CBC Program Schedule 470420.PDF
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Manx Traditional Dance Revival 1929 to 1960
‘…while the others did some capers’: the Manx Traditional Dance revival 1929 to 1960 By kind permission of Manx National Heritage Cinzia Curtis 2006 This dissertation is submitted in partial fulfilment of the degree of Master of Arts in Manx Studies, Centre for Manx Studies, University of Liverpool. September 2006. The following would not have been possible without the help and support of all of the staff at the Centre for Manx Studies. Special thanks must be extended to the staff at the Manx National Library and Archive for their patience and help with accessing the relevant resources and particularly for permission to use many of the images included in this dissertation. Thanks also go to Claire Corkill, Sue Jaques and David Collister for tolerating my constant verbalised thought processes! ‘…while the others did some capers’: The Manx Traditional Dance Revival 1929 to 1960 Preliminary Information 0.1 List of Abbreviations 0.2 A Note on referencing 0.3 Names of dances 0.4 List of Illustrations Chapter 1: Introduction 1.1 Methodology 1 1.2 Dancing on the Isle of Man in the 19th Century 5 Chapter 2: The Collection 2.1 Mona Douglas 11 2.2 Philip Leighton Stowell 15 2.3 The Collection of Manx Dances 17 Chapter 3: The Demonstration 3.1 1929 EFDS Vacation School 26 3.2 Five Manx Folk Dances 29 3.3 Consolidating the Canon 34 Chapter 4: The Development 4.1 Douglas and Stowell 37 4.2 Seven Manx Folk Dances 41 4.3 The Manx Folk Dance Society 42 Chapter 5: The Final Figure 5.1 The Manx Revival of the 1970s 50 5.2 Manx Dance Today 56 5.3 Conclusions -
2002 Scottish Games
Try our Lindsay's 80/- (Shilling) Brewed Especially for the St. Louis Scottish Games. Schlafly Beer 2t DO Locust, Saint Louis, MO 63 t 03 3t 4-24t -BEER www.schlafly.com CeudMile Failtel ~ ~ "A Hundred Thousand Welcomes!" Table of Contents Greetings, and welcome to our Second Annual l Scottish Games & Cultural Festival of the 21st Ceud Mile Failte century! CEO's Message. 2 Ceremonies .. 3 It seems almost like yesterday when we were at the Help ....... ... 4 fun-filled 2001 Games, rain and all. Although a lot has Animals & Birds . ... 5 changed around us, other traditions have been revived Athletics. ...... 6 and solidified. The modern Scottish Games are a British Car Show & Clubs ...... 10 celebration of the deep and rich cultural heritage that Children's Activities .. ..... 11 originated in Scotland and is recognized throughout Entertainment 12 America. We are pleased to continue to present such Overview Schedule ........._.... .... 17 a festive and exciting occasion within Forest Park. Site Map ..................................... 18 The uplifting spirits of Scotland and America will again be intertwined with History/Storytelling 20 culture, heritage, and celebration during the St. Louis Games. We encourage Scottish Genealogy . ..22 you to take the opportunity to be entertained by the wonderful skills of Photo Opportunity ..... ... _.23 competing dancers, athletes, pipers, and drummers. Listen to the folk musicians, Highland Dancing .. 24 storytellers, and Clan historians. View some classics at the British car show, Piping & Drumming ..... 26 and watch the sheepdogs perform. Sample some great food and find unique Clan History ... .... _28 gifts. I guarantee that the assembled tartans of the Clans and the full force of Gaelic .............._....... -
Jaunty Sport Coats Diers) in Our Camp
_________________--..:T:...H~E~J:~E::....'.W~I!-'S~H PO S T Page Five Thursday, July 6, ~944 Thursday, July 6, 1944 , --~----------------------------------~~~--- Page Four THE JEWISH POST dress with the hope that the innate I Silver, of Hudson Bay Junction, ...~~~----------------------------------- '.t_."_~_,,-_.-,,,-".-""-""-"'-.IIIl-"'-a.-a, Dower Expresses Confidence In Ultimate justice of this cause, aided by the Icontributed $50 which was credited M. J. FinkeLstein, K.O. t'D...... o ........ ft. -- -- ----- -- .. - C. E. Finkelstein .ft ..•• m.·•• -.'·.