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Media Representations of Women's Labour in the Canadian Press, 1935-1945 Tracy Moniz Ryerson University
Ryerson University Digital Commons @ Ryerson Theses and dissertations 1-1-2012 Women in the Margins: Media Representations of Women's Labour in the Canadian Press, 1935-1945 Tracy Moniz Ryerson University Follow this and additional works at: http://digitalcommons.ryerson.ca/dissertations Part of the Gender, Race, Sexuality, and Ethnicity in Communication Commons Recommended Citation Moniz, Tracy, "Women in the Margins: Media Representations of Women's Labour in the Canadian Press, 1935-1945" (2012). Theses and dissertations. Paper 1404. This Dissertation is brought to you for free and open access by Digital Commons @ Ryerson. It has been accepted for inclusion in Theses and dissertations by an authorized administrator of Digital Commons @ Ryerson. For more information, please contact [email protected]. WOMEN IN THE MARGINS: MEDIA REPRESENTATIONS OF WOMEN’S LABOUR IN THE CANADIAN PRESS, 1939-1945 by Tracy Moniz Honours Bachelor of Arts, University of Toronto, 2001 Master of Arts, University of Western Ontario, 2003 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program of Communication and Culture Toronto, Ontario, Canada, 2012 © Tracy Moniz, 2012 AUTHOR’S DECLARATION FOR ELECTRONIC SUBMISSION OF A DISSERTATION I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. -
S of S Season IV OS
THE CREATION OF CANADA A Scattering of Seeds - The Creation of Canada is a series of 52 documentary films exploring the dreams, daring and determination of Canada’s first immigrants. It is a journey into the hopes and triumphs of those who built a nation, interpreted by Canada’s best independent documentary filmmakers. The series draws on a rich archive of home movies, photographs, letters home, diaries and oral history. These are personal portraits celebrating the diversity of the first families who arrived during Canada’s formative years of nation building. From the early French, Irish and African-American settler to the Chilean music teacher and Chinese painter, this kaleidoscope of images and experiences is unparal- leled in Canadian filmmaking. By personalizing the stories of immigrants, A Scattering of Seeds makes the stranger immediately familiar and the beginnings of this country a shared experience.There is conflict, oppression and the occasional sinking of hearts, yet the resolve and character of these immigrants is what built our nation and allows it to grow. At the root of each story is the instinct to contribute something, to leave some- thing, to mark the efforts of a life. Who we were before we became who we are is our lasting legacy and our greatest teacher. A Scattering of Seeds demonstrates a profound understanding of the sense of community that continues to shape a country still in transition. “. an evocative anthology of personal stories which tell Canadian tales, not through great men, but through the unsung heroes -
Jaunty Sport Coats Diers) in Our Camp
_________________--..:T:...H~E~J:~E::....'.W~I!-'S~H PO S T Page Five Thursday, July 6, ~944 Thursday, July 6, 1944 , --~----------------------------------~~~--- Page Four THE JEWISH POST dress with the hope that the innate I Silver, of Hudson Bay Junction, ...~~~----------------------------------- '.t_."_~_,,-_.-,,,-".-""-""-"'-.IIIl-"'-a.-a, Dower Expresses Confidence In Ultimate justice of this cause, aided by the Icontributed $50 which was credited M. J. FinkeLstein, K.O. t'D...... o ........ ft. -- -- ----- -- .. - C. E. Finkelstein .ft ..•• m.·•• -.'·.- ..... ••.. ········ft ..... Under the auspices tremendous mfluence of the Pro- to this community. D. A: McOormick COME AND PAY TRIBUTE TO THESE TWO GREAT ZIONIST LEADERS Justice For Jewish Cause In Addressing Palestinian Christian Council, would . of the . .ftft-·-·~ft.