Why the First Amendment Must Protect Provocative Portrayals of the Prophet Muhammad Daniel Ortner
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“State of Civil Society Report: 2015
the year in review State of Civil Society report 2015: THE YEAR IN REVIEW ...these stories tell us that only civil introduction society, in its broadest sense, is taking a It has been another year of hard work and high achievement for civil society. The story of the year since the stance against the 2014 State of Civil Society Report was published has partly been one of a continuing series of attacks on civil concentration of society in the many countries where, when civil society asks difficult questions about power, the powerful seek to silence it. But is has also been a story of impressive and sustained civil society response, in a world that has power in the hands of become more turbulent and contested. a tiny, global, super- rich elite, and against As we show below, civil society faces challenges - of lack of space, under-resourcing and limited access to the attempts of many decision-makers. Civil society also needs continually to prove its connection with and relevance to citizens, political leaders and and it needs to demonstrate its ability to stay ahead of trends and innovate. When civil society groups do not corporate interests do these, they fail. But so often, we see civil society leading the response to crisis, taking on difficult issues, contributing to change, and winning arguments for social justice. to undermine human rights and This year in review section of the 2015 CIVICUS State of Civil Society Report is complemented by our report’s the value of people’s special thematic section on the resourcing for civil society, and the 27 guest contributions, from civil society participation. -
Garcia V. Nakoula
C' Case 2:12-cv-08315-MWF-VBK Document 75 Filed 05/20/14 Page 1 of 7 Page ID #:1112 7 DISTRICT 8 *202014 () Mark B. Youssef CENTRAL1 D[RICT OF CAI 6801 Western Ave. BY ij 10 Buena Park CA, 90621 UNITED STATES DISTRICTCOURT II - FOR THE CENTRAL DISTRICT OF CALIFORNIA 12 CINDY LEE (IARCJA. an individual. ('asc Nu. ('Vi 2-8315-N Wl-(Vl3Kx) 13 Plaintiff. Youssef Answer to '4 V.S. 15 NAKOULA BASSELEY NAKOULA. FIIMENI)EncoMPLA 1 Nr an individual also known as SAM 16 BACILE, MARK BASSELEY YOUSSEF, ABANOI3 BASSEI.}-;Y 17 NAKOULA, MATTHEW NEKOLA. AlIMED HAMI)Y, AMAI, NADA, 18 DANIEL K. CARESMAN. KRITBAG DIFRAT, SOBHI BUS}IRA, ROBERT 19 BACILY, NICOLA BACILY, THOMAS J. TANAS, ERWIN SALAMEJI, 20 YOUSSEFF M. BASSELEY, and/or MALID AIILA\VI; 000(iI..E, INC.. a 21 Delaware Corporation YO1JT1 'BE. LLC, a Califoinia limited 1iabilil company, and DOES I through 10. inclusive. 23 24 Defendants. 25 26 27 28 .\’ 'Si ): u'i \}N I'VUI.\ f Case 2:12-cv-08315-MWF-VBK Document 75 Filed 05/20/14 Page 2 of 7 Page ID #:1113 Defendant Mark B. Youssef by and through his own knowledge and counsel, hereby 2 affirms and alleges as follows: 3 NATURE OF CASE 4 Paragraph 1 Line 1-5- Deny. Defendant Nakoula Basseley Nakoula (a.k.a. Mark B. 5 Youssef), did not upload a fourteen minute trailer to the internet. Paragraph 1 Line 7- Deny. On or about September 11, 2012, the film did not gain worldwide recognition after it was translated 6 into Arabic and posted on Youtube corn Paragraph I Line 9- Deny The defendant has no 7 knowledge of any posting of the video on YouTube 8 Paragraph 2Deny The scnpt of the movie was based upon extensive research of Islamic writings portraying the life of Mohammed. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title The Algerian War of Independence in Algerian bande dessin�e Permalink https://escholarship.org/uc/item/2tk6g7bg Author Dean, Veronica Publication Date 2020 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles The Algerian War of Independence in Algerian bande dessinée A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in French and Francophone Studies by Veronica Katherine Dean 2020 Copyright by Veronica Katherine Dean 2020 ABSTRACT OF THE DISSERTATION The Algerian War of Independence in Algerian bande dessinée by Veronica Katherine Dean Doctor of Philosophy in French and Francophone Studies University of California, Los Angeles, 2020 Professor Lia N. Brozgal, Chair “The Algerian War of Independence in Algerian bande dessinée” is animated by the question of how bande dessinée from Algeria represent the nation’s struggle for independence from France. Although the war is represented extensively in bande dessinée from France and Algeria, French texts are more well-known than their Algerian counterparts among scholars and bédéphiles alike. Catalysts behind this project are the disproportionate awareness and study of French bande dessinée on the war and the fact that critical studies of Algerian bande dessinée are rare and often superficial. This project nevertheless builds upon existing scholarship by problematizing its assumptions and conclusions, including the generalization that Algerian bande dessinée that depict the war are in essence propagandistic in nature. Employing tools of comics analysis and inflecting my research with journalistic work coming out of Algeria, this project attempts to rectify the treatment of Algerian bande dessinée in critical scholarship by illustrating ii the rich tradition of historical representation in the medium. -
