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Riiff Announces Its 2008 Season!
FOR IMMEDIATE RELEASE: 2008 RHODE ISLAND INTERNATIONAL FILM FESTIVAL MEDIA RELEASE For Details, Photographs or Videos about RIIFF News Releases, Contact: Adam M.K. Short, Producing Director [email protected] • 401.861-4445 Written By: Abra Moore THE RHODE ISLAND INTERNATIONAL FILM FESTIVAL TO SCREEN 289 FILMS FOR 12TH ANNUAL EVENT RIIFF 2008 Presents a Week filled with Short Films and Festivities August 5-10 and screenings across the State of Rhode Island with 58 World Prémières and 41 US/North American Prémières; and honors actor, Richard Jenkins (PROVIDENCE, RI • July 21, 2008)--- With films and filmmakers arriving from across the globe, the Rhode Island International Film Festival (RIIFF) kicks off its 12th Annual event presenting 289 feature length, documentary and short films to be screened over a six-day period. The Festival runs August 5-10th. This year’s Festival will showcase cinematic work submitted from 53 countries. RIIFF will present 58 World Prémières and 41 US Prémières. Following months of adjudication and review, Festival films have been selected from a whopping entry base of 3,000 submissions. "It's a pretty sensational year for us," said RIIFF Executive Director George T. Marshall, "We have films from all over the world that our audiences will definitely enjoy. They're not just going to be popcorn entertainment. We have some very thoughtful pieces that will inspire, and hopefully encourage audiences to take action.” For the second year in a row, the Festival’s opening night will Prémière at the Providence Performing Arts Center (PPAC), the elegant and historical 3,300-seat theater. -
Observational Constraints on Surface Characteristics of Comet Nuclei
Observational Constraints on Surface Characteristics of Comet Nuclei Humberto Campins ([email protected] u) Lunar and Planetary Laboratory, University of Arizona Yanga Fernandez University of Hawai'i Abstract. Direct observations of the nuclear surfaces of comets have b een dicult; however a growing number of studies are overcoming observational challenges and yielding new information on cometary surfaces. In this review, we fo cus on recent determi- nations of the alb edos, re ectances, and thermal inertias of comet nuclei. There is not much diversity in the geometric alb edo of the comet nuclei observed so far (a range of 0.025 to 0.06). There is a greater diversity of alb edos among the Centaurs, and the sample of prop erly observed TNOs (2) is still to o small. Based on their alb edos and Tisserand invariants, Fernandez et al. (2001) estimate that ab out 5% of the near-Earth asteroids have a cometary origin, and place an upp er limit of 10%. The agreement between this estimate and two other indep endent metho ds provide the strongest constraint to date on the fraction of ob jects that comets contribute to the p opulation of near-Earth asteroids. There is a diversity of visible colors among comets, extinct comet candidates, Centaurs and TNOs. Comet nuclei are clearly not as red as the reddest Centaurs and TNOs. What Jewitt (2002) calls ultra-red matter seems to be absent from the surfaces of comet nuclei. Rotationally resolved observations of b oth colors and alb edos are needed to disentangle the e ects of rotational variability from other intrinsic qualities. -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Arrow Video Arrow Vi Arrow Video Arrow Video Arrow
ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO 1 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO Music Composed and Performed by THE DRILLER KILLER Joseph Delia Reno … Jimmy Laine [Abel Ferrara] Editors Carol … Carolyn Marz Pamela … Baybi Day Orlando Gallini Dalton Briggs … Harry Schultz Bonnie Constant Landlord … Alan Wynroth Michael Constant [ ] Nun … Maria Helhoski Jimmy Laine Abel Ferrara Man in Church … James O’Hara Special Effects Carol’s Husband … Richard Howorth ARROW VIDEO ARROW VIDEO Knife Victim … Louis Mascolo David Smith Attacker … Tommy Santora Director of Photography Derelicts Ken Kelsch Produced by Hallway … John Coulakis Rooftop … Lanny Taylor Navaron Films Bus Stop … Peter Yellen ARROW VIDEO ARROW VIDEO Executive Producer Empire State … Steve Cox Street Corner … Stephen Singer Rochelle Weisberg Street Corner … Tom Constantine Screenplay Sidewalk and Street … Anthony Picciano Fire Escape … Bob De Frank N.G. St. John Roosters Directed by ARROW VIDEO ARROW VIDEO Abel Ferrara Tony Coca-Cola (guitar) … Rhodney Montreal [D.A. Metrov] And Dedicated to the People of New York Ritchy (bass) … Dicky Bittner Steve (drums) … Steve Brown “The City of Hope” ARROW VIDEO ARROW VIDEO 2 3 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO CONTENTS 2 The Driller Killer Cast and Crew 7 All Around, In the City (2016) ARROW VIDEOby Michael Pattison ARROW VIDEO 16 Mulberry St. Crew 17 The Memory of a Reality (2016) by Brad Stevens ARROW26 About the VIDEORestoration ARROW VIDEO 4 5 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ALL AROUND, IN THE CITY by Michael Pattison On 31 October 1977, horror struck the front page of the Village Voice. -
KAREN J. MEECH February 7, 2019 Astronomer
BIOGRAPHICAL SKETCH – KAREN J. MEECH February 7, 2019 Astronomer Institute for Astronomy Tel: 1-808-956-6828 2680 Woodlawn Drive Fax: 1-808-956-4532 Honolulu, HI 96822-1839 [email protected] PROFESSIONAL PREPARATION Rice University Space Physics B.A. 1981 Massachusetts Institute of Tech. Planetary Astronomy Ph.D. 1987 APPOINTMENTS 2018 – present Graduate Chair 2000 – present Astronomer, Institute for Astronomy, University of Hawaii 1992-2000 Associate Astronomer, Institute for Astronomy, University of Hawaii 1987-1992 Assistant Astronomer, Institute for Astronomy, University of Hawaii 1982-1987 Graduate Research & Teaching Assistant, Massachusetts Inst. Tech. 1981-1982 Research Specialist, AAVSO and Massachusetts Institute of Technology AWARDS 2018 ARCs Scientist of the Year 2015 University of Hawai’i Regent’s Medal for Research Excellence 2013 Director’s Research Excellence Award 2011 NASA Group Achievement Award for the EPOXI Project Team 2011 NASA Group Achievement Award for EPOXI & Stardust-NExT Missions 2009 William Tylor Olcott Distinguished Service Award of the American Association of Variable Star Observers 2006-8 National Academy of Science/Kavli Foundation Fellow 2005 NASA Group Achievement Award for the Stardust Flight Team 1996 Asteroid 4367 named Meech 1994 American Astronomical Society / DPS Harold C. Urey Prize 1988 Annie Jump Cannon Award 1981 Heaps Physics Prize RESEARCH FIELD AND ACTIVITIES • Developed a Discovery mission concept to explore the origin of Earth’s water. • Co-Investigator on the Deep Impact, Stardust-NeXT and EPOXI missions, leading the Earth-based observing campaigns for all three. • Leads the UH Astrobiology Research interdisciplinary program, overseeing ~30 postdocs and coordinating the research with ~20 local faculty and international partners. -
Al of Education & Social Research Vol
Sir Syed Journal of Education & Social Research Vol. 3, Issue 4, 2020 (October – December) ISSN 2706-6525 (online), ISSN 2706-8285 (Print) SJESR ISSN 2706-9362 (CD-ROM), ISSN 2706-6525 (ISSN-L) Sir Syed Journal of Education & DOI: https://doi.org/10.36902/sjesr-vol3-iss4-2020(215-222) Social Research __________________________________________________________________________________ Digitalizing 1947: A Postmodernist Analysis of the Shifting Faces of Communitarian Identity * Dr. Asma Aftab, Assistant Professor (Corresponding Author) ** Sadia Akram, PhD Scholar & Lecturer *** Dr. Muhammad Asif, Assistant Professor __________________________________________________________________________________ Abstract This paper deals with the problem of identity during and after the Partition of the Indian Subcontinent in 1947. It focuses on the portrayal of the shifting faces of communitarian identity/politics by analyzing two digital versions of this historical event – one is Mehreen Jabbar's drama-film Ramchand Pakistani and the other is the adapted version of Razia Butt's novel Bano, broadcast by a private T.V Channel with the title of Dastaan. Based on the postmodernist shift from performance to performance, our argument foregrounds the digital representation of 1947 which offers new angles to view the subaltern story(ies) vis-à-vis the official history of nationalism by showing different characters who experience a fleeing sense of identity in their attempt to cope with the trauma of displacement and violence during 1947. In this article, the textual and digital versions of 1947 are read as cultural texts which embody the human and subjective experience and perceptions of ordinary human subjects from both sides of the divide, either during the historical event of Partition as sufferers or survivors or in current scenario in the wake of the politics of mistrust between Pakistan and India. -
Investigation of Dust and Water Ice in Comet 9P/Tempel 1 from Spitzer Observations of the Deep Impact Event
A&A 542, A119 (2012) Astronomy DOI: 10.1051/0004-6361/201118718 & c ESO 2012 Astrophysics Investigation of dust and water ice in comet 9P/Tempel 1 from Spitzer observations of the Deep Impact event A. Gicquel1, D. Bockelée-Morvan1 ,V.V.Zakharov1,2,M.S.Kelley3, C. E. Woodward4, and D. H. Wooden5 1 LESIA, Observatoire de Paris, CNRS, UPMC, Université Paris-Diderot, 5 place Jules Janssen, 92195 Meudon, France e-mail: [adeline.gicquel;dominique.bockelee;vladimir.zakharov]@obspm.fr 2 Gordien Strato, France 3 Department of Astronomy, University of Maryland, College Park, MD 20742-2421, USA e-mail: [email protected] 4 Minnesota Institute for Astrophysics, University of Minnesota, 116 Church St SE, Minneapolis, MN 55455, USA e-mail: [email protected] 5 NASA Ames Research Center, Space Science Division, USA e-mail: [email protected] Received 22 December 2011 / Accepted 9 February 2012 ABSTRACT Context. The Spitzer spacecraft monitored the Deep Impact event on 2005 July 4 providing unique infrared spectrophotometric data that enabled exploration of comet 9P/Tempel 1’s activity and coma properties prior to and after the collision of the impactor. Aims. The time series of spectra take with the Spitzer Infrared Spectrograph (IRS) show fluorescence emission of the H2O ν2 band at 6.4 μm superimposed on the dust thermal continuum. These data provide constraints on the properties of the dust ejecta cloud (dust size distribution, velocity, and mass), as well as on the water component (origin and mass). Our goal is to determine the dust-to-ice ratio of the material ejected from the impact site. -
Filmske Mutacije: X. Festival Nevidljivog Filma Nasilje + Utopija
FILMSKE MUTACIJE: X. FESTIVAL NEVIDLJIVOG FILMA NASILJE + UTOPIJA FILM MUTATIONS: X. FESTIVAL OF INVISIBLE CINEMA VIOLENCE + UTOPIA UTORAK | TUESDAY 24. 1. 2017. ART-KINO CROATIA, RIJEKA 18:00 Otvorenje | Opening: Jonathan Rosenbaum, Tanja Vrvilo, Dragan Rubeša Kraljevstvo | Royaume | Kingdom, Marc Hurtado, 1991. 8-mm digital, boja zvuk | colour sound, 22 min Ms. 45 (Anđeo osvete) | Ms. 45 (a.k.a. Angel of Vengeance), Abel Ferrara, 1981. 35-mm, boja zvuk | colour sound, 81 min 20:15 Stanica Shinjuku | 新宿ステイション | Shinjuku Station, Motoharu Jonouchi, 1974. 16-mm, c/b zvuk | b/w sound, 14 min Umjetnik u gladovanju | 断食芸人 Danjiki geinin | Artist of Fasting, Masao Adachi, 2015. DCP, boja zvuk | colour sound, 104 min SRIJEDA | WEDNESDAY 25. 1. 2017. ART-KINO CROATIA, RIJEKA 18:00 Aurora | Aurore, Marc Hurtado, 1988. 8-mm digital, boja zvuk | colour sound, 20 min Kradljivci tijela | Body Snatchers, Abel Ferrara, 1993. 