DOCSLIB.ORG

Caml Review Revue De L'acbm

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Caml Review Revue De L'acbm CAML REVIEW REVUE DE L’ACBM VOL. 43, NO. 2 AUGUST / AOÛT 2015 Articles and Reports / Articles et rapports : Page Message from the President / Message du président 3 Brian McMillan CAML Conference 2015: Abstracts / Congrès de l'ACBM 2015 : 5 Résumés de communications CAML 2015 Annual Reports: Cataloguing Committee – Daniel Paradis 13 RILM Canada – Sean Luyk 15 RIPM Canada – Kathleen McMorrow 17 RISM Canada – Cheryl Martin 18 The Academic Archivist’s Fear of Popular Music 19 Brock Silversides Musical Similarity as Conceived by “Avid Recreational Music 29 Listeners” Jason Neal Reviews / Comptes rendus : From Sea to Sea: Vocal Works Featuring Canadian Poetry – Aaron 44 Jensen (CD) / Jane Leibel The Hallelujah Effect: Philosophical Reflections on Music, 47 Performance Practice, and Technology (Book) / J. Drew Stephen Joni Mitchell: In Her Own Words: Conversations with Malka Marom 49 (Book) / Elaine Keillor Magister Ludi: Music of Gordon Fitzell (CD) / Timothy Maloney 51 Myth, Legend, Romance: Concertos of Elizabeth Raum (CD) / 53 Alastair Boyd Points of Departure – Nicholas Papador, percussion (CD) / 55 Edward Jurkowski CAML Review, published three times a year, is the official publication of the Canadian Association of Music Libraries, Archives and Documentation Centres. Contributions are invited for articles, reviews, and reports pertaining to music in Canada, music librarianship, and music-related topics of current interest. Deadline for the next issue: October 15, 2015. La Revue de l’ACBM, publiée trois fois l’an, est l’organe officiel de l’Association canadienne des bibliothèques, archives et centres de documentation musicaux. La Revue vous invite à lui soumettre des articles, des comptes rendus et des rapports relatifs à la musique au Canada, à la bibliothéconomie de la musique et aux sujets d’actualité reliés à la musique. Date limite pour le prochain numéro : le 15 octobre 2015. Editor / Rédactrice en chef : Cathy Martin, Marvin Duchow Music Library, McGill University, Montreal, Quebec, H3A 1E3. Tel: 514-398-5874; e-mail: [email protected]. Associate Editors / Rédactrices adjointes : Megan Chellew, Collection Services, McGill University Library, Montreal, Quebec, H3A 0C9. Tel: 514- 398-4174; e-mail: [email protected]. Deborah Wills, Library, Wilfrid Laurier University, Waterloo, Ontario, N2L 3C5. Tel: 519-884-0710 x3384; e-mail: [email protected]. Review Editor / Responsable des comptes-rendus : Desmond Maley, J.N. Desmarais Library, Laurentian University, 935 Ramsey Lake Rd., Sudbury, Ontario, P3E 2C6. Tel: 705-675-1151 x3323; e-mail: [email protected]. Membership Secretary / Secrétaire aux adhésions : Kyla Jemison, University of Toronto Libraries, Robarts Library, 130 St. George Street, Toronto, Ontario, M5S 1A5; e-mail: [email protected]. Advertising / Publicité : Please contact the Editors. / Veuillez communiquer avec les rédacteurs. CAML Review / Revue de l’ACBM : http://caml.journals.yorku.ca/ CAML / ACBM : http://library.music.utoronto.ca/caml-acbm/ Section québécoise de l'ACBM / Quebec Chapter of CAML : http://www.sqacbm.org/ © 2015 Canadian Association of Music Libraries, Archives and Documentation Centres / Association canadienne des bibliothèques, archives et centres de documentation musicaux Message from the President / Message du président Happy summer! As I write this, my first J’espère que votre été est des plus agréables! Tandis President’s column, another hot August day que je rédige mon tout premier Message du has finally retreated into a cool evening président, la chaleur de cette journée d’août fait with a chorus of crickets tempting me finalement place à la fraîcheur de la soirée. Le chant through the screen door despite the des grillons, qui me parvient par la porte mosquitoes! Vacation is a good time to moustiquaire, m’invite à sortir dehors, malgré la reflect on the past