Voltaire's Candide
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Chapter 15: Resources This Is by No Means an Exhaustive List. It's Just
Chapter 15: Resources This is by no means an exhaustive list. It's just meant to get you started. ORGANIZATIONS African Americans for Humanism Supports skeptics, doubters, humanists, and atheists in the African American community, provides forums for communication and education, and facilitates coordinated action to achieve shared objectives. <a href="http://aahumanism.net">aahumanism.net</a> American Atheists The premier organization laboring for the civil liberties of atheists and the total, absolute separation of government and religion. <a href="http://atheists.org">atheists.org</a> American Humanist Association Advocating progressive values and equality for humanists, atheists, and freethinkers. <a href="http://americanhumanist.org">americanhumanist.org</a> Americans United for Separation of Church and State A nonpartisan organization dedicated to preserving church-state separation to ensure religious freedom for all Americans. <a href="http://au.org">au.org</a> Atheist Alliance International A global federation of atheist and freethought groups and individuals, committed to educating its members and the public about atheism, secularism and related issues. <a href="http://atheistalliance.org">atheistalliance.org</a> Atheist Alliance of America The umbrella organization of atheist groups and individuals around the world committed to promoting and defending reason and the atheist worldview. <a href="http://atheistallianceamerica.org">atheistallianceamerica.org< /a> Atheist Ireland Building a rational, ethical and secular society free from superstition and supernaturalism. <a href="http://atheist.ie">atheist.ie</a> Black Atheists of America Dedicated to bridging the gap between atheism and the black community. <a href="http://blackatheistsofamerica.org">blackatheistsofamerica.org </a> The Brights' Net A bright is a person who has a naturalistic worldview. -
Pseudogenes Macaques
Genetic Makeup of the DR Region in Rhesus Macaques: Gene Content, Transcripts, and Pseudogenes This information is current as Nanine de Groot, Gaby G. Doxiadis, Natasja G. de Groot, of September 25, 2021. Nel Otting, Corrine Heijmans, Annemiek J. M. Rouweler and Ronald E. Bontrop J Immunol 2004; 172:6152-6157; ; doi: 10.4049/jimmunol.172.10.6152 http://www.jimmunol.org/content/172/10/6152 Downloaded from References This article cites 45 articles, 15 of which you can access for free at: http://www.jimmunol.org/content/172/10/6152.full#ref-list-1 http://www.jimmunol.org/ Why The JI? Submit online. • Rapid Reviews! 30 days* from submission to initial decision • No Triage! Every submission reviewed by practicing scientists • Fast Publication! 4 weeks from acceptance to publication by guest on September 25, 2021 *average Subscription Information about subscribing to The Journal of Immunology is online at: http://jimmunol.org/subscription Permissions Submit copyright permission requests at: http://www.aai.org/About/Publications/JI/copyright.html Email Alerts Receive free email-alerts when new articles cite this article. Sign up at: http://jimmunol.org/alerts The Journal of Immunology is published twice each month by The American Association of Immunologists, Inc., 1451 Rockville Pike, Suite 650, Rockville, MD 20852 Copyright © 2004 by The American Association of Immunologists All rights reserved. Print ISSN: 0022-1767 Online ISSN: 1550-6606. The Journal of Immunology Genetic Makeup of the DR Region in Rhesus Macaques: Gene Content, Transcripts, and Pseudogenes1 Nanine de Groot,2 Gaby G. Doxiadis, Natasja G. de Groot, Nel Otting, Corrine Heijmans, Annemiek J. -
OEDIPUS by Voltaire
OEDIPUS By Voltaire Translated and adapted by Frank J. Morlock OEDIPUS By Voltaire Table of Contents OEDIPUS By Voltaire..............................................................................................................................................1 Translated and adapted by Frank J. Morlock.................................................................................................2 ACT I.............................................................................................................................................................4 ACT II..........................................................................................................................................................13 ACT III.........................................................................................................................................................24 ACT IV........................................................................................................................................................35 ACT V..........................................................................................................................................................45 i OEDIPUS By Voltaire OEDIPUS By Voltaire 1 OEDIPUS By Voltaire Translated and adapted by Frank J. Morlock Etext by Dagny • ACT I • ACT II • ACT III • ACT IV • ACT V Etext by Dagny This Etext is for private use only. No republication for profit in print or other media may be made without the express consent of the Copyright Holder. The Copyright -
