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ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO 1 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO Music Composed and Performed by THE DRILLER KILLER Joseph Delia Reno … Jimmy Laine [Abel Ferrara] Editors Carol … Carolyn Marz Pamela … Baybi Day Orlando Gallini Dalton Briggs … Harry Schultz Bonnie Constant Landlord … Alan Wynroth Michael Constant [ ] Nun … Maria Helhoski Jimmy Laine Abel Ferrara Man in Church … James O’Hara Special Effects Carol’s Husband … Richard Howorth ARROW VIDEO ARROW VIDEO Knife Victim … Louis Mascolo David Smith Attacker … Tommy Santora Director of Photography Derelicts Ken Kelsch Produced by Hallway … John Coulakis Rooftop … Lanny Taylor Navaron Films Bus Stop … Peter Yellen ARROW VIDEO ARROW VIDEO Executive Producer Empire State … Steve Cox Street Corner … Stephen Singer Rochelle Weisberg Street Corner … Tom Constantine Screenplay Sidewalk and Street … Anthony Picciano Fire Escape … Bob De Frank N.G. St. John Roosters Directed by ARROW VIDEO ARROW VIDEO Abel Ferrara Tony Coca-Cola (guitar) … Rhodney Montreal [D.A. Metrov] And Dedicated to the People of New York Ritchy (bass) … Dicky Bittner Steve (drums) … Steve Brown “The City of Hope” ARROW VIDEO ARROW VIDEO 2 3 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO CONTENTS 2 The Driller Killer Cast and Crew 7 All Around, In the City (2016) ARROW VIDEOby Michael Pattison ARROW VIDEO 16 Mulberry St. Crew 17 The Memory of a Reality (2016) by Brad Stevens ARROW26 About the VIDEORestoration ARROW VIDEO 4 5 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ALL AROUND, IN THE CITY by Michael Pattison On 31 October 1977, horror struck the front page of the Village Voice. -
Sight & Sound Films of 2007
Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic -
Filmske Mutacije: X. Festival Nevidljivog Filma Nasilje + Utopija
FILMSKE MUTACIJE: X. FESTIVAL NEVIDLJIVOG FILMA NASILJE + UTOPIJA FILM MUTATIONS: X. FESTIVAL OF INVISIBLE CINEMA VIOLENCE + UTOPIA UTORAK | TUESDAY 24. 1. 2017. ART-KINO CROATIA, RIJEKA 18:00 Otvorenje | Opening: Jonathan Rosenbaum, Tanja Vrvilo, Dragan Rubeša Kraljevstvo | Royaume | Kingdom, Marc Hurtado, 1991. 8-mm digital, boja zvuk | colour sound, 22 min Ms. 45 (Anđeo osvete) | Ms. 45 (a.k.a. Angel of Vengeance), Abel Ferrara, 1981. 35-mm, boja zvuk | colour sound, 81 min 20:15 Stanica Shinjuku | 新宿ステイション | Shinjuku Station, Motoharu Jonouchi, 1974. 16-mm, c/b zvuk | b/w sound, 14 min Umjetnik u gladovanju | 断食芸人 Danjiki geinin | Artist of Fasting, Masao Adachi, 2015. DCP, boja zvuk | colour sound, 104 min SRIJEDA | WEDNESDAY 25. 1. 2017. ART-KINO CROATIA, RIJEKA 18:00 Aurora | Aurore, Marc Hurtado, 1988. 8-mm digital, boja zvuk | colour sound, 20 min Kradljivci tijela | Body Snatchers, Abel Ferrara, 1993. 35-mm, boja zvuk | colour sound, 87 min 20:00 Najava Gewaltopije | ゲバルトピア予告 Gewaltopia yokokuhen | Gewaltopia Trailer, Motoharu Jonouchi, Nihon University Cinema Club, 1969. 16-mm, c/b zvuk | b/w sound, 13 min Galaksija | 銀河系 Ginkakei | Galaxy, Masao Adachi, 1967. 35-mm digital, tintirani c/b zvuk | tinted b/w sound, 75 min ČETVRTAK | THURSDAY 26. 1. 2017. MSU, ZAGREB 18:00 Otvorenje | Opening: Marc Hurtado, Jonathan Rosenbaum, Tanja Vrvilo Saturn Drive Duplex, Marc Hurtado, 2011. digital, boja zvuk | colour sound, 6 min Plavetnilo | Bleu | Blue, Marc Hurtado, 1994. 8-mm 16-mm, boja zvuk | colour sound, 32 min + Poesis activa: Marc Hurtado Aurora | Aurore, Marc Hurtado, 1988. 8-mm digital, boja zvuk | colour sound, 20 min Kraljevstvo | Royaume | Kingdom, Marc Hurtado, 1991. -
The Cutting Edge of French Cinema
