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OTELLO Subota, 27 Giuseppe Verdi OTELLO Subota, 27. listopada 2012., 19 sati Foto: Metropolitan opera G. Verdi OTELLO Subota, 27. listopada 2012., 19 sati THE MET: LIVE IN HD SERIES IS MADE POSSIBLE BY A GENEROUS GRANT FROM ITS FOUNDING SPONZOR Neubauer Family Foundation GLOBAL CORPORATE SPONSORSHIP OF THE MET LIVE IN HD IS PROVIDED BY THE HD BRODCASTS ARE SUPPORTED BY Giuseppe Verdi OTELLO Opera u etiri ina Libreto: Arrigo Boito prema istoimenoj tragediji Williama Shakespearea SUBOTA, 27. LISTOPADA 2012. POČETAK U 19 SATI. Praizvedba, Teatro alla Scala, Milano, 5. veljače 1887. Prva hrvatska izvedba: Hrvatsko zemaljsko kazalište u Zagrebu, 10. listopada 1899. Prva izvedba ansambla Metropolitana u Chicagu: 23. studenoga 1891. Prva izvedba ove produkcije: 21. ožujka 1994. OTELLO Johan Botha REDATELJ Elijah Moshinsky JAGO Falk Struckmann SCENOGRAF Michael Yeargan DESDEMONA Renée Fleming KOSTIMOGRAF Peter J. Hall CASSIO Michael Fabiano OBLIKOVATELJ RASVJETE Duane Schuler Solisti, zbor i orkestar Metropolitana ZBOROVOĐA Donald Palumbo KOREOGRAFKINJA Eleanor Fazan DIRIGENT Semyon Bychkov REŽIJA BORBI B. H. Barry Foto: Metropolitan opera Metropolitan Foto: Radnja se događa na Cipru potkraj 15. stoljeća. Stanka poslije drugoga čina. Svršetak oko 22.30 sata. Tekst: talijanski. Titlovi: engleski. Foto: Metropolitan opera Metropolitan Foto: PRVI IN ljubavnim duetom Otella i Desdemone (“Già No je i bjesni oluja dok se Cipru približava nella notte densa” - Ve se u gustoj noi). brod njegova zapovjednika, Mleanina Otella. Narod na obali moli za Otellov spas DRUGI IN i pobjedu. Brod se otrgnuo valovima i Otello Prvi je in završio ljubavnim duetom Otella i je stupio na ciparsko tlo ovjenan pobjedom Desdemone. I to je bio kraj njihove sree. U nad Turcima. (“Esultate!”- Kliite od veselja!) drugome inu zamee se klica tragedije. Narod voli Otella, ali Jago i Roderigo ne dijele Cassio se tuži Jagu zbog bezumnog ina koji taj osjeaj. Jago ga mrzi jer je u napredovanju je pijan poinio. U silnoj težnji da se osveti dao prednost Cassiju, a Roderigo je potajno Otellu, Jago smišlja kako e iskoristiti situaciju. zaljubljen u Otellovu ženu Desdemonu. Lukavi Nagovara Cassija da zamoli Desdemonu neka Jago snuje osvetu protiv Otella. Najprije opija se ona zauzme za njega kod Otella. A onda Cassija. (“Inaffia l’ugola! - Zalij grlo!) pjeva svoj životni credo - “Vanne; la tua meta Pijani Cassio izaziva metež u kojemu je ranjen già vedo.” - Idi; tvoj cilj ve vidim). Smislio je Montano, koji je prije Otella bio guverner osvetu koja se temelji na Otellovoj ljubomori. Cipra. Ogoren, Otello oduzima Cassiju in Verdi, koji je izvrsno poznavao zakone kapetana i daje ga Jagu. Galama je probudila operne dramaturgije, znao je da se drama Desdemonu. in završava prekrasnim poinje vrtoglavo razvijati i da taj razvoj 6 · Metropolitan u Lisinskom: Sezona 2012./2013. treba na trenutak zaustaviti. Dodao je zborski ovjeka podložna snažnim i razornim strastima prizor kojim je želio sugerirati Cipar potkraj (“Dio! Mi potevi scagliar tuti i mali” - Bože! petnaestoga stoljea kada se dogaa radnja Mogao si na mene baciti sva zla). opere. U Desdemoninu ast pjevaju zborovi Jago podjaruje Otellovu