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Warhol in Winnipeg
k t '^ Red River C*Ilege projectorstaff EDITOR-IN-CHIEF Nisha Tuli [email protected] GUERRILLA GARDENING PG.3 REBEL WITH A TROWEL HEALTH SPORTS & LIFESTYLES EDITOR Andrea Danelak LETTER TO THE EDITOR [email protected] PG. 5 WHAT'S WRONG WITH THE PRINCESS STREET CAMPUS? RRC TO ACQUIRE NEW BUILDING? Chris Webb PG.5 UNION BANK UP FOR GRABS [email protected] JOURNALIST SUBMITS CRAP PG.7 NO MENTION OF GOAT BINGO ARTS & CULTURE EDITOR PLIGHT OF THE HOMELESS Sara Atnikov PG.7 [email protected] HARD LIVES ON THE STREETS WARHOL IN WINNIPEG PG.14 EXHIBIT BRINGS FATHER OF POP ART LAYOUT & DESIGN EDITOR Doug McArthur HERE'S TO BEING UNDRUNK [email protected] PG.22 CAMPAIGN TAKES INITIATIVE Cover Design LAYOUT & DESIGN EDITOR Matt Stevens Chelsea Gowryluk [email protected] Contributing Writers Karen Kornelsen Randi-Leigh Michaniuk Dawn Hinchliffe ADVERTISING CONTACT Sula Johnson Guy Lussier [email protected] Wade Argo Shannah-Lee Vidal Julijana Capone Tania Kohut Jennifer Ryan Tamara Forianski Tim Phelan Jolene Bergen Matt Meisner Red Rkerollege Leigh Enns projector Melody Rogan Sam Karney c/o Red River College Students' Association Darren Cameron P110 -160 Princess Street Winnipeg, MB R3B 1K9 Phone: 204.947.0013 Fax: 204.949.9150 Writers, Photographers, and Illustrators: The Projector Wants You! The Projector is continually searching for new content and new points of view. If you've got something to say, an opinion or interesting story from on or off campus, or illustrations or photos, contact one of our editors with your idea. See your name in print! Contact The Projector today. -
Jaunty Sport Coats Diers) in Our Camp
_________________--..:T:...H~E~J:~E::....'.W~I!-'S~H PO S T Page Five Thursday, July 6, ~944 Thursday, July 6, 1944 , --~----------------------------------~~~--- Page Four THE JEWISH POST dress with the hope that the innate I Silver, of Hudson Bay Junction, ...~~~----------------------------------- '.t_."_~_,,-_.-,,,-".-""-""-"'-.IIIl-"'-a.-a, Dower Expresses Confidence In Ultimate justice of this cause, aided by the Icontributed $50 which was credited M. J. FinkeLstein, K.O. t'D...... o ........ ft. -- -- ----- -- .. - C. E. Finkelstein .ft ..•• m.·•• -.'·.- ..... ••.. ········ft ..... Under the auspices tremendous mfluence of the Pro- to this community. D. A: McOormick COME AND PAY TRIBUTE TO THESE TWO GREAT ZIONIST LEADERS Justice For Jewish Cause In Addressing Palestinian Christian Council, would . of the . .ftft-·-·~ft.-. Closing Meeting Of Edmonton Hadassah soon result 1n the abrogatlOn of the· AIR COOLED A. M. Shinbane Zionist Organization White Paper and the resumption Fmkelstein &Company of free immigration into Palestine in OLLEGE of Canada Barristers, Solicitors, Notaries. Etc. K.C. John. D. Dower, western vice-, faith and confidence in British ideals, C THEATRE sufficient time to aid the remnant.s HERZl -FREIMAN ME DRIAl Midwestern Region MAIN at TELEPHONE president of the Zionist Organization justice and fair play, the Jewish of war-torn European Jewry. * 218 PORTAGE AVE. WINNIPEG Principal CHURCH 53696 TUESDAY - 8.30 p.m. - TALMUD TORAH AUDITORIUM of Canada, was the guest speaker people have gone ahead with' a Speaker Mrs. Henry Bloomfield was re _. _ ...o __ cue.vo & u ow_. U 45;' U _ U _ • ..."...... __ U wo u W & •• _. at ·the annual meeting of Edmonton tremendous project in the re-estab elected president for the coming =----'F~R"I.":,c:'s"A~·r".,~M~O:oN~.,~JU~L~Y_7~,_'8"-,-'1'.!!O_ ~ ".IIII""."''iII.'''.III''.-''.''''''''1-'''''''•• '' ............. -
Boston Symphony Orchestra Concert Programs, Season 104, 1984-1985
