April 17, 2018 City Council Packet
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Midway Gardens Outdoor Music Chicago Was Midway Gardens, the Splendidby Charlesarchitectural A
Membership Meeting: Membership Meeting: July 2014 Tuesday, July 8th, 2014 Tuesday, August 12th, 2014 Vol. 74 No. 6 @ 1:00 pm @ 1:00 pm CHICAGMIDWAY0’S MUSICAL GARDENSWHITE ELEPHANT SEE PAGES 16-17 Local 10-208 of AFM CHICAGO FEDERATION OF MUSICIANS OFFICERS – DELEGATES 2014-2016 Gary Matts President Terryl Jares Vice-President Leo Murphy Secretary-Treasurer BOARD OF DIRECTORS Terryl Jares Gary Matts President Robert Bauchens Bob Lizik Rich Daniels Janice MacDonald Frank Donaldson Charles Schuchat B.J. Levy CONTRACT DEPARTMENT Terryl Jares – Vice-President UPDATE YOUR CONTACT INFORMATION Summer in the City and Out Nancy Van Aacken ASSISTANTS TO THE PRESIDENT - JURISDICTIONS As we move more and more into the digital age, which is usually two weeks or more before the hard Terryl Jares - Vice-President it is increasingly important for the CFM to utilize this copies reach your mailbox. We hope to expand our As I write this, Memorial Day has just passed; and it is finally beginning Supervisor - Entire jurisdiction technology to communicate with our members. The email blasts to include member performances, to feel like the brutal winter has released its grip on Chicago. By the time including theaters (Cell Phone: 312-310-4100) Intermezzo has been posted on our website since moving audition opportunities and any other news that might you read this we’ll be well into the good old summertime when the days are Dean Rolando to the magazine format in 2007. Many of you have be of interest. lazy, hazy and crazy; the livin’ is easy. Recordings, Transcriptions, Documentaries, Etc. requested receiving your Intermezzo solely “on line”. -
Dick Polich in Art History
ww 12 DICK POLICH THE CONDUCTOR: DICK POLICH IN ART HISTORY BY DANIEL BELASCO > Louise Bourgeois’ 25 x 35 x 17 foot bronze Fountain at Polich Art Works, in collaboration with Bob Spring and Modern Art Foundry, 1999, Courtesy Dick Polich © Louise Bourgeois Estate / Licensed by VAGA, New York (cat. 40) ww TRANSFORMING METAL INTO ART 13 THE CONDUCTOR: DICK POLICH IN ART HISTORY 14 DICK POLICH Art foundry owner and metallurgist Dick Polich is one of those rare skeleton keys that unlocks the doors of modern and contemporary art. Since opening his first art foundry in the late 1960s, Polich has worked closely with the most significant artists of the late 20th and early 21st centuries. His foundries—Tallix (1970–2006), Polich of Polich’s energy and invention, Art Works (1995–2006), and Polich dedication to craft, and Tallix (2006–present)—have produced entrepreneurial acumen on the renowned artworks like Jeff Koons’ work of artists. As an art fabricator, gleaming stainless steel Rabbit (1986) and Polich remains behind the scenes, Louise Bourgeois’ imposing 30-foot tall his work subsumed into the careers spider Maman (2003), to name just two. of the artists. In recent years, They have also produced major public however, postmodernist artistic monuments, like the Korean War practices have discredited the myth Veterans Memorial in Washington, DC of the artist as solitary creator, and (1995), and the Leonardo da Vinci horse the public is increasingly curious in Milan (1999). His current business, to know how elaborately crafted Polich Tallix, is one of the largest and works of art are made.2 The best-regarded art foundries in the following essay, which corresponds world, a leader in the integration to the exhibition, interweaves a of technological and metallurgical history of Polich’s foundry know-how with the highest quality leadership with analysis of craftsmanship. -
The Idea of the Labyrinth
