Midtown Blocks Historic Assessment September 2004
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Where to Eat, Drink, Stay and Play in Portland, Oregon - Maxim
9/13/2019 Where to Eat, Drink, Stay and Play in Portland, Oregon - Maxim HOME FOOD & DRINK WHERE TO EAT, DRINK, STAY AND PLAY IN PORTLAND, OREGON From recreational weed to fine food and craft cocktails, Portland has got you covered. ZEYNEP YENISEY · AUG 22, 2019 Is Portland, Oregon, the quirkiest big city in America? Quite possibly, yes. This famed hipster mecca is home to a 31-foot tall Paul Bunyan statue, recreational marijuana, and a kilt-wearing Darth Vader on a unicycle who plays flame-shooting bagpipes (yes, seriously), among other oddities. As a city that introduces itself with the unofficial motto “Keep Portland Weird,” you already know you're in for a good time no matter where you go, though we have a few personal recommendations. With that said, here’s exactly where to eat, stay, and get super weird in the City of Roses. EAT: VOODOO DOUGHNUT No trip to Portland is complete without paying a little visit to the deliciously eccentric Voodoo Doughnut, where the doughy creations range from the Bacon Maple Bar, Maple Blazer Blunt (it's actually shaped like a blunt), the Old Dirty Bastard, and the Cock-N-Balls. ARDEN Small yet sophisticated, Arden is one of downtown Portland’s most intimate and impressive spots if you’re looking for a fantastic dinner with perfect wine pairings that are curated by owner and super-sommelier Kelsey Glasser. The menu is small but perfectly executed with elevated dishes like wild king salmon and adobo lamb loin with almond salsa. If you're unsure of what to order, get the Chef's Prix Fixe with four delicious courses -- but don't forget the coursed wine pairing. -
2016 Portland Hotel Guide
Portland Hotel Guide HouseSpecial 2016 housespecial.com Airport 12 420 NE 9th Ave. 10 2 11 8 7 4 3 6 1 5 9 North WELCOME TO PORTLAND Here are some hotel suggestions for your stay. Hopefully, this will give you a little taste of the city and make your decision a bit easier. We know you’re going to love Portland — we sure do. 1 The Nines HOUSESPECIAL RATE HOTELS 2 Ace Hotel The Nines .....................................................................page 3 3 Hotel Lucia Ace Hotel .....................................................................page 4 4 Hotel deLuxe Hotel Lucia ...................................................................page 5 Hotel deLuxe ................................................................page 6 5 Hotel Monaco Hotel Monaco...............................................................page 7 Sentinel Hotel ..............................................................page 8 6 Sentinel Hotel Hotel Vintage ...............................................................page 9 7 Hotel Vintage Hotel Eastlund..............................................................page 10 8 Benson Hotel 9 The Heathman Hotel STANDARD RATE HOTELS Benson Hotel ...............................................................page 11 10 Jupiter Hotel The Heathman .............................................................page 12 11 The Westin Jupiter Hotel ................................................................page 13 The Westin ...................................................................page 14 12 Hotel -
Dick Polich in Art History
ww 12 DICK POLICH THE CONDUCTOR: DICK POLICH IN ART HISTORY BY DANIEL BELASCO > Louise Bourgeois’ 25 x 35 x 17 foot bronze Fountain at Polich Art Works, in collaboration with Bob Spring and Modern Art Foundry, 1999, Courtesy Dick Polich © Louise Bourgeois Estate / Licensed by VAGA, New York (cat. 40) ww TRANSFORMING METAL INTO ART 13 THE CONDUCTOR: DICK POLICH IN ART HISTORY 14 DICK POLICH Art foundry owner and metallurgist Dick Polich is one of those rare skeleton keys that unlocks the doors of modern and contemporary art. Since opening his first art foundry in the late 1960s, Polich has worked closely with the most significant artists of the late 20th and early 21st centuries. His foundries—Tallix (1970–2006), Polich of Polich’s energy and invention, Art Works (1995–2006), and Polich dedication to craft, and Tallix (2006–present)—have produced entrepreneurial acumen on the renowned artworks like Jeff Koons’ work of artists. As an art fabricator, gleaming stainless steel Rabbit (1986) and Polich remains behind the scenes, Louise Bourgeois’ imposing 30-foot tall his work subsumed into the careers spider Maman (2003), to name just two. of the artists. In recent years, They have also produced major public however, postmodernist artistic monuments, like the Korean War practices have discredited the myth Veterans Memorial in Washington, DC of the artist as solitary creator, and (1995), and the Leonardo da Vinci horse the public is increasingly curious in Milan (1999). His current business, to know how elaborately crafted Polich Tallix, is one of the largest and works of art are made.2 The best-regarded art foundries in the following essay, which corresponds world, a leader in the integration to the exhibition, interweaves a of technological and metallurgical history of Polich’s foundry know-how with the highest quality leadership with analysis of craftsmanship. -