Transnational Media Events
TRANSNATIONAL MEDIATRANSNATIONAL EVENTS In September 2005, a newspaper in Denmark published 12 cartoons depicting Mohammed, the holy Prophet of Islam. Soon after publication, these pictures became part of various events, political projects and diplomatic action. All over the world, the cartoons – or interpretations of them – were connected to dis- cursive struggles that pre-existed their drawing and publication. The cartoon event thus extended well beyond its immediate dramatic phase of spring 2006, both into the past and the future, and became at least a small landmark case of post-9/11 global media history. TRANSNATIONAL MEDIA EVENTS In this book, a community of international media researchers collects some of the lessons learned and questions provoked and offered by media coverage of The MOHAMMED CARTOONS and the the Mohammed cartoons in 16 countries, ranging from Denmark, Egypt and Argentina to Pakistan and Canada. The book looks at the coverage of the car- IMAGINED CLASH of CIVILIZATIONS toons and related incidents through a number of conceptual lenses: political spin, free speech theory, communication rights, the role of visuals and images in global communication, Orientalism and its counter-discourses, media’s rela- tions to immigration policy, and issues of integration. Through this approach, the book aims at a nuanced understanding of the cartoon controversy itself as well as at more general insights into the role of the media in contemporary transnational and transcultural relations. Elisabeth Eide, Risto Kunelius & Angela Phillips -
An Imam Explains Why Muslims Hate Seeing Depictions of the Prophet
NEWS Search canada.com... An imam explains why Muslims hate seeing depictions of the contract in Ontario Bombardier Prophet Muhammad Transportation announced Tuesday that Ontario’s regional Sikander Hashmi of the Kanata Muslim transit agency, Association discusses the Charlie Hebdo Metrolinx, ha... massacre, freedom of speech, and how to fight extremist rhetoric Financial adviser suspended for Sections appropriating clients' money A former financial News adviser with a gambling habit has Entertainme had his permit nt suspended for 10 Life years by the... Business Change in mutual-fund taxation is in the Financial Post Biz Technology Sports Travel Sikander Hashmi, the imam at the Kanata Muslim Association, paying Driving his respects at the site of the Parliament Hill shooting in Ottawa in October. Househunti PHOTO: JULIE OLIVER / OTTAWA CITIZEN ng Obituaries Like 701 Tweet 11 Jobs 89 Ishmael N. Daro Published: January 9, 2015, 4:53 pm Updated: 2 years ago Latest News Video A A A This week’s horrific attack on the offices of the newspaper Charlie Hebdo in Paris has sparked an important discussion Trump Finally Endorses about the power of satire, the right to publish offensive or even House Speaker Paul Ryan 1:33 “blasphemous” materials in a free society, and where freedom of speech and respect for religion overlap and sometimes clash. This Week's Flyers At the heart of the debate is the Islamic prohibition on depictions of the Prophet Muhammad. While there is no specific verse in the Qu’ran that outlaws representations of the prophet, the Muslim holy book discourages idolatry; several hadith — a record of the sayings and actions of Muhammad — HOVER FOR FLYER HOVER FOR FLYER prohibit Muslims from creating images of human figures. -
Introduction
NOTES Introduction 1. Robert Kagan to George Packer. Cited in Packer’s The Assassin’s Gate: America In Iraq (Faber and Faber, London, 2006): 38. 2. Stefan Halper and Jonathan Clarke, America Alone: The Neoconservatives and the Global Order (Cambridge University Press, Cambridge, 2004): 9. 3. Critiques of the war on terror and its origins include Gary Dorrien, Imperial Designs: Neoconservatism and the New Pax Americana (Routledge, New York and London, 2004); Francis Fukuyama, After the Neocons: America At the Crossroads (Profile Books, London, 2006); Ira Chernus, Monsters to Destroy: The Neoconservative War on Terror and Sin (Paradigm Publishers, Boulder, CO and London, 2006); and Jacob Heilbrunn, They Knew They Were Right: The Rise of the Neocons (Doubleday, New York, 2008). 4. A report of the PNAC, Rebuilding America’s Defenses: Strategy, Forces and Resources for a New Century, September 2000: 76. URL: http:// www.newamericancentury.org/RebuildingAmericasDefenses.pdf (15 January 2009). 5. On the first generation on Cold War neoconservatives, which has been covered far more extensively than the second, see Gary Dorrien, The Neoconservative Mind: Politics, Culture and the War of Ideology (Temple University Press, Philadelphia, 1993); Peter Steinfels, The Neoconservatives: The Men Who Are Changing America’s Politics (Simon and Schuster, New York, 1979); Murray Friedman, The Neoconservative Revolution: Jewish Intellectuals and the Shaping of Public Policy (Cambridge University Press, New York, 2005); Murray Friedman ed. Commentary in American Life (Temple University Press, Philadelphia, 2005); Mark Gerson, The Neoconservative Vision: From the Cold War to the Culture Wars (Madison Books, Lanham MD; New York; Oxford, 1997); and Maria Ryan, “Neoconservative Intellectuals and the Limitations of Governing: The Reagan Administration and the Demise of the Cold War,” Comparative American Studies, Vol. -
