28, 2012 1. Peking Chinese

Total Page:16

File Type:pdf, Size:1020Kb

28, 2012 1. Peking Chinese CHARLES A. WHITKAER AUCTION COMPANY April 27-28, 2012 1. PEKING CHINESE MAT, 19th C. BluE on bluE swastika background with cEntEr medallion of dragon surrounded by ten roundels with flowers. 30 x 36. Good. $ 720 2. CHINESE PIECED SILK KESI PANEL, 19th C. DEEp bluE ground, joinEd bEtwEEn two rows of six dragon roundEls bEtwEEn pairs of dragons with flaming pEarls abovE wavE and rainbow bordErs, modErn EmbroidErEd satin bordEr. 46 X 37. (FEw mends and brEaks, soiling) fair. $ 840 3. PAIR of CHINESE EMBROIDERED PANELS, c. 1900. Cinnamon silk satin dEcorated with phoenix birds in satin stitch and couchEd metallic thrEads, backEd in gold silk satin. 90 x 30. (OnE soilEd) vEry good- excellent. $ 720 4. CHINESE EMBROIDERED TABLE COVER, EARLY 20th C. YEllow silk damask with cloud bands EmbroidErEd with cEntral roundEl of pEony, moth and bats surroundEd by floral sprays and vasEs at cornErs. 67 x 56. (1 inch mend and holE at EdgE, could bE hEmmed out) vEry good. $ 480 5. CHINESE SILK EMBROIDERED PANEL, EARLY 20th C. PiEcEd black silk having silk and metallic gold dragons, flaming pEarls, birds and bats abovE a rainbow bordEr of wavEs and rockwork bEnEath thirtEEn roundels with dragons. 17 3/4 x 75. Excellent. CMI. $ 1,200 6. CHINESE EMBROIDERED THRONE COVER, 18th-19th C. Yellow/gold silk tapestry elaborately EmbroidErEd with gold dragon in couchEd metallic thrEads, surroundEd by cloud bands and Buddhist symbols, EnclosEd by a bordEr of chrysanthEmums within couchEd gold thrEad, backEd in silk brocadE. 41 1/2 x 51 1/2. Excellent. $ 33,600 7. CHINESE EMBROIDERED PANEL, EARLY 20th C. LargE horizontal bannEr in dark bluE silk satin with dragons amid cloud bands abovE stylizEd ocEan and rockwork, having Eight dragon roundEls abovE. 37 x 110. (Some loosE couchEd thrEads) othErwisE ExcEllEnt. $ 1,920 8. CHINESE SILK EMBROIDERY, EARLY 20th C. Gold satin with satin stitch EmbroidErEd figurEs and children in landscape with buildings. 51 x 68. Excellent. $ 1,320 9. CHINESE EMBROIDERED PANEL, 19th C. REd wool with fivE Shi-Shi in couchEd metallic gold thread. 39 x 28. (Numerous loosE thrEads) good. $ 2,520 CHARLES A. WHITAKER AUCTION COMPANY APRIL 27-28, 2012 10. PAIR CHINESE SILK EMBROIDERED SQUARE PILLOWS, 18th C. Gold ground with bluE diamond frEtwork, Each sidE having a cEntral stylizEd chrysanthEmum within a scrolling floral with bats in shades of salmon, pink and crEam. 10 x 8 x 8. OnE fillEd with batting, (onE End unstitchEd) ovErall ExcEllEnt, onE unfilled cover (overall fading and soil) good. $ 10,800 11. CHINESE SILK EMBROIDERED TABLE COVER, EARLY 20th C. REd satin with cEntral peacock in garden, corners decorated with peonies, flowering vines throughout, colored silk fringe, backed in pale blue silk, 58 x 56. (Two inch stain at cEnter, tiny hole) fair. CMI. $ 330 12. TWO CHINESE SILK EMBROIDERIES, 20th C. One blue silk damask squarE dEcoratEd with cEntEr roundEl, flowErs and bats, 54 x 54, ExcEllEnt. OnE apron front with silk and gold metallic squarEs piEcEd in black silk, 35 1/2 x 21, excEllent. $ 900 13. LARGE CHINESE EMBROIDERED SILK DRAGON PANEL, 19th C. FinEst yellow satin elaborately and dEnsEly EmbroidErEd in forbiddEn or sEEd stitch, dEpicting a coilEd dragon amid cloud bands ovEr a stylized ocean and rockwork. 