BACKWASH: THE CUTTING EDGE OF FRENCH CINEMA J’IRAI AU PARADIS CAR L’ENFER EST ICI , Xavier Durringer ( France, 1997 ) MA 6T VA CRACK-ER , Jean-Francois Richet ( France, 1997 ) LE PETIT VOLEUR , Érick Zonca ( France, 1998 ) L’HUMANITÉ , Bruno Dumont ( France, 1999 ) POLA X , Leos Carax ( France, 1999 ) RESSOURCES HUMAINES (Human Resources), Laurent Cantet ( France, 1999 ) À MA SOEUR! , Catherine Breillat ( France-Italy, 2000 ) PARIA , Nicolas Klotz ( France, 2000 ) SAINT-CYR , Patricia Mazuy ( France-Belgium, 2000 ) SELON MATTHIEU , Xavier Beauvois ( France, 2000 ) SOUS LE SABLE , François Ozon ( France-Belgium-Italy-Japan, 2000 ) ÊTRE ET AVOIR , Nicolas Philibert ( France, 2001 ) IRRÉVERSIBLE (Irreversible), Gaspar Noé ( France, 2001 ) LA CHATTE À DEUX TÊTES , Jacques Nolot ( France, 2001 ) LA VIE NOUVELLE , Philippe Grandrieux ( France, 2001 ) LE PACTE DES LOUPS , Christophe Gans ( France, 2001 ) LE STADE DE WIMBLEDON , Mathieu Amalric ( France, 2001 ) ROBERTO SUCCO , Cédric Kahn ( France-Switzerland, 2001 ) TROUBLE EVERY DAY , Claire Denis ( France-Japan, 2001 ) DANS MA PEAU , Marina De Van ( France, 2002 ) UN HOMME, UN VRAI , Jean-Marie Larrieu, Arnaud Larrieu ( France, 2002 ) CLEAN , Olivier Assayas ( France-UK-Canada, 2003 ) INNOCENCE , Lucile Hadzihalilovic ( France-UK-Belgium, 2003 ) L’ESQUIVE , Abdellatif Kechiche ( France, 2003 ) LE CONVOYEUR , Nicolas Boukhrief ( France, 2003 ) LES CORPS IMPATIENTS , Xavier Giannoli ( France, 2003 ) ROIS ET REINE , Arnaud Desplechin ( France-Belgium, 2003 ) TIRESIA , Bertrand Bonello ( France, 2003 ) DE BATTRE MON COEUR S’EST ARRÊTÉ (The Beat That My Heart Skipped), Jacques Audiard ( France, 2004 ) LES REVENANTS , Robin Campillo ( France, 2004 ) LES ANGES EXTERMINATEURS , Jean-Claude Brisseau ( France, 2005 ) VOICI VENU LE TEMPS , Alain Guiraudie ( France, 2005 ) À L’INTERIEUR , Alexandre Bustillo, Julien Maury ( France, 2006 ) AVIDA , Benoît Delépine, Gustave Kervern ( France, 2006 ) LES CHANSONS D’AMOUR , Christophe Honoré ( France, 2006 ) 24 MESURES , Jalil Lespert ( France-Canada, 2007 ) L’HISTOIRE DE RICHARD O. -
Abel Ferrara
A FILM BY Abel Ferrara Ray Ruby's Paradise, a classy go go cabaret in downtown Manhattan, is a dream palace run by charismatic impresario Ray Ruby, with expert assistance from a bunch of long-time cronies, sidekicks and colourful hangers on, and featuring the most beautiful and talented girls imaginable. But all is not well in Paradise. Ray's facing imminent foreclosure. His dancers are threatening a strip-strike. Even his brother and financier wants to pull the plug. But the dreamer in Ray will never give in. He's bought a foolproof system to win the Lottery. One magic night he hits the jackpot. And loses the ticket... A classic screwball comedy in the madcap tradition of Frank Capra, Billy Wilder and Preston Sturges, from maverick auteur Ferrara. DIRECTOR’S NOTE “A long time ago, when 9 and 11 were just 2 odd numbers, I lived above a fire house on 18th and Broadway. Between the yin and yang of the great Barnes and Noble book store and the ultimate sports emporium, Paragon, around the corner from Warhol’s last studio, 3 floors above, overlooking Union Square. Our local bar was a gothic church made over into a rock and roll nightmare called The Limelite. The club was run by a gang of modern day pirates with Nicky D its patron saint. For whatever reason, the neighborhood became a haven for topless clubs. The names changed with the seasons but the core crews didn't. Decked out in tuxes and razor haircuts, they manned the velvet ropes that separated the outside from the in, 100%. -
La Vida De Adèle
