Religions and Legal Boundaries of Democracy in Europe: European Commitment to Democratic Principles
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Ownreality ( ) Publication of the Research Project “To Each His Own Reality
OwnReality ( ) Publication of the research project “To each his own reality. The notion of the real in the fine arts of France, West Germany, East Germany and Poland, - ” Alexandra Alisauskas Collective Relocation: Wyspa and (the) Public (for) Art in s Gdańsk, Poland Editor: Mathilde Arnoux Chief editor: Clément Layet Assistant managing editor: Sira Luthardt Layout: Jacques-Antoine Bresch Warning This digital document has been made available to you by perspectivia.net, the international online publishing platform for the institutes of the MaxWeber Stiftung – Deutsche Geisteswissenschaftliche Institute im Ausland (Max Weber Foundation – German Humanities Institutes Abroad) and its part - ners. Please note that this digital document is protected by copyright laws. The viewing, printing, downloading or storage of its content on your per - sonal computer and/or other personal electronic devices is authorised exclu - sively for private, non-commercial purposes. Any unauthorised use, reproduction or transmission of content or images is liable for prosecution under criminal and civil law. Recommended citation: Alexandra Alisauskas, “Collective Relocation: Wyspa and (the) Public (for) Art in s Gdańsk, Poland”, OwnReality ( ), , online, URL: http://www.perspectivia.net/publikationen/ownreality/ /alisauskas-en Publisher: http://www.own-reality.org/ Text published under Creative Commons License CC BY-NC-ND 3.0 OWNREALITY ( ), A. ALISAUSKAS Collective Relocation: Wyspa and (the) Public (for) Art in s Gdańsk, Poland Alexandra Alisauskas To visit Moby Dick – Rzeźba ’ (Moby Dick – Sculpture ’ ), an exhibi - tion of work by young Polish artists held in November in the north - ern cities of Gdynia and Gdańsk, the audience was required to participate in a number of physical and perceptual displacements. -
Chapter 15: Resources This Is by No Means an Exhaustive List. It's Just
Chapter 15: Resources This is by no means an exhaustive list. It's just meant to get you started. ORGANIZATIONS African Americans for Humanism Supports skeptics, doubters, humanists, and atheists in the African American community, provides forums for communication and education, and facilitates coordinated action to achieve shared objectives. <a href="http://aahumanism.net">aahumanism.net</a> American Atheists The premier organization laboring for the civil liberties of atheists and the total, absolute separation of government and religion. <a href="http://atheists.org">atheists.org</a> American Humanist Association Advocating progressive values and equality for humanists, atheists, and freethinkers. <a href="http://americanhumanist.org">americanhumanist.org</a> Americans United for Separation of Church and State A nonpartisan organization dedicated to preserving church-state separation to ensure religious freedom for all Americans. <a href="http://au.org">au.org</a> Atheist Alliance International A global federation of atheist and freethought groups and individuals, committed to educating its members and the public about atheism, secularism and related issues. <a href="http://atheistalliance.org">atheistalliance.org</a> Atheist Alliance of America The umbrella organization of atheist groups and individuals around the world committed to promoting and defending reason and the atheist worldview. <a href="http://atheistallianceamerica.org">atheistallianceamerica.org< /a> Atheist Ireland Building a rational, ethical and secular society free from superstition and supernaturalism. <a href="http://atheist.ie">atheist.ie</a> Black Atheists of America Dedicated to bridging the gap between atheism and the black community. <a href="http://blackatheistsofamerica.org">blackatheistsofamerica.org </a> The Brights' Net A bright is a person who has a naturalistic worldview. -
Masaryk University Faculty of Arts Department of English And
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Juraj Štyrák When Jesters Do the Preaching Religious Parody and Satire in South Park Bachelor‟s Diploma Thesis Supervisor: Jeffrey A. Vanderziel, B.A. 2015 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. ………………………………………… Author‟s signature I would like to thank my supervisor Jeffrey A. Vanderziel, B.A. for his wise guidance, valuable feedback, and nerves of steel. Table of Contents Introduction .................................................................................................................. - 5 - 1. From Zeros to Heroes. History of “South Park” ...................................................... - 7 - 2. I don‟t get it! Theoretical Groundwork of Comedy ............................................... - 15 - 2.1. Parody ............................................................................................................. - 15 - 2.2. Incongruity ...................................................................................................... - 17 - 2.3. Satire ............................................................................................................... - 18 - 2.4. Intertextuality .................................................................................................. - 21 - 3. Laughing in the Face of God. Humor and Religion .............................................. - 26 - 4. Prophets, -