2019 Downtown Hotel Density
HANCOCK S.T UPSHUR ST. SCHUYLER S. T . A VE T. FLINT AVE. THURMAN S WILLIAMS AVE. VANCOUVER 15TH AVE. 16TH AVE. 14TH AVE. 2ND AVE. 3RD AVE. 9TH AVE. 8TH AVE. 6TH AVE. 1ST AVE. 13TH AVE. 12TH AVE. 10TH AVE. 7TH AVE. 11TH AVE. THURMAN ST. VICTORIA AVE. BROADWAY ST. T WHEELER . VE DIXON S A SA VIER ST. ROSS ROSS MARTIN LUTHER KING JR. BLVD. VE A WEIDLER S.T . A VE RALEIGH ST. BENTON LARRABEE LARRABEE HALSEY S.T QUIMBYT S . WINNING AVE. CLACKAMAS S. T PETTYGROVE ST. WASCO S.T GRAND T . OVER TON S VE A TE TE T A MULTNOMAH ST. INTERS NOR THRUP ST. STREETCA R HASSALO S.T MARSHALL ST. 1ST AVE. WHEELER AVE. ATION WAY ATION T S HOLLADAY ST. 225 T . STREETCA LOVEJOY S R PACIFIC S.T KEARNEY ST. 2019 Marriott Residence Inn OREGON S.T T . VE. JOHNSON S A 6TH 6TH IRVING ST. ARKWAY P T . VING S NAITO IR L VD VE. VE. A VE. HOYT ST. VE. VE. A LLOYD B A A A VE. A 15TH 15TH 16TH 16TH 17TH 17TH 18TH 18TH 19TH 19TH HOYTT S . 23RD 23RD GLISAN S.T Canopy Hilton GLISANT S . 25 Harlow Hotel Hampton Inn 153 FLANDERS S. T FLANDERS ST. Society Hotel Total Room Count: 6,819 Room Total EVERETT S. T 243 VE. T. AVE. AY EVERETT S VE. A VE. W VE. A A VE. A VE. VE. VE. VE. A VE. VE. A A A 62 VE. A A 3RD 3RD A A 4TH 4TH 5TH 5TH DAVIS ST. -
The Idea of the Labyrinth
·THE IDEA OF · THE LABYRINTH · THE IDEA OF · THE LABYRINTH from Classical Antiquity through the Middle Ages Penelope Reed Doob CORNELL UNIVERSITY PRESS ITHACA AND LONDON Open access edition funded by the National Endowment for the Humanities/Andrew W. Mellon Foundation Humanities Open Book Program. Copyright © 1990 by Cornell University First printing, Cornell Paperbacks, 1992 Second paperback printing 2019 All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. Visit our website at cornellpress.cornell.edu. Printed in the United States of America ISBN 978-0-8014-2393-2 (cloth: alk. paper) ISBN 978-1-5017-3845-6 (pbk.: alk. paper) ISBN 978-1-5017-3846-3 (pdf) ISBN 978-1-5017-3847-0 (epub/mobi) Librarians: A CIP catalog record for this book is available from the Library of Congress An open access (OA) ebook edition of this title is available under the following Creative Commons license: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0): https://creativecommons.org/licenses/ by- nc-nd/4.0/. For more information about Cornell University Press’s OA program or to download our OA titles, visit cornellopen.org. Jacket illustration: Photograph courtesy of the Soprintendenza Archeologica, Milan. For GrahamEric Parker worthy companion in multiplicitous mazes and in memory of JudsonBoyce Allen and Constantin Patsalas Contents List of Plates lX Acknowledgments: Four Labyrinths xi Abbreviations XVll Introduction: Charting the Maze 1 The Cretan Labyrinth Myth 11 PART ONE THE LABYRINTH IN THE CLASSICAL AND EARLY CHRISTIAN PERIODS 1. -
Cornerstones of Community: Building of Portland's African American History
Portland State University PDXScholar Black Studies Faculty Publications and Presentations Black Studies 8-1995 Cornerstones of Community: Buildings of Portland's African American History Darrell Millner Portland State University, [email protected] Carl Abbott Portland State University, [email protected] Cathy Galbraith The Bosco-Milligan Foundation Follow this and additional works at: https://pdxscholar.library.pdx.edu/black_studies_fac Part of the United States History Commons, and the Urban Studies and Planning Commons Let us know how access to this document benefits ou.y Citation Details Millner, Darrell; Abbott, Carl; and Galbraith, Cathy, "Cornerstones of Community: Buildings of Portland's African American History" (1995). Black Studies Faculty Publications and Presentations. 60. https://pdxscholar.library.pdx.edu/black_studies_fac/60 This Report is brought to you for free and open access. It has been accepted for inclusion in Black Studies Faculty Publications and Presentations by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. ( CORNERSTONES OF COMMUNITY: BUILDINGS OF PORTLAND'S AFRICAN AMERICAN HISTORY Rutherford Home (1920) 833 NE Shaver Bosco-Milligan Foundation PO Box 14157 Portland, Oregon 97214 August 1995 CORNERSTONES OF COMMUNITY: BUILDINGS OF PORTLAND'S AFRICAN AMERICAN HISTORY Dedication This publication is dedicated to the Portland Chapter ofthe NMCP, and to the men and women whose individual histories make up the collective history ofPortland's -
