Ave. 5:30 - 7:30 pm Saturday Sept. 28 At L’Atelier Grigorian Oakville 210 Lakeshore Rd.E. 1:00 - 3:00 pm The World’s Finest Classical & Jazz Music Emporium L’Atelier Grigorian g Yorkville Avenue, U of T Bookstore, & Oakville GLENN GOULD A State of Wonder- The Complete Goldberg Variations (S3K 87703) The Goldberg Variations are Glenn Gould’s signature work. He recorded two versions of Bach’s great composition—once in 1955 and again in 1981. It is a testament to Gould’s genius that he could record the same piece of music twice—so differently, yet each version brilliant in its own way. Glenn Gould— A State Of Wonder brings together both of Gould’s legendary performances of The Goldberg Variations for the first time in a deluxe, digitally remastered, 3-CD set. Sony Classical celebrates the 70th anniversary of Glenn Gould's birth with a collection of limited edition CDs. This beautifully packaged collection contains the cornerstones of Gould’s career that marked him as a genius of our time. A supreme intrepreter of Bach, these recordings are an essential addition to every music collection. -
Warhol in Winnipeg
k t '^ Red River C*Ilege projectorstaff EDITOR-IN-CHIEF Nisha Tuli [email protected] GUERRILLA GARDENING PG.3 REBEL WITH A TROWEL HEALTH SPORTS & LIFESTYLES EDITOR Andrea Danelak LETTER TO THE EDITOR [email protected] PG. 5 WHAT'S WRONG WITH THE PRINCESS STREET CAMPUS? RRC TO ACQUIRE NEW BUILDING? Chris Webb PG.5 UNION BANK UP FOR GRABS [email protected] JOURNALIST SUBMITS CRAP PG.7 NO MENTION OF GOAT BINGO ARTS & CULTURE EDITOR PLIGHT OF THE HOMELESS Sara Atnikov PG.7 [email protected] HARD LIVES ON THE STREETS WARHOL IN WINNIPEG PG.14 EXHIBIT BRINGS FATHER OF POP ART LAYOUT & DESIGN EDITOR Doug McArthur HERE'S TO BEING UNDRUNK [email protected] PG.22 CAMPAIGN TAKES INITIATIVE Cover Design LAYOUT & DESIGN EDITOR Matt Stevens Chelsea Gowryluk [email protected] Contributing Writers Karen Kornelsen Randi-Leigh Michaniuk Dawn Hinchliffe ADVERTISING CONTACT Sula Johnson Guy Lussier [email protected] Wade Argo Shannah-Lee Vidal Julijana Capone Tania Kohut Jennifer Ryan Tamara Forianski Tim Phelan Jolene Bergen Matt Meisner Red Rkerollege Leigh Enns projector Melody Rogan Sam Karney c/o Red River College Students' Association Darren Cameron P110 -160 Princess Street Winnipeg, MB R3B 1K9 Phone: 204.947.0013 Fax: 204.949.9150 Writers, Photographers, and Illustrators: The Projector Wants You! The Projector is continually searching for new content and new points of view. If you've got something to say, an opinion or interesting story from on or off campus, or illustrations or photos, contact one of our editors with your idea. See your name in print! Contact The Projector today. -
Click Here Artsforall.Ca to Find out More
Click here artsforall.ca to find out more Presented by Winnipeg Cultural Capital of Canada and the Agassiz Music Fesitval JUNE 15-19 Supported by The Winnipeg Foundation Artistic Director Paul Marleyn Artists Featured Cellists Emerging Cellists Colin Carr United Kingdom Rachel Mercer Toronto, Canada Yina Tong Boston, United States Minna Rose Chung Winnipeg, Canada Brian Yoon Houston, United States Patrick Demenga Switzerland Thomas Demenga Switzerland Zara Nelsova Award for Canadian Cellists Finalists Yegor Dyachkov Montreal, Canada Christian Elliott Ottawa, Canada Denise Djokic Boston, United States Se-Doo Park New York, United States Natalia Gutman Russia Karen Ouzounian New York, United States Frans Helmerson Sweden Pianists Desmond Hoebig Houston, United States Frédéric Lacroix — pianist Ottawa, Canada Rafael Hoekman Winnipeg, Canada Janet Scott Hoyt — pianist Edmonton, Canada Yuri Hooker Winnipeg, Canada Paul Marleyn Ottawa, Canada Other artists Shauna Rolston Toronto, Canada Andrea Bell — conductor Winnipeg, Canada Kirk Starkey (electric cello) Hamilton, Christopher Dungey — cello luthier United States Eric Friesen — host Amherst, Canada Canada Anne Manson — conductor United States Jian Wang China Alexander Mickelthwate — conductor Winnipeg, Canada Jocelyn Morlock — composer Vancouver, Canada Thomas Wiebe London, Canada Manitoba Chamber Orchestra Leanne Zacharias Brandon, Canada Winnipeg Symphony Orchestra co-production Click here artsforall.ca Schedule to find out more DAY 1 Wednesday, June 15th DAY 4 Saturday, June 18th 12:00-12:45 -
For Immediate Release Wso Appoints Award-Winning