Why the First Amendment Must Protect Provocative Portrayals of the Prophet Muhammad Daniel Ortner
Northwestern Journal of Law & Social Policy Volume 12 | Issue 1 Article 1 Winter 2016 The eT rrorist's Veto: Why the First Amendment Must Protect Provocative Portrayals of the Prophet Muhammad Daniel Ortner Recommended Citation Daniel Ortner, The Terrorist's Veto: Why the First Amendment Must Protect Provocative Portrayals of the Prophet Muhammad, 12 Nw. J. L. & Soc. Pol'y. 1 (2016). http://scholarlycommons.law.northwestern.edu/njlsp/vol12/iss1/1 This Article is brought to you for free and open access by Northwestern University School of Law Scholarly Commons. It has been accepted for inclusion in Northwestern Journal of Law & Social Policy by an authorized editor of Northwestern University School of Law Scholarly Commons. Copyright 2016 by Northwestern University Pritzker School of Law Vol. 12, Issue 1 (2016) Northwestern Journal of Law and Social Policy The Terrorist’s Veto: Why the First Amendment Must Protect Provocative Portrayals of the Prophet Muhammad Daniel Ortner1 I. INTRODUCTION On Wednesday, January 7, 2015, armed gunmen entered the offices of French satirical magazine Charlie Hebdo and killed employees and editors of the magazine in probable retaliation for the publication of satirical cartoons depicting the Prophet Muhammad.2 The attack on Charlie Hebdo has contributed to the debate over whether publication of speech that is likely to provoke violent reactions from religious extremists should be permissible.3 Some have argued that such speech should be prohibited in order to prevent responsive violence and terrorism.4 Recently, a school of journalism dean argued in USA Today that the publication of cartoons that insult the Prophet Muhammad 1 Daniel Ortner, J.D. -
Instructor's Guide
DRAWN TO THE GODS Religion and Humor in The Simpsons, South Park, and Family Guy Instructor’s Guide Dives into a new world of religious satire illuminated through the layers of religion and humor that make up the The Simpsons, South Park, and Family Guy. Drawing on the worldviews put forth by three wildly popular animated shows – The Simpsons, South Park, and Family Guy– David Feltmate demonstrates how ideas about religion’s proper place in American society are communicated through comedy. The book includes discussion of a wide range of American religions, including Protestant and Catholic Christianity, Judaism, Islam, Buddhism, Native American Religions, New Religious Movements, “Spirituality,” Hinduism, and Atheism. Along the way, readers are shown that jokes about religion are influential tools for teaching viewers how to interpret and judge religious people and institutions. Feltmate develops a picture of how each show understands 304 pages | Paper | 978-1-4798-9036-1 Religion and communicates what constitutes good religious practice as well as which traditions they seek to exclude on the basis of Contents: race and ethnicity, stupidity, or danger. From Homer Simpson’s • Chapter Summaries with Discussion Questions spiritual journey during a chili-pepper induced hallucination to and Recommended Episodes South Park’s boxing match between Jesus and Satan to Peter • Questions for Reflection Griffin’s worship of the Fonz, each show uses humor to convey • Supplementary Assignments a broader commentary about the role of religion in public life. Through this examination, an understanding of what it means to "Without a doubt, I will use this delightful, well-researched, well-crafted monograph in my media, religion, and popular culture courses. -
Pro-Christian Humor and the Online Carnival Timothy William Fallis University of Pennsylvania, [email protected]
CORE Metadata, citation and similar papers at core.ac.uk Provided by ScholarlyCommons@Penn University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 1-1-2014 Pro-Christian Humor and the Online Carnival Timothy William Fallis University of Pennsylvania, [email protected] Follow this and additional works at: http://repository.upenn.edu/edissertations Part of the Communication Commons, and the Religion Commons Recommended Citation Fallis, Timothy William, "Pro-Christian Humor and the Online Carnival" (2014). Publicly Accessible Penn Dissertations. 1272. http://repository.upenn.edu/edissertations/1272 This paper is posted at ScholarlyCommons. http://repository.upenn.edu/edissertations/1272 For more information, please contact [email protected]. Pro-Christian Humor and the Online Carnival Abstract Humor that takes as its comedic object the beliefs, practices, and culture of Christianity has flourished in the digital age via journalistic satire, video sharing, and social network websites. Theory of the comic's use as a moderator between the sacred and the profane provide by Conrad Hyers, and the carnivalesque literary theory of Mikhail Bakhtin, reminds us that humor made at the expense of elements of Christian doctrine and culture can serve to reify and strengthen Christianity in the United States, a conclusion justified by textual analysis of three websites featuring this material. The na alysis supports that an essential rule for successfully blending humor and religion together is to avoid directly leveling the humor at God or at Christianity as a valid religion but rather restricting the ludic treatment to church practices, church culture, and individual behavior. Comments made by readers reveal that a majority approve of the ludic turn, but vehement dissent shows a strong tension between the ludic and the presupposition that religion must remain sacrosanct and solemn. -
