nn Arbor 'ummerer '>oc estitial THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN presents Maureen Forrester Contralto and Orford String Quartet ANDREW DAWES, Violinist TERENCE HELMER, Violinist KENNETH PERKINS, Violinist DENIS BROTT, Cellist Sunday Afternoon, July 14, 1985, at 4:00 Rackham Auditorium, Ann Arbor, Michigan PROGRAM Quartet No. 8 in C minor, Op. 110 .............................. Shostakovich Largo Allegro molto Allegretto Largo Largo Songs of Contemplation ...................................... Alexander Brott Strangers Yet (Richard Monckton Milnes [Lord Houghton]) Let All Things Grieve (Anonymous) Cradle Song (Alfred Lord Tennyson) The Sun's Shame (Dante Gabriel Rossetti) Maureen Forrester and the Quartet II Tramonto (The Sunset) .......................................... Respighi Miss Forrester and the Quartet INTERMISSION Quartet in C major, Op. 59, No. 3 ................................. Beethoven Introduzione, allegro vivace Andante con moto quasi allegretto Menuetto: grazioso Allegro molto Tlie Orford String Quartet is generously supported by the Canada Council, the Touring Office of the Canada Council, the Ontario Arts Council, and the Department of External Affairs of Canada. Songs of Contemplation Songs of Contemplation is a cycle of four songs written for strings and voice, based on the lyrical poetry of a period generally referred to as Victorian. In it, I have tried to capture the subjec­ tive temper of the age, the contemplation, the self-indulgence in the assessment of values, the im­ pulse, and above all, the reason. I was moved by the inner confession of the perplexed and over­ burdened heart in search for relief by self-expression. Alexander Brott Strangers Yet (Milnes) Strangers Yet! Strangers Yet! After years of life together, After strife for common ends, After fair and stormy weather, After title of "old friends," After travel in far lands, After passions fierce and tender, After touch of wedded hands, After cheerful and self-surrender, Why thus join'd? Why ever met, Hearts may beat and eyes be met If they must be strangers yet? And the souls be strangers yet. Strangers Yet! Strangers Yet! After childhood's winning ways, Oh! the bitter thought to scan After care and blame and praise, All the loneliness of man: Counsel ask'd and wisdom given, Nature by magnetic laws After mutual prayers to Heaven Circle unto circle draws, Child and parent scarce regret But they only touch when met, When they part are strangers yet. Never mingle Strangers Yet. Let All Things Grieve (Anonymous) Let all things grieve that share my pain The wind and the trees and the quiet rain Not the Sun, nor the moon, nor the stars, nor these, But the rain in the night and the wind-swept trees. The shining stars, what know they of grief? But the tree that watches her last curled leaf Shrivel, shrivel and die when winters come Is the one with the heart bereft and dumb. Cradle Song (Tennyson) What does little birdie say What does little baby say, In her nest at peep of day? In her bed at peep of day? Let me fly says little birdie, Baby says, like little birdie, Mother, let me fly away. Let me rise and fly away. Birdie, rest a little longer, Baby, sleep a little longer, Till the little wings are stronger, Till the little limbs are stronger, So she rests a little longer, If she sleeps a little longer, Then she flies away. Baby too shall fly away. The Sun 's Shame (Rossetti) Beholding youth and hope in mockery caught From life; and mocking pulses that remain When the soul's death of bodily death is fain; Honour unknown, and honour known unsought; And penury's sedulous self-torturing thought On gold, whose master therewith buys his bane; And long'd-for woman longing all in vain For lonely man with love's desire distraught; And wealth and strength and power and pleasantness Given unto bodies of whose souls men say, None so poor and weak, slavish and foul, as they: Beholding these things, I behold no less The blushing morn and blushing eve confess The shame that loads the intolerable day. Alexander Brott has long been acknowledged as Canada's prime example of the total musician conductor, composer, and violinist. He is the founder and conductor of the McGill Chamber Orchestra, which celebrates this year its 45th anniversary of consecutive concert series. Dr. Brott has served the cause of music in Montreal as concertmaster and assistant conductor of the Montreal Synphony Orchestra, as professor of music and conductor-in-residence at McGill's Faculty of Music, and as composer. His compositions number over 100, most of which were commissioned, and have been performed by such outstanding conductors as Otto Klemperer, Sir Thomas Beecham, Pierre Monteux, and