70 x 58. Very high quality in near pristine condition. $ 26,400 14. CHINESE IMPERIAL SURCOAT RANK BADGE with DRAGON, 19th C. Silk and gold metallic EmbroidErEd gun fu front roundEl on black silk ground having front facing fivE claw dragon amid clouds with fivE bats and shou symbol, appliEd silk brocadE bordEr, backEd in bluE cotton. RoundEl 11 1/4 diametEr, ovErall 14 1/2 x 14. (Some brokEn metallic thrEads, scattErEd small holEs in silk, brocadE edging worn) good. $ 3,900 15. CHINESE KESU TAPESTRY WEAVE RANK BADGE, EARLY 19th C. Fourth civil rank badgE with flying whitE goosE amid bats and symbols having metallic thrEad in thE ground. 11 1/2 x 10 1/2. ExcEllEnt. $ 900 16. PAIR of CHINESE RANK BADGES, 20th C. 9th rank civil, paradisE flycatchEr workEd in satin stitch and hEavy metallic thrEad, backEd in bluE silk. Each 12 x 12 1/2. (FEw brokEn metallic thrEads) ExcEllEnt. $ 2,280 17. THREE PAIR RANK BADGES, 20th C. Consisting of two pair 9th rank in couchEd gold metallic thrEad: OnE 12 x 12 Each on bluE silk, onE 8 x 8 1/4 Each on black silk. OnE pair 3rd rank military with colorful silk and gold metallic EmbroidEry 11 x 11 1/2 Each, (some brokEn metallic thrEads) good-excellent. $ 1,020 18. FRAMED CHINESE SILK EMBROIDERY, 19th C. Possibly slEEvE bands, having two pair of carp with symbols. 10 x 13. (Soil and abrasion) fair. $ 480 CHARLES A. WHITAKER AUCTION COMPANY APRIL 27-28, 2012 19. FRAMED CHINESE SILK EMBROIDERED PANEL, 19th C. Long, horizontal panEl with sEriEs of joinEd fragments from thE same garment, all having dragons among cloud bands abovE sEa and rockwork. 10 x 48. Excellent. $ 900 20. CHINESE EMBROIDERY in STANDING SCREEN, 19th C. Silk satin and vElvEt having silk EmbroidErEd figurEs and flowErs in landscapE. Silk 68 x 24, frame 80 x 36. (Silk torn and shattEring) poor, frame good. $ 390 21. LOT of CHINESE EMBROIDERIES, 19th-EARLY 20th C. Including rEctanglE with chrysanthEmum and butterfliEs in satin and forbiddEn stitch, 20 x 14, pair sleEvE bands, apron front, pants, etc. SevEn piEcEs. Good-excellent. $ 540 22. CHINESE SILK EMBROIDERIES for GARMENTS, EARLY 20th C. Including two pair and a singlE slEEve band, and thrEE small tExtilEs. Good-excellent. CMI. $ 660 23. LOT of CHINESE EMBROIDERY on SILK, EARLY 20th C. Consisting of two bluE panEls with couchEd metallic birds and foliagE, 8 1/2 x 28 Each. Garment fragment with forward facing dragon in colorful silk and gold, 18 1/2 x 8. TogEthEr with six fragments of garment trim with figural EmbroidEry on crEam silk. Fair-excellent. $ 420 24. CHINESE SILK BROCADE YARDAGE, MID 20th C. Mint grEEn with floral roundEls and bats on fretwork. 