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Riiff Announces Its 2008 Season!
FOR IMMEDIATE RELEASE: 2008 RHODE ISLAND INTERNATIONAL FILM FESTIVAL MEDIA RELEASE For Details, Photographs or Videos about RIIFF News Releases, Contact: Adam M.K. Short, Producing Director [email protected] • 401.861-4445 Written By: Abra Moore THE RHODE ISLAND INTERNATIONAL FILM FESTIVAL TO SCREEN 289 FILMS FOR 12TH ANNUAL EVENT RIIFF 2008 Presents a Week filled with Short Films and Festivities August 5-10 and screenings across the State of Rhode Island with 58 World Prémières and 41 US/North American Prémières; and honors actor, Richard Jenkins (PROVIDENCE, RI • July 21, 2008)--- With films and filmmakers arriving from across the globe, the Rhode Island International Film Festival (RIIFF) kicks off its 12th Annual event presenting 289 feature length, documentary and short films to be screened over a six-day period. The Festival runs August 5-10th. This year’s Festival will showcase cinematic work submitted from 53 countries. RIIFF will present 58 World Prémières and 41 US Prémières. Following months of adjudication and review, Festival films have been selected from a whopping entry base of 3,000 submissions. "It's a pretty sensational year for us," said RIIFF Executive Director George T. Marshall, "We have films from all over the world that our audiences will definitely enjoy. They're not just going to be popcorn entertainment. We have some very thoughtful pieces that will inspire, and hopefully encourage audiences to take action.” For the second year in a row, the Festival’s opening night will Prémière at the Providence Performing Arts Center (PPAC), the elegant and historical 3,300-seat theater. -
Al of Education & Social Research Vol
Sir Syed Journal of Education & Social Research Vol. 3, Issue 4, 2020 (October – December) ISSN 2706-6525 (online), ISSN 2706-8285 (Print) SJESR ISSN 2706-9362 (CD-ROM), ISSN 2706-6525 (ISSN-L) Sir Syed Journal of Education & DOI: https://doi.org/10.36902/sjesr-vol3-iss4-2020(215-222) Social Research __________________________________________________________________________________ Digitalizing 1947: A Postmodernist Analysis of the Shifting Faces of Communitarian Identity * Dr. Asma Aftab, Assistant Professor (Corresponding Author) ** Sadia Akram, PhD Scholar & Lecturer *** Dr. Muhammad Asif, Assistant Professor __________________________________________________________________________________ Abstract This paper deals with the problem of identity during and after the Partition of the Indian Subcontinent in 1947. It focuses on the portrayal of the shifting faces of communitarian identity/politics by analyzing two digital versions of this historical event – one is Mehreen Jabbar's drama-film Ramchand Pakistani and the other is the adapted version of Razia Butt's novel Bano, broadcast by a private T.V Channel with the title of Dastaan. Based on the postmodernist shift from performance to performance, our argument foregrounds the digital representation of 1947 which offers new angles to view the subaltern story(ies) vis-à-vis the official history of nationalism by showing different characters who experience a fleeing sense of identity in their attempt to cope with the trauma of displacement and violence during 1947. In this article, the textual and digital versions of 1947 are read as cultural texts which embody the human and subjective experience and perceptions of ordinary human subjects from both sides of the divide, either during the historical event of Partition as sufferers or survivors or in current scenario in the wake of the politics of mistrust between Pakistan and India. -
Promoting Elite Culture by Pakistani Tv Channels ______