months. Certainly the présence des moustiques! Les vacances nous early summer was active for CAML fournissent l’occasion de réfléchir aux derniers mois. members. Many of us had the opportunity Les premières semaines de l’été ont offert maintes to meet twice: at the beginning of June in activités aux membres de l’ACBM. Nous sommes Ottawa at the Congress of the Humanities nombreux à nous être rencontrés à deux reprises : au and Social Sciences and, three weeks later, début juin à Ottawa lors du Congrès des sciences in New York City at the joint IAML-IMS humaines et, trois semaines plus tard, à New York conference. lors du congrès commun de l’AIBM et de la SIM. CAML’s annual joint conference with the Le congrès commun annuel de l’ACBM et de MusCan Canadian University Music Society was a a été couronné de succès grâce, en bonne partie, aux success thanks mainly to the meticulous préparatifs méticuleux de Mme Debbie Begg, qui nous preparations of Debbie Begg, who hosted a accueillis à la Musicothèque Isobel-Firestone de us in the University of Ottawa's Isobel l’Université d’Ottawa; à son personnel, qui a Firestone Music Library; her staff, who supporté patiemment, pendant deux jours, que des patiently suffered two days of noisy bibliothécaires tapageurs mangent et boivent parmi librarians eating and drinking among their les collections; à M. Tim Neufeldt, président du collections; and Tim Neufeldt, program comité responsable du programme, qui a organisé les chair, who assembled the 2015 conference séances du congrès 2015, ainsi qu’à sessions with the assistance of Laura Snyder Mmes Laura Snyder et Sophie Rondeau, qui l’ont and Sophie Rondeau. soutenu dans cette tâche. More than most, this conference drew Plus que le font beaucoup d’autres, ce congrès a together several generations of music réuni plusieurs générations de bibliothécaires et librarians and archivists. Three student d’archivistes de musique. Trois exposés rédigés par papers complemented the presentations des étudiants ont complété les présentations de ceux made by those of us currently working in d’entre nous qui travaillent dans le domaine. La the field. And meeting in Ottawa provided rencontre à Ottawa nous a donné l’occasion de the opportunity to reconnect with several renouer avec de nombreux bibliothécaires à la retired NLC/LAC librarians, who continue to retraite de Bibliothèque et Archives Canada, dont inspire us all with their commitment to the l’engagement envers leur profession continue de career. nous inspirer tous. In this issue, you will find highlights from Le présent numéro vous offre les points saillants du CAML 2015. You can read the paper by this Congrès 2015 de l’ACBM. Vous pourrez y lire l’exposé year’s winner of the CAML first-time de M. Jason Neal, le doctorant de l’Université presenter award, Jason Neal, a PhD student Western Ontario qui a remporté le Prix décerné à un at UWO. As well, Brock Silversides of U of T participant faisant un exposé pour la première fois au argues for the place of popular music Congrès de l’ACBM. Vous y trouverez en outre un CAML REVIEW / REVUE DE L’ACBM 43, NO. 2 (AUGUST / AOÛT 2015) PAGE 3 collections in Canada’s music archives. I’d article de M. Brock Silversides, de l’Université de like simply to underline the sense of Toronto, qui soutient que les collections de musique cautious relief felt by many to see our LAC populaire devraient faire partie des archives colleagues so present and active at this musicales au Canada. Je désire également évoquer le year’s conference. Let’s hope that under soulagement que certains ont ressenti en constatant new leadership the LAC will regain its non seulement la forte présence de nos collègues de prominence in Canadian librarianship, and BAC au congrès, mais aussi leur implication. Nous music librarianship in particular. espérons que, sous sa nouvelle égide, BAC regagnera en importance dans le domaine de la A few other important notes from CAML bibliothéconomie, particulièrement celle de