Full Article
467 O'NEIL 2/28/2013 3:54 PM HATE SPEECH, FIGHTING WORDS, AND BEYOND—WHY AMERICAN LAW IS UNIQUE Robert M. O‘Neil* During the waning days of the turbulent presidential campaign of 2012, the issue of free speech was bound to emerge. President Barack Obama chose this moment to declare to the United Nations General Assembly his abiding commitment to the uniquely American value of unfettered expression.1 In a diverse society, he reaffirmed, ―efforts to restrict speech can become a tool to silence critics, or oppress minorities.‖2 The catalyst for this declaration was the appearance of ―a crude and disgusting video‖3 caricaturing the Prophet Muhammad which had triggered violent protests in more than twenty nations, mainly in the Middle East.4 President Obama made clear both his disdain for the video and his unswerving faith in the singularly American insistence on free expression.5 Curiously (or some would say paradoxically) the Obama Administration only weeks earlier had actively supported passage of a resolution in the United Nations Human Rights Council to create an international standard restricting some anti-religious speech; the Egyptian ambassador to the United Nations had lauded this measure by recognizing that ―‗freedom of expression has been sometimes misused‘ to insult religion.‖6 Secretary of State Hilary Clinton had added her view that speech or protest resulting in the destruction of religious sites was not, she noted, ―fair game.‖7 In a recent and expansive analysis of these contrasting events, * University of Virginia and Association of Governing Boards, Albany Law Review Symposium, September, 2012. -
Isabelle Monin Et Cabu
Isabelle monin et cabu Continue Ujourd'hui c'est la paralysie g'no- For You Sanders Show Cabu also released political cartoons for his rival Le Canard encha'n and other magazines. His most famous characters were Mont Bof (My Shunya), the embodiment of bullish French provincial complacency. Charlie Hebdo published the cartoons in solidarity with the Danish newspaper and make a point about freedom of expression in France, which has the largest Muslim population in Europe. But his experience in Algeria turned him into a fierce anti-militarist, and he remained a tireless campaigner for non-violence and a critic of the French political establishment. The boy became better known in France as a punk singer and songwriter Mano ... In the 1960s, Cabu had a son, Isabelle Monin, co-founder of the environmental magazine La Gueule. Isabelle Monin nous exit le 26 dechembre. The boy became better known in France as punk singer-songwriter Mano Solo, who died of AIDS in 2010. The philanthropist and heir to the Littlewoods Empire, who became the generous patron of Mano Solo, was born Emmanuel Cabut, was a French singer. In the 1960s, Cabu had a son, Isabelle Monin, co-founder of the environmental magazine La Gueule. Cabu also produced political cartoons for his rival Le Canard encha'n and other magazines. But his experience in Algeria turned him into a fierce anti-militarist, and he remained a tireless campaigner for non-violence and a critic of the French political establishment. BORN En 1986, il apprend sa s'ropositivit. However, in March 2007, after a hearing that was considered a trial case on freedom of expression, Val was acquitted by a Paris court. -
Free Speech Or Hate Speech? a Conversation Regarding State V
Free Speech or Hate Speech? A Conversation Regarding State v. Liebenguth November 16, 2020 4:00 p.m. – 6:00 p.m. CT Bar Association Webinar CT Bar Institute, Inc. CT: 2.0 CLE Credits (1.0 General / 1.0 Ethics) NY:2.0 CLE Credits (1.0 AOP / 1.0 Ethics) No representation or warranty is made as to the accuracy of these materials. Readers should check primary sources where appropriate and use the traditional legal research techniques to make sure that the information has not been affected or changed by recent developments. Page 1 of 163 Table of Contents Lawyers’ Principles of Professionalism...................................................................................................................3 Agenda ....................................................................................................................................................................6 Faculty Biographies ................................................................................................................................................7 Hate Crime Laws ..................................................................................................................................................10 State v. Liebenguth ................................................................................................................................................26 State v. Liebenguth 181 Conn.App. 37 ..................................................................................................................49 State v. Baccala .....................................................................................................................................................67 -