-. Closing Meeting Of Edmonton Hadassah soon result 1n the abrogatlOn of the· AIR COOLED A. M. Shinbane Zionist Organization White Paper and the resumption Fmkelstein &Company of free immigration into Palestine in OLLEGE of Canada Barristers, Solicitors, Notaries. Etc. K.C. John. D. Dower, western vice-, faith and confidence in British ideals, C THEATRE sufficient time to aid the remnant.s HERZl -FREIMAN ME DRIAl Midwestern Region MAIN at TELEPHONE president of the Zionist Organization justice and fair play, the Jewish of war-torn European Jewry. * 218 PORTAGE AVE. WINNIPEG Principal CHURCH 53696 TUESDAY - 8.30 p.m. - TALMUD TORAH AUDITORIUM of Canada, was the guest speaker people have gone ahead with' a Speaker Mrs. Henry Bloomfield was re _. _ ...o __ cue.vo & u ow_. U 45;' U _ U _ • ..."...... __ U wo u W & •• _. at ·the annual meeting of Edmonton tremendous project in the re-estab elected president for the coming =----'F~R"I.":,c:'s"A~·r".,~M~O:oN~.,~JU~L~Y_7~,_'8"-,-'1'.!!O_ ~ ".IIII""."''iII.'''.III''.-''.''''''''1-'''''''•• '' ............. -
Boston Symphony Orchestra Concert Programs, Season 104, 1984-1985
BOSTON SYMPHONY ORCHESTRA Seiji Ozawa, Music Director One Hundred and Fourth Season, 1984-85 PRE-SYMPHONY CHAMBER CONCERTS Thursday, 10 January at 6 Saturday, 12 January at 6 VYACHESLAV URITSKY, violin HARVEY SEIGEL, violin MICHAEL ZARETSKY, viola MARTHA BABCOCK, cello TATIANA YAMPOLSKY, piano . BRAHMS Sonata No. 2 in A for violin and piano, Opus 100 Allegro amabile Andante tranquillo—Vivace di phi—Andante Allegretto grazioso (quasi Andante) Mr. URITSKY and Ms. YAMPOLSKY SHOSTAKOVICH String Quartet No. 13 in B-flat minor, Opus 138 Adagio—Doppio movimento—Tempo primo Mssrs. URITSKY and SEIGEL, Mr. ZARETSKY, and Ms. BABCOCK Baldwin piano Please exit to your left for supper following the concert. The performers appreciate your not smoking during the concert. Week 10 Johannes Brahms Sonata No. 2 in A for violin and piano, Opus 100 Some composers have maintained that the violin is the instrument that comes closest to reproducing the singing quality of the human voice. Whether or not Brahms ever espoused this view, his violin sonatas give tacit assent: they are among the most lyrical of all his chamber compositions, and the first two, at least, emphasize this fact by actually quoting from his own Lieder. Brahms spent the summer of 1886 in the splendor of Switzerland, on the shores of Lake Thun, a place that proved to be so congenial to his mood that he returned for the two following summers. His first stay saw the completion of three chamber works: the second cello sonata, Opus 99, the second violin sonata, Opus 100, and the third piano trio, Opus 101. -
Volume VI, Number 2, 1979 Editorial Feminism: Wallflower in Party Politics
Branching Out Canadian magazine for women Volume VI Number 2, 1979 $1.25 Election Primer Postcards cwld UNA Branching Out postcards by Maureen Paxton. Package of 10, in colour, $3.00. see inside back cover for order form. Branching Out Editor Columns Sharon Batt Aritha van Herk Editorial Assistant 2 editorial Sharon K. Smith 2 letters Contributing Editors Helen Melnyk, Diana S. 4 printed matter Palling, Sharon K. Smith Editorial Departments 26 law Art: Barbara Hartmann, Cathy Hobart Battered Women: Books: Aritha van Herk The Gagged Victims Marie Gordon Fiction: Heather Pringle, Anne O'Grady Wifebeating Analyzed Doris Wilson Helen Rosta, Marion Thorn Legal Notes Louise Dulude Film: Judith Minis Law: Linda Duncan, Louise Dulude 36 film Photography: Diana S. Palling The Central Character Margaret Cooper Printed Mailer: Sharon K. Smith Design 40 books Diana S. Palling A Balance Between Darkness and Noon Dorothy Livesay Other Staff this Issue Wendy Bilner, Mufly Malhewson Untold Story Should Have Stayed Untold Cathy Hobart Board of Directors The Joy of Running Patricia E. Laverock Thora Cartlidge, Nora Corbell, the Dumbell Patricia E. Laverock Ellen Gillan, World of Jannie Edwards, Mary Father? van Varseveld Helen Melnyk, Sharon Ball Worship Thy Gail Victorian Age "New Woman" Helen Melnyk Light Nosh Cora Taylor Numbers and Lives Beverley Ross A Clear and Cohesive Chronicle Mary Ann Prychoda * Copyright 1979 by the New Women's Magazine Society, Features: Election Primer Edmonton. Alberta. All rights reserved. Unless used in a review, the reproduction of this work in any form, by any 8 Broken Promises Carole Swan means, including photocopying, recording, information storage and retrieval systems, et cetera, is forbidden without 11 Human Rights: Indian Women the express permission of the publisher. -