Leopold Stokowski. Most recently his Ritual for string quartet and strings was recorded by the Orford Quartet and Vancouver Orchestra, as well as his Critic's Corner with percussionist Louis Charbonneau, and Songs of Contemplation with Maureen Forrester. Dr. Brott's honors include honorary doctorates from the universities of Chicago, Queens, and McGill, the Sir Arnold Bax Gold Medal as composer of the Commonwealth, the Canadian Music Council medal for his contributions to music in Canada, the Queen Elizabeth Silver Jubilee Medal, the Order of Canada medal, and most recently was bestowed with the title and decoration of "Knight of Malta" for his services to music. Dr. Brott's son Denis is cellist of the Orford String Quartet. II Tramonto (The Sunset) Ottorino Respighi (1879-1936) was one of the best masters of modern Italian music in orchestra­ tion. His power of evocation of the Italian scene was vividly portrayed in his two most famous sym­ phonic poems, The Pines of Rome and The Fountains of Rome. In addition to these and other or­ chestral works, Respighi wrote several operas, two choral works, 45 songs, and several chamber works. // Tramonto (after Shelley), for mezzo-soprano and string quartet, was written in 1917. There late was One within whose subtle being Let none believe that God in mercy gave As light and wind within some delicate cloud That stroke. The lady died not, nor grew wild, That fades amid the blue noon's burning sky But year by year lived on in truth I think Genius and death contended. None may know Her gentleness and patience and sad smiles, The sweetness of the joy which made his breath And that she did not die, but lived to tend Fail, like the trances of the summer air, Her aged father, were a kind of madness, When, with the Lady of his love, who then If madness 'tis to be unlike the world. First knew the unreserve of mingled being, For but to see her were to read the tale He walked along the pathway of a field Woven by some subtlest bard, to make hard hear Which to the east a hoar wood shadowed o'er, Dissolve away in wisdom working grief; But to the west was open to the sky. Her eyes were black and lustreless and wan: There now the sun had sunk, but lines of gold Her eyelashes were worn away with tears, Hung on the ashen clouds, and on the points Her lips and cheeks were like things dead so pale. Of the far level grass and nodding flowers Her hands were thin, and through their wandering And the old dandelion's hoary beard, And weak articulations might be seen And, mingled with the shades of twilight, lay Day's ruddy light. The tomb of thy dead self On the brown massy woods and in the east Which one vexed ghost inhabits, night and day, The broad and burning moon lingeringly rose Is all, lost child, that now remains of thee! Between the black trunks of the crowded trees, While the faint stars were gathering overhead. Inheritor of more than earth can give, "Is it not strange, Isabel," said the youth, Passionless calm and silence unreproved, "I never saw the sun? We will walk here Whether the dead find, oh, not sleep! but rest, To-morrow; thou shalt look on it with me." And are the uncomplaining things they seem, Or live, or drop in the deep seas of Love, That night the youth and lady mingled lay Oh, that like thine, mine epitaph were Peace! In love and sleep but when the morning came This was the only moan she ever made. The lady found her lover dead and cold. Maureen Forrester will be featured in tomorrow night 's concert with the Northwood Orchestra in the Power Center at 8:00. She will sing Les Nuits d 'e'te, a cycle of six songs by Hector Berlioz, and Three Metis Songs from Saskatchewan. Tickets may be purchased from 11:00 a.m. to concert time at the Power Center box office. About the Artists One of the leading contraltos of our time, Maureen Forrester has been heard by audiences on five continents as soloist with virtually every major orchestra in the world. Recognized as one of the great interpreters of Gustav Mahler, she has performed that composer's Second Symphony (Resurrection) in recent years with the New York Philharmonic at the orchestra's gala celebration of its 10,000th performance, with the American Symphony in Carnegie Hall, and with the London Symphony. Miss Forrester has also performed in Mahler's Third Symphony with the National Sym­ phony Orchestra of Washington, D. C., and Songs of a Wayfarer with The Philadelphia Orchestra. Her 1985-86 season will include an appearance with the Cleveland Orchestra, multiple performances with the Toronto Symphony, performances of Mahler's Second Symphony with the Cincinnati Sym­ phony, and numerous other orchestral and recital engagements throughout the United States and Canada.