MONTHLY GUIDE JANUARY 2015 | ISSUE 66 | Pacific
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Film Studies and a Programme of Activities and Resources to Prepare You to Start an a Level in Film Studies in September
A Level FilmA LevelStudies Geography Transition Booklet Transition Booklet 2021 This pack contains information about A Level Film Studies and a programme of activities and resources to prepare you to start an A Level in Film Studies in September. Please use this during the summer term and the summer holidays to prepare for your A Level course. 1 Please note the compulsory summer work which starts on page 3 About the course: The specification we teach is produced by Eduqas. The unit code is A670QS A (A level) and a full copy of this specification and other useful information is available at: https://www.eduqas.co.uk/qualifications/film-studies-as-a-level/#tab_overview The course consists of the study of eleven films over three components: Component 1: Varieties of Film Making Component 2: Global Filmmaking Perspectives Component 3: Non-examination assessment Films: Bonnie and Clyde (Penn, 1967) Vertigo (Hitchcock, 1958) The films of Buster Keaton (Keaton, 1915-1930) La La Land (Chazelle, 2016) Beasts of the Southern Wild (Zeitlin, 2012) Stories we Tell (Polly, 2012) This is England (Meadows, 2006) Trainspotting (Boyle, 1996) Pan’s Labyrinth (Del Toro, 2006) City of God (Mereilles, 2002) Pulp Fiction (Tarantino, 1994) Learners will study all of their chosen films in relation to the following core study areas. Area 1. The key elements of film form: cinematography, mise-en-scène, editing, sound and performance Area 2. Meaning and response: how film functions as both a medium of representation and as an aesthetic medium Area 3. The contexts of film: social, cultural, political, historical and institutional, including production. -
This Is England Brochure
oiengland_brochure 5/6/05 9:42 AM Page 2 OI THIS IS ENGLAND THE NEW FILM FROM SHANE MEADOWS PRODUCED BY - WARP FILMS EXECUTED PRODUCED / UK DISTRIBUTION- OPTIMUM RELEASING FINANCE - FILM FOUR oiengland_brochure 5/6/05 9:42 AM Page 3 KNIGHT NICK BY SKINHEAD FROM SOURCED PHOTOS DIRECTED BY SHANE MEADOWS (Dead Man’s Shoes, Once Upon A Time In The Midlands, A Room For Romeo Brass, 24/7) Credits not contractual oiengland_brochure 5/6/05 9:42 AM Page 4 SYNOPSIS 1983 WAS A TIME BEFORE MTV, BEFORE GAMEBOY, AND BEFORE 2.4 CHILDREN. UNLIKE OUR CURRENT COUCH POTATO CULTURE, IN THE EARLY EIGHTIES THERE WAS VERY LITTLE TO KEEP THE DISENCHANTED YOUTH ANESTHETISED INDOORS, SO AS UNEMPLOYMENT FIGURES ROSE AND THE YTS SCHEMES FELL, THE KIDS REFUSED TO TOE THE FACTORY LINE AND SPILLED OUT ONTO THE STREETS. THE STAGE WAS SET FOR A REVOLUTION. Rockers, New Romantics, Mods, Punks, Casuals, Smoothies, Ska kids and Skinheads stood shoulder to shoulder, hissing and spitting in the discos, precincts and subways of the working class towns across the nation. Oi! This is England tells the story of SHAUN, an 11-year-old kid growing up without a father in the north of England. Set during the summer holidays of 1983, we chart his rites of passage from a shaggy haired ruffian grieving the loss of his father into a shaven headed thug whose anger and pain are embraced by the local skinhead fraternity and ultimately the National Front. With a shell of a mother and no father to guide him, Shaun seems set for certain destruction. -
JEANNE MOREAU: NOUVELLE VAGUE and BEYOND February 25 - March 18, 1994