PROMOTING ELITE CULTURE BY PAKISTANI TV CHANNELS ___________________________________________________ _____ BY MUNHAM SHEHZAD REGISTRATION # 11020216227 PhD Centre for Media and Communication Studies University of Gujrat Session 2015-18 (Page 1 of 133) PROMOTING ELITE CULTURE BY PAKISTANI TV CHANNELS A Thesis submitted in Partial Fulfilment of the Requirements for the Award of Degree of PhD In Mass Communications & Media By MUNHAM SHEHZAD REGISTRATION # 11020216227 Centre for Media & Communication Studies (Page 2 of 133) University of Gujrat Session 2015-18 ACKNOWLEDGEMENT I am very thankful to Almighty Allah for giving me strength and the opportunity to complete this research despite my arduous office work, and continuous personal obligations. I am grateful to Dr. Zahid Yousaf, Associate Professor /Chairperson, Centre for Media & Communication Studies, University of Gujrat as my Supervisor for his advice, constructive comments and support. I am thankful to Dr Malik Adnan, Assistant Professor, Department of Media Studies, Islamia University Bahawalpur as my Ex-Supervisor. I am also grateful to Prof. Dr. Farish Ullah, Dean, Faculty of Arts, whose deep knowledge about Television dramas helped and guided me to complete my study. I profoundly thankful to Dr. Arshad Ali, Mehmood Ahmad, Shamas Suleman, and Ehtesham Ali for extending their help and always pushed me to complete my thesis. I am thankful to my colleagues for their guidance and support in completion of this study. I am very grateful to my beloved Sister, Brothers and In-Laws for -
The Role of Translation in the Resurgence of Pakistani Dramas
International Journal of Sciences: Basic and Applied Research (IJSBAR) ISSN 2307-4531 (Print & Online) http://gssrr.org/index.php?journal=JournalOfBasicAndApplied -------------------------------------------------------------------------------------------------------------------------- The Role of Translation in the Resurgence of Pakistani Dramas Aisha Shoukat* (B.Ed., MA English) Email: [email protected] Abstract The purpose of this research is to investigate the role of translation in the resurgence of Pakistani Drama Industry, as well as to present suggestions and recommendations for the translators to come up the hurdles they face while translating the dramas. The data was collected through survey technique. Questionnaire were distributed among randomly selected participants comprising open ended and close ended questions. At the end of survey the participants were given 3 images to read and give their views regarding the need of translating Pakistani dramas. 40 participants were randomly selected from English department of The University of Lahore, Different cities of Pakistan and Saudi Arabia. Through findings, the research revealed the revival of Pakistani drama industry and the need of translation for the resurgence of the industry in a foreign country. The findings also shows the interest of the foreigners in Pakistani dramas. The study is important for the readers as it would act as a platform for future researchers to explore the new dimensions in literary translation. Keywords: Pakistani dramas; translation; revival; international audience. 1. Introduction Translation is a mean of communication which help us to communicate with others in the world around. It is defined as “The communication of meaning from one language (the source) to another language (the target) ”[16]. The main focus of the study is on the Literary Translation as it is a challenging phenomenon. -
Pay-TV Programmers & Channel Distributors
#GreatJobs C NTENT page 5 www.contentasia.tv l www.contentasiasummit.com Asia-Pacific sports Game over: StarHub replaces Discovery rights up 22% to 7 new channels standby for July rollout in Singapore US$5b in 2018 Digital rights driving inflation, value peaks everywhere except India Demand for digital rights will push the value of sports rights in the Asia-Pacific region (excluding China) up 22% this year to a record US$5 billion, Media Partners Asia (MPA) says in its new re- port, Asia Pacific Sports In The Age of GoneGone Streaming. “While sports remains the last bastion for pay-TV operators com- bating subscriber churn, OTT delivery is becoming the main driver of rights infla- tion, opening up fresh opportunities for rights-holders while adding new layers of complexity to negotiations and deals,” the report says. The full story is on page 7 Screen grab of Discovery’s dedicated campaign site, keepdiscovery.sg CJ E&M ramps up While Singapore crowds spent the week- StarHub is extending