·THE IDEA OF · THE LABYRINTH · THE IDEA OF · THE LABYRINTH from Classical Antiquity through the Middle Ages Penelope Reed Doob CORNELL UNIVERSITY PRESS ITHACA AND LONDON Open access edition funded by the National Endowment for the Humanities/Andrew W. Mellon Foundation Humanities Open Book Program. Copyright © 1990 by Cornell University First printing, Cornell Paperbacks, 1992 Second paperback printing 2019 All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. Visit our website at cornellpress.cornell.edu. Printed in the United States of America ISBN 978-0-8014-2393-2 (cloth: alk. paper) ISBN 978-1-5017-3845-6 (pbk.: alk. paper) ISBN 978-1-5017-3846-3 (pdf) ISBN 978-1-5017-3847-0 (epub/mobi) Librarians: A CIP catalog record for this book is available from the Library of Congress An open access (OA) ebook edition of this title is available under the following Creative Commons license: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0): https://creativecommons.org/licenses/ by- nc-nd/4.0/. For more information about Cornell University Press’s OA program or to download our OA titles, visit cornellopen.org. Jacket illustration: Photograph courtesy of the Soprintendenza Archeologica, Milan. For GrahamEric Parker worthy companion in multiplicitous mazes and in memory of JudsonBoyce Allen and Constantin Patsalas Contents List of Plates lX Acknowledgments: Four Labyrinths xi Abbreviations XVll Introduction: Charting the Maze 1 The Cretan Labyrinth Myth 11 PART ONE THE LABYRINTH IN THE CLASSICAL AND EARLY CHRISTIAN PERIODS 1. -
Musicals Go Undiscovered and Never Get the Productions They Deserve
SPRING 2020 PITCH BOOK At The Producer’s Perspective, we are on a mission to help 5000 shows get produced by 2025 and have curated this book of new work for your consideration. All too often, exciting new plays and musicals go undiscovered and never get the productions they deserve. So we wanted to provide an opportunity for theaters, producers, and organizations like yours to access information on new material just waiting to be discovered. The Pitch Book features over 100 new plays and musicals from creators across the country and provides you with a tagline and succinct pitch, as well as essential show and collaborator information for each project. We encourage you to peruse the pitches in this book and if you find a project that appeals to you, please feel free to reach out to the show directly or let us know by emailing [email protected]! To view the online version of our Pitch Book with clickable links and zooming capabilities, please visit www.theproducersperspective.com/producer-pitch-book now! 1 TABLE OF CONTENTS MUSICALS A CHRISTMAS CAROL (CUSTOMIZED FOR YOUR REGION) 5 A GREEN UNBRELLA 6 A SYMPHONY FOR PORTLAND 7 ACROSS THE AMAZONS 8 AFTER HAPPILY EVER AFTER 9 BAGELS! (THE MUSICAL) 10 BEGGARS & CHOOSERS, THE MUSICAL 12 BENDING TOWARDS THE LIGHT… A JAZZ NATIVITY 13 BETWIXT AND BETWEEN 14 BEYOND PERFECTION 15 BILLIONAIRE 16 BLANK SPACE THE MUSICAL (JUKEBOX MUSICAL WITH MUSIC & LYRICS BY TAYLOR SWIFT) 17 BRICKTOP: LEGEND OF THE JAZZ AGE 18 BROOKLYN BRIDGE EMILY’S STORY 20 BRUSH ARBOR REVIVAL 20 COME AND SEE 22 COMPANY MATTERS 23 DAISY AND THE WONDER WEEDS 24 DESERT ROSE 25 DOGS 26 EARTHBOUND (AN ELECTRONICA MUSICAL) 27 EMERALD MAN 28 EMERGENCY 29 EVANGELINE, A CURIOUS JOURNEY 30 GEORGINE 31 SUITE MOMS 32 GLINDA/MRS. -
Midtown Blocks Historic Assessment September 2004
Midtown Blocks Historic Assessment September 2004 Acknowledgements Portland Bureau of Planning Vera Katz, Mayor Gil Kelley, Planning Director Project Staff Joe Zehnder, Principle Planner Steve Dotterrer, Principle Planner Julia Gisler, City Planner II Cielo Lutino, City Planner II Lisa Abuaf, Community Service Aide With Additional Assistance From: Donah Baribeau, Office Specialist III Gary Odenthal, Technical Service Manager Carmen Piekarski, GIS Analyst Urban Design Section Portland Development Commission Amy Miller Dowell, Senior Project Coordinator Historic Research Consultant Donald R. Nelson, Historic Writing and Research Cover Images (clockwise from top left): Guild Theatre Marquee, 2003; SW Salmon & Broadway, ca. 1928; Drawing of the Pythian Building, 1906; SW 9th & Yamhill, 2003; Entrance to the Woodlark Building, 2003; Virginia Café Neon, 2003; Fox Theater and Music Box, 1989; Demolition of the Orpheum Theater, 1976; Construction of the Benson Hotel, 1912; Stevens Building, 1914; Broadway Building and Liebes Building, 2003. Table of Contents Introduction ............................................................................. 1 Recent Planning for the Midtown Blocks ........................................ 1 Historic Assessment ................................................................ 1 Elements of the Historic Assessment............................................. 2 Findings ............................................................................... 4 Recommendations.................................................................. -