4 1/2 yds, 28 inches wide. Excellent. $ 5,100 24 A. HIGH KARAT GOLD SNUFF BOX, 19th C. HingEd oval ElaboratEly chasEd in rEliEf with phoEnix bird and ChinEsE charactErs, sEt with a pEarl, mountEd with a ring and loop. 21.3 dwt. 2 1/4 x 1 3/4. ExcEllEnt. SM. $ 25,200 25. THREE CHINESE PORCELAIN SNUFF BOTTLES, 19th C. All polychrome bottlEs: OnE Wuci stylE with roostErs and chrysanthEmum, onE with figurEs and landscapE, onE with buttErfliEs. ExcEllEnt. $ 1,440 26. THREE CHINESE PORCELAIN SNUFF BOTTLES, 19th C. OnE grEEn fish scalE glazE with moldEd handlEs. OnE grEEn jadE colorEd monochrome. OnE tEa dust monochrome. ExcEllEnt. $ 510 27. THREE CHINESE PORCELAIN SNUFF BOTTLES, 19th C. OnE bulbous famillE vErtE with fish. OnE doublE gourd form with mushroom color glazE. OnE cEladon with raisEd dEcoration of cabbagEs, vasE and lantErn (OnE stoppEr dEtachEd from spoon), excellent. $ 660 CHARLES A. WHITAKER AUCTION COMPANY APRIL 27-28, 2012 28. THREE CHINESE PORCELAIN SNUFF BOTTLES, 19th C. OnE cEladon balustEr form with polychrome Mandarin ducks. One bulbous flambE (no stoppEr). OnE mattE brown with landscapE. Good-excellent. $ 1,320 29. FOUR CHINESE PORCELAIN SNUFF BOTTLES, 19th C. OnE small octagonal bottlE. OnE yEllow-brown with four friEnds. OnE moldEd in form of tigEr with cub. OnE bluE and whitE gingEr jar form. ExcEllEnt. $ 1,020 30. THREE CHINESE PORCELAIN SNUFF BOTTLES, 19th C. OnE bluE fan shapE with raisEd dEcoration of chrysanthEmum with Shunzhi mark. OnE turquoisE glazE with raisEd dEcoration. OnE whitE baskEt-weavE decoration. Excellent. $ 660 31. THREE CHINESE PORCELAIN SNUFF BOTTLES, 19th C. OnE Egg shapE with thrEE hEadEd chickEn, figurE and vErsE, (no stoppEr). OnE cartouchE form with roostErs. OnE shouldErEd bottlE with Ho Ho figures. $ 2,040 32. THREE CHINESE PORCELAIN SNUFF BOTTLES, 18th-19th C. OnE shouldErEd bottlE with polychrome prunus. One flattened bottle with lotus and kingfisher, verso with ten characters verse about kingfisher. OnE finEly paintEd flattEnEd flask with prunus, Qianlong mark. ExcEllEnt. $ 4,200 33. THREE CHINESE PORCELAIN SNUFF BOTTLES, 19th C. All shouldErEd bottlE form. Two iron rEd on whitE: OnE with goldfish, having Qianlong mark, onE with Eight horsEs of Mu Wang. OnE polychrome glazEd bottlE with wading birds, mark unknown. (Small chip inside base of fish and bird bottles) very good-excellent. $ 1,680 34. THREE CHINESE PORCELAIN SNUFF BOTTLES, 19th C. OnE balustEr form brown glazE with grEEn and white prunus. One flattened flask in blue and iron rEd with dragon and cloud bands, Qianlong mark in rEd. OnE hEart shapE, bluE and whitE with birds, YongzhEng mark. ExcEllEnt. $ 6,600 35. THREE CHINESE PORCELAIN SNUFF BOTTLES, 19th C. Two undErglazE bluE and iron rEd: OnE having decoration of figures and antiques, the other of three boys playing a game whErE onE is blindfoldEd, YongzhEng six charactEr mark. OnE shouldErEd bottlE in Guan cracklE with bluE glazed hunting scene. Excellent. $ 1,320 36. THREE CHINESE PORCELAIN SNUFF BOTTLES, 19th C. All dEcoratEd with dragon: OnE shouldered bottlE with polychrome on whitE, onE flattEnEd flask incisEd and polychrome on whitE, onE with thick black glazE ovEr white rEsist dragon, pearls and cloud bands. (One no stopper and spoon). Good- excellent. $ 840 CHARLES A. WHITAKER AUCTION COMPANY APRIL 27-28, 2012 37. THREE CHINESE PORCELAIN SNUFF BOTTLES, 19th C. Two blue and white glazed: One baluster vasE form with birds, trEEs and rockwork (no stoppEr). OnE flattEnEd vasE form with dEEr, EaglE, fishErman and vErsE. OnE iron rEd shouldErEd bottlE with warrior, antiquE vasE and bats. Good-excellent. $ 1,140 38. THREE CHINESE PORCELAIN SNUFF BOTTLES, 18th-19th C.