LA VIDA DE ADÈLE BLUE IS THE WARMEST COLOR Título original/Original title: LA VIE D'ADÈLE Otros títulos/Other titles: LA VIE D'ADÈLE CHAPITRES 1 ET 2 (España/Spain 10%Financiera-Francia/France 70%- Bélgica/Belgium 20%) Dirigido por/Directed by ABDELLATIF KECHICHE Productoras/Production Companies: VERTIGO FILMS, S.L. (10% Financiera) Carranza, 25, 7º. 28004 Madrid. Tel.: 91 524 08 19. Fax: 91 523 27 19. www.vertigofilms.es ; [email protected] WILD BUNCH, S.A. 99 rue de la Verrerie. 75004 Paris. (Francia) Tel.: + 33 1 53 01 50 20. Fax: + 33 1 53 01 50 49. www.wildbunch.biz ; [email protected] QUAT'SOUS FILMS. France. (Francia) SCOPE PICTURES. (20%) Belgium. (Bélgica) Con la participación de/With the participation of: FRANCE 2 CINÉMA, RTBF - RADIO TÉLÉVISION BELGE, CANAL+, CINÉ+, FRANCE TELEVISIONS. Director: ABDELLATIF KECHICHE. Producción/Producers: VINCENT MARAVAL, BRAHIM CHIOUA, ABDELLATIF KECHICHE. Producción ejecutiva/Executive Producers: ALCATRAZ FILMS, OLIVIER THERY LAPINEY, LAURENCE CLERC. Coproducción/Co-producers: GENEVIÈVE LEMAL, ANDRÉS MARTÍN. Dirección de producción/Line Producer: DIANA ANGULO. Guión/Screenplay: GHALYA LACROIX, ABDELLATIF KECHICHE. BASADA EN EL CÓMIC "EL AZUL ES UN COLOR CÁLIDO" DE JULIE MAROH / BASED ON THE COMIC BOOK "LE BLEU EST UNE COULEUR CHAUDE" BY JULIE MAROH - ÉDITIONS GLÉNAT Fotografía/Photography: SOFIAN EL FANI. Dirección artística/Production Design: JULIA LEMAIRE. Vestuario/Costume Design: PALOMA GARCIA MERTENS. Montaje/Editing: ALBERTINE LASTERA, CAMILLE TOUBKIS, JEAN- Web: www.lavidadeadele.es/ MARIE LENGELLÉ, GHALYA LACROIX. Montaje de sonido/Sound Design: PATRICK HUBARD. Sonido/Sound: JÉRÔME CHENEVOY. Sonido directo/Sound Mixers: FABIEN POCHET, ROLAND VOGLAIRE. Mezclas/Re-recording Mixer: JEAN-PAUL HURIER, YOANN NALLET. -
Here Was Obviously No Way to Imagine the Event Taking Place Anywhere Else
New theatre, new dates, new profile, new partners: WELCOME TO THE 23rd AND REVAMPED VERSION OF COLCOA! COLCOA’s first edition took place in April 1997, eight Finally, the high profile and exclusive 23rd program, years after the DGA theaters were inaugurated. For 22 including North American and U.S Premieres of films years we have had the privilege to premiere French from the recent Cannes and Venice Film Festivals, is films in the most prestigious theater complex in proof that COLCOA has become a major event for Hollywood. professionals in France and in Hollywood. When the Directors Guild of America (co-creator This year, our schedule has been improved in order to of COLCOA with the MPA, La Sacem and the WGA see more films during the day and have more choices West) decided to upgrade both sound and projection between different films offered in our three theatres. As systems in their main theater last year, the FACF board an example, evening screenings in the Renoir theater made the logical decision to postpone the event from will start earlier and give you the opportunity to attend April to September. The DGA building has become part screenings in other theatres after 10:00 p.m. of the festival’s DNA and there was obviously no way to imagine the event taking place anywhere else. All our popular series are back (Film Noir Series, French NeWave 2.0, After 10, World Cinema, documentaries Today, your patience is fully rewarded. First, you will and classics, Focus on a filmmaker and on a composer, rediscover your favorite festival in a very unique and TV series) as well as our educational program, exclusive way: You will be the very first audience to supported by ELMA and offered to 3,000 high school enjoy the most optimal theatrical viewing experience in students. -
Female Authorship in the Slumber Party Massacre Trilogy
FEMALE AUTHORSHIP IN THE SLUMBER PARTY MASSACRE TRILOGY By LYNDSEY BROYLES Bachelor of Arts in English University of New Mexico Albuquerque, NM 2016 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS May, 2019 FEMALE AUTHORSHIP IN THE SLUMBER PARTY MASSACRE TRILOGY Thesis Approved: Jeff Menne Thesis Adviser Graig Uhlin Lynn Lewis ii Name: LYNDSEY BROYLES Date of Degree: MAY, 2019 Title of Study: FEMALE AUTHORSHIP IN THE SLUMBER PARTY MASSACRE TRILOGY Major Field: ENGLISH Abstract: The Slumber Party Massacre series is the only horror franchise exclusively written and directed by women. In a genre so