- ..... ••.. ········ft ..... Under the auspices tremendous mfluence of the Pro- to this community. D. A: McOormick COME AND PAY TRIBUTE TO THESE TWO GREAT ZIONIST LEADERS Justice For Jewish Cause In Addressing Palestinian Christian Council, would . of the . .ftft-·-·~ft.-. Closing Meeting Of Edmonton Hadassah soon result 1n the abrogatlOn of the· AIR COOLED A. M. Shinbane Zionist Organization White Paper and the resumption Fmkelstein &Company of free immigration into Palestine in OLLEGE of Canada Barristers, Solicitors, Notaries. Etc. K.C. John. D. Dower, western vice-, faith and confidence in British ideals, C THEATRE sufficient time to aid the remnant.s HERZl -FREIMAN ME DRIAl Midwestern Region MAIN at TELEPHONE president of the Zionist Organization justice and fair play, the Jewish of war-torn European Jewry. * 218 PORTAGE AVE. WINNIPEG Principal CHURCH 53696 TUESDAY - 8.30 p.m. - TALMUD TORAH AUDITORIUM of Canada, was the guest speaker people have gone ahead with' a Speaker Mrs. Henry Bloomfield was re _. _ ...o __ cue.vo & u ow_. U 45;' U _ U _ • ..."...... __ U wo u W & •• _. at ·the annual meeting of Edmonton tremendous project in the re-estab elected president for the coming =----'F~R"I.":,c:'s"A~·r".,~M~O:oN~.,~JU~L~Y_7~,_'8"-,-'1'.!!O_ ~ ".IIII""."''iII.'''.III''.-''.''''''''1-'''''''•• '' ............. -
Boston Symphony Orchestra Concert Programs, Season 104, 1984-1985
BOSTON SYMPHONY ORCHESTRA Seiji Ozawa, Music Director One Hundred and Fourth Season, 1984-85 PRE-SYMPHONY CHAMBER CONCERTS Thursday, 10 January at 6 Saturday, 12 January at 6 VYACHESLAV URITSKY, violin HARVEY SEIGEL, violin MICHAEL ZARETSKY, viola MARTHA BABCOCK, cello TATIANA YAMPOLSKY, piano . BRAHMS Sonata No. 2 in A for violin and piano, Opus 100 Allegro amabile Andante tranquillo—Vivace di phi—Andante Allegretto grazioso (quasi Andante) Mr. URITSKY and Ms. YAMPOLSKY SHOSTAKOVICH String Quartet No. 13 in B-flat minor, Opus 138 Adagio—Doppio movimento—Tempo primo Mssrs. URITSKY and SEIGEL, Mr. ZARETSKY, and Ms. BABCOCK Baldwin piano Please exit to your left for supper following the concert. The performers appreciate your not smoking during the concert. Week 10 Johannes Brahms Sonata No. 2 in A for violin and piano, Opus 100 Some composers have maintained that the violin is the instrument that comes closest to reproducing the singing quality of the human voice. Whether or not Brahms ever espoused this view, his violin sonatas give tacit assent: they are among the most lyrical of all his chamber compositions, and the first two, at least, emphasize this fact by actually quoting from his own Lieder. Brahms spent the summer of 1886 in the splendor of Switzerland, on the shores of Lake Thun, a place that proved to be so congenial to his mood that he returned for the two following summers. His first stay saw the completion of three chamber works: the second cello sonata, Opus 99, the second violin sonata, Opus 100, and the third piano trio, Opus 101. -
Canntaireachd: Articulate Music
H.M. U X. EX-UBRIS uHEW- MORRISON QI CANNTAIREACHD: ARTICULATE MUSIC /. F. CAMPBELL, — — CANNTAIREACHD: Articulate Music ]ji;un.'ATi;u TO tiik ISLAY ^SSOCI^TIOK, 0". IF. C J^ IVC IP B IE Hj !_,, T A T X T I . K A C I r . 14th AUGUST, 188 O. Like a herald of old, or a bard, or a piper, I can staud here on a green knoll, in a yellow fog, out of the field of the fray, and incite jjeople to battle, -with the mustering of the clans in the old forgotten language of MacCrimmen, piper to MacLeod of Dunvegan; of MacAi thur, piper to the Lord of the Isles; of " The Piper o' Dundee; " and of John CanipLell, the Lorn piper, who taught uic fifty years ago how to rouse men with strange words out in the Isles: CuGADH NA SiTH. Battle or Peace. The True Gathering of the Clans. I Hodroho, hodroho, haninin, hiechin, Hodroho, hodroho, hodroho, hachin, Hiodroho, hodroho, haninin, hiechin, Hodroha, hodroha, hodroha, hodroha, Hodroha, hodroho, hodroho, hachm, Hiodroho, hodroho, haninin, hiechin, Hodroha, hodroho, hodroho, hodroha, Haninun, hanimui, haninun, haninun, Finishing measure in eight syllables Hiundratatateriri, hiendatatateriri, Hiuudratatateriri, hiundratatateriri. All of which means music; which meant "Almost alike for us battle or peace." GLASGOW: Printed by ARCHIBALD SINCLAIR, 62 Argyle Street. MDCCCLXXX. PIPER'S LA.NaU^aE, 1880. January. —Heard of Ge.sto'» book for the first time. February 5. —Book got. March 20. —Finished a paper rouglily. ,, ^6.—Copied it. May 21. —Got together two pipers and a skilled Uiusitian ,, 22. -