Policing Belief: the Impact of Blasphemy Laws on Human Rights Was Re- Searched and Written by Jo-Anne Prud’Homme, a Human Rights Researcher and Advocate
Policing Belief THE IMPACT OF BlAsphemy Laws On Human RIghts A FREEDOM HOUSE SPECIAL REPORT Policing Belief The Impact of BlAsphemy Laws On Human RIghts OCTOBER 2010 C O p y R i g h T i n f or m aT i O n All rights reserved. no part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the pub- lisher, except by a reviewer who may quote passages in a review. TaBlE Of contenTs Introduction. 1 Algeria. 13 Egypt . 21 greece . 35 Indonesia. 43 Malaysia. 57 Pakistan. 69 Poland. 89 References. 95 abouT freedOm hOusE Freedom House is an independent watchdog organization that supports the expansion of freedom around the world. Freedom House supports democratic change, monitors freedom, and advocates for democracy and human rights. Since its founding in 1941 by prominent Americans concerned with the mount- ing threats to peace and democracy, Freedom House has been a vigorous proponent of democratic values and a steadfast opponent of dictatorships of the far left and the far right. Eleanor Roosevelt and Wendell Willkie served as Freedom House’s first honorary co-chairpersons. Today, the organization’s diverse Board of Trustees is composed of a bipartisan mix of business and labor leaders, former senior government officials, scholars, and journalists who agree that the promotion of de- mocracy and human rights abroad is vital to America’s interests. aCknOwlEdgEmEnTs and sTudy team Policing Belief: The Impact of Blasphemy Laws on Human Rights was re- searched and written by Jo-anne prud’homme, a human rights researcher and advocate. -
Judaizing and Singularity in England, 1618-1667
Judaizing and Singularity in England, 1618-1667 Submitted for the degree of Doctor of Philosophy by Aidan Francis Cottrell-Boyce, Gonville and Caius College, June 2018. For Anna. Abstract In the seventeenth century, in England, a remarkable number of small, religious movements began adopting demonstratively Jewish ritual practices. They were labelled by their contemporaries as Judaizers. Typically, this phenomenon has been explained with reference to other tropes of Puritan practical divinity. It has been claimed that Judaizing was a form of Biblicism or a form of millenarianism. In this thesis, I contend that Judaizing was an expression of another aspect of the Puritan experience: the need to be recognized as a ‘singular,’ positively- distinctive, separated minority. Contents Introduction 1 Singularity and Puritanism 57 Judaizing and Singularity 99 ‘A Jewish Faccion’: Anti-legalism, Judaizing and the Traskites 120 Thomas Totney, Judaizing and England’s Exodus 162 The Tillamites, Judaizing and the ‘Gospel Work of Separation’ 201 Conclusion 242 Introduction During the first decades of the seventeenth century in England, a remarkable number of small religious groups began to adopt elements of Jewish ceremonial law. In London, in South Wales, in the Chilterns and the Cotswolds, congregations revived the observation of the Saturday Sabbath.1 Thomas Woolsey, imprisoned for separatism, wrote to his co-religionists in Amsterdam to ‘prove it unlawful to eat blood and things strangled.’2 John Traske and his followers began to celebrate Passover -
Religious Satire and Narrative Ambiguity in the Known World
Religious Satire and Narrative Ambiguity in The Known World Michael Odom dward P. Jones’s 2004 Pulitzer Prize winning novel, The Known EWorld, explores the troubling historical phenomenon of freed blacks owning slaves in antebellum America. Jones takes what is al- ready a sensitive subject and further problematizes it by intermingling fictional and historical records, as well as displacing the chronology of events and character outcomes. This chaos proves calculated for the narrative voice to achieve a disorienting reading experience. Jones commented upon the non-linear structure of the novel in a 2004 in- terview: “It might be that because I, as the ‘god’ of the people in the book, could see their first days and their last days and all that was in between, and those people did not have linear lives as I saw all that they had lived” (4). Here Jones is referring to the literary concept of narrative omniscience, a frequently employed analogy that conceives of the author (and by extension, his narrative persona) as god-like in his knowledge of everything in the fictional world. When encounter- ing what appears to be an omniscient narrator, readers have a tendency to trust the account as both authoritative and reliable. Yet we might pause to consider the relationship between knowledge and morality in an omniscient narrator, and whether these two attributes might con- flict with one another. What if an omniscient narrator endorses slavery as a legitimate social practice? The proleptic narrative voice in The Known World unsettles the reader with ambiguous religious and moral sentiments. Despite blunt parenthetical pronouncements regarding characters’ destinies (suc- cess, death, etc.), random details from the past, and knowledge of in- correct census data caused by simple mathematical errors, the narrator expresses suspect religious views and reports anomalous supernatural occurrences that problematize the concept of narrative omniscience. -