bill rebates to edu- Turkish film biz end staring at a giant #keepdiscovery cation and lifestyle customers and is also Korean remakes follow video display on Orchard Road, StarHub offering a free preview of 30 channel to 25 local titles was putting the finishing touches to its 15 July. brand new seven-channel pack includ- StarHub’s decision not to cave to Dis- ing, perhaps ironically, the three-year-old covery’s rumoured US$11-million demands Korea’s CJ E&M is ramping up its Turkish CuriosityStream HD channel launched by raised questions over what rival platform operations, adding 25 local titles to its Discovery founder John Hendricks. -
The Reluctant Fundamentalist
Mongrel Media Presents The Reluctant Fundamentalist A film by Mira Nair (128 min., USA, 2012) Language: English and Urdu Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html SYNOPSIS 2011, Lahore. At a café a Pakistani man named Changez (Riz Ahmed) tells Bobby (Liev Schreiber), an American journalist, about his experiences in the United States. Roll back ten years, and we find a younger Changez fresh from Princeton, seeking his fortune on Wall Street. The American Dream seems well within his grasp, complete with a smart and gorgeous artist girlfriend, Erica (Kate Hudson). But when the Twin Towers are attacked, a cultural divide slowly begins to crack open between Changez and Erica. Changez’s dream soon begins to slip into nightmare: he is transformed from a well-educated, upwardly mobile businessman to a scapegoat and perceived enemy. Taking us through the culturally rich and beguiling worlds of New York, Lahore and Istanbul, The Reluctant Fundamentalist is a story about conflicting ideologies where perception and suspicion have the power to determine life or death. A MULTI-LAYERED VISION “Looks can be deceiving.” Changez Khan “An Indian director making a film about a Pakistani man. That’s not an easy thing to do,” says novelist and co-screenwriter Mohsin Hamid of The Reluctant Fundamentalist, the new film from award-winning filmmaker Mira Nair, based on Hamid’s acclaimed novel of the same name. -
SAARC Film Festival 2017 (PDF)
Organised by SAARC Cultural Centre. Sri Lanka 1 Index of Films THE BIRD WAS NOT A BIRD (AFGHANISTAN/ FEATURE) Directed by Ahmad Zia Arash THE WATER (AFGHANISTAN/ SHORT) Directed by Sayed Jalal Rohani ANIL BAGCHIR EKDIN (BANGLADESH/ FEATURE) Directed by Morshedul Islam OGGATONAMA (BANGLADESH/ FEATURE) Directed by Tauquir Ahmed PREMI O PREMI (BANGLADESH/ FEATURE) Directed by Jakir Hossain Raju HUM CHEWAI ZAMLING (BHUTAN/ FEATURE) Directed by Wangchuk Talop SERGA MATHANG (BHUTAN/ FEATURE) Directed by Kesang P. Jigme ONAATAH (INDIA/ FEATURE) Directed by Pradip Kurbah PINKY BEAUTY PARLOUR (INDIA/ FEATURE) Directed by Akshay Singh VEERAM MACBETH (INDIA/ FEATURE) Directed by Jayaraj ORMAYUDE AtHIRVARAMBUKAL (INDIA/ SHORT) Directed by Sudesh Balan TAANDAV (INDIA/ SHORT) Directed by Devashish Makhija VISHKA (MALDIVES/ FEATURE) Directed by Ravee Farooq DYING CANDLE (NEPAL/ FEATURE) Directed by Naresh Kumar KC THE BLACK HEN (NEPAL/ FEATURE) Directed by Min Bahadur Bham OH MY MAN! (NEPAL/ SHORT) Directed by Gopal Chandra Lamichhane THE YEAR OF THE BIRD (NEPAL/ SHORT) Directed by Shenang Gyamjo Tamang BIN ROYE (PAKISTAN/ FEATURE) Directed by Momina Duraid and Shahzad Kashmiri MAH-E-MIR (PAKISTAN/ FEATURE) Directed by Anjum Shahzad FRANGIPANI (SRI LANKA/ FEATURE) Directed by Visakesa Chandrasekaram LET HER CRY (SRI LANKA/ FEATURE) Directed by Asoka Handagama NAKED AMONG PUBLIC (SRI LANKA/ SHORT) Directed by Nimna Dewapura SONG OF THE INNOCENT (SRI LANKA/ SHORT) Directed by Dananjaya Bandara 2 SAARC CULTURAL CENTRE SAARC Cultural Centre is the multifaceted realm of to foray into the realm of the SAARC Regional Centre the Arts. It aims to create an publications and research and for Culture and it is based in inspirational and conducive the Centre will endeavour to Sri Lanka. -
Why Popular Culture Matters