Enescu US 3/11/05 11:27 Page 16
660163-64 bk Enescu US 3/11/05 11:27 Page 16 ENESCU 2 CDs Oedipe Pederson • Silins • Damiani • Lipov‰ek Chorus and Orchestra of the Vienna State Opera Michael Gielen Above: Oedipus (Monte Pederson) Right: Michael Gielen 8.660163-64 16 660163-64 bk Enescu US 3/11/05 11:27 Page 2 George ENESCU (1881-1955) Oedipe, Op. 23 (Tragédie lyrique en 4 actes et 6 tableaux) Libretto by Edmond Fleg Below and right: Oedipus (Monte Pederson) Oedipe . Monte Pederson, Bass-baritone Tirésias . Egils Silins, Bass Créon . Davide Damiani, Baritone Le berger (The Shepherd) . Michael Roider, Tenor Le grand prêtre (The High Priest) . Goran Simi´c, Bass Phorbas . Peter Köves, Bass Le veilleur (The Watchman) . Walter Fink, Bass Thésée . Yu Chen, Baritone Laïos . Josef Hopferwieser, Tenor Jocaste/La Sphinge (The Sphinx) . Marjana Lipov‰ek, Mezzo-soprano Antigone . Ruxandra Donose, Soprano Mérope . Mihaela Ungureanu, Mezzo-soprano Chorus of the Vienna State Opera Répétiteur: Erwin Ortner Vienna Boys Choir Orchestra of the Vienna State Opera Stage Orchestra of the Austrian Federal Theatres Michael Gielen 8.660163-64 2 15 8.660163-64 660163-64 bk Enescu US 3/11/05 11:27 Page 14 CD 1 63:53 CD 2 64:33 Act I (Prologue) Act III 1 Prelude 4:31 1 Oh! Oh! Hélas! Hélas! 9:04 (Chorus, Oedipus, High Priest, Creon) 2 Roi Laïos, en ta maison 6:56 (Women, High Priest, Warriors, 2 Divin Tirésias, très cher, très grand 6:02 Shepherds, Creon) (Oedipus, Tiresias, Creon, Chorus) 3 Les Dieux ont béni l’enfant 8:11 3 Qu’entends-je, Oedipe? 12:37 (High Priest, Jocasta, Laius, (Jocasta, -
Religions and Legal Boundaries of Democracy in Europe: European Commitment to Democratic Principles
Religions and legal boundaries of democracy in Europe: European commitment to democratic principles University of Helsinki, 2009 Religions and legal boundaries of democracy in Europe: European commitment to democratic principles Dorota A. Gozdecka Academic Dissertation To be presented, with the permission of the Faculty of Law of the University of Helsinki for public examination in the Auditorium of the Helsinki University Museum Arppeanum (Snellmaninkatu 3, Helsinki) on 7 November 2009 at 10 a.m. supervisor: Adjunct Professor Ari Hirvonen, University of Helsinki preliminary examiners: Professor Kimmo Nuotio, University of Helsinki Associate Professor Lisbet Christoffersen, University of Roskilde opponent: Professor Zenon Bankowski, University of Edinburgh Language edition: Doctor Joan Löfgren, University of Tampere Graphic design: Ville Sutinen Cover painting: Anna Kozar-Poikonen Copyright © 2009 Dorota A. Gozdecka ISBN 978-952-92-6256-4 (paperback) ISBN 978-952-10-5803-5 (PDF) http://ethesis.helsinki.fi University of Helsinki 2009 I dedicate this book to my parents as an expression of appreciation for their constant support of my scientific endeavours. Pracę tę dedykuję moim rodzicom, z podziękowaniami za wkład, jaki włożyli w proces mojej edukacji i wsparcie dla moich naukowych wysiłków. Abstract This dissertation’s main research questions concern common European principles of democracy in regard to religious freedom. It deals with the modern understanding of European democracy and is a combination of interdisciplinary research on law, culture, politics and philosophy. The main objective of this research is to identify common European legal principles and standards applying to religious freedom and compare them with standards and approaches in particular states. The bases for the analysis are the principles of equality and achievement of religious pluralism. -
ENG 3010G-001: Literary Masterworks John Kilgore Eastern Illinois University
Eastern Illinois University The Keep Fall 2007 2007 Fall 8-15-2007 ENG 3010G-001: Literary Masterworks John Kilgore Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/english_syllabi_fall2007 Part of the English Language and Literature Commons Recommended Citation Kilgore, John, "ENG 3010G-001: Literary Masterworks" (2007). Fall 2007. 104. http://thekeep.eiu.edu/english_syllabi_fall2007/104 This Article is brought to you for free and open access by the 2007 at The Keep. It has been accepted for inclusion in Fall 2007 by an authorized administrator of The Keep. For more information, please contact [email protected]. 36/CJ 6 -do ( Page 1 of 5 '3 o tOG- 7()0 Printer-Friendly Version English 3010G, Literary Masterworks Fall, 2007 On-Campus: 8:00-9:15 TR, CH 3150 Off-Campus: 6:30-9:00 R, Parkland CC, 0148 Current Assignment Readings as assigned Hand-in Dates: Last Update: 8/15/2007 9/20: Exam # 1 10/9: Paper# 1 (10/11 off campus) 11/1: Exam# 2 11/13: Paper# 2 (11/15 off campus) 2/6: Optional Rewrite 12/13: Final Exam General Information COURSE DESCRIPTION: An extremely selective survey of works from antiquity to the present, likely to include the following: Homer (selections from The Iliad), Sophocles (Oedipus Rex), Shakespeare (Hamlet), Voltaire (Candide), Austen (Pride and Prejudice), Wordsworth, Keats, and an assortment of modern writers. Our primary concern will be with the individual greatness and beauty of the works themselves, but a secondary concern will be to develop a basic sense of the shape of literary history in the West. -