la 2015: In one of his last acts as Board musique. Member-at-large, Sean Luyk announced that the membership had voted for the Quelques autres éléments du congrès 2015 à proposed constitutional changes to allow signaler : Parmi ses dernières démarches en tant que electronic voting. We can now look forward conseiller, M. Sean Luyk a annoncé que les membres to online ballots for our future elections. s’étaient montrés en faveur du changement Houman Behzadi replaces Sean as Member- constitutionnel proposé, à savoir que le vote at-large. Cheryl Martin moves into the role électronique soit permis. Nous pourrons donc voter of Past President; I assume the role of en ligne lors des prochaines élections. President. And CAML’s webmaster, James M. Houman Behzadi remplace M. Luyk comme Mason, will represent the Communications conseiller. Mme Cheryl Martin devient ancienne arm of CAML in place of Cathy Martin, who présidente, tandis que j’assume le rôle de président. nonetheless continues as editor of the Le webmestre de l’ACBM, M. James Mason, succède CAML Review. à Mme Cathy Martin en tant que responsable des communications; celle-ci conserve toutefois la CAML 2016 will be held in Calgary. Bonnie fonction de rédactrice en chef de la Revue de l’ACBM. Woelk, archivist at U of C, has agreed to act as CAML's local arrangements Le Congrès 2016 de l’ACBM se tiendra à Calgary. representative for next year's conference. Mme Bonnie Woelk, archiviste à l’Université de Tim Neufeldt will be Program Chair. I Calgary, a accepté de s’occuper des préparatifs sur encourage you all to make the trek west (or place en vue du congrès de l’an prochain. east, depending where you are), where M. Tim Neufeldt sera président du comité among other treasures is the Richard responsable du programme. Je vous encourage tous à Johnston Canadian Music Archives vous diriger vers l’Ouest (ou vers l’est pour certains), Collection. où vous découvrirez, entre autres trésors, la Richard Johnston Canadian Music Archives Collection.
Load more

Recommended publications
  • Jaunty Sport Coats Diers) in Our Camp
    _________________--..:T:...H~E~J:~E::....'.W~I!-'S~H PO S T Page Five Thursday, July 6, ~944 Thursday, July 6, 1944 , --~----------------------------------~~~--- Page Four THE JEWISH POST dress with the hope that the innate I Silver, of Hudson Bay Junction, ...~~~----------------------------------- '.t_."_~_,,-_.-,,,-".-""-""-"'-.IIIl-"'-a.-a, Dower Expresses Confidence In Ultimate justice of this cause, aided by the Icontributed $50 which was credited M. J. FinkeLstein, K.O. t'D...... o ........ ft. -- -- ----- -- .. - C. E. Finkelstein .ft ..•• m.·•• -.'·.- ..... ••.. ········ft ..... Under the auspices tremendous mfluence of the Pro- to this community. D. A: McOormick COME AND PAY TRIBUTE TO THESE TWO GREAT ZIONIST LEADERS Justice For Jewish Cause In Addressing Palestinian Christian Council, would . of the . .ftft-·-·~ft.-. Closing Meeting Of Edmonton Hadassah soon result 1n the abrogatlOn of the· AIR COOLED A. M. Shinbane Zionist Organization White Paper and the resumption Fmkelstein &Company of free immigration into Palestine in OLLEGE of Canada Barristers, Solicitors, Notaries. Etc. K.C. John. D. Dower, western vice-, faith and confidence in British ideals, C THEATRE sufficient time to aid the remnant.s HERZl -FREIMAN ME DRIAl Midwestern Region MAIN at TELEPHONE president of the Zionist Organization justice and fair play, the Jewish of war-torn European Jewry. * 218 PORTAGE AVE. WINNIPEG Principal CHURCH 53696 TUESDAY - 8.30 p.m. - TALMUD TORAH AUDITORIUM of Canada, was the guest speaker people have gone ahead with' a Speaker Mrs. Henry Bloomfield was re­ _. _ ...o __ cue.vo & u ow_. U 45;' U _ U _ • ..."...... __ U wo u W & •• _. at ·the annual meeting of Edmonton tremendous project in the re-estab­ elected president for the coming =----'F~R"I.":,c:'s"A~·r".,~M~O:oN~.,~JU~L~Y_7~,_'8"-,-'1'.!!O_ ~ ".IIII""."''iII.'''.III''.-''.''''''''1-'''''''•• '' .............
