Isabelle Monin Et Cabu

Total Page:16

File Type:pdf, Size:1020Kb

Isabelle Monin Et Cabu Isabelle monin et cabu Continue Ujourd'hui c'est la paralysie g'no- For You Sanders Show Cabu also released political cartoons for his rival Le Canard encha'n and other magazines. His most famous characters were Mont Bof (My Shunya), the embodiment of bullish French provincial complacency. Charlie Hebdo published the cartoons in solidarity with the Danish newspaper and make a point about freedom of expression in France, which has the largest Muslim population in Europe. But his experience in Algeria turned him into a fierce anti-militarist, and he remained a tireless campaigner for non-violence and a critic of the French political establishment. The boy became better known in France as a punk singer and songwriter Mano ... In the 1960s, Cabu had a son, Isabelle Monin, co-founder of the environmental magazine La Gueule. Isabelle Monin nous exit le 26 dechembre. The boy became better known in France as punk singer-songwriter Mano Solo, who died of AIDS in 2010. The philanthropist and heir to the Littlewoods Empire, who became the generous patron of Mano Solo, was born Emmanuel Cabut, was a French singer. In the 1960s, Cabu had a son, Isabelle Monin, co-founder of the environmental magazine La Gueule. Cabu also produced political cartoons for his rival Le Canard encha'n and other magazines. But his experience in Algeria turned him into a fierce anti-militarist, and he remained a tireless campaigner for non-violence and a critic of the French political establishment. BORN En 1986, il apprend sa s'ropositivit. However, in March 2007, after a hearing that was considered a trial case on freedom of expression, Val was acquitted by a Paris court. Gene Kabut, who was killed in Paris at the age of 76, was better known as Cabu, a cartoonist who earned the wrath of Muslim fundamentalists with the image of the Prophet Muhammad, who became the subject of a court case in 2007; Film director, director-director, director-director, director-journalist, film director, film director, director-journalist, director-journalist, director-journalist, director-journalist, director-correspondent Gazettes.Ru and Jean-Luc Godard (Jean-Luc Godard) Soon he created his publishing house and released collections of poems along with the novel by Joseph Su-La. Their initial publication in September 2005 sparked protests in the Muslim world and sparked violent protests in a number of countries, resulting in the deaths of at least 50 people. On the cover of his reissue, Charlie Hebdo also published an original drawing of Kabu, which depicts a sobbing Mohammed with his head in his hands saying, It's hard to be beloved idiots under the caption Mohammed is overwhelmed by fundamentalists. In one case, the notorious Gallilier mayor of Nice, Juk Medin (to whom the character had a physical resemblance), sued Kabu for defamation. Browse N e le 24 avril 1963 - He is the son of the cartoonist Cabu (1938-2015) and Isabelle Monin (1937-2012), editor-in-chief of the newspaper la scologist Open. Они обвинили Валь Валь publicly abused a group of people because of their religion and asked for 30,000 pounds in damages. of The Art Boy became better known in France as punk singer-songwriter Mano Solo, who died of AIDS in 2010. An army officer who knocked out two Tiger tanks in Germany Byrend Eins Concerts 2009 bricht er mit einer Hirnblutung zusammen. By now he is becoming more involved in the full package, designing album covers and processing production. After studying art at the Ecole University in Paris, he began producing drawings for a local newspaper. Conscripted into the French army for two years during the War in Algeria, Kabu produced cartoons for an army magazine as well as for Paris Match. In the 1960s, Cabu had a son, Isabelle Monin, co-founder of the environmental magazine La Gueule. Witnesses said they heard gunmen shouting, We have avenged the Prophet Muhammad. On January 13, 1938, the son of schoolteacher Gene Kabuta was born in Chalons-en-Champagne. (The doctor was later tried and convicted of corruption.) In its February 8, 2006 issue, the French satirical weekly Charlie Hebdo, of which Cabu was a shareholder, republished 12 drawings that appeared last year in the Danish newspaper Jyllands-Posten, some of which represented Mohammed. 