Restaurant / Retail 1,673 Rsf Available Retail Space 1,325 Rsf Retail Space 910 Rsf
MORGAN BUILDING 720 SW WASHINGTON STREET RESTAURANT / RETAIL 1,673 RSF AVAILABLE RETAIL SPACE 1,325 RSF RETAIL SPACE 910 RSF DOWNTOWN / WEST END PRIME RESTAURANT & RETAIL OPPORTUNITIES ROB MONEYHAN | NICOLE ONDER | 503.228.3080 WWW.URBANWORKSREALESTATE.COM SW PARK AVE RESTAURANT / RETAIL SUITE M00 | 1,494 USF / 1,673 RSF AVAILABLE | NOW • New storefront RATE | CONTACT BROKER USE | RESTAURANT / RETAIL • Full height operable windows • Expanded outdoor patio • Service entry SW WASHINGTON ST WH D 34'-2 3/4" 9'-1 1/4" 75'-11 3/4" SW BROADWAY SW C M00 M99 M00AVAILABLE AVAILABLE 1,494 USF1,493.66 / 1,673 useable sq.RSF ft. 42'-5 3/4" 2,207.48 useable sq. ft. 1,673 rentable sq. ft. 2,472 rentable sq. ft. Up 2 risers 24'-2 3/4" SW PARK AVE SW PARK B PATIO Patio Ramp up COMING SOON 235234.51 useableSF sq. ft. 263 rentable sq. ft. Common Area Up 2 risers 827.09 useable sq. ft. A M00 S u i t e M 9 9 Scale 2,472 rentable square feet COMING0 4' SOON16'8' | WOODLARK HOTEL 150 room lifestyle hotel. The adaptive reuse project will connect the Woodlark Building, built in 1912 and located on S W W a s h i n g t o n S t r e e t the corner of SW Alder and SW Park in downtown Portland, with the adjacent former Cornelius Hotel, built in 1908. PARK AVE ENTRANCE MORGAN BUILDING | 2 S W B r o a d w y S W P a r k A v e n u T h e M o r g a n B u i l d i n g M e z z a n i n e 7 2 0 S W W a s h i n g t o n S t r e e t P o r t l a n d , O R 9 7 2 0 5 R e v i s e d : J a n . -
National Register of Historic Places Registration Form IIWRF
NPS Form 10-900 OMB No. 10024-0018 (Oct. 1990) United States Department of the Interior National Park Service National Register of Historic Places Registration Form IIWRF ' Wsi^R?'^":.;aCESj This form is for use in nominating or requesting determinations for individual properties and districts. see^4^^i^laij|^tt|(SoCojiplete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If an item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classifications, materials and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property historic name Swetland Building other names/site number 2. Location street& number 500 SW 5tn Avenue O not for publication city or town __ Portland '-' vicinity state Oregon code OR county Multnomah code 51 zip code 97205 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this _X_____ nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property _X_ meets __ does not meet the National Register criteria. I recommend that this property b£>ecjJ6idered significant __ nationally __ statewide X locally. -
National Register of Historic Places Continuation Sheet
NPS Form 10-900 OMB No. 10024-0018 (Oct. 1990) United States Department of the Interior National Park Service 0 (i 1993 National Register of Historic Places Registration Form VlGrtAL REGISTER This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How ttj Complete the National Register of Historic Places Registration Form (National Register Bulletin! 16A). Complete each item by marking "x" in tree appropriate box or by entering the information requested. If an item does not apply to the propeny being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NFS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property_____________________________________ ___ _ _ _ historic name ___ other names/site number 2. Location street & number 10 Broadway E0A)ot for publication city or town Portland _NJZAvicinity state Oregon code OR county Multnomah code 051 zip code 97209 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this _CJ nomination O request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property S meets Q does not meet the National Register criteria. I recommend that this property be considered significant O nationallynally CD statewide 0 , loclly.locall (D See continuation sheet for additional comments.) 4&~n*~+> yC72J2" July 20, 1993 Signature of certifying official/Title Deputy SHPO Date Oregon State Historic Preservation Office State of Federal agency and bureau In my opinion, the property D meets D does not meet the National Register criteria. -
Nancy+ Azara+ CV