Recommended publications
  • Natural Materials for the Textile Industry Alain Stout
    English by Alain Stout For the Textile Industry Natural Materials for the Textile Industry Alain Stout Compiled and created by: Alain Stout in 2015 Official E-Book: 10-3-3016 Website: www.TakodaBrand.com Social Media: @TakodaBrand Location: Rotterdam, Holland Sources: www.wikipedia.com www.sensiseeds.nl Translated by: Microsoft Translator via http://www.bing.com/translator Natural Materials for the Textile Industry Alain Stout Table of Contents For Word .............................................................................................................................. 5 Textile in General ................................................................................................................. 7 Manufacture ....................................................................................................................... 8 History ................................................................................................................................ 9 Raw materials .................................................................................................................... 9 Techniques ......................................................................................................................... 9 Applications ...................................................................................................................... 10 Textile trade in Netherlands and Belgium .................................................................... 11 Textile industry ...................................................................................................................
    [Show full text]
  • Spring/Summer 2019
    SPRING/SUMMER 2019 CLASSIC ROLL UP GOSSAMER INTRODUCING THE... B166 B176 4” UPTURN BRIM & ROUND CROWN 3 1/2” MEDIUM BRIM & ROUND CROWN GOSSAMER MINI Adjustable Sweatband, UPF 50+ Sun Protection Adjustable Sweatband, UPF 50+ Sun Protection B1899H 50% Paper, 33% Polypropylene, 17% Polyester 50% Paper, 33% Polypropylene, 17% Polyester 3 1/4” MEDIUM BRIM & ROUND CROWN Auburn Sand, Black, Denim Multi, White: 45% Paper, 35% Polypropylene, 20% Polyester Auburn Sand, Black, Denim Multi, White: SPRING/SUMMER 2019 Adjustable Sweatband, UPF 50+ Sun Protection 45% Paper, 35% Polypropylene, 20% Polyester 50% Paper, 33% Polypropylene, 17% Polyester Auburn Sand, Black, Confetti, Denim Multi, White: 45% Paper, 35% Polypropylene, 20% Polyester OCEAN AUBURN SAND DENIM MULTI BLACK MULTI AUBURN SAND CONFETTI