THE POPULAR CULTURE STUDIES JOURNAL MIDWEST PCA/ACA VOLUME 7 | NUMBER 1 | 2019 WHY POPULAR CULTURE MATTERS EDITED BY: CARRIELYnn D. REINHARD POPULAR CULTURE STUDIES JOURNAL VOLUME 7 NUMBER 1 2019 Editor CARRIELYNN D. REINHARD Dominican University Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor KEVIN CALCAMP Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor CHRISTOPHER J. OLSON University of Wisconsin-Milwaukee Graphics Editor ETHAN CHITTY Purdue University Please visit the PCSJ at: http://mpcaaca.org/the-popular- culture-studies-journal. Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2019 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 EDITORIAL BOARD CORTNEY BARKO PAUL BOOTH West Virginia University DePaul University KATIE WILSON ANTHONY ADAH University of Louisville Minnesota State University, Moorhead GARY BURNS BRIAN COGAN Northern Illinois University Molloy College ART HERBIG ANDREW F. HERRMANN Indiana University - Purdue University, Fort Wayne East Tennessee State University CARLOS D. MORRISON KIT MEDJESKY Alabama State University University of Findlay SALVADOR MURGUIA ANGELA NELSON Akita International University Bowling Green State University CARYN NEUMANN ALLISON R. LEVIN Miami University Webster University JENNIFER FARRELL Milwaukee School of Engineering ii TABLE OF CONTENTS Introduction: Why Popular Culture Matters ........................ 1 CARRIELYNN D. REINHARD Special Entry: Multimedia Presentation of “Why Popular Culture Matters” ............................................ 4 CARRIELYNN D. REINHARD Editorial: I’m So Bored with the Canon: Removing the Qualifier “Popular” from Our Cultures .......................... 6 SCOTT M. -
FAHIM-THESIS-2018.Pdf (2.397Mb)
Copyright by Sarah Fahim 2018 The Thesis Committee for Sarah Fahim Certifies that this is the approved version of the following thesis: The Influence of Advertising on Gender Roles and Stereotypes in Pakistan APPROVED BY SUPERVISING COMMITTEE: Wei-Na Lee, Supervisor Wan-Hsiu Sunny Tsai Influence of Advertising on Gender Roles and Stereotypes in Pakistan by Sarah Fahim Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2018 Dedication To Ammi, Baba and Sami. Acknowledgements Humbled by the fact that Dr. Lee considered my request to supervise my thesis, despite her extremely occupied academic year. Dr. Tsai has been extremely kind to have read and offered valuable feedback and insight. Not half of this journey would have been possible without this supervision and leadership. v Abstract Influence of Advertising on Gender Roles and Stereotypes in Pakistan Sarah Fahim, M.A. The University of Texas at Austin, 2018 Supervisor: Wei-Na Lee In a region where the world’s largest mass displacement took place in 1947, socio-political and religious influencers have been long-established drivers of societal evolution. On a historic backdrop, gender roles and stereotypes are embedded in culture and religions of the sub-continent. This research study investigates gender roles and stereotypes in modern-day Pakistan, which was created in 1947 as a result of the partition of British India. Inspiration for this thesis is drawn from personal life experiences and the complex evolution of gender roles in the country. -
Naaree Interviews Nandita Das February 2013
Naaree Interviews Nandita Das February 2013 An Interview with Actor And Director, Nandita Das By Swarnendu Biswas © Naaree.com www.naaree.com Page 1 Naaree Interviews Nandita Das February 2013 Her razor-sharp intellect and uncommon sensitivity towards social issues complement her enchanting beauty and compelling aesthetic talent. But while talking to Nandita Das it was very difficult to comprehend the gravity of the fact that I was conversing with a world-renowned actress and director, for she lets the weight of her astonishing achievements and enviable fame sit lightly on her slim, elegant and strong shoulders. Her unassuming and easy going personality belies the fact that she is one of the most critically acclaimed actresses of serious Indian cinema of our times, and also the fact that her maiden directorial effort has made the world of cinema to sit up and recognise the arrival of a new cinematic genius from India; a country whose film repertoire is even now by and large perceived by overtly melodramatic and utterly mediocre mainstream Bollywood fare. Casually Famous Even the immense significance of the fact that the French Government had conferred her with the Knight of the Order of Arts and Letters (Chevalier dans l'Ordre des Arts et des Lettres), one of the most prestigious civilian awards in the world, in 2008, for her contribution to art and culture, hasn’t infused any hint of arrogance into her friendly personality. In this context, it also deserves a mention here that, in 2011, Nandita became the first Indian to be inducted into the Hall of Fame of the International Women’s Forum. -
