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CRONOLOGÍA LICEÍSTA Se incluye un listado con las representaciones de Pagliacci, de Ruggero Leoncavallo en la historia del Gran Teatre del Liceu. Estreno absoluto: Teatro Dal Verme, de Milán, 21 de mayo de 1892 Estreno en el Gran Teatre del Liceu: 25 de enero de 1895 Última representación antes de las de esta temporada: 20 de abril del 1991 Número de representaciones: 104 TEMPORADA 1894-1895 25-I-1895 Función homenaje a Mme. Darclée que interviene en todas las obras programadas: PAGLIACCI + Aria de las joyas de “Faust “ (Gounod) + cuadro I del acto III de “Manon” (Massenet) + Dúo del acto III de “Les huguenots” (Meyerbeer) con el bajo Andreu Perelló de Segurola. Número de representaciones: 3 Nº. histórico: 1, 2, 3. Fechas: 25, 27, 29 enero 1895. Crítica: Diario de Barcelona 26 enero 1895 (edición de tarde). Nedda: Hariclea Darclée Canio: Giuseppe Moretti Tonio: Joaquim Aragó Rogelio Astillero (27 gener) Beppe: Oreste Gennari Silvio: Gabriel Hernández Director: Francesco Spetrino (El programa de cada función se completó con estas opciones: “Cavalleria rusticana” y fragmentos de “Faust”, “Manon” (Massenet) y “Los hugonotes”) TEMPORADA 1898-1899 7-XII-1898 Acte I de “Les huguenots” (Meyerbeer) + PAGLIACCI Número de representaciones: 6 Núm. històric: 4, 5, 6, 7, 8, 9. Dates: 7, 11, 13, 14 desembre 1898 / 12, 15 gener 1899. Nedda: Emilia Corsi Canio: Emilio De Marchi (7 desembre) Angelo de Constantí (la resta) Tonio: Cesare Cioni Beppe: Enrico Giordani (7 desembre) / Josep Massip (la resta) Silvio: Edoardo Sottolana Director: Joaquim Maria Vehils 1 (El programa de cada función se completó con estas opciones: el ballet “Arte e amore” (Adriani), “Cavalleria rusticana” y fragmentos de ”Los hugonotes”, “Rigoletto” y “Tannhäuser”) TEMPORADA 1907-1908 Número de representaciones: 9 Nº histórico: 10, 11, 12, 13, 14, 15, 16, 17, 18. Fechas: 4, 5, 8, 9, 12, 22, 28 enero / 6, 14 febrero 1908. Nedda: Emilia Corsi Canio: Francesco Fazzini (gener) Emilio De Marchi (febrer) Tonio: Michele De Padova Director: Vittorio Podesti (El programa de cada función se completó con estas opciones: “Cavalleria rusticana” y “Coppélia”) TEMPORADA 1912-1913 Número de representaciones: 4 Nº histórico: 19, 20, 21, 22. Fechas: 19, 21, 26 noviembre 1912 / 14 enero 1913. Nedda: Margot Kaftal (noviembre) Mercè Llopart (14 enero) Canio: Luigi Colazza Tonio (sense pròleg): Luigi Silvetti (19, 21 noviembre; 14 enero) Adolfo Pacini (26 noviembre) Beppe: Vicenç Gallofré Pròleg + Silvio: Domenico Viglione-Borghese (noviembre) Titta Ruffo (14 enero) 1º contadino: Antoni Pomer 2º contadino: Josep Ricart Director: Vicente Petri (noviembre) Giulio Falconi (14 enero) (El programa de cada función se completó con estas opciones: “Cavalleria rusticana”, el ballet “Les deux pigéons” (Messager) y fragmentos de “Manon” (Massenet) y “Hamlet”) TEMPORADA DE PRIMAVERA DE 1913 18-IV-1913 PAGLIACCI + Acto III de “Rigoletto” (Verdi) por Mercè Llopart, Giuseppe Di Bernardo y Domenico Viglione-Borghese. 2 Número de representaciones: 1 Nº histórico: 23. Fecha: 18 abril 1913. Nota: Después del acto III de “Rigoletto”, Domenico Viglione-Borghese repite el prólogo de “Pagliacci” vestido de Rigoletto. Nedda: Mercè Llopart Canio: Josep Palet Tonio (sense pròleg): Adolfo Pacini Beppe: Vicenç Gallofré Prólogo + Silvio: Domenico Viglione-Borghese 1º contadino: Ramon Escuté 2º contadino: Antoni Corts (Cortis) Director: Vicente Petri (El programa se completó con el acto III de “Rigoletto”) TEMPORADA 1914-1915 10-XII-1914 Actos I y II de “Rigoletto” (Verdi) por Mercè Capsir, el tenor Mario Cortada, el barítono Innocenci Navarro (que hace de Rigoletto) y el