Boston Symphony Orchestra Concert Programs, Season
SECOND CONCERT OF THE ELLIS COURSE MECHANICS HALL . WORCESTER Thirty-first Season, J9H-J9J2 MAX FIEDLER, Conductor frogramm* of % FIRST CONCERT WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE TUESDAY EVENING, NOVEMBER 28 AT 8.00 i COPYRIGHT, 1911, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER : : Vladimir De Pachmann The Greatest Pianist Of the 20th Century ON TOUR IN THE UNITED STATES SEASON: 1911-1912 For generations the appearance of new stars on the musical firmament has been announced — then they came with a temporary glitter — soon to fade and to be forgotten. De Pachmann has outlived them all. With each return he won additional resplendence and to-day he is acknowl- edged by the truly artistic public to be the greatest exponent of the piano of the twentieth century. As Arthur Symons, the eminent British critic, says " Pachmann is the Verlaine or Whistler of the Pianoforte the greatest player of the piano now living." Pachmann, as before, uses the BALDWIN PIANO for the expression of his magic art, the instrument of which he himself says " .... It cries when I feel like crying, it sings joyfully when I feel like singing. It responds — like a human being — to every mood. I love the Baldwin Piano." Every lover of the highest type of piano music will, of course, go to hear Pachmann — to revel in the beauty of his music and to marvel at it. It is the beautiful tone quality, the voice which is music itself, and the wonderfully responsive action of the Baldwin Piano, by which Pachmann's miraculous hands reveal to you the thrill, the terror and the ecstasy of a beauty which you had never dreamed was hidden in sounds. -
Purcell String Quartet Sydney Humphreys Biyan King Philippe Etter Ian Hampton
The Ocpaktment oS AuAie at the UnivcAzity oS Atbekta oesents the Purcell String Quartet Sydney Humphreys biyan King Philippe Etter Ian Hampton Convocation Hatt Ofd Akt4 Suitding Tuuday, November 12, 1915 i p.m. PROGRAMME Quartet for Strings, Op. 54, No. 2 (1788) Franz Joseph Haydn (1732 - 1809) Vivace Adagio Menuetto Finale, Adagio - Presto Quartet No. 4 for Strings. Wallace Berry (Commissioned by the Purcell Quartet with a (b. 1928) grant from the Canada Council) Adagio con molta espressione Allegro vivace ma serioso / Tempo primo - Adagio INTERMISSION * * * * * String Quartet in G minor, Op. 10 (1893) Claude Debussy (1862 -1918 ) Anime et tres decid4 Assez vif et bien rhythm Andantino, doucement expressif Tres moder6 - tres mouvemente et avec passion The Purcell String Quartet operates with financial assistance of: The Canada Council. The Government of British Columbia through the British Columbia Cultural Fund and lottery revenues. The City of Vancouver. PROGRAMME NOTES Quartet for Strings, Op. 54, No. 2 (1788) Franz Joseph Haydn (1732 - 1809) The opening C Major statement is dramatically throttled by silence which, on its return, Haydn impishly lengthens by a bar. The second subject resembles that of the previous quartet - Haydn had not quite got the rhythm out of his system. In the Adagio, the first violin introduces a chorale which the second violin takes over, allowing the former to weave a Hungarian Gypsy descant in a precisely notated rubato. This dissolves into a minuet whose coyness is offset by an impassioned trio featuring the augmented triad. The finale is a bit of a surprise, particularly to the cellist who is required to ascend the fingerboard into regions long dulled and cobwebbed from disuse. -
CBC Program Schedule 470420.PDF