A.I.R. NANCY AZARA CV website: nancyazara.com email: [email protected] EDUCATION AAS Finch College, N.Y. BS Empire State College S.U.N.Y Art Students League of New York, Sculpture with John Hovannes, Painting and Drawing with Edwin Dickinson Lester Polakov Studio of Stage Design, New York City SELECTED SOLO EXHIBITIONS 2021 High Chair and Other Works, A.I.R. Gallery, Brooklyn, NY 2020 Gold Coat with Red Triangle, Gallery Z, Windows Exhibition, New York, NY 2019 The Meeting of the Birds, curated by Robert Tomlinson, Kaaterskill Fine Arts Gallery, Hunter Village Square, NY 2018 Nancy Azara: Nature Prints, a cabinet installation, curated by Claudia Sbrissa, Saint John’s University, Queens, NY 2017 Passage of the Ghost Ship: Trees and Vines, The Picture Gallery at The Saint- Gaudens Memorial, Cornish, New Hampshire 2016 Tuscan Spring: Rubbings, Scrolls and Other Works, curated by Harry J Weil, A.I.R. Gallery, Brooklyn, NY 2015 Allegory of Leaves, (3 person show) The Harold B. Lemmerman Gallery, New Jersey City University, Jersey City, NJ 2015 I am the Vine, You are the Branches, St. Ann & the Holy Trinity Church, Brooklyn, NY 2013 Of leaves and vines . A shiing braid of lines, SACI Gallery, Florence, Italy 2012 Natural Linking, (3 Person Show) Traffic Zone Center for Visual Arts, Minneapolis, MN 2011 Spirit Taking Form: Rubbings, Tracings and Carvings, Gaga Arts Center, Garnerville, NY 2010 Spirit Taking Form: Rubbings, Tracings and Carvings, Fairleigh Dickinson University, Teaneck, NJ 2010 Nancy Azara: Winter Song, Andre Zarre Gallery, NYC, NY 2009 Nancy Azara, Suffolk Community College, Long Island, NY 2008 Nancy Azara, Sanyi Museum, Miaoli, Taiwan 2008 Maxi’s Wall, A.I.R. -
National Register of Historic Places Weekly Lists for 2004
National Register of Historic Places 2004 Weekly Lists January 2, 2004 ............................................................................................................................................. 3 January 9, 2004 ............................................................................................................................................. 5 January 16, 2004 ........................................................................................................................................... 8 January 23, 2004 ......................................................................................................................................... 10 January 30, 2004 ......................................................................................................................................... 14 February 6, 2004 ......................................................................................................................................... 19 February 13, 2004 ....................................................................................................................................... 23 February 20, 2004 ....................................................................................................................................... 25 February 27, 2004 ....................................................................................................................................... 29 March 5, 2004 ............................................................................................................................................ -
Musical Life in Portland in the Early Twentieth Century
MUSICAL LIFE IN PORTLAND IN THE EARLY TWENTIETH CENTURY: A LOOK INTO THE LIVES OF TWO PORTLAND WOMEN MUSICIANS by MICHELE MAI AICHELE A THESIS Presented to the School of Music and Dance and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2011 THESIS APPROVAL PAGE Student: Michele Mai Aichele Title: Musical Life in Portland in the Early Twentieth Century: A Look into the Lives of Two Portland Women Musicians This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the School of Music and Dance by: Anne Dhu McLucas Chair Lori Kruckenberg Member Loren Kajikawa Member and Richard Linton Vice President for Research and Graduate Studies/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2011 ii © 2011 Michele Mai Aichele iii THESIS ABSTRACT Michele Mai Aichele Master of Arts School of Music and Dance June 2011 Title: Musical Life in Portland in the Early Twentieth Century: A Look into the Lives of Two Portland Women Musicians Approved: _______________________________________________ Dr. Anne Dhu McLucas This study looks at the lives of female musicians who lived and worked in Oregon in the early twentieth century in order to answer questions about what musical opportunities were available to them and what musical life may have been like. In this study I am looking at the lives of the composers, performers, and music teachers, Ethel Edick Burtt (1886-1974) and Mary Evelene Calbreath (1895-1972).