bajo Joan Martino + PAGLIACCI Número de representaciones: 1 Nº histórico: 24 Fecha: 10 diciembre 1914 Nedda: Maria de Ferran Canio: Josep Palet Pròleg + Tonio: Riccardo Stracciari Silvio: Innocenci Navarro Director: Josep Sabater (El programa se completó con los actos I y II de “Rigoletto”) TEMPORADA 1915-1916 Número de representaciones: 2 Nº histórico: 25, 26. Fechas: 13, 23 febrero 1916. Nedda: Adelina Agostinelli (13 febrero) Perla Barti (23 febrero) Canio: Egidio Cunego Pròleg + Tonio: Titta Ruffo Beppe: Vicenç Gallofré Silvio: Romano Rasponi Director: Alfredo Padovani (El programa se completó con “Cavalleria rusticana”) 3 TEMPORADA 1916-1917 18-XI-1916 PAGLIACCI + MARUXA. Número de representaciones: 2 Nºhistórico: 27, 28. Fechas: 18, 19 noviembre 1916. Nedda: Maria Ross Canio: Joan Elias Tonio: Francesco Maria Bonini Prólogo + Silvio: Mattia Battistini Beppe: Vicenç Gallofré 1º contadino: Ramon Escuté 2º contadino: Sr. Moral Director: Alfredo Padovani (18 novembre) Josep Sabater (19 novembre) Director de escena: Luis París (El programa se completó con “Maruxa”) TEMPORADA 1918-1919 29-I-1919 Acto II de “La favorite” (Donizetti) por Aga Lahowska, Celestino Sarobe y Angelo Masini Pieralli + PAGLIACCI . Número de representaciones: 3 Nºhistórico: 29, 30, 31. Fechas: 29 gener / 2, 5 febrero 1919. Nedda: Bianca Stagno-Bellincioni Canio: José García[-Riquelme] Tonio: Gaetano Rebonato (29 enero; 5 febrero) Carmelo Maugeri (2 febrero) Prólogo + Silvio: Domenico Viglione-Borghese Beppe: Julià Oliver 1º contadino: Josep Ricart 2º contadino: Antoni Pomer Director: Joaquim Vehils Director de escena: Eugeni Salarich (El programa de cada funció se completó con estas opciones: “Cavalleria rusticana” y el acto II de “La favorite”) TEMPORADA 1919-1920 17-I-1920 BALADA DE CARNAVAL (Amadeu Vives) + PAGLIACCI 4 Número de representaciones: 3 Nºhistórico: 32, 33, 34. Fechas: 17, 18, 21 enero 1920. Nedda: Fidela Campiña Canio: Josep Palet Pròleg + Tonio: Emilio Bione Silvio: Pietro D’Andria Beppe: Vicenç Gallofré Director: Franco Ghione (El programa se completó con “Balada de carnaval” (Vives) TEMPORADA 1920-1921 12-I-1921 Ballet de “La Gioconda” (Ponchielli) para todo el cuerpo de baile y la primera bailarina Dolores Galli + Acte III d’”Ernani” (Verdi) per Luigi Montesanto, Srta. Viñas, Giuseppe Campioni y José Torres de Luna + PAGLIACCI Número de representaciones: 3 Nºhistórico: 35, 36, 37. Fechas: 12, 16, 18 enero 1921. Nota referida en la primera representación, 12 de enero: Entre los dos actos de “Pagliacci” Luigi Montesanto canta la romanza de “Maruxa” (Vives). Nedda: Ada Sari Canio: Giuseppe Campioni Prólogo + Tonio: Luigi Montesanto Silvio: Mario Basiola Director: Giuseppe Baroni (El programa se completó con fragmentos de “La Gioconda” y “Ernani”) TEMPORADA 1923-1924 27-XII-1923 Danzas polovtsianas de EL PRÍNCIPE IGOR. Director de orquesta: Valentin Morskoy + LA MUERTE DEL CISNE. Director de orquesta: Valentin Morskoy + PAGLIACCI Número de representaciones: 1 Nºhistórico: 38. Fechas: 27 desembre 1923. Nedda: Augusta Concato Canio: Nino Piccaluga Pròleg + Tonio: Víctor Damiani Silvio: Marcos Redondo Beppe: Vicenç Gallofré 5 1º contadino: Sr. Espí 2º contadino: Antoni Oliver Director: Giulio Falconi Director de escena: Gaspare Barterra (El programa se completó con un fragmento de ”El príncipe Ígor” y el ballet “La muerte del cisne”) TEMPORADA 1924-1925 17-II-1925 PAGLIACCI + DIE DORFSCHULE (Felix Weingartner) Número de representaciones: 2 Nºhistórico: 39, 40. Fechas: 17, 19 febrer 1925. Nedda: Lydia Gorinskaia Canio: Giuseppe Taccani Prólogo + Tonio: Carlo Galeffi Silvio: Víctor Damiani Beppe: Vicenç Gallofré 1º contadino: Carlo Ballardini 2º