closely associated with gender representation, especially misogynistic sexual violence against women, this franchise serves as a case study in an alternative female gaze applied to a notoriously problematic form of media. The series arose as a satire of the genre from an explicitly feminist lesbian source only to be mediated through the exploitation horror production model, which emphasized female nudity and violence. The resulting films both implicitly and explicitly address feminist themes such as lesbianism, trauma, sexuality, and abuse while adhering to misogynistic genre requirements. Each film offers a unique perspective on horror from a distinctly female viewpoint, alternately upholding and subverting the complex gender politics of women in horror films. iii TABLE OF CONTENTS Chapter Page I. INTRODUCTION ......................................................................................................1 -
AFM 2014 +33 6 84 37 37 03 | [email protected]
PARIS OFFICE: 5, rue Darcet, 75017 Paris, France www.le-pacte.com Tel: +33 1 44 69 59 59 Fax: +33 1 44 69 59 42 COMPLETED VINCENT SCREENING AT AFM TO LIFE! WILD LIFE SUMMER NIGHTS TIMBUKTU IN PRODUCTION SALT OF THE EARTH VALLEY OF LOVE HIPPOCRATES THE BRAND NEW TESTAMENT THE KINDERGARTEN TEACHER QUEEN AND COUNTRY LIBRARY ATTENDING FROM NOVEMBER 5TH TO 11TH BOOTH NUMBER TBC Camille Neel | Head of Sales AFM 2014 +33 6 84 37 37 03 | [email protected] Wild Life Screening at AFM Click here for Promoreel Click here for press reviews SCREENING AT AFM BFI LONDON TOKYO FILM FESTIVAL FILM FESTIVAL Nov. 6th 1:00pm AMC Santa Monica 2 Official Selection Official Selection “Mathieu Kassovitz exudes total conviction in this story of a back-to-nature family torn apart when the mother decides to A FILM BY CEDRIC KAHN rejoin French society.” Variety Philippe Fournier, aka Paco, lives with his 6 and 7 year old sons, having decided not to give them back to their mother after she won custody of the children. As children and then adolescents, Okyesa and Tsali Fournier must live their lives in the shadows, assuming different identities, hunted by the police but always free and Original Title: Vie Sauvage on the move. From attics to farmhouses, caravans to communes, they live in harmony Cast: Mathieu Kassovitz, Céline Sallette with nature and their animals. They live with constant danger and fear, but also with Producer: Les Films du Lendemain the solidarity and bonds formed with friends met on the road, and the joys of living life off the grid. -
Le Cinéma Donne Des Elles
Bibliobus neuchâtelois Le cinéma, la musique, la littérature. La Culture, rend libre! Tous ces vecteurs, donneurs de parole et passeurs de savoir sont utiles dans notre société. Le cinéma, un peu à part, transmet une certaine vision. Pour ce mois de juin hautement significatif, le Bibliobus neuchâtelois veut partager un regard. Essayons de regarder le monde à travers les yeux d’une femme! Certains films ne pouvaient être réalisés que par des femmes. Dans cette catégorie, il faut notamment citer We need to talk about Kevin. Tilda Swinton incarne une mère aux prises avec son fils manipulateur. Capharnaüm est également à mettre en évidence. Ce long métrage social dépeint le quotidien d’un enfant des rues. Mais il y a aussi de la gaieté, Rumba est à découvrir absolument. Un véritable O.C.N.I. (Objet Cinématographique Non Identifié). Aussi, vous le remarquerez çà et là quelques perles venues du Japon. Sans doute un petit clin d’œil du bibliothécaire qui vient de découvrir l’univers très riche des mangas… Bonnes découvertes! Somerset Bossy 2 Filmographie de l’exposition juin 19 Documentaires Visages Villages 770.3 VARD Agnès Varda et JR ; musique Matthieu Chedid Le bal des actrices 778.592 MAIW Maïwenn ; avec Jeanne Balibar, Romane Bohringer, Julie Depardieu, Charlotte Rampling... ; musique Gabriel Yared Dig! 785.16 TIMO Ondi Timoner ; avec The Dandy Warhols, The Brian Jonestown Massacre... 3 Bibliobus neuchâtelois Fictions Rumba ABEL Dominique Abel, Fiona Gordon, Bruno Romy ; avec Dominique Abel, Fiona Gordon, Philippe Martz... Fish tank ARNO Andrea Arnold ; avec Katie Jarvis, Michael Fassbender, Kierston Wareing Red road ARNO Andrea Arnold ; avec Kate Dickie, Tony Curran, Martin Compston After the wedding BIER Susanne Bier ; avec Mads Mikkelsen, Rolf Lassgard, Sidse Babett Knudsen.. -