FOR IMMEDIATE RELEASE WSO APPOINTS AWARD-WINNING MAESTRO DANIEL RAISKIN AS NEXT MUSIC DIRECTOR BEGINNING IN THE 2018-2019 SEASON Winnipeg, MB – February 14, 2018 – In a press conference this morning, Terry Sargeant, Chair of the Board of Directors of the Winnipeg Symphony Orchestra (WSO), announced that Russian-born maestro Daniel Raiskin will be the next Music Director of the WSO commencing August 1, 2018. The public’s first opportunity to see Maestro Raiskin in action will be at The Asper Foundation Opening Night Gala on September 17, 2018 and then at concerts throughout the WSO 2018-2019 Season. “The Board believes that Daniel will prove to be an excellent Music Director for the WSO,” says WSO Board Chair Terry Sargeant. “His musicianship is outstanding. His experiences have spanned the globe. He will bring to our stage skills and talent and new ideas that will allow our orchestra to continue to grow in making great music. We look forward to having Daniel Raiskin as a member of the Winnipeg Symphony Orchestra, and of our community.” Daniel Raiskin’s career to date has taken him around the world. Recent guest conducting engagements include orchestras in Düsseldorf, Hong Kong, Athens, Osaka, KwaZulu-Natal, and Mexico City to name a few. He is Principal Guest Conductor of the Orquesta Sinfónica de Tenerife and of the Belgrade Philharmonic Orchestra. Previous positions include Chief Conductor of the Staatsorchester Rheinische Philharmonie in Koblenz and the Arthur Rubinstein Philharmonic Orchestra in Łódz. His long list of recordings have received both critical acclaim and awards, including the Echo Classic Award in 2012 for an album of cello concertos by Korngold, Bloch and Goldschmidt with Julian Steckel on AVI. -
Season 2012-2013
27 Season 2012-2013 Thursday, December 13, at 8:00 The Philadelphia Orchestra Friday, December 14, at 8:00 Saturday, December 15, Gianandrea Noseda Conductor at 8:00 Alisa Weilerstein Cello Borodin Overture to Prince Igor Elgar Cello Concerto in E minor, Op. 85 I. Adagio—Moderato— II. Lento—Allegro molto III. Adagio IV. Allegro—Moderato—[Cadenza]—Allegro, ma non troppo—Poco più lento—Adagio—Allegro molto Intermission Tchaikovsky Symphony No. 3 in D major, Op. 29 (“Polish”) I. Introduzione ed allegro: Moderato assai (tempo di marcia funebre)—Allegro brillante II. Alla tedesca: Allegro moderato e semplice III. Andante elegiaco IV. Scherzo: Allegro vivo V. Finale: Allegro con fuoco (tempo di polacca) This program runs approximately 1 hour, 55 minutes. The December 14 concert is sponsored by Medcomp. 228 Story Title The Philadelphia Orchestra Jessica Griffin Renowned for its distinctive vivid world of opera and Orchestra boasts a new sound, beloved for its choral music. partnership with the keen ability to capture the National Centre for the Philadelphia is home and hearts and imaginations Performing Arts in Beijing. the Orchestra nurtures of audiences, and admired The Orchestra annually an important relationship for an unrivaled legacy of performs at Carnegie Hall not only with patrons who “firsts” in music-making, and the Kennedy Center support the main season The Philadelphia Orchestra while also enjoying a at the Kimmel Center for is one of the preeminent three-week residency in the Performing Arts but orchestras in the world. Saratoga Springs, N.Y., and also those who enjoy the a strong partnership with The Philadelphia Orchestra’s other area the Bravo! Vail Valley Music Orchestra has cultivated performances at the Mann Festival. -
An Annotated Bibliography of Canadian Oboe Concertos
An Annotated Bibliography of Canadian Oboe Concertos Document Presented in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Oboe in the Performance Studies Division of the University of Cincinnati College-Conservatory of Music January 11, 2016 by Elizabeth E. Eccleston M02515809 B.M., Wilfrid Laurier University, 2004 M.M., University of Cincinnati, 2007 D.M.A. Candidacy: April 5, 2012 256 Major Street Toronto, Ontario M5S 2L6 Canada [email protected] ____________________________ Dr. Mark Ostoich, Advisor ____________________________ Dr. Glenn Price, Reader ____________________________ Professor Lee Fiser, Reader Copyright by Elizabeth E. Eccleston 2016 i Abstract: Post-World War II in Canada was a time during which major organizations were born to foster the need for a sense of Canadian cultural identity. The Canada Council for the Arts, the Canadian Broadcasting Corporation and the Canadian Music Centre led the initiative for commissioning, producing, and disseminating this Canadian musical legacy. Yet despite the wealth of repertoire created since then, the contemporary music of Canada is largely unknown both within and outside its borders. This annotated bibliography serves as a concise summary and evaluative resource into the breadth of concertos and solo works written for oboe, oboe d’amore, and English horn, accompanied by an ensemble. The document examines selected pieces of significance from the mid-twentieth century to present day. Entries discuss style and difficulty using the modified rating system developed by oboist Dr. Sarah J. Hamilton. In addition, details of duration, instrumentation, premiere/performance history, including dedications, commissions, program notes, reviews, publisher information and recordings are included wherever possible.