Nancy+ Azara+ CV
A.I.R. NANCY AZARA CV website: nancyazara.com email: [email protected] EDUCATION AAS Finch College, N.Y. BS Empire State College S.U.N.Y Art Students League of New York, Sculpture with John Hovannes, Painting and Drawing with Edwin Dickinson Lester Polakov Studio of Stage Design, New York City SELECTED SOLO EXHIBITIONS 2021 High Chair and Other Works, A.I.R. Gallery, Brooklyn, NY 2020 Gold Coat with Red Triangle, Gallery Z, Windows Exhibition, New York, NY 2019 The Meeting of the Birds, curated by Robert Tomlinson, Kaaterskill Fine Arts Gallery, Hunter Village Square, NY 2018 Nancy Azara: Nature Prints, a cabinet installation, curated by Claudia Sbrissa, Saint John’s University, Queens, NY 2017 Passage of the Ghost Ship: Trees and Vines, The Picture Gallery at The Saint- Gaudens Memorial, Cornish, New Hampshire 2016 Tuscan Spring: Rubbings, Scrolls and Other Works, curated by Harry J Weil, A.I.R. Gallery, Brooklyn, NY 2015 Allegory of Leaves, (3 person show) The Harold B. Lemmerman Gallery, New Jersey City University, Jersey City, NJ 2015 I am the Vine, You are the Branches, St. Ann & the Holy Trinity Church, Brooklyn, NY 2013 Of leaves and vines . A shiing braid of lines, SACI Gallery, Florence, Italy 2012 Natural Linking, (3 Person Show) Traffic Zone Center for Visual Arts, Minneapolis, MN 2011 Spirit Taking Form: Rubbings, Tracings and Carvings, Gaga Arts Center, Garnerville, NY 2010 Spirit Taking Form: Rubbings, Tracings and Carvings, Fairleigh Dickinson University, Teaneck, NJ 2010 Nancy Azara: Winter Song, Andre Zarre Gallery, NYC, NY 2009 Nancy Azara, Suffolk Community College, Long Island, NY 2008 Nancy Azara, Sanyi Museum, Miaoli, Taiwan 2008 Maxi’s Wall, A.I.R. -
City of Woodstock Office of the City Manager Phone (815) 338-4301 Fax (815) 334-2269 [email protected] 121 W
City of Woodstock Office of the City Manager Phone (815) 338-4301 Fax (815) 334-2269 [email protected] www.woodstockil.gov 121 W. Calhoun Street Roscoe C. Stelford III Woodstock, Illinois 60098 City Manager WOODSTOCK CITY COUNCIL City Council Chambers November 1, 2016 7:00 p.m. Individuals Wishing to Address the City Council Are Invited to Come Forward to the Podium and Be Recognized by the Mayor; Provide their Name and Address for Purposes of the Record, if willing to do so; and Make Whatever Appropriate Comments They Would Like. The complete City Council packet is available at the Woodstock Public Library, Woodstock City Hall, and via the City Council link on the City’s website, www.woodstockil.gov. For further information, please contact the Office of the City Manager at 815-338-4301 or [email protected]. The proceedings of the City Council meeting are being audio-recorded only to aid in the preparation of the Minutes and are not retained as part of the permanent records of the City. CALL TO ORDER ROLL CALL: A. FLOOR DISCUSSION: 1. Proclamation – National Diabetes Awareness Month 2. Employee Service Awards Anyone wishing to address the Council on an item not already on the agenda may do so at this time. 1. Public Comments 2. Council Comments CONSENT AGENDA: (NOTE: Items under the consent calendar are acted upon in a single motion. There is no separate discussion of these items prior to the Council vote unless: 1) a Council Member requests that an item be removed from the calendar for separate action, or 2) a citizen requests an item be removed and this request is, in turn, proposed by a member of the City Council for separate action.) Woodstock City Council November 1, 2016 Page 2 B. -
It's a Good Time for Art on the North Coast