FOLK D:ANCE 'AND DRAMA' (Lecture Delivered in Tbe University Tbeatre on Tbe 3Rd May, 1960)
FOLK D:ANCE 'AND DRAMA' (Lecture delivered in tbe University Tbeatre on tbe 3rd May, 1960) ByVIOLETALFORD My TITLE says Polk Dance and Drama because I have long specia1ised in the se interwoven subjects, and because. so far as I can judge in a visit to the island, ·Malta possesses some very good comparati'le material in these subjects.:If there is time l would like to bring in the irilprovising singers of Malta who I have been able ta hear and compare them with other _. improvisingbards, especially the Basque Bertsularis. ,and a wonderful bard from Croatia I once heard. :If time. also I would like to touch :on the tradition of Giants. :But one talk of forey .miriutes will be short .indeedand the folklore subjects will perforce be but few. ~ Y:our Maltija - to plunge sttaight inta comparison ~ is. a cer.emoriia1 Country dance when used at Court, that is at the Governor' s State Balls, . a recreational, social' dance when performed by Country people .and others who like to practise their.'own customs. ~ountry dancesare figute dance~, Rounds, Squares according to.. their. shape, ,or in old fashioned language 'Longways for as many .as wili'. :The Country dance is historically an in vention' of the English.- not the British. generally, but of the people of England .who were written of as 'the dancing E-nglish. who carded.8 fair presence~. :The dances began to appear in the 'Tudor period after the Med ievalCarole had gone out of fashion and died away. :Yetth1s ancient Chain dance does still li'le,'in the form of the famous Farandole 01 P.ro vence, the Cramiġnon of the Low Countries and the Ghoros of Greece, and Hi:>ras of the Balkans. -
Boston Symphony Orchestra Concert Programs, Season
SECOND CONCERT OF THE ELLIS COURSE MECHANICS HALL . WORCESTER Thirty-first Season, J9H-J9J2 MAX FIEDLER, Conductor frogramm* of % FIRST CONCERT WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE TUESDAY EVENING, NOVEMBER 28 AT 8.00 i COPYRIGHT, 1911, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER : : Vladimir De Pachmann The Greatest Pianist Of the 20th Century ON TOUR IN THE UNITED STATES SEASON: 1911-1912 For generations the appearance of new stars on the musical firmament has been announced — then they came with a temporary glitter — soon to fade and to be forgotten. De Pachmann has outlived them all. With each return he won additional resplendence and to-day he is acknowl- edged by the truly artistic public to be the greatest exponent of the piano of the twentieth century. As Arthur Symons, the eminent British critic, says " Pachmann is the Verlaine or Whistler of the Pianoforte the greatest player of the piano now living." Pachmann, as before, uses the BALDWIN PIANO for the expression of his magic art, the instrument of which he himself says " .... It cries when I feel like crying, it sings joyfully when I feel like singing. It responds — like a human being — to every mood. I love the Baldwin Piano." Every lover of the highest type of piano music will, of course, go to hear Pachmann — to revel in the beauty of his music and to marvel at it. It is the beautiful tone quality, the voice which is music itself, and the wonderfully responsive action of the Baldwin Piano, by which Pachmann's miraculous hands reveal to you the thrill, the terror and the ecstasy of a beauty which you had never dreamed was hidden in sounds. -
Purcell String Quartet Sydney Humphreys Biyan King Philippe Etter Ian Hampton