Andrea Reed's Thesis
MUHAMMAD AS REPRESENTATIVE FORM: A VISUAL RHETORICAL ANALYSIS OF THE DANISH CARTOON CONTROVERSY By ANDREA REED A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of Communication May 2009 Winston-Salem, North Carolina Approved By: Alessandra Beasley Von Burg, Ph.D., Advisor _________________________________ Examinating Committee: Margaret D. Zulick, Ph.D. ___________________________________ Peter Furia, Ph.D. ___________________________________ ii ACKNOWLEDGEMENTS I would like to thank my advisor, Dr. Alessandra Beasley Von Burg for her indispensible guidance with this project. This thesis would not have been possible without her expertise in the area of rhetoric and on topics related to European affairs, not to mention her patience. I sincerely thank Dr. Margaret Zulick and Dr. Peter Furia for graciously agreeing to sit on my panel and reflect upon my thesis. I also must thank Dr. Allan Louden and Dr. Ananda Mitra who both served as Director of the graduate program during my time at Wake Forest. I would also like to thank my other professors who have been great teachers and inspirational thinkers, Dr. Michael Hyde, Dr. Steve Giles, and Dr. Peter Brunette and the rest of the Department of Communication. iii TABLE OF CONTENTS Page LIST OF FIGURES ……………..…………………………………………………... iv ABSTRACT …………………………………………………………………………. v INTRODUCTION ………………………………………………………………….... 1 CHAPTER 1 ………………………………………………………………………..... 4 Review of the Literature ……………………………………………………... 5 Visual Rhetoric as Ideographs: the Representative Form ………………….. 15 Rhetoric and Social Controversy ………………………………………….... 19 Methodology ………………………………………………………………... 23 CHAPTER 2 ………………………………………………………………………... 27 The Muhammad Cartoons as Visual Ideographs ………………………….... 29 The Re-Appropriation of the Prophet Muhammad………………………….. 42 CHAPTER 3 ……………………………………………………………………….. -
Blasphemy, Charlie Hebdo, and the Freedom of Belief and Expression
Blasphemy, Charlie Hebdo, and the Freedom of Belief and Expression The Paris attacks and the reactions rashad ali The horrific events in Paris, with the killing of a group of Other reactions highlight and emphasise the fact journalists, a Police officer, and members of the Jewish that Muslims are also victims of terrorism – often the community in France have shocked and horrified most main victims – a point which Charlie Hebdo made in commentators. These atrocities, which the Yemen branch an editorial of the first issue of the magazine published of the global terrorist group al-Qaeda have claimed the following the attack on its staff. Still others highlight responsibility for,1 have led to condemnations from that Jews were targeted merely because they were Jews.2 across the political spectrum and across religious divides. This was even more relevant given how a BBC journalist Some ubiquitous slogans that have arisen, whether appeared to suggest that there was a connection between Je suis Charlie, Ahmed, or Juif, have been used to show how “Jews” treated Palestinians in Israel and the killing of empathy with various victims of these horrid events. Jews in France in a kosher shop.3 These different responses illustrate some of the divides in The most notorious response arguably has not come public reaction, with solidarity shown to various camps. from Islamist circles but from the French neo-fascist For example, some have wished to show support and comedian Dieudonne for stating on his Facebook solidarity with the victims but have not wished to imply account “je me sens Charlie Coulibaly” (“I feel like Charlie or show support to Charlie Hebdo as a publication, Coulibaly”). -
When Caricature Meets Resistance
Chapter 9 When Caricature Meets Resistance Eva Beate Strømsted Self-censorship? Yes. There wasn’t much of it before, but today it [the satire] is drenched in self-censorship. I feel it affects almost everything I draw now. Earlier I just made a drawing with my opinion, and it got published. But now I think: ‘Okay, if I make it this way, it will not get published.’ Eventually I make a drawing that will be accepted (Cartoonist 3). According to Freedberg (1991), humans have always worshiped and feared images, giving pictures powerful and magical influence, ruining and censoring them. With regards to the art of cartoons, its aesthetics have been seen as a strong political weapon. It is especially within the last decade’s dramatic developments that the thoughts of the Norwegian cartoonist in the above quote must be located. In Paris 7 January 2015, two Islamists, Saïd and Chérif Kouachi, connected to Al-Qaida’s branch in Yemen, forced their way into the office of the French satirical magazine Charlie Hebdo. Armed with assault rifles and other weapons, they killed 12 people and injured 11 others, all because of Charlie Hebdo’s drawings of Muhammad (Samuelsen 2015). However, the magazine has always published cartoons insulting whomever, often in a completely disrespectful manner, and the assassinations at Charlie Hebdo must be seen as an extension of the cartoon controversy that started ten years earlier. In 2005, Flemming Rose, the culture editor of the Danish newspaper, Jyllands- Posten, wanted to contribute to the debate about criticism of Islam and self-censorship among European artists.