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 104, 1984-1985
    BOSTON SYMPHONY ORCHESTRA Seiji Ozawa, Music Director One Hundred and Fourth Season, 1984-85 PRE-SYMPHONY CHAMBER CONCERTS Thursday, 10 January at 6 Saturday, 12 January at 6 VYACHESLAV URITSKY, violin HARVEY SEIGEL, violin MICHAEL ZARETSKY, viola MARTHA BABCOCK, cello TATIANA YAMPOLSKY, piano . BRAHMS Sonata No. 2 in A for violin and piano, Opus 100 Allegro amabile Andante tranquillo—Vivace di phi—Andante Allegretto grazioso (quasi Andante) Mr. URITSKY and Ms. YAMPOLSKY SHOSTAKOVICH String Quartet No. 13 in B-flat minor, Opus 138 Adagio—Doppio movimento—Tempo primo Mssrs. URITSKY and SEIGEL, Mr. ZARETSKY, and Ms. BABCOCK Baldwin piano Please exit to your left for supper following the concert. The performers appreciate your not smoking during the concert. Week 10 Johannes Brahms Sonata No. 2 in A for violin and piano, Opus 100 Some composers have maintained that the violin is the instrument that comes closest to reproducing the singing quality of the human voice. Whether or not Brahms ever espoused this view, his violin sonatas give tacit assent: they are among the most lyrical of all his chamber compositions, and the first two, at least, emphasize this fact by actually quoting from his own Lieder. Brahms spent the summer of 1886 in the splendor of Switzerland, on the shores of Lake Thun, a place that proved to be so congenial to his mood that he returned for the two following summers. His first stay saw the completion of three chamber works: the second cello sonata, Opus 99, the second violin sonata, Opus 100, and the third piano trio, Opus 101.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season
    SECOND CONCERT OF THE ELLIS COURSE MECHANICS HALL . WORCESTER Thirty-first Season, J9H-J9J2 MAX FIEDLER, Conductor frogramm* of % FIRST CONCERT WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE TUESDAY EVENING, NOVEMBER 28 AT 8.00 i COPYRIGHT, 1911, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER : : Vladimir De Pachmann The Greatest Pianist Of the 20th Century ON TOUR IN THE UNITED STATES SEASON: 1911-1912 For generations the appearance of new stars on the musical firmament has been announced — then they came with a temporary glitter — soon to fade and to be forgotten. De Pachmann has outlived them all. With each return he won additional resplendence and to-day he is acknowl- edged by the truly artistic public to be the greatest exponent of the piano of the twentieth century. As Arthur Symons, the eminent British critic, says " Pachmann is the Verlaine or Whistler of the Pianoforte the greatest player of the piano now living." Pachmann, as before, uses the BALDWIN PIANO for the expression of his magic art, the instrument of which he himself says " .... It cries when I feel like crying, it sings joyfully when I feel like singing. It responds — like a human being — to every mood. I love the Baldwin Piano." Every lover of the highest type of piano music will, of course, go to hear Pachmann — to revel in the beauty of his music and to marvel at it. It is the beautiful tone quality, the voice which is music itself, and the wonderfully responsive action of the Baldwin Piano, by which Pachmann's miraculous hands reveal to you the thrill, the terror and the ecstasy of a beauty which you had never dreamed was hidden in sounds.