The Museum of Modern Art For Immediate Release February 1994 JEANNE MOREAU: NOUVELLE VAGUE AND BEYOND February 25 - March 18, 1994 A film retrospective of the legendary French actress Jeanne Moreau, spanning her remarkable forty-five year career, opens at The Museum of Modern Art on February 25, 1994. JEANNE MOREAU: NOUVELLE VAGUE AND BEYOND traces the actress's steady rise from the French cinema of the 1950s and international renown as muse and icon of the New Wave movement to the present. On view through March 18, the exhibition shows Moreau to be one of the few performing artists who both epitomize and transcend their eras by the originality of their work. The retrospective comprises thirty films, including three that Moreau directed. Two films in the series are United States premieres: The Old Woman Mho Wades in the Sea (1991, Laurent Heynemann), and her most recent film, A Foreign Field (1993, Charles Sturridge), in which Moreau stars with Lauren Bacall and Alec Guinness. Other highlights include The Queen Margot (1953, Jean Dreville), which has not been shown in the United States since its original release; the uncut version of Eva (1962, Joseph Losey); the rarely seen Mata Hari, Agent H 21 (1964, Jean-Louis Richard), and Joanna Francesa (1973, Carlos Diegues). Alternately playful, seductive, or somber, Moreau brought something truly modern to the screen -- a compelling but ultimately elusive persona. After perfecting her craft as a principal member of the Comedie Frangaise and the Theatre National Populaire, she appeared in such films as Louis Malle's Elevator to the Gallows (1957) and The Lovers (1958), the latter of which she created a scandal with her portrayal of an adultress. -
Girlsthatmix
Hipswing Entertainment Ltd 0330 122 4321 UK Sales [email protected] Company House No 7193749 VAT Registered No 915 8727 94 G I R L S T H A T M I X This is a collective of talented female musicians, vocalists and DJs, playing worldwide at prestigious venues and for the most luxurious of Brands. Consisting of vocals, percussion, sax, violin and DJs we provide a nightlife experience like no other. Perfect for Weddings. Hipswing Entertainments Ltd & Hipswing Events Ltd Unit 10 Oasis Business Park Winsford Industrial Estate Winsford Cheshire CW7 3RY Websites - www.hipswingevents.co.uk - www.hipswing.co.uk Email - [email protected] UK Sales Office 0330 122 4321 Hipswing Entertainment Ltd 0330 122 4321 UK Sales [email protected] Company House No 7193749 VAT Registered No 915 8727 94 Please note if you book one of the girls - we cannot provide individual information, they all perform in the same way. All you need to do is let us know which in- strument you want them to play! Party pleasers: Ibiza Party House Examples: Klingande – Jubel Man with the red face - Mark Knight This Girl – kungs vs cookin Cola - camelphat You got the love – Candi Station mixed Calabria - rune with Calabria destination unknown I Wanna Feel - Secondcity Pjanoo – Erick Prynz House Every Weekend - David Zowie Uptown funk – Mark Ronson Look Right Through - Storm Queen Cheerleader – Omi My love - Route 94 Free from desire – Gala My Head Is A Jungle - Wankelmut & Emma Cola – Camelphat Louise Sweet lovin - Sigala Ready For Your Love - Gorgon City Dreamer - livin joy Finally - Mr. -
The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. -
La Vida De Adèle