contadino: Jordi Frau Director: Vincenzo Bellezza (El programa se completó con “Die Dorfschule” (Weingartner) TEMPORADA 1925-1926 9-II-1926 PAGLIACCI + CAVALLERIA RUSTICANA Número de representaciones: 1 Nºhistórico: 41 Fechas: 9 febrero 1926. Nedda: Hina Spani Canio: Costantino Folco-Bottaro Prólogo + Tonio: Josep Segura-Tallien Silvio: August Gonzalo Beppe: Vicenç Gallofré 1º contadino: Antoni Pomer 2º contadino: Emili Bastons Director: Franco Paolantonio Director de escena: Filippo Dadò (El programa se completó con “Cavalleria rusticana”) 6 TEMPORADA 1944-1945 Número de representaciones: 3 Fechas: 2, 6, 17 febrero 1945 Nºhistórico: 42, 43, 44 Nedda: Fidela Campiña Canio: Cristóbal Altube Prólogo + Silvio: Raimon Torres Tonio: Ángel Anglada Beppe: Pedro Sais 1º contadino: Fernando Linares 2º contadino: N. N. Director: Antoni Capdevila Director de escena: Joan Sangenís (El programa se completó con “Cavalleria rusticana”) TEMPORADA 1945-1946 Número de representaciones: 2 Fechas: 30 diciembre 1945 / 5 febrero 1946 Nºhistórico: 45, 46 Nedda: Fidela Campiña Canio: Antonio Vela Prólogo + Tonio: Carlos Guichandut Silvio: Antoni Cabanes Beppe: Fernando Linares Director: Antoni Capdevila Director de escena: Augusto Gonzalo (El programa se completó con “Cavalleria rusticana”) TEMPORADA 1952-1953 Número de representaciones: 4 Fechas:14, 16, 20, 26 diciembre 1952 Nºhistórico: 47,48,49,50 Nedda: Lina Richarte Canio: Antonio Annaloro Prólogo + Silvio: Raimon Torres Tonio: Antoni Cabanes Beppe: Dídac Monjo Director: Argeo Quadri 7 Director de escena: Augusto Cardi (El programa se completó con “Cavalleria rusticana”) TEMPORADA 1955-1956 Número de representaciones: 3 Fechas: 19,23,26 noviembre 1955 Nº histórico: 51,52,53 Nedda: Clara Petrella Canio: Carlos Guichandut Prólogo + Tonio: Giuseppe Taddei (19) Aldo Protti (23,26) Silvio: Manuel Ausensi Beppe: Glauco Scarlini Director: Ugo Rapalo Director de escena: Augusto Cardi (El programa se completó con “Il segreto di Susanna”) TEMPORADA 1961-1962 Número de representaciones: 3 Fechas: 5,10,14 diciembre 1961 Nºhistórico: 54,55,56 Nedda: Lina Richarte Canio: Angelo Lo Forese Prólogo + Tonio: Carlo Meliciani Silvio: Agustín Morales
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    ____________________ The Indiana University Opera Theater presents as its 395th production La Bohème Opera in Four Acts Music by Giacomo Puccini Italian Libretto by Giuseppe Giacosa and Luigi Illica AfterScènes da la vie de Bohème by Henri Murger David Effron,Conductor Tito Capobianco, Stage Director C. David Higgins, Set Designer Barry Steele, Lighting Designer Sondra Nottingham, Wig and Make-up Designer Vasiliki Tsuova, Chorus Master Lisa Yozviak, Children’s Chorus Master Christian Capocaccia, Italian Diction Coach Words for Music, Supertitle Provider Victor DeRenzi, Supertitle Translator _______________ Musical Arts Center Friday Evening, November Ninth Saturday Evening, November Tenth Friday Evening, November Sixteenth Saturday Evening, November Seventeenth Eight O’Clock Two Hundred Eighty-Fourth Program of the 2007-08 Season music.indiana.edu Cast (in order of appearance) The four Bohemians: Rodolfo, a poet. Brian Arreola, Jason Wickson Marcello, a painter . Justin Moore, Kenneth Pereira Colline, a philosopher . Max Wier, Miroslaw Witkowski Schaunard, a musician . Adonis Abuyen, Mark Davies Benoit, their landlord . .Joseph “Bill” Kloppenburg, Chaz Nailor Mimi, a seamstress . Joanna Ruzsała, Jung Nan Yoon Two delivery boys . Nick Palmer, Evan James Snipes Parpignol, a toy vendor . Hong-Teak Lim Musetta, friend of Marcello . Rebecca Fay, Laura Waters Alcindoro, a state councilor . Joseph “Bill” Kloppenburg, Chaz Nailor Customs Guard . Nathan Brown Sergeant . .Cody Medina People of the Latin Quarter Vendors . Korey Gonzalez, Olivia Hairston, Wayne Hu, Kimberly Izzo, David Johnson, Daniel Lentz, William Lockhart, Cody Medina, Abigail Peters, Lauren Pickett, Shelley Ploss, Jerome Sibulo, Kris Simmons Middle Class . Jacqueline Brecheen, Molly Fetherston, Lawrence Galera, Chris Gobles, Jonathan Hilber, Kira McGirr, Justin Merrick, Kevin Necciai, Naomi Ruiz, Jason Thomas Elegant Ladies .