    [Show full text]
  • Purcell String Quartet Sydney Humphreys Biyan King Philippe Etter Ian Hampton
    The Ocpaktment oS AuAie at the UnivcAzity oS Atbekta oesents the Purcell String Quartet Sydney Humphreys biyan King Philippe Etter Ian Hampton Convocation Hatt Ofd Akt4 Suitding Tuuday, November 12, 1915 i p.m. PROGRAMME Quartet for Strings, Op. 54, No. 2 (1788) Franz Joseph Haydn (1732 - 1809) Vivace Adagio Menuetto Finale, Adagio - Presto Quartet No. 4 for Strings. Wallace Berry (Commissioned by the Purcell Quartet with a (b. 1928) grant from the Canada Council) Adagio con molta espressione Allegro vivace ma serioso / Tempo primo - Adagio INTERMISSION * * * * * String Quartet in G minor, Op. 10 (1893) Claude Debussy (1862 -1918 ) Anime et tres decid4 Assez vif et bien rhythm Andantino, doucement expressif Tres moder6 - tres mouvemente et avec passion The Purcell String Quartet operates with financial assistance of: The Canada Council. The Government of British Columbia through the British Columbia Cultural Fund and lottery revenues. The City of Vancouver. PROGRAMME NOTES Quartet for Strings, Op. 54, No. 2 (1788) Franz Joseph Haydn (1732 - 1809) The opening C Major statement is dramatically throttled by silence which, on its return, Haydn impishly lengthens by a bar. The second subject resembles that of the previous quartet - Haydn had not quite got the rhythm out of his system. In the Adagio, the first violin introduces a chorale which the second violin takes over, allowing the former to weave a Hungarian Gypsy descant in a precisely notated rubato. This dissolves into a minuet whose coyness is offset by an impassioned trio featuring the augmented triad. The finale is a bit of a surprise, particularly to the cellist who is required to ascend the fingerboard into regions long dulled and cobwebbed from disuse.
    [Show full text]
  • CBC Program Schedule 470420.PDF
    NEWS BROADCASTS ~ T~~~~A ~¥:J~~ I~ CBK DAILY I • I WATROUS Trans-Canada Nelwork: (Trans·Canada Network) I~OO. 9:00 •.In. 1:00,6:30. PROGRAM 540 Kcs. ':00 p.m. 12:00 p.m. CBC Dominion Network: Prairie Region 10:00 p.m. eRe SCHEDULE Transmitter Times given in this Schedule are Central Standard DATE OF ISSUE APRIL 12, 1947. PRAIRIE REGION Week 01 April 20th, 1947 612 Telephone Bldg., Winnipeg, Canada Qualities and Prices Coming of Age No Bed Of Roses Is High At Western Fairs Life Of CBC Producer esc Farm Commentator Back r:'rom Arranging Network Programs In­ Calgary, Regina and Brandon Meet- volves Much Detail ings An average lay opinion as to how Qualities and prices were both radio programs get on the air might higher at Western Canada's three be stated roughly as follows: principal winter fairs this year, "Someone has a brain-wave, hires according to Bob Knowles, CBC's an orchestra and a singer or two, assistant farm commentator in and maybe a comedian-and there the Prairie Region, who returned g you are." last week after visits to Calgary, •.. Well, it's not quite so simple a.<; Regina and Brandon, during that, according to CBC producers, March and early ApriL especially if it happens to be a net­ Bob attended the Calgary work program. First of all, one has Spring Bull Sale March 17-21, to give some thought to the matter largest event of its kind on this of placing the program in the intri­ continent; the Saskatchewan 11 cate jig-saw puzzle of the network Winter Fair at Regina, March program schedule.