On the Passions of Kings: Tragic Transgressors of the Sovereign's
ON THE PASSIONS OF KINGS: TRAGIC TRANSGRESSORS OF THE SOVEREIGN’S DOUBLE BODY IN SEVENTEENTH-CENTURY FRENCH THEATRE by POLLY THOMPSON MANGERSON (Under the Direction of Francis B. Assaf) ABSTRACT This dissertation seeks to examine the importance of the concept of sovereignty in seventeenth-century Baroque and Classical theatre through an analysis of six representations of the “passionate king” in the tragedies of Théophile de Viau, Tristan L’Hermite, Pierre Corneille, and Jean Racine. The literary analyses are preceded by critical summaries of four theoretical texts from the sixteenth and seventeenth centuries in order to establish a politically relevant definition of sovereignty during the French absolutist monarchy. These treatises imply that a king possesses a double body: physical and political. The physical body is mortal, imperfect, and subject to passions, whereas the political body is synonymous with the law and thus cannot die. In order to reign as a true sovereign, an absolute monarch must reject the passions of his physical body and act in accordance with his political body. The theory of the sovereign’s double body provides the foundation for the subsequent literary study of tragic drama, and specifically of king-characters who fail to fulfill their responsibilities as sovereigns by submitting to their human passions. This juxtaposition of political theory with dramatic literature demonstrates how the king-character’s transgressions against his political body contribute to the tragic aspect of the plays, and thereby to the -
Masaryk University Faculty of Arts Department of English And
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Juraj Štyrák When Jesters Do the Preaching Religious Parody and Satire in South Park Bachelor‟s Diploma Thesis Supervisor: Jeffrey A. Vanderziel, B.A. 2015 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. ………………………………………… Author‟s signature I would like to thank my supervisor Jeffrey A. Vanderziel, B.A. for his wise guidance, valuable feedback, and nerves of steel. Table of Contents Introduction .................................................................................................................. - 5 - 1. From Zeros to Heroes. History of “South Park” ...................................................... - 7 - 2. I don‟t get it! Theoretical Groundwork of Comedy ............................................... - 15 - 2.1. Parody ............................................................................................................. - 15 - 2.2. Incongruity ...................................................................................................... - 17 - 2.3. Satire ............................................................................................................... - 18 - 2.4. Intertextuality .................................................................................................. - 21 - 3. Laughing in the Face of God. Humor and Religion .............................................. - 26 - 4. Prophets, -
Furbish'd Remnants
UNIVERSITY OF CALIFORNIA Los Angeles “Furbish’d Remnants”: Theatrical Adaptation and the Orient, 1660-1815 A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Angelina Marie Del Balzo 2019 Ó Copyright by Angelina Marie Del Balzo 2019 ABSTRACT OF THE DISSERTATION “Furbish’d Remnants”: Theatrical Adaptation and the Orient, 1660-1815 by Angelina Marie Del Balzo Doctor of Philosophy in English University of California, Los Angeles, 2019 Professor Felicity A. Nussbaum, Chair Furbish’d Remnants argues that eighteenth-century theatrical adaptations set in the Orient destabilize categories of difference, introducing Oriental characters as subjects of sympathy while at the same time defamiliarizing the people and space of London. Applying contemporary theories of emotion, I contend that in eighteenth-century theater, the actor and the character become distinct subjects for the affective transfer of sympathy, increasing the emotional potential of performance beyond the narrative onstage. Adaptation as a form heightens this alienation effect, by drawing attention to narrative’s properties as an artistic construction. A paradox at the heart of eighteenth-century theater is that while the term “adaptation” did not have a specific literary or theatrical definition until near the end of the period, in practice adaptations and translations proliferated on the English stage. Anticipating Linda Hutcheon’s postmodernist theory of adaptation, eighteenth-century playwrights and performers conceptualized adaptation as both process and product. Adaptation created a narrative mode that emphasized the process and labor of performance for audiences in order to create a higher level of engagement with ii audiences. -
Why the First Amendment Must Protect Provocative Portrayals of the Prophet Muhammad Daniel Ortner