  • [T] IMRE PALLÓ

    [T] IMRE PALLÓ

    VOCAL 78 rpm Discs FRANZ (FRANTISEK) PÁCAL [t]. Leitomischi, Austria, 1865-Nepomuk, Czechoslo- vakia, 1938. First an orchestral violinist, Pácal then studied voice with Gustav Walter in Vienna and sang as a chorister in Cologne, Bremen and Graz. In 1895 he became a member of the Vienna Hofoper and had a great success there in 1897 singing the small role of the Fisherman in Rossini’s William Tell. He then was promoted to leading roles and remained in Vienna through 1905. Unfor- tunately he and the Opera’s director, Gustav Mahler, didn’t get along, despite Pacal having instructed his son to kiss Mahler’s hand in public (behavior Mahler considered obsequious). Pacal stated that Mahler ruined his career, calling him “talentless” and “humiliating me in front of all the Opera personnel.” We don’t know what happened to invoke Mahler’s wrath but we do know that Pácal sent Mahler a letter in 1906, unsuccessfully begging for another chance. Leaving Vienna, Pácal then sang with the Prague National Opera, in Riga and finally in Posen. His rare records demonstate a fine voice with considerable ring in the upper register. -Internet sources 1858. 10” Blk. Wien G&T 43832 [891x-Do-2z]. FRÜHLINGSZEIT (Becker). Very tiny rim chip blank side only. Very fine copy, just about 2. $60.00. GIUSEPPE PACINI [b]. Firenze, 1862-1910. His debut was in Firenze, 1887, in Verdi’s I due Foscari. In 1895 he appeared at La Scala in the premieres of Mascagni’s Guglielmo Ratcliff and Silvano. Other engagements at La Scala followed, as well as at the Rome Costanzi, 1903 (with Caruso in Aida) and other prominent Italian houses.
  • Verdi's Rigoletto

    Verdi's Rigoletto

    Verdi’s Rigoletto - A discographical conspectus by Ralph Moore It is hard if not impossible, to make a representative survey of recordings of Rigoletto, given that there are 200 in the catalogue; I can only compromise by compiling a somewhat arbitrary list comprising of a selection of the best-known and those which appeal to me. For a start, there are thirty or so studio recordings in Italian; I begin with one made in 1927 and 1930, as those made earlier than that are really only for the specialist. I then consider eighteen of the studio versions made since that one. I have not reviewed minor recordings or those which in my estimation do not reach the requisite standard; I freely admit that I cannot countenance those by Sinopoli in 1984, Chailly in 1988, Rahbari in 1991 or Rizzi in 1993 for a combination of reasons, including an aversion to certain singers – for example Gruberova’s shrill squeak of a soprano and what I hear as the bleat in Bruson’s baritone and the forced wobble in Nucci’s – and the existence of a better, earlier version by the same artists (as with the Rudel recording with Milnes, Kraus and Sills caught too late) or lacklustre singing in general from artists of insufficient calibre (Rahbari and Rizzi). Nor can I endorse Dmitri Hvorostovsky’s final recording; whether it was as a result of his sad, terminal illness or the vocal decline which had already set in I cannot say, but it does the memory of him in his prime no favours and he is in any case indifferently partnered.