35-mm, boja zvuk | colour sound, 87 min 20:00 Najava Gewaltopije | ゲバルトピア予告 Gewaltopia yokokuhen | Gewaltopia Trailer, Motoharu Jonouchi, Nihon University Cinema Club, 1969. 16-mm, c/b zvuk | b/w sound, 13 min Galaksija | 銀河系 Ginkakei | Galaxy, Masao Adachi, 1967. 35-mm digital, tintirani c/b zvuk | tinted b/w sound, 75 min ČETVRTAK | THURSDAY 26. 1. 2017. MSU, ZAGREB 18:00 Otvorenje | Opening: Marc Hurtado, Jonathan Rosenbaum, Tanja Vrvilo Saturn Drive Duplex, Marc Hurtado, 2011. digital, boja zvuk | colour sound, 6 min Plavetnilo | Bleu | Blue, Marc Hurtado, 1994. 8-mm 16-mm, boja zvuk | colour sound, 32 min + Poesis activa: Marc Hurtado Aurora | Aurore, Marc Hurtado, 1988. 8-mm digital, boja zvuk | colour sound, 20 min Kraljevstvo | Royaume | Kingdom, Marc Hurtado, 1991. -
Abel Ferrara
A FILM BY Abel Ferrara Ray Ruby's Paradise, a classy go go cabaret in downtown Manhattan, is a dream palace run by charismatic impresario Ray Ruby, with expert assistance from a bunch of long-time cronies, sidekicks and colourful hangers on, and featuring the most beautiful and talented girls imaginable. But all is not well in Paradise. Ray's facing imminent foreclosure. His dancers are threatening a strip-strike. Even his brother and financier wants to pull the plug. But the dreamer in Ray will never give in. He's bought a foolproof system to win the Lottery. One magic night he hits the jackpot. And loses the ticket... A classic screwball comedy in the madcap tradition of Frank Capra, Billy Wilder and Preston Sturges, from maverick auteur Ferrara. DIRECTOR’S NOTE “A long time ago, when 9 and 11 were just 2 odd numbers, I lived above a fire house on 18th and Broadway. Between the yin and yang of the great Barnes and Noble book store and the ultimate sports emporium, Paragon, around the corner from Warhol’s last studio, 3 floors above, overlooking Union Square. Our local bar was a gothic church made over into a rock and roll nightmare called The Limelite. The club was run by a gang of modern day pirates with Nicky D its patron saint. For whatever reason, the neighborhood became a haven for topless clubs. The names changed with the seasons but the core crews didn't. Decked out in tuxes and razor haircuts, they manned the velvet ropes that separated the outside from the in, 100%. -
Japanese De-Clutter Guru Is Proud of Your Tidying Up, and Wants to Clarify That Part About Books
Community Community Birla Public Embassy of School Switzerland in P6organises an P16 Qatar and Elite event ‘My Fun Day at Paper Recycling Company Birla Paradise’ featuring sign a partnership march past, PT, colourful declaration for public drills and karate. awareness and recycling. Wednesday, January 30, 2019 Jumada I 24, 1440 AH Doha today: 170 - 250 COVER STORY Tidying Up With Marie Kondo Japanese de-clutter guru is proud of your tidying up, and wants to clarify that part about books. P4-5 GLITZ & GLAM SHOWBIZ Back with a bang. After playing villains for years, Mikkelsen is ready for star turn. Page 14 Page 15 2 GULF TIMES Wednesday, January 30, 2019 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 4.49am Shorooq (sunrise) 6.18am Zuhr (noon) 11.47am Asr (afternoon) 2.54pm Maghreb (sunset) 5.18pm Isha (night) 6.48pm USEFUL NUMBERS Close Sam takes a job protecting Zoe a rich young heiress. Neither DIRECTION: icky Jewson party is keen on the arrangement until a violent kidnap forces CAST: Noomi Rapace, Indira Varma, Sophie Nélisse them to go on the run. SYNOPSIS: A bodyguard and counter-terrorism expert THEATRE: Royal Plaza Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Local Directory 180 International Calls Enquires 150 Hamad International Airport 40106666 Labor Department 44508111, 44406537 Mowasalat Taxi 44588888 Qatar Airways 44496000 Hamad Medical Corporation 44392222, 44393333 Qatar General Electricity and Water Corporation 44845555, 44845464 Primary Health Care Corporation 44593333 44593363 Qatar Assistive Technology Centre 44594050 Qatar News Agency 44450205 44450333 Q-Post – General Postal Corporation 44464444 Humanitarian Services Offi ce (Single window facility for the repatriation of bodies) Ministry of Interior 40253371, 40253372, 40253369 Ministry of Health 40253370, 40253364 Hamad Medical Corporation 40253368, 40253365 Qatar Airways 40253374 Mr. -