DENIM MULTI AUBURN SAND BLACK BLACK MULTI BLACK BLACK MULTI TROPICAL MULTI ECRU WHITE NATURAL CONFETTI ECRU NATURAL ECRU NATURAL NAVY RATTLESNAKE WHITE DENIM MULTI BLACK RATTLESNAKE RATTLESNAKE TRUE RED WHITE CLASSIC ROLL UP GOSSAMER INTRODUCING THE... B166 B176 4” UPTURN BRIM & ROUND CROWN 3 1/2” MEDIUM BRIM & ROUND CROWN GOSSAMER MINI Adjustable Sweatband, UPF 50+ Sun Protection Adjustable Sweatband, UPF 50+ Sun Protection B1899H 50% Paper, 33% Polypropylene, 17% Polyester 50% Paper, 33% Polypropylene, 17% Polyester 3 1/4” MEDIUM BRIM & ROUND CROWN Auburn Sand, Black, Denim Multi, White: 45% Paper, 35% Polypropylene, 20% Polyester Auburn Sand, Black, Denim Multi, White: Adjustable Sweatband, UPF 50+ Sun Protection 45% Paper, 35% Polypropylene, 20%
    [Show full text]
  • Buckram Is a Heavy-Duty Bookbinding Cloth That Offers a Distinct, Woven Texture
    B UCKRAM BOODLE BOOKS Buckram is a heavy-duty bookbinding cloth that offers a distinct, woven texture. PRICING Our two lines, Conservation and English, are formulated with a matte finish in Prices are per book, nonpadded with square corners. Includes Summit Leatherette or Arrestox B lining. a variety of well-saturated colors. Both are stain resistant and washable. Your See options below. logo can be foil or blind debossed or silk screened. PART No. SHEET SIZE 25 50 100 SINGLE PANEL 1 view Conservation Buckram 7001C-BUC 8.5 x 5.5 10.95 9.80 8.60 Strong, thick poly-cotton with subtle linen look 7001D-BUC 11 x 4.25 10.45 9.30 8.10 logo 7001E-BUC 11 x 8.5 13.25 12.10 10.90 7001F-BUC 14 x 4.25 11.55 10.40 9.20 red maroon green army green CBU-RED CBU-MAR CBU-GRN CBU-AGR 7001G-BUC 14 x 8.5 14.40 13.25 12.10 front back 7001H-BUC 11 x 5.5 11.65 10.50 9.30 7001I-BUC 14 x 5.5 12.75 11.60 10.40 7001J-BUC 17 x 11 19.65 18.50 17.30 SINGLE PANEL - DOUBLE-SIDED 2 views royal navy rust medium grey 7001C/2-BUC 8.5 x 5.5 10.95 9.80 8.60 CBU-ROY CBU-NAV CBU-RUS CBU-MGY 7001D/2-BUC 11 x 4.25 10.45 9.30 8.10 7001E/2-BUC 11 x 8.5 13.25 12.10 10.90 7001F/2-BUC 14 x 4.25 11.55 10.40 9.20 front back 7001G/2-BUC 14 x 8.5 14.40 13.25 12.10 7001H/2-BUC 11 x 5.5 11.65 10.50 9.30 tan brown black 7001I/2-BUC 14 x 5.5 12.75 11.60 10.40 CBU-TAN CBU-BRO CBU-BLK 7001J/2-BUC 17 x 11 19.65 18.50 17.30 DOUBLE PANEL 2 views Royal Conservation Buckram 7002C-BUC 8.5 x 5.5 18.50 17.20 15.80 CBU-ROY 7002D-BUC 11 x 4.25 19.15 17.80 16.45 7002E-BUC 11 x 8.5 23.30 21.80 20.40 7002F-BUC
    [Show full text]
  • Dressing for the Times: Fashion in Tang Dynasty China (618-907)
    Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks.