The Ocpaktment oS AuAie at the UnivcAzity oS Atbekta oesents the Purcell String Quartet Sydney Humphreys biyan King Philippe Etter Ian Hampton Convocation Hatt Ofd Akt4 Suitding Tuuday, November 12, 1915 i p.m. PROGRAMME Quartet for Strings, Op. 54, No. 2 (1788) Franz Joseph Haydn (1732 - 1809) Vivace Adagio Menuetto Finale, Adagio - Presto Quartet No. 4 for Strings. Wallace Berry (Commissioned by the Purcell Quartet with a (b. 1928) grant from the Canada Council) Adagio con molta espressione Allegro vivace ma serioso / Tempo primo - Adagio INTERMISSION * * * * * String Quartet in G minor, Op. 10 (1893) Claude Debussy (1862 -1918 ) Anime et tres decid4 Assez vif et bien rhythm Andantino, doucement expressif Tres moder6 - tres mouvemente et avec passion The Purcell String Quartet operates with financial assistance of: The Canada Council. The Government of British Columbia through the British Columbia Cultural Fund and lottery revenues. The City of Vancouver. PROGRAMME NOTES Quartet for Strings, Op. 54, No. 2 (1788) Franz Joseph Haydn (1732 - 1809) The opening C Major statement is dramatically throttled by silence which, on its return, Haydn impishly lengthens by a bar. The second subject resembles that of the previous quartet - Haydn had not quite got the rhythm out of his system. In the Adagio, the first violin introduces a chorale which the second violin takes over, allowing the former to weave a Hungarian Gypsy descant in a precisely notated rubato. This dissolves into a minuet whose coyness is offset by an impassioned trio featuring the augmented triad. The finale is a bit of a surprise, particularly to the cellist who is required to ascend the fingerboard into regions long dulled and cobwebbed from disuse. -
Catalogue of Canadian Women Empowered by Music 1
Catalogue of Canadian Women Empowered by Music Who is in this catalogue? ...women empowered by music, women who empowered others through music, and women who were trailblazers in music. You will find composers, singers, educators, songwriters and activists, from every era and every style of music...but the catalogue is not complete! Here’s where YOU come in! See an entry for your favourite artist which needs a longer entry? Send us an expanded version! (limit: 200 words). Know a musician who is not even in the catalogue yet? Write an entry send it to: [email protected] Name Dates Category Career Highlights Listening Links Active Norma Abernethy 1930’s Performer Norma Abernathy was a pianist from Vancouver, British http://www.thecanadianencycl (1914-1973) - Columbia. She is best known as an accompanist and opedia.ca/en/article/norma- 1940’s soloist on radio stations such as CNRV and CBR, and as abernethy-emc/ a pianist with the Vancouver Chamber Orchestra and the Victoria Symphony Orchestra. Lydia Adams 1980s- Conductor Lydia Adams was born in Glace Bay, Nova Scotia and “Sing all ye https://www.thecanadianencycl (1953- ) Accompan completed her training at Mount Allison University in New joyful: the opedia.ca/en/article/lydia- ist Brunswick and the Royal College of Music in London, works of Ruth adams-emc/ Arranger England. She worked as an accompanist for the Elmer Watson Iseler Singers in the 1980s and early 1990s, and in 1997 Henderson” http://www.elmeriselersingers. she became the choir’s conductor and music director. Dr. com/lydia_adams.htm Adams was also the conductor and artistic director of the Amadeus Choir, and commissioned and premiered many works by Canadian composers. -
Caml Review Revue De L'acbm
CAML REVIEW REVUE DE L’ACBM VOL. 43, NO. 2 AUGUST / AOÛT 2015 Articles and Reports / Articles et rapports : Page Message from the President / Message du président 3 Brian McMillan CAML Conference 2015: Abstracts / Congrès de l'ACBM 2015 : 5 Résumés de communications CAML 2015 Annual Reports: Cataloguing Committee – Daniel Paradis 13 RILM Canada – Sean Luyk 15 RIPM Canada – Kathleen McMorrow 17 RISM Canada – Cheryl Martin 18 The Academic Archivist’s Fear of Popular Music 19 Brock Silversides Musical Similarity as Conceived by “Avid Recreational Music 29 Listeners” Jason Neal Reviews / Comptes rendus : From Sea to Sea: Vocal Works Featuring Canadian Poetry – Aaron 44 Jensen (CD) / Jane Leibel The Hallelujah Effect: Philosophical Reflections on Music, 47 Performance Practice, and Technology (Book) / J. Drew Stephen Joni Mitchell: In Her Own Words: Conversations with Malka Marom 49 (Book) / Elaine Keillor Magister Ludi: Music of Gordon Fitzell (CD) / Timothy Maloney 51 