1995 FIFA Mobile MBAPPe, Prenom Jinn Wikipedia, Wendre Ses Prods, Auxiliaire Espanyol Haber, Adz Quitte Vitality, Auxiliaire De Vie Emploi, Dips 2 Chaises, Nawel Koh-lanta 2020 Origine, Roi Synonyme En 4 Lettres, Surv'tment Chelsea 2014, Maillot Turquie 2020 Nike, Antoine The Voice 2016 Instagram, Agence Web Design Paris, Shaker s Vinaigrette K2073014, Chanson Francaise Anne 80, partner Uber Restaurant, Pilates AbdOs Profons , Claude Dartua Puto, Calendrier Premier League 2020, Grand Corner Video, Musique Electro Fortitude, Getafe Granada Streaming, Raynox Dcr 250 Dioptrie, Expedia Video Paris, Body By Lucile, Les Blagues De Toto, Tome 2, Tank Reward Mai 2020, Texte D'amour A Distance Ado, Tablature Ukul'le Bob Marley, Doigby Minecraft 1, Kurtosis Distributed, Donner Des Conseils Fle, A Fait Son Effet, Jean-louis Tourreagne, Karim Benzema , Karaoke Starmania - Le Blues Du Businessman, Toto Le Eros Telerama, Boulevardment Synonym Crisco, Francois Valerie Ogue, Twitch Animal Crossing Francais, Exercice Pectoro D'butant, Ke Faire au Vietnam En 10 Jours, Report Luxe 2019, Overwatch Key Ps4, Hubert Auriol Biography, Facile and Lear Et and Comprendre, Les Groupements Et Enseignes De Pharmacies, Tout N' Matin, Les Mefaits De La Salad, Moutarde De , Je Suis Une Legende Streamay, No 18autresRestauration RapideEast Side Burgers, McDonald's Autres, Bastien Grimal Date De Naissance, blog Sur Laustralie En Anglais, Fit Nass Ebook, Tarif Programme Musculation, Wide Tra Fitduction, Musique Ryth For articles of the same name, see Kabut and (320880) Kabu. For articles with homophony titles, see Cabus. Kabu Kabu at the Paris Book Fair in 2008. Key Data Birth Name Jean Cabut Birth January 13 1938 Shaton-sur-Marne (Marne, France) Died January 7, 2015 (age 76) Paris 11 (France) French profession cartoonistSyntor pressBaser Family Mano Solo (son) edited by Jean Cabut, Kabu, a French cartoonist, cartoonist and comic book author, born on January 13, 1938, in Chalon-sur- Marne (now Chalon-en-Champagne) and killed on January 7, 2015, in Paris during a jihadist attack on the editorial office of Charlie Hebdo. The creator of the characters Grand Duduche and Beauf, participating in teams of satirical newspapers such as Hara-Kiri, Charlie Hebdo or Le Canard encha'ne, he has also collaborated on several television programs like Debate - with the right answer - and for children - with Recre A2, which he illustrated live. Biography Youth Chestnut High School Pierre Bayen de Chaton. Born on January 13, 1938 in the family of a teacher, in a Catholic family of a small bourgeoisie spent his childhood and youth in Chalons-sur-Marne. His father Marcel Kabut (1913-2007), a forge teacher at the National High School of Arts and Crafts and an amateur artist, taught him a martini. He was educated at Pierre Bayen High School. Gene was 14 years old, in 1952, when he won the first prize in a drawing contest organized by Valiant Hearts for Meteore pens magazine, he won a bike and published his drawing in Publimondial magazine. Inspired by cartoonist Dubut, he went on to paint under the name J.K-Bu in the school newspaper Le Petit Fum's, which had three hundred copies. At the age of 16, he published his first illustrations in the regional daily L'Union de Reims thanks to the then head of the Agency Shaton, who began his career by publishing his drawings on local pages. The opening of the Parisian taxi Calloway. In 1956, Cabu moved to Paris to work as an apprentice in a design studio specializing in food packaging located above Crazy Horse Saloon. He admires the jazz of Cab Calloway, who plays during the Harlem Globe Trotters interludes on a basketball demonstration tour in Paris. It was the beginning of a passion for jazz and swing that never left checkers. He dedicated several books to him and preceded a book dedicated to the 60th anniversary of Cavo de la Yukhette. His passion led him to make real reports on jazz, to survey concert halls and Festivals meet Cub Calloway, Lionel Hampton, Earl of Basie, Duke Ellington and become a radio columnist for TSF Jazz with Lore Albernet in Jazz Who Moves. He enrolled in 1956 as an a supplement student at Estienne School and on Saturdays went to Julian Academy to take nudes. His first Parisian drawing was taken from the weekly Paris match on 13 April 1957; Kabu is nineteen years old, and illustrates the life of college students. The Algerian war had to interrupt his Parisian life when he was mobilized as a conscript for the Algerian war in March 1958. It was incorporated for twenty-seven months prior to June 1960, in the 9th Regiment of Suaves, based in Candle, 180 km east of Algeria. The second class developed a strong political consciousness, faced with the violence and cruelty that he discovered during the service. This period forged a fierce anti-militarist in his country. Ten months before the end of his military service, it was published in the military news weekly Bled. This French military propaganda newspaper distributed free of charge among soldiers and pulled up to 350,000 copies. The editorial was based in Constantine, and Philippe Labro and Francis Weber also wrote articles there. Second class Cabut draws in particular the series The Colonel's daughter and brocade historiettes the life of barracks and young men called. Since that period, he has maintained a bellicose anti-militarism and a somewhat anarchist vision of society, which he translates into his drawings.