    [Show full text]
  • Catalogue of Canadian Women Empowered by Music 1
    Catalogue of Canadian Women Empowered by Music Who is in this catalogue? ...women empowered by music, women who empowered others through music, and women who were trailblazers in music. You will find composers, singers, educators, songwriters and activists, from every era and every style of music...but the catalogue is not complete! Here’s where YOU come in! See an entry for your favourite artist which needs a longer entry? Send us an expanded version! (limit: 200 words). Know a musician who is not even in the catalogue yet? Write an entry send it to: [email protected] Name Dates Category Career Highlights Listening Links Active Norma Abernethy 1930’s Performer Norma Abernathy was a pianist from Vancouver, British http://www.thecanadianencycl (1914-1973) - Columbia. She is best known as an accompanist and opedia.ca/en/article/norma- 1940’s soloist on radio stations such as CNRV and CBR, and as abernethy-emc/ a pianist with the Vancouver Chamber Orchestra and the Victoria Symphony Orchestra. Lydia Adams 1980s- Conductor Lydia Adams was born in Glace Bay, Nova Scotia and “Sing all ye https://www.thecanadianencycl (1953- ) Accompan completed her training at Mount Allison University in New joyful: the opedia.ca/en/article/lydia- ist Brunswick and the Royal College of Music in London, works of Ruth adams-emc/ Arranger England. She worked as an accompanist for the Elmer Watson Iseler Singers in the 1980s and early 1990s, and in 1997 Henderson” http://www.elmeriselersingers. she became the choir’s conductor and music director. Dr. com/lydia_adams.htm Adams was also the conductor and artistic director of the Amadeus Choir, and commissioned and premiered many works by Canadian composers.
    [Show full text]
  • Clara Thomas Archives and Special Collections (CTASC)
    CLARA THOMAS ARCHIVES Inventory of the Victor Feldbrill fonds Inventory #F0483 The digitization of this finding aid was made possible - in part or entirely - through the Canadian Culture Online Program of Canadian Heritage, the National Archives of Canada and the Canadian Council of Archives. page 2 F0483 - Victor Feldbrill fonds Fonds/Collection Number: F0483 Title: Victor Feldbrill fonds Dates: 1938-2005 Extent: 2.97 m of textual records 4 film reels Biographical Sketch/ Victor Feldbrill, conductor and violinist, was born on 4 April 1924 in Toronto, Administrative History: Ontario. He studied violin privately from 1936 to 1943 with Sigmund Steinberg, music theory with John Weinzweig in 1939 and conducting with Ettore Mazzoleni in 1942 to 1943. He was the conductor of the University of Toronto Symphony Orchestra from 1942 to 1943 and first conducted the Toronto Symphony Orchestra in 1943 at the invitation of Sir Ernest MacMillan. Feldbrill served in the Royal Canadian Navy during the Second World War and was stationed in London, England, where he furthered his studies in harmony and composition at the Royal College of Music and conducting at the Royal Academy of Music. Upon his return to Canada, he held the positions of concertmaster and assistant conductor (1945-1949) of the Royal Conservatory Symphony Orchestra and Opera Company and studied violin from 1946 to 1949 with Kathleen Parlow and received an artist diploma from the University of Toronto in 1949. During these years he also continued his studies in conducting at Tanglewood in the summer of 1947, and with Pierre Monteux in Maine in the summers of 1949 and 1950.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 31,1911-1912, Trip
    SANDERS THEATRE . CAMBRIDGE HARVARD UNIVERSITY Thirty-first Season, J9U-J9J2 , MAX FIEDLER, Conductor Programme of % THIRD CONCERT WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE THURSDAY EVENING, DECEMBER 14 AT 8.00 COPYRIGHT, 1911, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER Pianos that Appeal to Musicians UR pianos have the very highest reputation with musical people, for every piano, from the highest-priced to the least ex- ^ pensive we offer, has not merely the essentials of tone and touch, but also exquisite refinements of quality which delight the musician. We invite you to inspect our stocks, which are at once the largest, the most varied, and most interesting to be found in New England. We call particular attention to the following pianos: STEINWAY pianos, the instruments of highest prestige among music lovers everywhere—through their incomparable tone the choice of royalty and of all connoisseurs. In all regular styles and also in special art cases exhibiting the perfection of artistry. HUME pianos, the best made in New England—distinguished by wonderful richness and nobility of tone. JEWETT pianos, the favorite pianos of New England, where more are sold each year than of any other make of equal cost. THE PIANOLA PI ANOS,—the complete line of five pianos. The Steinway, the Weber, and the Steck Pianola Pianos are shown in both grand and upright forms. M. STEINERT & SONS CO. Steinert Hall, 162 Boylston Street Stores in all Principal Cities of New England SANDERS THEATRE .... CAMBRIDGE HARVARD UNIVERSITY Thirty-first Season, 1911-1912 MAX FIEDLER, Conductor THIRD CONCERT THURSDAY EVENING, DECEMBER 14 AT 8.00 / PROGRAMME Franck .