ljubomoru. Navodi ciparskih žena i djece, ciparskih i albanskih Cassija da mu pria o svojoj ljubavnici, mornara uz pratnju gajda, gitara, mandolina i kurtizani Bianci, ali njezino e ime rei tako gusala. Otello vidi Desdemonu kako razgovara tiho da ga Otello ne uje pa e misliti da govori s Cassiom i u njemu se budi klica ljubomore. I o Desdemoni. Cassio to ini i istodobno razvija kad ga Desdemona zamoli da oprosti Cassiju, rubac koji Otello prepoznaje kao svoj prvi on joj se potuži da ga boli glava, a ona mu ljubavni dar Desdemoni. Više nema dvojbi o ponudi rubac da je njime ovije. On ga baci i Desdemoninoj nevjeri. Otello je u to uvjeren i grubo odgurne ženu. Njezina pratilja Emilija, grubo odbacuje ženu, nazivajui je kurtizanom. Jagova žena, podigne s poda rubac i Jago koristi Trublje najavljuju dolazak venecijanske lae s priliku da ga se domogne. To je prvi ljubavni mletakim izaslanicima, na elu s Lodovicom. dar Otella Desdemoni i on e mu poslužiti Donose duždevu naredbu; Otello je opozvan kao sredstvo kojim e razbuktati Otellovu u Veneciju. Pred nazonima Otello ponovno ljubomoru. (“Desdemona rea!” - Desdemona grubo vrijea Desdemonu i baca je na pod kriva!) (“Aterra!... sì... nel livido fango” - Na zemlju!... Klica ljubomore pala je na plodno tlo. da... u blato olovne boje). Sam se slama u Kad ostanu sami, Jago pria Otellu kako je oajnikom bolu, a Jago u trijumfu klie: “Ecco jednom prigodom uo Cassija da u snu šape il Leone!” - Evo Lava! Desdemonino ime (“Era la notte, Cassio dormia” - Bijaše no, Cassio je spavao) i ETVRTI IN dodaje da je kod njega vidio rubac tanak poput U etvrtom inu tragedija se rasplie. Sumoran koprene izvezen cvjetovima. Otello je ve lud orkestralni uvod s dominantnim engleskim od ljubomore i zaklinje se da e se osvetiti ženi rogom doarava ugoaj budueg razvoja drame (“Si, pel ciel marmoreo giuro!” - Da, zaklinjem i uvodi u prekrasnu Desdemoninu pjesmu o se ledenim nebom!) vrbi (“Mia madre avea una povera ancella” - Kod moje je matere bila uboga sluškinja) i Ave TREI IN Mariju. Slijedi dramatian dijalog Otella, iji U treem inu zaplet doseže vrhunac. Poinje dolazak najavljuju kontrabasi, i Desdemone duetom Otella i Desdemone. Otello je doekuje (“Diceste questa sera le vostre preci?” - Jeste li lažnom uljudnošu, kako e duet i završiti. se pomolili veeras?). Otello davi ženu. A onda je optužuje zbog nevjere i obasipa Strašna se spletka razotkriva i njezin krivac, najstrašnijim uvredama i prijekorima. Sukob uzrok svega zla, Jago, bit e kažnjen. Za Otella njegove goleme ljubomore i iskrene istoe nema budunosti. Slomljen, sam e sebi Desdemonine duše jedan je od najljepših zadati smrtni udarac i uz posljednji poljubac odlomaka operne literature. (“Dio ti giocondi, mrtvoj ženi uz njegov motiv iz ljubavnog o sposo dell’alma mia sovrano.” - Bog neka te dueta iz prvoga ina, opera završava (“Niun mi razveseli, supruže, gospodaru duše moje.) Za tema” - Neka me se nitko ne boji). Izgubljeno duetom slijedi bolni Otellov monolog u kojemu povjerenje dovelo je do tragedije. Razdiran se u isprekidanim frazama prepliu raznovrsni ljubomorom, Otello je ubio posve nevinu ženu, osjeaji koji slamaju hrabrog vojskovou i koju je beskrajno volio. 