BOSTON SYMPHONY ORCHESTRA Seiji Ozawa, Music Director One Hundred and Fourth Season, 1984-85 PRE-SYMPHONY CHAMBER CONCERTS Thursday, 10 January at 6 Saturday, 12 January at 6 VYACHESLAV URITSKY, violin HARVEY SEIGEL, violin MICHAEL ZARETSKY, viola MARTHA BABCOCK, cello TATIANA YAMPOLSKY, piano . BRAHMS Sonata No. 2 in A for violin and piano, Opus 100 Allegro amabile Andante tranquillo—Vivace di phi—Andante Allegretto grazioso (quasi Andante) Mr. URITSKY and Ms. YAMPOLSKY SHOSTAKOVICH String Quartet No. 13 in B-flat minor, Opus 138 Adagio—Doppio movimento—Tempo primo Mssrs. URITSKY and SEIGEL, Mr. ZARETSKY, and Ms. BABCOCK Baldwin piano Please exit to your left for supper following the concert. The performers appreciate your not smoking during the concert. Week 10 Johannes Brahms Sonata No. 2 in A for violin and piano, Opus 100 Some composers have maintained that the violin is the instrument that comes closest to reproducing the singing quality of the human voice. Whether or not Brahms ever espoused this view, his violin sonatas give tacit assent: they are among the most lyrical of all his chamber compositions, and the first two, at least, emphasize this fact by actually quoting from his own Lieder. Brahms spent the summer of 1886 in the splendor of Switzerland, on the shores of Lake Thun, a place that proved to be so congenial to his mood that he returned for the two following summers. His first stay saw the completion of three chamber works: the second cello sonata, Opus 99, the second violin sonata, Opus 100, and the third piano trio, Opus 101. -
An Annotated Bibliography of Canadian Oboe Concertos
An Annotated Bibliography of Canadian Oboe Concertos Document Presented in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Oboe in the Performance Studies Division of the University of Cincinnati College-Conservatory of Music January 11, 2016 by Elizabeth E. Eccleston M02515809 B.M., Wilfrid Laurier University, 2004 M.M., University of Cincinnati, 2007 D.M.A. Candidacy: April 5, 2012 256 Major Street Toronto, Ontario M5S 2L6 Canada [email protected] ____________________________ Dr. Mark Ostoich, Advisor ____________________________ Dr. Glenn Price, Reader ____________________________ Professor Lee Fiser, Reader Copyright by Elizabeth E. Eccleston 2016 i Abstract: Post-World War II in Canada was a time during which major organizations were born to foster the need for a sense of Canadian cultural identity. The Canada Council for the Arts, the Canadian Broadcasting Corporation and the Canadian Music Centre led the initiative for commissioning, producing, and disseminating this Canadian musical legacy. Yet despite the wealth of repertoire created since then, the contemporary music of Canada is largely unknown both within and outside its borders. This annotated bibliography serves as a concise summary and evaluative resource into the breadth of concertos and solo works written for oboe, oboe d’amore, and English horn, accompanied by an ensemble. The document examines selected pieces of significance from the mid-twentieth century to present day. Entries discuss style and difficulty using the modified rating system developed by oboist Dr. Sarah J. Hamilton. In addition, details of duration, instrumentation, premiere/performance history, including dedications, commissions, program notes, reviews, publisher information and recordings are included wherever possible. -
Boston Symphony Orchestra Concert Programs, Season
SECOND CONCERT OF THE ELLIS COURSE MECHANICS HALL . WORCESTER Thirty-first Season, J9H-J9J2 MAX FIEDLER, Conductor frogramm* of % FIRST CONCERT WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE TUESDAY EVENING, NOVEMBER 28 AT 8.00 i COPYRIGHT, 1911, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER : : Vladimir De Pachmann The Greatest Pianist Of the 20th Century ON TOUR IN THE UNITED STATES SEASON: 1911-1912 For generations the appearance of new stars on the musical firmament has been announced — then they came with a temporary glitter — soon to fade and to be forgotten. De Pachmann has outlived them all. With each return he won additional resplendence and to-day he is acknowl- edged by the truly artistic public to be the greatest exponent of the piano of the twentieth century. As Arthur Symons, the eminent British critic, says " Pachmann is the Verlaine or Whistler of the Pianoforte the greatest player of the piano now living." Pachmann, as before, uses the BALDWIN PIANO for the expression of his magic art, the instrument of which he himself says " .... It cries when I feel like crying, it sings joyfully when I feel like singing. It responds — like a human being — to every mood. I love the Baldwin Piano." Every lover of the highest type of piano music will, of course, go to hear Pachmann — to revel in the beauty of his music and to marvel at it. It is the beautiful tone quality, the voice which is music itself, and the wonderfully responsive action of the Baldwin Piano, by which Pachmann's miraculous hands reveal to you the thrill, the terror and the ecstasy of a beauty which you had never dreamed was hidden in sounds. -