    [Show full text]
  • Felix Galimir Chamber Music Award Concert Friday, April 5, 2019 at 11:10 Am | Walter Hall, 80 Queen’S Park
    Felix Galimir Chamber Music Award Concert Friday, April 5, 2019 at 11:10 am | Walter Hall, 80 Queen’s Park PROGRAM Piano Trio in C major, Hob. XV:27 Franz Joseph Haydn i. Allegro (1732-1809) ii. Andante iii. Finale: Presto Polaris Trio: Ryan Shen, violin Christopher Chan, cello Michelle Lin, piano Piano Quintet in E-flat major, Op. 44 Robert Schumann i. Allegro brillante (1810-1856) ii. In modo d’una marcia. Un poco largamente iii. Scherzo: Molto vivace iv. Allegro ma non troppo Xuan (Lexi) Li, violin Thea Coburn, violin Aaron Cheung, viola Bryan Lu, cello Xinyi Michelle Zhao, piano Piano Trio No. 2 in C minor, Op. 66 Felix Mendelssohn i. Allegro energico e con fuoco (1809-1847) ii. Andante espressivo iii. Scherzo: Molto allegro quasi presto iv. Finale: Allegro appasionato Polaris Trio: Ryan Shen, violin Christopher Chan, cello Michelle Lin, piano We wish to acknowledge this land on which the University of Toronto operates. For thousands of years it has been the traditional land of the Huron-Wendat, the Seneca, and most recently, the Mississaugas of the Credit First Nation. Today, this meeting place is still the home to many Indigenous people from across Turtle Island and we are grateful to have the opportunity to work on this land. BIOGRAPHIES The Polaris Trio was formed in 2018 by Ryan Shen, won the University of Toronto Concerto Competition Christopher Chan, and Michelle Lin and is based in and will be performing Shostakovich’s Concerto No. 1 Toronto, Canada. They have performed in venues in E flat major in the 2019-2020 season.
    [Show full text]
  • The Orchestral Music of Jean Coulthard
    THE ORCHESTRAL MUSIC OF JEAN COULTHARD: A CRITICAL ASSESSMENT by David Gordon Duke B.Mus,, University of British Columbia, 1971 M.A., University of North Carolina, 1973 A Dissertation Submitted in Partial Fulfilment of the A C C E P T B I) Requirements for the Degree of h ACJULl’Y O F G U A O IlA t E S I U D l£ $ d o c t o r o f P h ilo s o p h y in the School of Music We accept this dissertation as conforming /Vi , 7, to the required standard V -rr4- . « f "T" " — ------------------ Dr, Gordaiu Lazarevich, Supervisor (School of Music) Outside Member (Department of English) Dr. Harald Krebs, Departmental Member (School of Music) Dr, Erich Schwandt, Departmental Member (School of Music) Dr, Elizabeth Tumasonis, Ctujlside Member (Department of History of Art) Colin Miles, External Examiner (Director, B.C. Region, Canadian Music Centre) © DAVID GORDON DUKE, 1993 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photocopying or other means, without the permission of the author. ‘)t oi (.on) (hard. 4 0 1 t i l l UrtJcvu< Stl-w t, lViv;t l a n o o o v r r , HrUir.h < oiumbia. A p r il 2a, I'si V. itoin U May Courerht s ii.v prrminutni to Davit! o*r«.hm imla* tr> makr r.uch quotaUnm; arid reformer: i l« m,v pabliHhed mid unpublished muwicul rt-urm, nmnmioript partieellan, and puhltnhod and unpubiSt-.hrd writing} nr.