    [Show full text]
  • LCSH Section L
    L (The sound) Formal languages La Boderie family (Not Subd Geog) [P235.5] Machine theory UF Boderie family BT Consonants L1 algebras La Bonte Creek (Wyo.) Phonetics UF Algebras, L1 UF LaBonte Creek (Wyo.) L.17 (Transport plane) BT Harmonic analysis BT Rivers—Wyoming USE Scylla (Transport plane) Locally compact groups La Bonte Station (Wyo.) L-29 (Training plane) L2TP (Computer network protocol) UF Camp Marshall (Wyo.) USE Delfin (Training plane) [TK5105.572] Labonte Station (Wyo.) L-98 (Whale) UF Layer 2 Tunneling Protocol (Computer network BT Pony express stations—Wyoming USE Luna (Whale) protocol) Stagecoach stations—Wyoming L. A. Franco (Fictitious character) BT Computer network protocols La Borde Site (France) USE Franco, L. A. (Fictitious character) L98 (Whale) USE Borde Site (France) L.A.K. Reservoir (Wyo.) USE Luna (Whale) La Bourdonnaye family (Not Subd Geog) USE LAK Reservoir (Wyo.) LA 1 (La.) La Braña Region (Spain) L.A. Noire (Game) USE Louisiana Highway 1 (La.) USE Braña Region (Spain) UF Los Angeles Noire (Game) La-5 (Fighter plane) La Branche, Bayou (La.) BT Video games USE Lavochkin La-5 (Fighter plane) UF Bayou La Branche (La.) L.C.C. (Life cycle costing) La-7 (Fighter plane) Bayou Labranche (La.) USE Life cycle costing USE Lavochkin La-7 (Fighter plane) Labranche, Bayou (La.) L.C. Smith shotgun (Not Subd Geog) La Albarrada, Battle of, Chile, 1631 BT Bayous—Louisiana UF Smith shotgun USE Albarrada, Battle of, Chile, 1631 La Brea Avenue (Los Angeles, Calif.) BT Shotguns La Albufereta de Alicante Site (Spain) This heading is not valid for use as a geographic L Class (Destroyers : 1939-1948) (Not Subd Geog) USE Albufereta de Alicante Site (Spain) subdivision.
    [Show full text]
  • Apparel, Made-Ups and Home Furnishing
    Apparel, Made-ups and Home Furnishing NSQF Level 2 – Class X Student Workbook COORDINATOR: Dr. Pinki Khanna, Associate Professor Dept. of Home Science and Hospitality Management iii-i---lqlqlqlq----'k'k'k'k----dsUnzh;dsUnzh; O;kolkf;d f'k{kk laLFkku]';keyk fgYl , Hkksiky PSS Central Institute of Vocational Education, Shyamla Hills, Bhopal Student Workbook Apparel, Made-ups and Home Furnishing (Class X; NSQF Level 2) March, 2017 Publication No.: © PSS Central Institute of Vocational Education, 2017 ALL RIGHTS RESERVED ° No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronically, mechanical, photocopying, recording or otherwise without prior permission of the publisher. ° This document is supplied subject to the condition that it shall not, by way of trade, be lent, resold, hired out or otherwise disposed of without the publisher’s consent in any form of binding or cover other than that in which it is published. • The document is only for free circulation and distribution. Coordinator Dr. Pinki Khanna Associate Professor, Department of Home Science & Hospitality Management Production Assistant Mr. A. M. Vinod Kumar Layout, Cover Design and Laser Typesetting Mr. Vinod K. Soni, C.O. Gr.II Published by the Joint Director, PSS Central Institute of Vocational Education, Shyamla Hills, Bhopal-462 013, Madhya Pradesh, India Tel: +91-755-2660691, 2704100, Fax: +91-755-2660481, Web: http://www.psscive.nic.in Preface The National Curriculum Framework, 2005, recommends that children’s life at school must be linked to their life outside the school. This principle makes a departure from the legacy of bookish learning which continues to shape our system and causes a gap between the school, home, community and the workplace.
    [Show full text]
  • The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2002 The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade Jacqueline Field University of Southern Maine Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Field, Jacqueline, "The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade" (2002). Textile Society of America Symposium Proceedings. 384. https://digitalcommons.unl.edu/tsaconf/384 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade by Jacqueline Field Haskell Silk Company founder, James Haskell, was a native of the Cape Anne, area of Massachusetts.1 In this locale his early career included service in numerous public and business capacities, not least as agent for The Rockport Steam Cotton Company, and as a State Senator.2 He was a man experienced in politics, finance and textile production. He moved to Maine in 1858 when he acquired the cotton mill at Saccarappa Falls, Westbrook.3 Under his management the mill, renamed The Westbrook Manufacturing Company, flourished and expanded. In 1874, his elder son, Frank Haskell, assumed the role of agent. At the same time James took advantage of, by now, well developed machine twist-making technology and launched into the youngest branch of the textile industry--silk.