Catálogo Catalogue
this is european cinema esto es cine europeo Es un proyecto de: Catálogo A project by: Catalogue Es un proyecto de: A project by: esto es Una publicación del ICAS, cine Instituto de la Cultura y las Artes de Sevilla A publication of the europeo Institute of Culture and Arts of Seville (ICAS) 6-14 noviembre 2020 this is european cinema November 6-14, 2020 FESTIVALES SEGUROS C M Y CM MY CY CMY K #YO EL INSTITUTO DE LA CINEMATOGRAFÍA Y DE LAS ARTES AUDIOVISUALES DE ESPAÑA EN SU OBJETIVO VOY DE PROMOCIÓN DEL CINE ESPAÑOL APOYA ESTE FESTIVAL AL CON LA FINANCIACIÓN DEL GOBIERNO DE ESPAÑA CINE FESTIVALES SEGUROS 17 FESTIVAL DE SEVILLA 17 FESTIVAL Como alcalde de la ciudad de Sevilla, es un ho- En este escenario marcado por la pandemia, nor escribir estas líneas para el catálogo del tenemos claro que la cultura deber ser uno de festival, pero, sin duda alguna, es un motivo los motores de la reactivación económica con de orgullo que estas palabras sirvan de salu- el objetivo de seguir construyendo entre todos do en una edición que, pese a las circunstan- una ciudad abierta al futuro y a la diversidad. cias en el contexto de la Covid19, se celebra En este sentido, el festival es uno de los pro- de manera presencial y en salas. Sevilla ha yectos que promueve el Ayuntamiento de Se- demostrado en los últimos años que la cultura villa más sólidos y cargados de futuro capaz es clave para la generación de riqueza y opor- de proyectar la compleja condición humana, tunidades con una apuesta decidida y sosteni- el pasado del viejo continente y los retos a los da en el tiempo de proyectos que se encuen- que nos enfrentamos como sociedad en lo re- tran, por derecho propio, en la agenda cultural ferente a la igualdad, a la emergencia climá- de todo el país, como la Bienal de Flamenco, tica, a la inmigración o al empleo. -
20 - 23 June 2013 Lo N D O N W C 1 Main Sponsor Greetings DIRECTOR’S STATEMENT
20 - 23 JUNE 2013 LO N D O N W C 1 Main Sponsor GREEtiNgs DIRECTOR’S STATEMENT Sponsors & Cultural Partners Welcome This year we’re asking questions. The artist is the person in society focused day events. Many of Questions of filmmakers, who is being paid to stop and our films have panels or Q&As questions of artists and also try and deal with them, and to – check the website for details, questions of ourselves - all part create a climate in which more where you will also find our useful Faculty of Arts and Humanities UCL Faculty of Population Health Sciences Faculty of Medical Sciences Faculty of Brain Sciences of the third edition of Open people would have occasion to links – ‘if you liked this you might Faculty of The Built Environment Faculty of Engineering Sciences UCL Slade School of Fine Art Faculty of Social and Historical Sciences City Docs Fest. And we are stop. …You want to get people’s like that’ suggesting alternative celebrating the documentarian attention, stop them dead in their journeys through the festival. who changes things. Not only tracks. Get them to say, ‘oh wait a Media Partners changing their world, but minute!’ To turn the tables! To say, There is no single way of making changing our understanding of ‘everything I thought obtained, documentary – people can’t even the wider world. So, what is the doesn’t obtain: oh my God! What agree where documentary ends onus on today’s filmmakers? does that mean?’” and fiction begins (see our Hybrid Forms strand).