7 · Metropolitan u Lisinskom: Sezona 2012./2013. Foto: Metropolitan opera Metropolitan Foto: Renée Fleming VEČERAŠNJI INTERPRETI njemu ostvarila 21 glavnu ulogu, među njima i jednu na praizvedbi - opere buffe prema Južnoafrički tenor Johan Botha (1965.) Beaumarchaisu, Duhovi Versaillesa, Johna debitirao je 1989. kao Max u Weberovu Corigliana na libreto Williama M. Hoffmana, Strijelcu vilenjaku, a međunarodnu karijeru počeo je 1993. kao Pinkerton u Madame izvorno naručenoj za proslavu stote obljetnice Butterfly u Operi Bastille u Parizu. U djelovanja Meta - i više od 200 nastupa. Metropolitanu je prvi put nastupio 1997. kao Pjevala je na inauguracijskoj svečanosti Canio u Pagliaccima i do sada je u njemu predsjednika Baracka Obame u siječnju 2009. ostvario devet uloga i više od šezdeset u Lincoln Memorialu. nastupa. Danas je vodeći dramski tenor i Njemački bas-bariton, komorni pjevač Bečke istaknuti tumač Verdijevih likova. Desdemonu državne opere Falk Struckmann (1958.), koji pjeva Renée Fleming (1959.), dobitnica se ističe kao tumač likova herojskog baritona u nekoliko uglednih nagrada, među kojima djelima Richarda Wagnera, pjeva Jaga. U Metu 1990. Nagrade Richard Tucker i 1999. nagrade je prvi put nastupio 1997. kao Wozzeck. U Grammy za CD The beautiful voice (Prekrasan njemu je još pjevao Telramunda u Lohengrinu, glas). Nakon što je dobila Fulbrightovu Don Pizarra u Fideliju, Abimelecha u Samsonu stipendiju, nastavila je školovanje u Europi i Dalili, Amfortasa u Parsifalu i Scarpiju u Tosci. kod Arleen Auger i Elisabeth Schwarzkopf. Izvedbom ravna ruski dirigent židovskog U Metropolitanu je prvi put nastupila 1991. podrijetla Semyon Bychkov (1952.). Rođen kao Grofica u Figarovu piru i do sada je u je u Lenjingradu i studirao na tamošnjem 8 · Metropolitan u Lisinskom: Sezona 2012./2013. Foto: Metropolitan opera Metropolitan Foto: Johan Botha i Falk Struckmann Konzervatoriju. Pobjeda na dirigentskom uspjeh postigla 1975. njegova režija Brittenova natjecanju Rahmanjinov 1973. pružila Petera Grimesa u Covent Gardenu i od tada mu je priliku da dirigira Lenjingradskom je u Kraljevskoj opernoj kući (ROH) režirao filharmonijom. Sljedeće godine emigrirao je mnogo opernih naslova standardnog i novijeg u Sjedinjene Američke Države. Nakon deset repertoara. Karijeru dramskog redatelja počeo godina djelovanja s manjim orkestrima, 1984. je također u Londonu, 1976., u National dobio je poziv Njujorške filharmonije, Berlinske Theatreu. Njegov televizijski rad vezan je filharmonije i orkestra Concertgebouwa, i najviše uz BBC. Moshinsky režira diljem svijeta, njegova svjetska karijera je počela. Potpisao a prvu je režiju u Metropolitanu ostvario je desetogodišnji ugovor s gramofonskom 1980. Bio je to Krabuljni ples. U Metu je još tvrtkom Philips. Od 1989. do 1998. bio je postavio na scenu Samsona i Dalilu, Arijadnu muzički direktor Orchestre de Paris, od 1998. na Naxosu, Slučaj Makropulos, Pikovu damu, glavni dirigent u Semperoperi u Dresdenu. Nabucca i Luisu Miller. Profesor je dirigiranja na Kraljevskoj glazbenoj akademiji (Royal Academy of Music) u O SKLADATELJU Londonu. Ravnopravno djeluje kao operni Joseph Fortunin François - Giuseppe Verdi - i simfonijski dirigent. U Metu je prvi
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