    [Show full text]
  • From Maroons to Mardi Gras
    FROM MAROONS TO MARDI GRAS: THE ROLE OF AFRICAN CULTURAL RETENTION IN THE DEVELOPMENT OF THE BLACK INDIAN CULTURE OF NEW ORLEANS A MASTERS THESIS SUBMITTED TO THE GRADUATE FACULTY OF LIBERTY UNIVERSITY BY ROBIN LIGON-WILLIAMS IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ETHNOMUSICOLOGY DECEMBER 18, 2016 Copyright: Robin Ligon-Williams, © 2016 CONTENTS ACKNOWLEDGEMENTS iv. ABSTRACT vi. CHAPTER 1. INTRODUCTION 1 History and Background 1 Statement of the Problem 1 Research Question 2 Glossary of Terms 4 Limitations of the Study 6 Assumptions 7 2. LITERATURE REVIEW 9 New Orleans-Port of Entry for African Culture 9 Brotherhood in Congo Square: Africans & Native Americans Unite 11 Cultural Retention: Music, Language, Masking, Procession and Ritual 13 -Musical Influence on Jazz & Rhythm & Blues 15 -Language 15 -Procession 20 -Masking: My Big Chief Wears a Golden Crown 23 -African Inspired Masking 26 -Icons of Resistance: Won’t Bow Down, Don’t Know How 29 -Juan “Saint” Maló: Epic Hero of the Maroons 30 -Black Hawk: Spiritual Warrior & Protector 34 ii. -Spiritualist Church & Ritual 37 -St. Joseph’s Day 40 3. METHODOLOGY 43 THESIS: 43 Descriptions of Research Tools/Data Collection 43 Participants in the Study 43 Academic Research Timeline 44 PROJECT 47 Overview of the Project Design 47 Relationship of the Literature to the Project Design 47 Project Plan to Completion 49 Project Implementation 49 Research Methods and Tools 50 Data Collection 50 4. IN THE FIELD 52 -Egungun Masquerade: OYOTUNJI Village 52 African Cultural Retentions 54 -Ibrahima Seck: Director of Research, Whitney Plantation Museum 54 -Andrew Wiseman: Ghanaian/Ewe, Guardians Institute 59 The Elders Speak 62 -Bishop Oliver Coleman: Spiritualist Church, Greater Light Ministries 62 -Curating the Culture: Ronald Lewis, House of Dance & Feathers 66 -Herreast Harrison: Donald Harrison Sr.
    [Show full text]
  • Fashion Arts. Curriculum RP-54. INSTITUTION Ontario Dept
    DOCUMENT RESUME ED 048 223 SP 007 137 TITLE Fashion Arts. Curriculum RP-54. INSTITUTION Ontario Dept. of Education, Toronto. PUB LATE 67 NOTE 34p. EDRS PRICE EDRS Price MF-$0.65 HC-$3.29 DESCRIPTORS Clothing Instruction, *Curriculum Guides, Distributive Education, *Grade 11, *Grade 12, *Hcme Economics, Interior Design, *Marketing, Merchandising, Textiles Instruction AESTRACT GRADES OR AGES: Grades 11 and 12. SUBJECT MATTER: Fashicn arts and marketing. ORGANIZATION AND PHkSTCAL APPEARANCE: The guide is divided into two main sections, one for fashion arts and one for marketing, each of which is further subdivided into sections fcr grade 11 and grade 12. Each of these subdivisions contains from three to six subject units. The guide is cffset printed and staple-todnd with a paper cover. Oi:IJECTIVE3 AND ACTIVITIES' Each unit contains a short list of objectives, a suggested time allotment, and a list of topics to he covered. There is only occasional mention of activities which can he used in studying these topics. INSTRUCTIONAL MATERIALS: Each unit contains lists of books which relate either to the unit as a whole or to subtopics within the unit. In addition, appendixes contain a detailed list of equipment for the fashion arts course and a two-page billiography. STUDENT A. ,'SSMENT:No provision. (RT) U $ DEPARTMENT OF hEALTH EOUCATION & WELFARE OFFICE OF THIS DOCUMENTEOUCATION HAS BEEN REPRO DUCED EXACT' VAS RECEIVED THE PERSON OR FROM INAnNO IT POINTSORGANIZATION ()RIG IONS STATED OF VIEW OR DO NUT OPIN REPRESENT OFFICIAL NECESSARILY CATION
    [Show full text]
  • Historic Costuming Presented by Jill Harrison
    Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs.