Ramchand Pakistani
Fiche pédagogique Ramchand Pakistani Projeté dans le cadre du Festival international de films de Fribourg Film long métrage de fiction, Résumé qu'il a pu si aisément passer la Pakistan, 2008 frontière. Ramchand est un petit Après toute une série de sévices Réalisation : Mehreen Jabbar Pakistanais de 8 ans. Il aime les et d'humiliations, père et fils sont camions, mais n'aime pas l'école, emmenés dans la même cellule, où Interprètes : Forte tête, il préférerait garder les s'entassent déjà bon nombre de Syed Fazal Hussain (Ramchand), chèvres de sa famille pauvre et prisonniers. La plupart sont dans la Nandita Das (Champa), passer son temps à jouer avec sa même situation que les deux Rashid Farooqui (Shankar), fronde. nouveaux – ils se sont retrouvés par Maria Wasti (Kamla), malheur de l'autre côté da la frontière Noman Ijaz (Abdullah), Le village qu'habitent ses parents – et attendent une décision. Le Navaid Jabbar (Ramchand paysans se trouve non loin de la problème, c'est que l'Inde ne sait que adulte)… frontière indienne. A cause de la faire de ces anomalies : n'étant point guerre entre l'Inde et le Pakistan, des combattants, ils ne sont pas Production : Javed Jabbar cette frontière est sévèrement gardée enregistrés officiellement en tant que par les militaires indiens. Or, un jour, prisonniers de guerre. Certains Version originale (urdu/hindi, suite à une querelle avec ses parents croupissent donc depuis des années sous-titrée français/allemand) lors d'un repas, Ramchand s'enfuit du dans l'attente d'une décision. C'est le village. Il traverse la ligne de cas de ce détenu devenu fou, qui Durée : 1 heure 43 démarcation et se trouve mange du papier de journal… immédiatement arrêté par les gardes- Heureusement pour Ramchand, une Public concerné : frontière indiens, sous prétexte qu'il agente de police vient d'être mutée Age suggéré: dès 10 ans passe des armes en contrebande : sa de Mumbai : elle reçoit pour tâche fronde! Lancé à sa recherche en d'instruire le jeune détenu. -
MEDIALOGIC MONTHLY REVIEW May 2016
MEDIALOGIC MONTHLY REVIEW May 2016 The Only Overnight TAM data providing Company in Pakistan. CONTENTS …….. Ratings Slide # oMarket Share%| By Genre 3 4 oTime Band Utilization CAT (Commercial Airtime ) Slide # CAT Comparison by Genre Target Group Share Ratings 5 27 o Top 10 Categories 28 oTop 15 channel Overall C&S | Total Ind 6 Top 10 Advertisers 29 Top 10 Brands 30 oChannel-wise Breakup by Genre 10 Channel-wise Breakup By Genre 31 oTop programs C&S | Total Ind 21 oTop 10 Talk Shows 23 oTop Infotainment Shows 24 oTop Morning Shows 25 Data Source: 2 MARKET SHARE% | BY GENRE Total Ind 1% C&S Ind 2% Local Ent 2% 2% News 3% 0% 2% 1% 1% 3% Foreign Ent 4% 4% Kids Sports 9% 9% Music 39% Movie 42% Regional 16% 17% Cooking/Food Religious 21% 22% Day-wise Progression | Top (5) Genre Day-wise Progression | Top (5) Genre 50.0 50.0 45.0 45.0 40.0 40.0 35.0 35.0 30.0 30.0 25.0 25.0 20.0 20.0 15.0 15.0 10.0 10.0 5.0 5.0 0.0 0.0 1-May 2-May 3-May 4-May 5-May 6-May 7-May 8-May 9-May 1-May 2-May 3-May 4-May 5-May 6-May 7-May 8-May 9-May 10-May 11-May 12-May 13-May 14-May 15-May 16-May 17-May 18-May 19-May 20-May 21-May 22-May 23-May 24-May 25-May 26-May 27-May 28-May 10-May 11-May 12-May 13-May 14-May 15-May 16-May 17-May 18-May 19-May 20-May 21-May 22-May 23-May 24-May 25-May 26-May 27-May 28-May 29--May 30--May 31--May 29--May 30--May 31--May Local Ent News Foreign Ent Kids Sports Local Ent News Foreign Ent Kids Sports Genre-Wise market share is based on the total viewing of 90+ channels being monitored in the new system.