NEWS BROADCASTS ~ T~~~~A ~¥:J~~ I~ CBK DAILY I • I WATROUS Trans-Canada Nelwork: (Trans·Canada Network) I~OO. 9:00 •.In. 1:00,6:30. PROGRAM 540 Kcs. ':00 p.m. 12:00 p.m. CBC Dominion Network: Prairie Region 10:00 p.m. eRe SCHEDULE Transmitter Times given in this Schedule are Central Standard DATE OF ISSUE APRIL 12, 1947. PRAIRIE REGION Week 01 April 20th, 1947 612 Telephone Bldg., Winnipeg, Canada Qualities and Prices Coming of Age No Bed Of Roses Is High At Western Fairs Life Of CBC Producer esc Farm Commentator Back r:'rom Arranging Network Programs In Calgary, Regina and Brandon Meet- volves Much Detail ings An average lay opinion as to how Qualities and prices were both radio programs get on the air might higher at Western Canada's three be stated roughly as follows: principal winter fairs this year, "Someone has a brain-wave, hires according to Bob Knowles, CBC's an orchestra and a singer or two, assistant farm commentator in and maybe a comedian-and there the Prairie Region, who returned g you are." last week after visits to Calgary, •.. Well, it's not quite so simple a.<; Regina and Brandon, during that, according to CBC producers, March and early ApriL especially if it happens to be a net Bob attended the Calgary work program. First of all, one has Spring Bull Sale March 17-21, to give some thought to the matter largest event of its kind on this of placing the program in the intri continent; the Saskatchewan 11 cate jig-saw puzzle of the network Winter Fair at Regina, March program schedule. -
Diamond Jubilee Canadian Journ
Kit Coleman, To London for the Jubilee (1897). Mythology of the Motherland in the Canadian newspaper Mail and Empire Françoise Le Jeune To cite this version: Françoise Le Jeune. Kit Coleman, To London for the Jubilee (1897). Mythology of the Motherland in the Canadian newspaper Mail and Empire. Mythology of the Motherland, sous la direction d’Evelyne Hanquart-Turner, CEREC, Université Paris XII, 2005., 2005. hal-03298920 HAL Id: hal-03298920 https://hal.archives-ouvertes.fr/hal-03298920 Submitted on 25 Jul 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Kit Coleman, To London for the Jubilee (1897). Mythology of the Motherland in the Canadian newspaper Mail and Empire.1 Françoise LE JEUNE (Université de Nantes – CRHIA) Queen Victoria's Diamond Jubilee has been described by many historians as a great celebration of the Empire through a tribute paid to its monarch, Victoria Regina et Imperatrix, while the first Jubilee, held ten years before, had celebrated Victoria Regina only. The event was staged by the War Office, the Prime Minister, Lord Salisbury, and Joseph Chamberlain, the Colonial Secretary. It was designed to bring together to London the various Premiers and governor-generals of Victoria's colonies and territories. -
Catalogue of Canadian Women Empowered by Music 1
Catalogue of Canadian Women Empowered by Music Who is in this catalogue? ...women empowered by music, women who empowered others through music, and women who were trailblazers in music. You will find composers, singers, educators, songwriters and activists, from every era and every style of music...but the catalogue is not complete! Here’s where YOU come in! See an entry for your favourite artist which needs a longer entry? Send us an expanded version! (limit: 200 words). Know a musician who is not even in the catalogue yet? Write an entry send it to: [email protected] Name Dates Category Career Highlights Listening Links Active Norma Abernethy 1930’s Performer Norma Abernathy was a pianist from Vancouver, British http://www.thecanadianencycl (1914-1973) - Columbia. She is best known as an accompanist and opedia.ca/en/article/norma- 1940’s soloist on radio stations such as CNRV and CBR, and as abernethy-emc/ a pianist with the Vancouver Chamber Orchestra and the Victoria Symphony Orchestra. Lydia Adams 1980s- Conductor Lydia Adams was born in Glace Bay, Nova Scotia and “Sing all ye https://www.thecanadianencycl (1953- ) Accompan completed her training at Mount Allison University in New joyful: the opedia.ca/en/article/lydia- ist Brunswick and the Royal College of Music in London, works of Ruth adams-emc/ Arranger England. She worked as an accompanist for the Elmer Watson Iseler Singers in the 1980s and early 1990s, and in 1997 Henderson” http://www.elmeriselersingers. she became the choir’s conductor and music director. Dr. com/lydia_adams.htm Adams was also the conductor and artistic director of the Amadeus Choir, and commissioned and premiered many works by Canadian composers. -