VIDEOSALAS DICIEMBRE 2017 CAAV | Lerdo De Tejada 2071, Colonia Americana Ex Convento Del Carmen | Av
VIDEOSALAS DICIEMBRE 2017 CAAV | Lerdo de Tejada 2071, Colonia Americana Ex Convento del Carmen | Av. Juárez 638, Zona Centro 1 al 6 2 DICIEMBRE Viernes 1 | Funciones: 4:00, 6:00 y 8:00 SHANE EL DESCONOCIDO Dir. George Stevens | Con: Alan Ladd, Jean Arthur, Van Heflin | USA | 1953 | 118 min. 1953: Oscar: Mejor fotografía color. 6 nominaciones, incluyendo mejor película y director. 1953: Premios BAFTA: Nominada a mejor película y actor extranjero (Heflin). Estado de Wyoming, a finales del siglo XIX. Shane, un hastiado pistolero, llega a la granja de los Starretts, un matrimonio con un hijo que, al igual que los demás campesinos del valle, se encuentra en graves dificultades, pues el poderoso ganadero Rufus Ryker pretende apoderarse de sus tierras. Sábado 2 | Domingo 3 | Funciones: 4:00, 6:00 y 8:00 TOM SAWYER Dir. Don Taylor | Con: Johnny Whitaker, Celeste Holm, Warren Oates | USA | 1973 | 104 min. 1973: 3 nom. al Oscar: Mejor canción de la bso, vestuario, dirección artística 1973: 2 Nominaciones Globos de Oro: Película comedia/musical y banda sonora Narra las peripecias del pequeño Tom Sawyer y sus amigos Huckleberry Finn y Becky Thatcher que se divierten a orillas del río Mississippi jugando a ser piratas. Martes 5 | Funciones: 4:00, 6:00 y 8:00 CARDENAL RICHELIEU Dir. Rowland V. Lee | Con: George Arliss, Maureen O’Sullivan, Edward Arnold | USA | 1935 | 83 min. Versión cinematográfica de la obra de Lord Edward George Bulwer-Lytton sobre el conspirador cardenal Richelieu, al servicio del rey de Francia y siempre dispuesto a sacar adelante sus proyectos sin importarle las consecuencias. -
Elegance CARTIER
EDITO ART AND CULTURE Cultural Committee Chairman RIALDistinctness or imitation? Understatement or extravagance? Playing Valéry Giscard d’Estaing with one’s appearance or remaining authentic? Elegance is at once movement, style and spirit, and the essence it seeks to express Cultural Committee transcends the trends of the moment. As Hubert de Givenchy once said, Franco Cologni “Jeanne Toussaint was not fashionable, she was elegant.” Arielle Dombasle Elegance clearly has an aesthetic quality but also a moral and intellectual one. However, it can become dangerous when it defies Hugues Gall conventions. Too much distinctiveness arouses anger. Daniela Giussani They say it is universal and timeless yet is it not a touch cultural Guillaume Pictet and changeable? Time blurs certain references, certain frontiers. Franceline Prat Perceptions shif, appreciation changes. A garment, a type of behavior Agatha Ruiz de la Prada or certain gestures are judged diferently in diferent times and contexts. Oliva Salviati We should relativize. Elegance is everywhere. It’s in the tiniest detail created by nature Patrizia Sandretto Re Rebaudengo and man; it’s in the heart of a landscape, in a feather or a leaf, in a piece Cyrille Vigneron of haute couture, fine jewelry or an exceptional timepiece. Yet at the The Duke of Wellington same time it remains, for some of us, out of reach like some inaccessible Xiaozhou Taillandier Xing grail. We endlessly admire the innate poise of a large feline, the naturally graceful way a woman holds her head; we envy the break of the dandy’s trousers and his impeccable mustache unfazed by rain or shine.