LA VIDA DE ADÈLE BLUE IS THE WARMEST COLOR Título original/Original title: LA VIE D'ADÈLE Otros títulos/Other titles: LA VIE D'ADÈLE CHAPITRES 1 ET 2 (España/Spain 10%Financiera-Francia/France 70%- Bélgica/Belgium 20%) Dirigido por/Directed by ABDELLATIF KECHICHE Productoras/Production Companies: VERTIGO FILMS, S.L. (10% Financiera) Carranza, 25, 7º. 28004 Madrid. Tel.: 91 524 08 19. Fax: 91 523 27 19. www.vertigofilms.es ; [email protected] WILD BUNCH, S.A. 99 rue de la Verrerie. 75004 Paris. (Francia) Tel.: + 33 1 53 01 50 20. Fax: + 33 1 53 01 50 49. www.wildbunch.biz ; [email protected] QUAT'SOUS FILMS. France. (Francia) SCOPE PICTURES. (20%) Belgium. (Bélgica) Con la participación de/With the participation of: FRANCE 2 CINÉMA, RTBF - RADIO TÉLÉVISION BELGE, CANAL+, CINÉ+, FRANCE TELEVISIONS. Director: ABDELLATIF KECHICHE. Producción/Producers: VINCENT MARAVAL, BRAHIM CHIOUA, ABDELLATIF KECHICHE. Producción ejecutiva/Executive Producers: ALCATRAZ FILMS, OLIVIER THERY LAPINEY, LAURENCE CLERC. Coproducción/Co-producers: GENEVIÈVE LEMAL, ANDRÉS MARTÍN. Dirección de producción/Line Producer: DIANA ANGULO. Guión/Screenplay: GHALYA LACROIX, ABDELLATIF KECHICHE. BASADA EN EL CÓMIC "EL AZUL ES UN COLOR CÁLIDO" DE JULIE MAROH / BASED ON THE COMIC BOOK "LE BLEU EST UNE COULEUR CHAUDE" BY JULIE MAROH - ÉDITIONS GLÉNAT Fotografía/Photography: SOFIAN EL FANI. Dirección artística/Production Design: JULIA LEMAIRE. Vestuario/Costume Design: PALOMA GARCIA MERTENS. Montaje/Editing: ALBERTINE LASTERA, CAMILLE TOUBKIS, JEAN- Web: www.lavidadeadele.es/ MARIE LENGELLÉ, GHALYA LACROIX. Montaje de sonido/Sound Design: PATRICK HUBARD. Sonido/Sound: JÉRÔME CHENEVOY. Sonido directo/Sound Mixers: FABIEN POCHET, ROLAND VOGLAIRE. Mezclas/Re-recording Mixer: JEAN-PAUL HURIER, YOANN NALLET. -
Catálogo Catalogue
this is european cinema esto es cine europeo Es un proyecto de: Catálogo A project by: Catalogue Es un proyecto de: A project by: esto es Una publicación del ICAS, cine Instituto de la Cultura y las Artes de Sevilla A publication of the europeo Institute of Culture and Arts of Seville (ICAS) 6-14 noviembre 2020 this is european cinema November 6-14, 2020 FESTIVALES SEGUROS C M Y CM MY CY CMY K #YO EL INSTITUTO DE LA CINEMATOGRAFÍA Y DE LAS ARTES AUDIOVISUALES DE ESPAÑA EN SU OBJETIVO VOY DE PROMOCIÓN DEL CINE ESPAÑOL APOYA ESTE FESTIVAL AL CON LA FINANCIACIÓN DEL GOBIERNO DE ESPAÑA CINE FESTIVALES SEGUROS 17 FESTIVAL DE SEVILLA 17 FESTIVAL Como alcalde de la ciudad de Sevilla, es un ho- En este escenario marcado por la pandemia, nor escribir estas líneas para el catálogo del tenemos claro que la cultura deber ser uno de festival, pero, sin duda alguna, es un motivo los motores de la reactivación económica con de orgullo que estas palabras sirvan de salu- el objetivo de seguir construyendo entre todos do en una edición que, pese a las circunstan- una ciudad abierta al futuro y a la diversidad. cias en el contexto de la Covid19, se celebra En este sentido, el festival es uno de los pro- de manera presencial y en salas. Sevilla ha yectos que promueve el Ayuntamiento de Se- demostrado en los últimos años que la cultura villa más sólidos y cargados de futuro capaz es clave para la generación de riqueza y opor- de proyectar la compleja condición humana, tunidades con una apuesta decidida y sosteni- el pasado del viejo continente y los retos a los da en el tiempo de proyectos que se encuen- que nos enfrentamos como sociedad en lo re- tran, por derecho propio, en la agenda cultural ferente a la igualdad, a la emergencia climá- de todo el país, como la Bienal de Flamenco, tica, a la inmigración o al empleo. -
Radio 4 Listings for 6 – 12 June 2009 Page 1 of 12 SATURDAY 06 JUNE 2009 Political Correspondent Terry Stiasny and Professor John Claiming a Nazi Pedigree