    [Show full text]
  • Sheila Never Go As Fast As You Would Wish!) Don’T Worry – We Will Let You Know When You Can Open That Present!
    Bear in Mind An electronic newsletter from Bear Threads Ltd. Volume 4 – Issue 1 January 2012 From The Editor – I hope you will enjoy this newsletter. In it there is lots of information that I think you will find helpful for the 2012! coming months and beyond. And I am looking forward to showing you all that is new at the Creative Sewing Market in Birmingham. Remember the dates are January 15‐16. Seems only yesterday we were turning the calendar to the new millennium of 2000! Indeed this is a new year and an Till Birmingham, Happy Stitching – exciting one as well, for Bear Threads. * We will soon be inaugurating a new website (things Sheila never go as fast as you would wish!) Don’t worry – we will let you know when you can open that present! *I will begin teaching again with several informative as well as fun lectures and projects. There are classes for beginner to advanced, as well as shop owners, too. BIRMINGHAM CREATIVE SEWING Please call for more information. MARKET *We have many new fabrics to entice your spring sewing. Sunday and Monday Honestly there are too many new fabrics to list here, but January 15 and 16, 2012 for teasers, we have brought back the beautiful Ecru in the Marriot Hotel – Hwy. 280 just south of I‐459 Bearissima. AND we have brought back the TRUE LAWN, in white, pink and blue. *We have a new price list that is easier to read and it lists Be sure to see Bear Threads, Ltd. first.
    [Show full text]
  • Sew Any Fabric Provides Practical, Clear Information for Novices and Inspiration for More Experienced Sewers Who Are Looking for New Ideas and Techniques
    SAFBCOV.qxd 10/23/03 3:34 PM Page 1 S Fabric Basics at Your Fingertips EW A ave you ever wished you could call an expert and ask for a five-minute explanation on the particulars of a fabric you are sewing? Claire Shaeffer provides this key information for 88 of today’s most NY SEW ANY popular fabrics. In this handy, easy-to-follow reference, she guides you through all the basics while providing hints, tips, and suggestions based on her 20-plus years as a college instructor, pattern F designer, and author. ABRIC H In each concise chapter, Claire shares fabric facts, design ideas, workroom secrets, and her sewing checklist, as well as her sewability classification to advise you on the difficulty of sewing each ABRIC fabric. Color photographs offer further ideas. The succeeding sections offer sewing techniques and ForewordForeword byby advice on needles, threads, stabilizers, and interfacings. Claire’s unique fabric/fiber dictionary cross- NancyNancy ZiemanZieman references over 600 additional fabrics. An invaluable reference for anyone who F sews, Sew Any Fabric provides practical, clear information for novices and inspiration for more experienced sewers who are looking for new ideas and techniques. About the Author Shaeffer Claire Shaeffer is a well-known and well- respected designer, teacher, and author of 15 books, including Claire Shaeffer’s Fabric Sewing Guide. She has traveled the world over sharing her sewing secrets with novice, experienced, and professional sewers alike. Claire was recently awarded the prestigious Lifetime Achievement Award by the Professional Association of Custom Clothiers (PACC). Claire and her husband reside in Palm Springs, California.
    [Show full text]