Northwestern Journal of Law & Social Policy Volume 12 | Issue 1 Article 1 Winter 2016 The eT rrorist's Veto: Why the First Amendment Must Protect Provocative Portrayals of the Prophet Muhammad Daniel Ortner Recommended Citation Daniel Ortner, The Terrorist's Veto: Why the First Amendment Must Protect Provocative Portrayals of the Prophet Muhammad, 12 Nw. J. L. & Soc. Pol'y. 1 (2016). http://scholarlycommons.law.northwestern.edu/njlsp/vol12/iss1/1 This Article is brought to you for free and open access by Northwestern University School of Law Scholarly Commons. It has been accepted for inclusion in Northwestern Journal of Law & Social Policy by an authorized editor of Northwestern University School of Law Scholarly Commons. Copyright 2016 by Northwestern University Pritzker School of Law Vol. 12, Issue 1 (2016) Northwestern Journal of Law and Social Policy The Terrorist’s Veto: Why the First Amendment Must Protect Provocative Portrayals of the Prophet Muhammad Daniel Ortner1 I. INTRODUCTION On Wednesday, January 7, 2015, armed gunmen entered the offices of French satirical magazine Charlie Hebdo and killed employees and editors of the magazine in probable retaliation for the publication of satirical cartoons depicting the Prophet Muhammad.2 The attack on Charlie Hebdo has contributed to the debate over whether publication of speech that is likely to provoke violent reactions from religious extremists should be permissible.3 Some have argued that such speech should be prohibited in order to prevent responsive violence and terrorism.4 Recently, a school of journalism dean argued in USA Today that the publication of cartoons that insult the Prophet Muhammad 1 Daniel Ortner, J.D. -
Instructor's Guide
DRAWN TO THE GODS Religion and Humor in The Simpsons, South Park, and Family Guy Instructor’s Guide Dives into a new world of religious satire illuminated through the layers of religion and humor that make up the The Simpsons, South Park, and Family Guy. Drawing on the worldviews put forth by three wildly popular animated shows – The Simpsons, South Park, and Family Guy– David Feltmate demonstrates how ideas about religion’s proper place in American society are communicated through comedy. The book includes discussion of a wide range of American religions, including Protestant and Catholic Christianity, Judaism, Islam, Buddhism, Native American Religions, New Religious Movements, “Spirituality,” Hinduism, and Atheism. Along the way, readers are shown that jokes about religion are influential tools for teaching viewers how to interpret and judge religious people and institutions. Feltmate develops a picture of how each show understands 304 pages | Paper | 978-1-4798-9036-1 Religion and communicates what constitutes good religious practice as well as which traditions they seek to exclude on the basis of Contents: race and ethnicity, stupidity, or danger. From Homer Simpson’s • Chapter Summaries with Discussion Questions spiritual journey during a chili-pepper induced hallucination to and Recommended Episodes South Park’s boxing match between Jesus and Satan to Peter • Questions for Reflection Griffin’s worship of the Fonz, each show uses humor to convey • Supplementary Assignments a broader commentary about the role of religion in public life. Through this examination, an understanding of what it means to "Without a doubt, I will use this delightful, well-researched, well-crafted monograph in my media, religion, and popular culture courses. -
Words Full of Deed Prophets and Prophecy in German Literature
Words Full of Deed Prophets and Prophecy in German Literature around 1800 Patrick J. Walsh Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2017 © 2017 Patrick J. Walsh All rights reserved Abstract Words Full of Deed: Prophets and Prophecy in German Literature around 1800 Patrick J. Walsh In this dissertation, I consider the role of prophets and prophecy in German drama and dramatic discourse of the Romantic period. Against the backdrop of the upheaval wrought by the Enlightenment, the French Revolution, and the Revolutionary and Napoleonic Wars, such discourse exhibits a conspicuous fascination with political and social crisis in general as well as a preoccupation with imagining how the crises of the present could provide an opportunity for national or civilizational renewal. One prominent manifestation of this focus is a pronounced interest in charismatic leaders of the legendary or historical past—among them prophets like Moses, Muhammad and Joan of Arc—who succeeded in uniting their respective societies around a novel vision of collective destiny. In order to better understand the appeal of such figures during this period, I examine works of drama and prose fiction that feature prophets as their protagonists and that center on scenarios of political or religious founding. Reading texts by major authors like Johann Wolfgang Goethe, Friedrich Schiller and Achim von Arnim alongside those by the lesser- known writers such as Karoline von Günderrode, August Klingemann and Joseph von Hammer, I analyze the various ways these scenarios are staged and situate them within their specific political, intellectual and literary contexts.