Centennial Concert Hall Seating
Welcome to the 70th anniversary season of the Winnipeg Symphony Orchestra! For seventy years you have been our partners.The journey started in 1948 when Walter Kaufmann launched the first regular season of the WSO at the Winnipeg Auditorium.The years that followed were filled with one high note after another.Two tours to Carnegie Hall, international guests including Pierre Monteux, John Barbirolli, Leon Fleisher and Jacqueline du Pré, the move to the Manitoba Centennial Concert Hall, and the launch of the Winnipeg New Music Festival. This season, we celebrate with nods to the past and a steady gaze to the future.The season opens with the preeminent violinist of our day, Itzhak Perlman, and closes with a visit from WSO conductor laureate Bramwell Tovey and Brandon-born James Ehnes, who TH ANNIVERSARY will join the Vancouver Symphony on Tour to Winnipeg. 70 We launch a new Movie Series with Harry Potter and The SPECIAL EVENTS Philosopher’s Stone and The Wizard of Oz, and we will get in June 28, 2017 the Christmas spirit with The Tenors in a great new show. 70th Anniversary Community Celebration It is a season of exciting music that could only happen Sep 16, 2017 in a city that embraces its orchestra.Without you, Itzhak Perlman,The Asper Family we could not perform.Without you, we could not Opening Night Gala Performance create.Thank you for your energy.Thank you for Oct 13, 2017 your support.Thank you for your love of great Happy 70th WSO! - See Page 6 music! See you at the Concert Hall. -
Purcell String Quartet Sydney Humphreys Biyan King Philippe Etter Ian Hampton
The Ocpaktment oS AuAie at the UnivcAzity oS Atbekta oesents the Purcell String Quartet Sydney Humphreys biyan King Philippe Etter Ian Hampton Convocation Hatt Ofd Akt4 Suitding Tuuday, November 12, 1915 i p.m. PROGRAMME Quartet for Strings, Op. 54, No. 2 (1788) Franz Joseph Haydn (1732 - 1809) Vivace Adagio Menuetto Finale, Adagio - Presto Quartet No. 4 for Strings. Wallace Berry (Commissioned by the Purcell Quartet with a (b. 1928) grant from the Canada Council) Adagio con molta espressione Allegro vivace ma serioso / Tempo primo - Adagio INTERMISSION * * * * * String Quartet in G minor, Op. 10 (1893) Claude Debussy (1862 -1918 ) Anime et tres decid4 Assez vif et bien rhythm Andantino, doucement expressif Tres moder6 - tres mouvemente et avec passion The Purcell String Quartet operates with financial assistance of: The Canada Council. The Government of British Columbia through the British Columbia Cultural Fund and lottery revenues. The City of Vancouver. PROGRAMME NOTES Quartet for Strings, Op. 54, No. 2 (1788) Franz Joseph Haydn (1732 - 1809) The opening C Major statement is dramatically throttled by silence which, on its return, Haydn impishly lengthens by a bar. The second subject resembles that of the previous quartet - Haydn had not quite got the rhythm out of his system. In the Adagio, the first violin introduces a chorale which the second violin takes over, allowing the former to weave a Hungarian Gypsy descant in a precisely notated rubato. This dissolves into a minuet whose coyness is offset by an impassioned trio featuring the augmented triad. The finale is a bit of a surprise, particularly to the cellist who is required to ascend the fingerboard into regions long dulled and cobwebbed from disuse. -
CBC Program Schedule 470420.PDF