Ethics of Contemporary Art: in the Shadow Of
i Ethics of Contemporary Art This ebook belongs to Bassam El Baroni ([email protected]), purchased on 22/03/2021 ii ii This ebook belongs to Bassam El Baroni ([email protected]), purchased on 22/03/2021 iii Ethics of Contemporary Art In the Shadow of Transgression Theo Reeves-Evison This ebook belongs to Bassam El Baroni ([email protected]), purchased on 22/03/2021 iv BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Inc 1385 Broadway, New York, NY 10018, USA 50 Bedford Square, London, WC1B 3DP, UK BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in the United States of America 2020 Copyright © Theo Reeves-Evison, 2020 For legal purposes the Acknowledgements on p. x constitute an extension of this copyright page. Cover design by Irene Martinez Costa Cover image: Damián Ortega, Borromeo’s Knots 4, 2011, Cast concrete, 23 5/8 x 29 1/2 x 39 3/8 in. (60 x 75 x 100 cm) © Damián Ortega. Photo © Stephen White, Courtesy White Cube. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Bloomsbury Publishing Inc does not have any control over, or responsibility for, any third-party websites referred to or in this book. All internet addresses given in this book were correct at the time of going to press. The author and publisher regret any inconvenience caused if addresses have changed or sites have ceased to exist, but can accept no responsibility for any such changes. -
Barbarian Masquerade a Reading of the Poetry of Tony Harrison And
1 Barbarian Masquerade A Reading of the Poetry of Tony Harrison and Simon Armitage Christian James Taylor Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of English August 2015 2 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others This copy has been supplied on the understanding that it is copyright material and that no quotation fro m the thesis may be published without proper acknowledgement The right of Christian James Taylor to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. © 2015 The University of Leeds and Christian James Taylor 3 Acknowledgements The author hereby acknowledges the support and guidance of Dr Fiona Becket and Professor John Whale, without whose candour, humour and patience this thesis would not have been possible. This thesis is d edicat ed to my wife, Emma Louise, and to my child ren, James Byron and Amy Sophia . Additional thanks for a lifetime of love and encouragement go to my mother, Muriel – ‘ never indifferent ’. 4 Abstract This thesis investigates Simon Armitage ’ s claim that his poetry inherits from Tony Harrison ’ s work an interest in the politics o f form and language, and argues that both poets , although rarely compared, produce work which is conceptually and ideologically interrelated : principally by their adoption of a n ‘ un - poetic ’ , deli berately antagonistic language which is used to invade historically validated and culturally prestigious lyric forms as part of a critique of canons of taste and normative concepts of poetic register which I call barbarian masquerade . -
Common Ground for Museums in a Global Society
COMMON GROUND FOR MUSEUMS IN A GLOBAL SOCIETY 8 – 9 NOVEMBER, 2010 - SHANGHAI Shanghai Art Museum and MoCA Shanghai CIMAM 2010 Annual Conference ‘COMMON GROUND FOR MUSEUMS IN A GLOBAL SOCIETY’ 8 - 9 November, 2010 – Shanghai Art Museum and MoCA Shanghai, Shanghai (published on the occasion of the 2010 CIMAM Annual Meeting, 8 - 9 November, 2010 – Shanghai Art Museum and MoCA Shanghai, Shanghai); edited by Josephine Watson with the collaboration of Pilar Cortada; sessions transcribed by Mireia Bartels. CIMAM 2010 Annual Conference ‘Common Ground for Museums in a Global Society’ - 2 – INDEX Welcoming remarks Manuel J. Borja-Villel, President of CIMAM, director MNCARS, Madrid 4 SESSION I – THE ROLE OF THE INTELLECTUAL IN CREATING A COUNTER HEGEMONY ‘Seeing Global’ Susan Buck-Morss, professor of Political Philosophy and Social Theory and member of the Graduate Fields of German Studies and History of Art, Department of Government, Cornell University, Ithaca, NY 6 ‘East Asia cultures critique’ Xudong Zhang, professor of East Asian Studies & Comparative Literature; chair of East Asian Studies, New York University (NYU), New York 30 SESSION II – EAST AND WEST, THE MUSEUM AS A “DIPOSITIF” ‘Beyond the museum as “dispositif”: counter practices from the South’ Rustom Bharucha, independent writer, director and cultural critic based in Kolkata, India 31 ‘The Museum as an experimental working tool, questioning history, colonization, and cultural displacement through the example of black art’ Elvan Zabunyan, contemporary art historian and art critic;