Radio 4 Listings for 6 – 12 June 2009 Page 1 of 12 SATURDAY 06 JUNE 2009 Political correspondent Terry Stiasny and Professor John claiming a Nazi pedigree. Curtice discuss increasing pressure placed on the prime minister SAT 00:00 Midnight News (b00kr7fs) after cabinet resignations. Steve speaks to Balham locals, including Radio 4 favourite The latest national and international news from BBC Radio 4. Arthur Smith, and tracks down experts. He explores the reality Followed by Weather. James Naughtie details the ceremonies marking the 65th behind the Nazis' spy operation and their plans for invasion, anniversary of the D-Day landings. gaining privileged access to the original documentation detailing the Third Reich's designs on Britain. SAT 00:30 Book of the Week (b00kvg9j) Correspondent Alex Bushill meets Roger Mansfield, one of the Claire Harman - Jane's Fame first men to try surfing in Cornwall. SAT 11:00 The Week in Westminster (b00krgd6) Episode 5 David Gleave, who runs the consultancy firm Aviation Safety It's been a tumultuous political week in which, for a while, Investigations, discusses news that debris salvaged from the sea Gordon Brown's grip on government appeared to loosen. Alice Krige reads from Claire Harman's exploration of Jane was not from the Air France jet that went missing. Austen's rise to pre-eminence from humble family scribblings A clutch of ministers resigned. But, after carrying out a to Hollywood movies. Samantha Washington, of Money Box, explains claims that car reshuffle, the Prime Minister insisted that HE would not walk insurers are 'bullying' people to settle claims when they have away. -
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HOT DANCE/ELECTRONIC SONGSTM DANCE/ELECTRONIC ALBUMST" LIST TITLECERTIFICATION Artist LAST I THIS ARTISTCERTIFICATION MEEK PRODUCER (SONGWRITER) IMPRINT/PROMOTION IABEL WEEK WEER IMPRINT/DISTRIBUTING LABEL (HART NEW LA ROUX Trouble In Paradise j LATCHA Disclosure Featuring Sam Smith I 4S IE4OGISINCHLIqTIPILMIENDA M POSTOOR/CHERWIREE/INTERSCOPEAGA 0 DKUOSUKOILLITISCEGLARTENCESSINININNIEN 2 2 LINDSEY STIRLING Shatter Me 13 In SUMMERS Calvin Harris , 20 LINDSEYSTOmP 0 (MARRS KAMM TUN. DECONSTRUCTION/ELY MANTRA/ROC NAROMOLUMBIA DISCLOSURE Settle 60 TURN DOWN FOR WHAT DJ Snake &cLoiLlulop lO ME IHOO/PMR/04RRYIRE 17iNTF RSCOPF /oGA 3 3 3 A 33 DI SRAM .I.SMII H (1.14.94114.W.GRKAHOSE.M. BIUSSO) A1 LADY GAGA ARTPOP 37 RATHER BE STREAMLINE/IA.5(0PC/. Clean Bandit Featuring Jess Glynne 4 25 O 0 0 01111JRATIERSONA.CHATTO (LNANERAPMTERSON.N.MARSHALL) BIG BEAT/RRP DAFT PUNKARandom Access Memories 63 5 DAFT LIFE/COLUMBIA BREAK FREE AsLA,.......arih,Aoirtiaza Grande Featuring 4 4 O La Roux ZEDOMAx MARTIN (A2 0 0 C DEADMAUS while(1<2) 6 A SKY FULL OF STARS Coldplay TAAUSTRAP/ASTRALWERXSKAINTOL 6 4 0 0 WOURNIAPIPPNRUNTILIANIONNEARAPINNUIWIEWILILDAWIDUAIWRWIN,IN me.otoPt N.LL, Finds AVICII True 45 WASTED Tiesto Featuring Matthew Koma 0 PRMONSLAND 6 7 7 5 14 ILIEWIMILUIESTOMOR1STACINDIRWIVIUNESULAWKIKG4S1 NAM INIDNIVIINAAWERICASIPN, `Paradise' SYLVAN ESSO Sylvan Esso 11 8 PARTISAN HIDEAWAY Kiesza O R.SAFUNI IK.R.ELLESTAD.R.SAFUNI) LORAL LEGENDNITH . BROADWAWISUND/REPUBUC 8 14 La Roux follows its 0 0 12 KIESZA Hideaway (EP) 3 0 LONA LEGENDATHR BROADWAY/614ND Grammy -winning self -titled 8 9 DARE (LA LA LA) Shakira 5 18 Di LK.SoauSAR.CR4IGHIARAISNOUKIRLUANOLPRIPTEALLINAITIXXIIMNARINEGIRWICIDL Al NA debut with its first No.1 10 SKRILLEX Recess 19 BEAT/OWSLA/ATLANTKAG onDance/Electronic WAVES Mr. -
Shameless Television: Gendering Transnational Narratives
This is a repository copy of Shameless television: gendering transnational narratives. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/129509/ Version: Accepted Version Article: Johnson, B orcid.org/0000-0001-7808-568X and Minor, L (2019) Shameless television: gendering transnational narratives. Feminist Media Studies, 19 (3). pp. 364-379. ISSN 1468-0777 https://doi.org/10.1080/14680777.2018.1468795 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Shameless Television: Gendering Transnational Narratives Beth Johnson ([email protected]) and Laura Minor ([email protected]) School of Media and Communication, University of Leeds, Leeds, UK Abstract The UK television drama Shameless (Channel 4, 2004-2011) ran for eleven series, ending with its 138th episode in 2011. The closing episode did not only mark an end, however, but also a beginning - of a US remake on Showtime (2011-). Eight series down the line and carrying the weight of critical acclaim, this article works to consider the textual representations and formal constructions of gender through the process of adaptation. -