NEWS BROADCASTS ~ T~~~~A ~¥:J~~ I~ CBK DAILY I • I WATROUS Trans-Canada Nelwork: (Trans·Canada Network) I~OO. 9:00 •.In. 1:00,6:30. PROGRAM 540 Kcs. ':00 p.m. 12:00 p.m. CBC Dominion Network: Prairie Region 10:00 p.m. eRe SCHEDULE Transmitter Times given in this Schedule are Central Standard DATE OF ISSUE APRIL 12, 1947. PRAIRIE REGION Week 01 April 20th, 1947 612 Telephone Bldg., Winnipeg, Canada Qualities and Prices Coming of Age No Bed Of Roses Is High At Western Fairs Life Of CBC Producer esc Farm Commentator Back r:'rom Arranging Network Programs In Calgary, Regina and Brandon Meet- volves Much Detail ings An average lay opinion as to how Qualities and prices were both radio programs get on the air might higher at Western Canada's three be stated roughly as follows: principal winter fairs this year, "Someone has a brain-wave, hires according to Bob Knowles, CBC's an orchestra and a singer or two, assistant farm commentator in and maybe a comedian-and there the Prairie Region, who returned g you are." last week after visits to Calgary, •.. Well, it's not quite so simple a.<; Regina and Brandon, during that, according to CBC producers, March and early ApriL especially if it happens to be a net Bob attended the Calgary work program. First of all, one has Spring Bull Sale March 17-21, to give some thought to the matter largest event of its kind on this of placing the program in the intri continent; the Saskatchewan 11 cate jig-saw puzzle of the network Winter Fair at Regina, March program schedule. -
Catalogue of Canadian Women Empowered by Music 1
Catalogue of Canadian Women Empowered by Music Who is in this catalogue? ...women empowered by music, women who empowered others through music, and women who were trailblazers in music. You will find composers, singers, educators, songwriters and activists, from every era and every style of music...but the catalogue is not complete! Here’s where YOU come in! See an entry for your favourite artist which needs a longer entry? Send us an expanded version! (limit: 200 words). Know a musician who is not even in the catalogue yet? Write an entry send it to: [email protected] Name Dates Category Career Highlights Listening Links Active Norma Abernethy 1930’s Performer Norma Abernathy was a pianist from Vancouver, British http://www.thecanadianencycl (1914-1973) - Columbia. She is best known as an accompanist and opedia.ca/en/article/norma- 1940’s soloist on radio stations such as CNRV and CBR, and as abernethy-emc/ a pianist with the Vancouver Chamber Orchestra and the Victoria Symphony Orchestra. Lydia Adams 1980s- Conductor Lydia Adams was born in Glace Bay, Nova Scotia and “Sing all ye https://www.thecanadianencycl (1953- ) Accompan completed her training at Mount Allison University in New joyful: the opedia.ca/en/article/lydia- ist Brunswick and the Royal College of Music in London, works of Ruth adams-emc/ Arranger England. She worked as an accompanist for the Elmer Watson Iseler Singers in the 1980s and early 1990s, and in 1997 Henderson” http://www.elmeriselersingers. she became the choir’s conductor and music director. Dr. com/lydia_adams.htm Adams was also the conductor and artistic director of the Amadeus Choir, and commissioned and premiered many works by Canadian composers. -
Caml Review Revue De L'acbm
CAML REVIEW REVUE DE L’ACBM VOL. 43, NO. 2 AUGUST / AOÛT 2015 Articles and Reports / Articles et rapports : Page Message from the President / Message du président 3 Brian McMillan CAML Conference 2015: Abstracts / Congrès de l'ACBM 2015 : 5 Résumés de communications CAML 2015 Annual Reports: Cataloguing Committee – Daniel Paradis 13 RILM Canada – Sean Luyk 15 RIPM Canada – Kathleen McMorrow 17 RISM Canada – Cheryl Martin 18 The Academic Archivist’s Fear of Popular Music 19 Brock Silversides Musical Similarity as Conceived by “Avid Recreational Music 29 Listeners” Jason Neal Reviews / Comptes rendus : From Sea to Sea: Vocal Works Featuring Canadian Poetry – Aaron 44 Jensen (CD) / Jane Leibel The Hallelujah Effect: Philosophical Reflections on Music, 47 Performance Practice, and Technology (Book) / J. Drew Stephen Joni Mitchell: In Her Own Words: Conversations with Malka Marom 49 (Book) / Elaine Keillor Magister Ludi: Music of Gordon Fitzell (CD) / Timothy Maloney 51 