    [Show full text]
  • State Concert Series Edition San Jose Victory F
    41=1111111 P.16E FO El( SAN JOSE. CALIF., WEDNESDAY, OCTOBEI1 12, 1932 Soccer Team Meets Stanford Today State Concert Series Edition San Jose Victory F. w. C. RACE WILL BE 'COACH DE GROOT FEARS Second Conference 3huir Spartan Spasms TOUGH ACCORDING LET-DOWN BEFORE Buy Your Ticketa San Jose, Cal. Cause Dopesters to By Alurdoek and Bishop Game Is Scheduled Subs. Rate, 91.00 GAME to the !Movie,. TO DOPE NEXT ftttr Per Quarter Be More Cautious BENEATH BAXTER BULBS Today at 4 o'clock Tiallrgr If a Far Western With two scalps lied securely to Conference (Translated into English this A LIBERAL his belt, Coach Dud DeGroot will COLLEGE PUBLICATION CALIFORNIA season ran be predicted after an means. "Observed in Baxter Sta- COACH WALKER IS WORKING FAVORED TO start training hi% Spartans for the DEFEAT WASHINGTON; opening Saturday dium, Stockton, Friday night, ()et. (IN OFFENSIVE TAcrlCs on which four Sacramento Junior College clash VOL. 21 SAN JOSE, CALIF., TillIISIMY, OCTOBER 13, 1932 No. 13 STATE TO WIN 7.") ' FOR GAN1E of the six teams involved played. this Saturday afternoon. Some renovated and rejuven- let it be said that this season will Harry "Hack" Applequist's By Theron Fox ated Spartan ramblers rendering San Jose Slate's soccer team present closer scores, stiffer emu- snarling panthers will be very Upsets were the rule bast week some Righter runners into re- play its second Californiai Inter. petition. more outstanding play- much ill evidence with about six in the gridiron circles. Nlany fains verse. (l:onse. Come! This has collegiate Soccer Conference gain, ers, and more color than ever be- teams in suit.
    [Show full text]
  • 74 Women Who Made a Differencelink Opens in New Window
    FEATURE STORY Public Domain, Library and Archives Canada Archives Library and Public Domain, Women74 Who Made A Y R Difference T N U O M C E E UR T O SO ED ME AP EX SH TRA WHO ORDINARY PEOPLE Illustrations by Michelle Simpson 66 KAYAK GREAT CANADIAN WOMEN Phyllis James Munday helped Everywhere the legendary map and photograph many explorer David Thompson went, mountains near her B.C. home his half-Cree wife Charlotte and in 1924, became the first Small went, too, travelling tens woman to climb Mount Robson, of thousands of kilometres in the highest peak in Canada’s the early 1800s through bush, Rockies. swamp and mountain with their three children. I’m Mina Hubbard. When my husband died exploring northern Labrador, I decided to complete his journey in 1905. Public Domain, Library and Archives Canada Archives Library and Public Domain, The expedition turned into a race, but my First Nations team and I beat the competition by six full weeks, making top- quality maps along the way. IN SEARCH OF Made A ADVENTURE Y R T N U O M C E E UR T O SO ED ME AP In 1939, New Brunswick’s E SH Molly Kool became the first XTR HO AORD LE W woman sea captain in North INARY PEOP America, and the second in the The Royal Canadian Air Force wouldn’t let the experienced entire world. Vancouver flyerHelen Harrison be a Second World War pilot, so she served with the Air Transport Auxiliary, a group of mostly women who moved planes while men flew in battle.
    [Show full text]