Myth, Legend, Romance: Concertos of Elizabeth Raum (CD) / 53 Alastair Boyd Points of Departure – Nicholas Papador, percussion (CD) / 55 Edward Jurkowski CAML Review, published three times a year, is the official publication of the Canadian Association of Music Libraries, Archives and Documentation Centres. Contributions are invited for articles, reviews, and reports pertaining to music in Canada, music librarianship, and music-related topics of current interest. Deadline for the next issue: October 15, 2015. La Revue de l’ACBM, publiée trois fois l’an, est l’organe officiel de l’Association canadienne des bibliothèques, archives et centres de documentation musicaux. La Revue vous invite à lui soumettre des articles, des comptes rendus et des rapports relatifs à la musique au Canada, à la bibliothéconomie de la musique et aux sujets d’actualité reliés à la musique. -
Clara Thomas Archives and Special Collections (CTASC)
CLARA THOMAS ARCHIVES Inventory of the Victor Feldbrill fonds Inventory #F0483 The digitization of this finding aid was made possible - in part or entirely - through the Canadian Culture Online Program of Canadian Heritage, the National Archives of Canada and the Canadian Council of Archives. page 2 F0483 - Victor Feldbrill fonds Fonds/Collection Number: F0483 Title: Victor Feldbrill fonds Dates: 1938-2005 Extent: 2.97 m of textual records 4 film reels Biographical Sketch/ Victor Feldbrill, conductor and violinist, was born on 4 April 1924 in Toronto, Administrative History: Ontario. He studied violin privately from 1936 to 1943 with Sigmund Steinberg, music theory with John Weinzweig in 1939 and conducting with Ettore Mazzoleni in 1942 to 1943. He was the conductor of the University of Toronto Symphony Orchestra from 1942 to 1943 and first conducted the Toronto Symphony Orchestra in 1943 at the invitation of Sir Ernest MacMillan. Feldbrill served in the Royal Canadian Navy during the Second World War and was stationed in London, England, where he furthered his studies in harmony and composition at the Royal College of Music and conducting at the Royal Academy of Music. Upon his return to Canada, he held the positions of concertmaster and assistant conductor (1945-1949) of the Royal Conservatory Symphony Orchestra and Opera Company and studied violin from 1946 to 1949 with Kathleen Parlow and received an artist diploma from the University of Toronto in 1949. During these years he also continued his studies in conducting at Tanglewood in the summer of 1947, and with Pierre Monteux in Maine in the summers of 1949 and 1950. -
“Completed and Restored to Use”
“COMPLETED AND RESTORED TO USE” REVIVAL AND DISSEMINATION OF MANX FOLKLORE AND TRADITION DURING THE TWENTIETH CENTURY “COMPLETED AND RESTORED TO USE” 1 REVIVAL AND DISSEMINATION OF MANX FOLKLORE AND TRADITION DURING THE twentieth CENTURY 2 “COMPLETED AND RESTORED TO USE” 1 REVIVAL AND DISSEMINATION OF MANX FOLKLORE AND TRADITION DURING THE TWENTIETH CENTURY 2 Edited by Stephen Miller Chiollagh Books 2004 This edition first published in 2004 by Chiollagh Books 26 Central Drive Onchan Isle of Man British Isles IM3 1EU Contact by email only: [email protected] © 2004 Chiollagh Books on behalf of the individual contributors All original material by Mona Douglas © 2004 Estate of Mona Douglas Administered by the Trustees of the Manx Museum and National Trust (Manx National Heritage) All Rights Reserved isbn 1-898613-17-6 CONTENTS 1 Introduction i Seminar Flyer ix Abstracts xi * PART ONE THE SEMINAR PAPERS April 2000 Parallels Between Descriptive Revival Models and the Manx Traditional Music Scene: From the 1970s to the Present Day Chloë Woolley 1 The Revival and Reconstruction of Manx Traditional Dance Robert Carswell 15 Revival and Reconstruction of Manx Traditional Dance Music David Speers 29 The Role and Influence of Inter-Celtic Festivals on the Revival of Language, Music and Dance Brian Stowell 37 * Appendix The Manx Song and Music Tradition (1979) George Broderick 43 Manx Traditional Music 25 Years On (2000) George Broderick 47 * Part Two Mona Douglas: A Bibliography Stephen Miller 51 “My Own Family Circle”: The Dancing Forebears of Mona