Myth, Legend, Romance: Concertos of Elizabeth Raum (CD) / 53 Alastair Boyd Points of Departure – Nicholas Papador, percussion (CD) / 55 Edward Jurkowski CAML Review, published three times a year, is the official publication of the Canadian Association of Music Libraries, Archives and Documentation Centres. Contributions are invited for articles, reviews, and reports pertaining to music in Canada, music librarianship, and music-related topics of current interest. Deadline for the next issue: October 15, 2015. La Revue de l’ACBM, publiée trois fois l’an, est l’organe officiel de l’Association canadienne des bibliothèques, archives et centres de documentation musicaux. La Revue vous invite à lui soumettre des articles, des comptes rendus et des rapports relatifs à la musique au Canada, à la bibliothéconomie de la musique et aux sujets d’actualité reliés à la musique. -
Music of Victor Davies Concert Works
1 MUSIC OF VICTOR DAVIES CONCERT WORKS ORCHESTRAL “Jazz Piano Concerto“ (Piano Concerto No. 2) (2001) 25:00 * Theme with Nine Scenes ( A Detective Story) 17:00. Sorbet (A Waltz) 5:00, Farewell 6:00 * Commissioned by the Winnipeg Symphony Orchestra and the Canada Council for Conductor/ Pianist Bramwell Tovey to play and conduct on the occasion of his Final Gala Concert with the WSO commemorating his 12 successful years as Musical Direstor of the Winnipeg Symphony Orchestra * Premiere May 13, 2001 Bramwell Tovey- piano-conductor - Winnipeg symphony Orchestra * solo acoustic piano, 22222 /4331 /Timp /Perc 2/ Strgs “Jazz Concerto For Organ & Orchestra” (The St. Andrew's-Wesley Concerto) (2000) 25:00 * Boogie Pipes 6:00, Blue Pipes 4:30, Cool Pipes 4:10, 4. Hot Pipes (Ragging the Pipes!) 6:00 * Commissioned by Calgary International Organ Foundation, Music Canada 2000 Festival Inc., underwritten by Edwards Charitable Foundation, THE HAMBER FOUNDATION the Canada Council. * Premiere Calgary May 13, 2000 Wayne Marshall - organ - The Calgary Philharmonic Orchestra, Howard Cable Conductor. * Organ, 2222/4331/Timp /Perc 2 /Strgs “Music for The XIII Pan American Games Opening & Closing Ceremonies” (1999) * (Symphonic Marches) - Welcome the Champions 3:07, The Glory of The Games 2:28, North & South On Parade 3:03, The Mosquito March 2:14, Pan Am Fiesta 3:56, I Want To Be A Champion Too 3:21, Canada’s Here! 2:14. The Geese 2:40 2222/4331/Timp /2 /Harp/Strgs (Chorus -The Geese only) * Heart Of the Continent (The Seasons) (a dance/ballet) Autumn Splendour -
January, 1969, Volume 4 Wintertime — and the Nyo
JANUARY, 1969, VOLUME 4 WINTERTIME — AND THE NYO Warm thought for a January night: For the National Youth Orchestra of Canada it is perpetually summer. This unique (on the continent) or chestra based on talent and youth only really exists in July and the first half of August, when its 14 to 24-year-old members come together to study, re hearse and perform. They come from the cities and towns and isolated reaches of the nation, and this musical happening is a summertime thing. But their short summer of music is the visible and audi ble result of long winter months of work and planning by executive officers and board members of the National Youth Orchestra Association. So it was that last month, the NYO office in Toronto sent out an adjudicator to hear some 300 young applicants in a series of auditions in major centres across the country. Violist Stephen Kondaks, a member of the NYO faculty, since 1963, A section of the Orchestra during a and of the McGill University faculty of performance at Chicoutimi, Quebec, in music, was this year’s adjudicator. Based August, 1968. on assessment of the applicants, the re sults of these auditions will shortly be to Quebec City for the four-week training announced, the 100-odd successful can session, a step that broadened the base didates named, and the 1969 season will of a National music organization which be that much closer to its summer reality. heretofore had confined its training ses Conductor of the NYO for its up sions to Ontario with the exception of coming season will be Victor Feldbrill, a Christmas session in Montreal.