Uptake and Genre: the Canadian Reception of Suffrage Militancy
Women's Studies International Forum 29 (2006) 279–288 www.elsevier.com/locate/wsif Uptake and genre: The Canadian reception of suffrage militancy Katja Thieme Department of English, University of British Columbia, 397-1873 East Mall, Vancouver, British Columbia, Canada V6T 1Z1 Synopsis From 1909 onward, the Canadian suffrage debate was heavily influenced by reports on suffrage militancy from Great Britain and the United States. Militancy played an influential role in Canadian suffrage history not through its practice–there was no Canadian militant campaign–but through an ongoing discussion of its meaning. Using Anne Freadman's notions of genre and uptake, this paper analyzes the discursive uptake of suffrage militancy—from news reports on front pages, to commentary on women's pages, to reviews of Emmeline Pankhurst's Canadian speaking engagements. The Canadian debate about militancy is a fertile site for drawing out the roles of genre and uptake in the political positioning of both suffragists and suffrage sceptics. Talk about militancy serves as a way to regulate the uptake of this particular genre of political action, whereby both sides tended to share the optimistic view that Canadian suffragists where not yet in need of militancy. © 2006 Elsevier Ltd. All rights reserved. The militant activism of English suffragettes between how these activities were refigured in a Canadian con- 1903 and 1914 was well reported in the Canadian press. text, calling for a positioning of Canadian suffragism in In fact, it was one of the few occasions when suffrage relation to English militancy. Lecture tours in Canada by issues made it onto the front pages of Canadian news- English suffragettes Emmeline and Sylvia Pankhurst papers. -
Caml Review Revue De L'acbm
CAML REVIEW REVUE DE L’ACBM VOL. 43, NO. 2 AUGUST / AOÛT 2015 Articles and Reports / Articles et rapports : Page Message from the President / Message du président 3 Brian McMillan CAML Conference 2015: Abstracts / Congrès de l'ACBM 2015 : 5 Résumés de communications CAML 2015 Annual Reports: Cataloguing Committee – Daniel Paradis 13 RILM Canada – Sean Luyk 15 RIPM Canada – Kathleen McMorrow 17 RISM Canada – Cheryl Martin 18 The Academic Archivist’s Fear of Popular Music 19 Brock Silversides Musical Similarity as Conceived by “Avid Recreational Music 29 Listeners” Jason Neal Reviews / Comptes rendus : From Sea to Sea: Vocal Works Featuring Canadian Poetry – Aaron 44 Jensen (CD) / Jane Leibel The Hallelujah Effect: Philosophical Reflections on Music, 47 Performance Practice, and Technology (Book) / J. Drew Stephen Joni Mitchell: In Her Own Words: Conversations with Malka Marom 49 (Book) / Elaine Keillor Magister Ludi: Music of Gordon Fitzell (CD) / Timothy Maloney 51 Myth, Legend, Romance: Concertos of Elizabeth Raum (CD) / 53 Alastair Boyd Points of Departure – Nicholas Papador, percussion (CD) / 55 Edward Jurkowski CAML Review, published three times a year, is the official publication of the Canadian Association of Music Libraries, Archives and Documentation Centres. Contributions are invited for articles, reviews, and reports pertaining to music in Canada, music librarianship, and music-related topics of current interest. Deadline for the next issue: October 15, 2015. La Revue de l’ACBM, publiée trois fois l’an, est l’organe officiel de l’Association canadienne des bibliothèques, archives et centres de documentation musicaux. La Revue vous invite à lui soumettre des articles, des comptes rendus et des rapports relatifs à la musique au Canada, à la bibliothéconomie de la musique et aux sujets d’actualité reliés à la musique.