Press Release
! Artist: Skream Title: FABRICLIVE 96: Skream Label: fabric Records Cat. #: fabric192 Format: CD & Digital - Pre-Order !Release Date: 19 January 2018 As a pioneering force during the emergence of dubstep in a tight-knit South London scene, Oliver Jones’ career has taken him from local hero to world renowned DJ. His productions are credited with introducing an esoteric sound to a global audience and for more than a decade he has continued to expand his palette into new territory, both on his own and as part of Magnetic Man with Benga and Artwork. From 2006 onwards his ‘Stella Sessions’ on Rinse FM became a platform for devoted fans to hear new material, much of which can be traced onto forums and Youtube rips across the web. On a legendary radio station that still serves as one of the key platforms for underground music in the UK, he sustained a reputation as a tastemaker presenting the latest sought-after dubs, many of which came from his close friends. A prolific producer, he has acclaimed EPs and albums on Tempa, Tectonic, Big Apple, Soul Jazz, Exit, Digital Soundboy, Greco-Roman and Harmless amongst others, as well as his own Disfigured Dubz imprint. In 2010 he formed the Skream & Benga radio show alongside his closest contemporary, which paved the way for a two year residency on BBC Radio 1 documenting a broader variety of styles. He is now a regular on the global DJ circuit, touring a wide range of venues and festivals the year round. FABRICLIVE 96 is a playful journey through the house, techno and disco he has explored in more recent years. -
Prof. Alain-Philippe Durand Humanities Seminar 520-621-5452 Spring 2014 E-Mail: [email protected] W 1:00-4:00Pm Po
Prof. Alain-Philippe Durand Humanities Seminar 520-621-5452 Spring 2014 E-mail: [email protected] W 1:00-4:00pm Poetry Center WHAT MAKES THE FRENCH LAUGH: FRENCH FILM COMEDY CLASSICS RECOMMENDED READINGS (subject to change) Gordon, Rae Beth. Why the French Love Jerry Lewis: From Cabaret to Early Cinema. Palo Alto: Stanford UP, 2001. Lanzoni, Rémi Fournier. French Cinema. From Its Beginnings to the Present. New York: Continuum, 2004. Sypher, Wylie, ed. Comedy. An Essay on Comedy by George Meredith. Laughter by Henri Bergson. Baltimore: Johns Hopkins UP, 1956. FILMOGRAPHY (subject to change) L’arroseur arrosé [The Sprinkler Sprinkled]. Dirs. Lumière Brothers, 1895, 00:01:13. Boudu sauvé des eaux [Boudu Saved From Drowning]. Dir. Jean Renoir, 1932, 01:26:00. Mon Oncle [My Uncle]. Dir. Jacques Tati, 1958, 01:56:00. La Grande Vadrouille [Don’t Look Now, We’re Being Shot at]. Dir Gérard Oury, 1966, 01:59:00. Le Distrait [The Daydreamer]. Dir. Pierre Richard, 1970, 01:40:00. Les Aventures de Rabbi Jacob [The Mad Adventures of Rabbi Jacob]. Dir. Gérard Oury, 1973, 01:32:00. Un éléphant, ça trompe énormément [Pardon Mon Affaire]. Dir. Yves Robert, 1976, 01:45:00. La Chèvre [The Goat]. Dir. Francis Veber, 1981, 01:30:00. Trois hommes et un couffin [Three Men and a Cradle]. Dir. Coline Serreau, 1985, 01:46:00. Les Visiteurs [The Visitors]. Dir. Jean-Marie Poiré, 1993, 01:47:00. Gazon maudit [French Twist]. Dir. Josiane Balasko, 1995, 01:41:00. La Vérité si je mens [Would I Lie to You?]. Dir.