  • Milka Trnina

    Milka Trnina

    Èitajte o glazbi i svim Èitajte o glazbi i svim nje-zinim pojavno- njezinim pojavnostima webzinoaudijuimuziciwebzinoaudijuimuziciwebzinoaudijuimuziciwebzinoaudijuimuziciwebzinoaudijuimuziciwebzinoaudijuimuzici] stima iz pera naših ponajboljih pisaca iz pera naših ponajbo-? Èitajte o glazbi i svim u esejima i èlancima koje možete èitati ljih pisaca u esejima njezinim pojavnostima webzinoaudijuimuziciwebzinoaudijuimuziciwebzinoaudijuimuziciwebzinoaudijuimuziciwebzinoaudijuimuziciwebzinoaudijuimuzici] na stranicama našeg èasopisa WAM. ? i èlancima koje možete iz pera naših ponajbo- Èitajte o glazbi i svim èitati na stranicama ljih pisaca u esejima njezinim pojavnostima našeg èasopisa WAM. i èlancima koje možete iz pera naših ponaj- èitati na stranicama boljih pisaca u esejima našeg èasopisa WAM. eseji i èlancima koje možete èitati na stranicama našeg èasopisa WAM. 1 Ilustracija Munir Vejzoviæ Marija Barbieri MILKA TRNINA - GREAT TOSCA Èitajte o glazbi i svim Čitajte o glazbi i svim njezinim pojavnostima njezinim pojavnostima iz pera naših ponaj- iz pera naših ponaj- Èitajte o glazbi i svim boljih pisaca u esejima boljih pisaca u esejima njezinim pojavnostima i èlancima koje možete i člancima koje možete iz pera naših ponaj-Èitajte o glazbi i svim èitati na stranicama čitati na stranicama boljih pisaca u esejimanjezinim pojavnostima našeg èasopisa WAM. našeg časopisa WAM. ? webzinoaudijuimuziciwebzinoaudijuimuziciwebzinoaudijuimuziciwebzii èlancimanoaudijuimuziciwebzinoaudijuimuziciwebzinoaudijuimuziciwebzino koje možeteiz pera naših ponaj-
  • Stagione 2018-2019 Aida Compositore: Giuseppe Verdi

    Stagione 2018-2019 Aida Compositore: Giuseppe Verdi

    Progetto5_v 18/12/15 18:51 Pagina 1 La Griffe Roma Hotel Papadopoli Venezia A COLLECTION OF MEMORABLE BOUTIQUE HOTELS sofitel.com - accorhotels.com Progetto5_v 18/12/15 18:51 Pagina 1 La Griffe Roma Hotel Papadopoli Venezia A COLLECTION OF MEMORABLE BOUTIQUE HOTELS sofitel.com - accorhotels.com Progetto5_v 18/12/15 18:51 Pagina 2 Eau de Parfum pour Homme et pour Femme Merging of olfactory notes with musical harmonies. themerchantofvenice.com Fondazione Teatro La Fenice di venezia Radio3 per la Fenice Opere della Stagione Lirica 2018-2019 trasmesse in diretta o in differita dal Teatro La Fenice o dal Teatro Malibran venerdì 23 novembre 2018 ore 19.00 Macbeth venerdì 8 febbraio 2019 ore 19.00 Il sogno di Scipione venerdì 15 febbraio 2019 ore 19.00 Il re pastore domenica 24 febbraio 2019 ore 15.30 L’italiana in Algeri martedì 23 aprile 2019 ore 19.00 Dorilla in Tempe venerdì 10 maggio 2019 ore 19.00 Turandot sabato 18 maggio 2019 ore 15.30 Aida Concerti della Stagione Sinfonica 2018-2019 trasmessi in differita dal Teatro La Fenice o dal Teatro Malibran Myung-Whun Chung (sabato 3 novembre 2018) Kerem Hasan (sabato 10 novembre 2018) Jérémie Rhorer (venerdì 11 gennaio 2019) Juraj Valčuha (venerdì 12 aprile 2019) Diego Fasolis (venerdì 19 aprile 2019) Jonathan Webb (venerdì 7 giugno 2019) www.radio3.rai.it – per le frequenze: numero verde 800 111 555 FONDAZIONE AMICI DELLA FENICE STAGIONE 2018-2019 Incontri con l’opera giovedì 15 novembre 2018 GIORGIO PESTELLI Macbeth martedì 11 dicembre 2018 SILVIA POLETTI Romeo e Giulietta lunedì 21 gennaio