Founded in 1882, Cleveland Institute of Art is an independent college of art and design committed to leadership and vision in all forms of visual arts education. CIA makes enduring contributions to art and education and connects to the community through gallery exhibitions, lectures, a continuing education program and Link the Cleveland Institute of Art Cinematheque. Spring/Summer 2018 | News for Alumni and Friends of the Cleveland Institute of Art Crowds poured into the Transformer Station gallery for the January 19 opening of Eating Atom Bombs by Dana Schutz ’00. Among other big events that night were multiple show openings at 78th Street Studios. Below left, visitors experienced virtual reality at Reinberger Gallery’s spring exhibition, Portals_Thresholds. ROBERT MULLER/CIA The Hot Scene It’s a good time for art in Cleveland on the North Coast By Karen Sandstrom living and still launch rewarding careers? Collective Arts Network, a visual arts member Is the Cleveland art scene just plain hot? organization (CIA was a founding member). It’s Friday night in Northeast Ohio, and there’s so much art on the menu. See a group show Keen cultural observers say yes, with That’s a lot of activity for the 2 million residents of at BAYarts in Bay Village, do some wine-and- a caveat or two. And it’s likely to feel the Cleveland metro area, but a bustling art scene cheesing at 78th Street Studios, and pop in at warmer still in the coming months. is becoming common. Experts point to the city’s Praxis Fiber Workshop in Collinwood. -
National Endowment for the Arts Annual Report 1979
National Endowment for the Arts National Endowment for the Arts Washington, D.C. 20506 Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1979. Respectfully, Livingston L. Biddle, Jr. Chairman The President The White House Washington, D.C. February 1980 1 Contents Chairman’s Statement 2 The Agency and Its Functions 4 National Council on the Arts 5 Programs Deputy Chairman’s Statemen~ 8 Dance 10 Design Arts 30 Expansion Arts 50 Folk Arts 84 Literature 100 Media Arts: Film/Radio/Television 118 Museum 140 Music 172 Opera-Musical Theater 202 Special Projects 212 Theater 222 Visual Arts 240 Policy and Planning Challenge Grants 272 Evaluation 282 International/Fellows 283 Research 286 Special Constituencies 288 Office for Partnership Executive Director’s Statement 296 Education (Artists-in-Schools) 299 Federal-State Partnership (State Programs) 305 Intergovernmental Activities 312 Financial Summary 314 History of Authorizations and Appropriations 315 Chairman’s Statement A Common Cause for the Arts isolated rural coraraunities to the barrios and Perhaps nothing is raore enviable--or raore ghettoes of our inner cities. The dreara---that daunting--than the opportunity to raake a prac of access for all Araericans to the best in art- tical reality out of a visionary dreara. I happen is becoraing reality. to have this unusual privilege. As special assist But reality, as we all know, is a thorny ant to Senator Claiborne Pell frora 1963 to thing, with catches, snares and tangles. -
AGENDA Committee of the Whole January 9, 2017 5:00 P.M
AGENDA Committee of the Whole January 9, 2017 5:00 p.m. A. Roll Call B. Items Also on the Regular Agenda C. Considerations C.1. Egyptian Theatre Business Planning Feasibility Assessment. Documents: Egyptian Theatre Feasibility Study.pdf C.2. FY2016 Management Letter and Comprehensive Annual Financial Report (CAFR). Documents: FY2016 CAFR Presentation.pdf D. Public Participation E. Recess for Executive Session of the City Council E.1. Approval to Hold an Executive Session to Discuss Personnel as Provided for in 5 ILCS 120/2(c)(1). E.2. Approval to Hold an Executive Session to Discuss Pending or Imminent Litigation as Provided for in 5 ILCS 120/2(c)(11). F. Adjournment Assistive services available upon request. DATE: January 4, 2017 TO: Honorable Mayor John Rey City Council FROM: Anne Marie Gaura, City Manager Patty Hoppenstedt, Assistant City Manager Jason Michnick, Economic Development Planner Lauren Stott, Management Analyst SUBJECT: Egyptian Theatre Business Planning Feasibility Assessment. I. Summary On January 25, 2016, the City Council approved an agreement with Janis A. Barlow & Associates to complete a feasibility study for the Egyptian Theatre. This study, which aligns with the DeKalb 2025 Strategic Plan, represents months of research and results in recommended actions developed to increase the operating potential of the Theatre. This feasibility study is presented for the consideration and discussion of the Mayor and Council. II. Background Increasing the operating potential of the Theatre has been identified as a transformational project for Downtown DeKalb. Both the Downtown Revitalization Plan of 2007 and the City Center Plan of 2013 reference the value of the Theatre to the overall economic viability of the Downtown, recognizing its benefits as a significant cultural and entertainment draw to the Downtown and as a major asset in attracting patrons to the area. -
Contemporary American Painting and Sculpture
ILLINOIS LIBRARY AT URBANA-CHAMPAIGN ARnM!TFXTURE KIOMR LliiHAKY AKOHITKTUKfc UNiVEIWTY OF ILLINOIS NOTICE: Return or renew all Library Malerlalst The minimum Fee for each Lost Book is $50.00. The person charging this material is responsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for discipli- nary action and may result in dismissal from the University. To renew call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN L16I—O-1096 ' » • .( ij.^.'. / »f T»^ 'A^Vc^ * • ir* ;' I n'V', ii'.mM :"! ii'vi '' > ' i: 1 "i .m'i ;:[ ' iv/iv/,''ir' ',!.;' ill ! i;'M,'i)">'i>''; I I I'^i'iii' , I ji II, >,M]' i,,i,ii, I * l'.',, i ! I i M!, ,.ll;!;J!-!;'!li^:*^'(WrM''^ I 1 ' ' I •,''',•1 ' , ill'' I fe!(''::!:ifi!'yi§li''i'!''';iVM^ »ntemporary American Painting and Sculpture] niversity off Illinois . -i&Sv i; z^' ii^ THE LIBRARY OF THE FEB ,?4iS5G UNIVERSITY OF ILLINOIS c ^MTifn? Y-^.m ARCWTEcnwi oi .n oi. =4 CONTEMPORARY AMERICAN PAINTING AND SCULPTURE University of Illinois, Urbana Sunday, February 27, through Sunday, April 3, 1955 Galleries, Architecture Building Co//ege of Fine and Applied Arts THE LIBRARY OF THE IVIAR 1 1955 iiMi\fFe<:rrv nr iiiiNrii5$ Copyright 1955 by the University of Illinois Manufactured in the United States of America RICKFP 5-^>/ ,^r^^ tIRRARY ARCHITCCTU8E 7 UMVfcXS.IY OF lumois CONTEMPORARY AMERICAN PAINTING AND SCULPTURE LLOYD MOREY President of the University- ALLEN S. -
1998 Illinois Shakespeare Festival School of Theatre and Dance Illinois State University
Illinois State University ISU ReD: Research and eData Illinois Shakespeare Festival Fine Arts Summer 1998 1998 Illinois Shakespeare Festival School of Theatre and Dance Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/isf Part of the Theatre and Performance Studies Commons Recommended Citation School of Theatre and Dance, "1998 Illinois Shakespeare Festival" (1998). Illinois Shakespeare Festival. 30. https://ir.library.illinoisstate.edu/isf/30 This Book is brought to you for free and open access by the Fine Arts at ISU ReD: Research and eData. It has been accepted for inclusion in Illinois Shakespeare Festival by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ILLINOIS 98 SHAKESPEARE FESTIVAL THE FALCON'S PITCH ADAPTED BY JEFFREY SWEET FROM WILLIAM SHAKESPEARE'S KING HENRY VI, PARTS I, 2, AND 3 JUNE 18, 20, 26, 28, JULY 7, IO, 15, 18, 22, 24, 26, 28, 31, AUGUST 2, 6 MucH Ano ABouT NOTHING BY WILLIAM SHAKESPEARE JUNE 19, 21, 25, 27, JULY 5, 9, 12, 17, 21, 23, 25, 29, AuGqST 2, 8 MEASURE FOR MEASURE BY WILLIAM SHAKESPEARE JULY 3, 8, II, 14, 16, 19, 26, 30, AUGUST 1, 7 EWING MANOR, BLOOMINGTON • WESTHOFF THEATRE, NORMAL CALVIN MAcLEAN FERGUS G. CURRIE PETER GurTHER Artistic Director Managing Director General Manager The Illinois Shakespeare Festival is a professional theatre employing members ofActors' Equity Association, the Union ofProfessional actors and stage managers in the U.S.A. The 1998 Illinois Shakespeare Festival is made possible in part by funding and support provided by the Illinois State University Foundation; the Illinois Arts Council - a state agency; the Illinois Department of Commerce and Community Affairs, Bureau of Tourism; the Town of Normal; State Farm Companies Foundation; and Illinois State University, the College of Fine Arts, the Department of Theatre; as well as through the generous contributions of Illinois Shakespeare Society members.