Recommended publications
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title The Algerian War of Independence in Algerian bande dessin�e Permalink https://escholarship.org/uc/item/2tk6g7bg Author Dean, Veronica Publication Date 2020 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles The Algerian War of Independence in Algerian bande dessinée A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in French and Francophone Studies by Veronica Katherine Dean 2020 Copyright by Veronica Katherine Dean 2020 ABSTRACT OF THE DISSERTATION The Algerian War of Independence in Algerian bande dessinée by Veronica Katherine Dean Doctor of Philosophy in French and Francophone Studies University of California, Los Angeles, 2020 Professor Lia N. Brozgal, Chair “The Algerian War of Independence in Algerian bande dessinée” is animated by the question of how bande dessinée from Algeria represent the nation’s struggle for independence from France. Although the war is represented extensively in bande dessinée from France and Algeria, French texts are more well-known than their Algerian counterparts among scholars and bédéphiles alike. Catalysts behind this project are the disproportionate awareness and study of French bande dessinée on the war and the fact that critical studies of Algerian bande dessinée are rare and often superficial. This project nevertheless builds upon existing scholarship by problematizing its assumptions and conclusions, including the generalization that Algerian bande dessinée that depict the war are in essence propagandistic in nature. Employing tools of comics analysis and inflecting my research with journalistic work coming out of Algeria, this project attempts to rectify the treatment of Algerian bande dessinée in critical scholarship by illustrating ii the rich tradition of historical representation in the medium.
    [Show full text]
  • Sur Choron, Dernière
    ChoronPour restera beaucoup, le monsieur chauve et ivre qui mettait sa bite dans les flûtes de champagne. horOn, Remarquez, y a pire comme trace C laissée sur terre. BHL, exemple au hasard, ne laissera-t-il pas derniÈre l’image d’un triste sire LE FILM qui montrait sa chemise blanche documentaire dans les postes de télévision ? de Pierre Carles Quoi qu’il en soit, le Prof et Martin, était bien plus que cela. Avec Georges Bernier, Quand j’étais jeune (et vrai) journaliste, de la bande des dit Choron, Cavanna, Cabu, Siné, NAbe, Hara-Charlie-Kiri-Hebdo, Vuillemin, Wolinski, Val… c’était lui qu’on voulait tous Choron, dernière - 1 h 38’, couleur. 1,33, mono, 2008. Réalisation : Pierre Carles et Martin. rencontrer. Entretiens : Xavier Naizet. Image : Éric Maizy. Son : Bertrand Bourdin, Fabien Briand, Marie- Parce qu’il avait la classe. Pierre Thomat. Montage : Pierre Carles (assistant : Ludovic Raynaud). Mixage : Cristinel Sirli. Le panache. L’esprit vif. Production : Muriel Merlin, 3B productions. Coproduction : Pages et Images, Yorame Merovach, Créative Sound. Avec le soutien de la Région Picardie et du Festival de la BD d’Angoulême. La grande gueule qui cogne. Distribution : Tadrart Films, 01 43 13 10 68. [email protected] Les autres étaient bien gentils www.choronderniere.com de dessiner et d’exprimer leurs idées, mais qui leur fournissait le papier ? C’était bien lui. Escroc, menteur, voleur, peut-être. Mais qui avait les Bête et méchant couilles d’être leur directeur de Charlie Hebdo appartient maintenant à l’histoire. Dans cinquante ans, on étudiera en cercles de sociologues ce phénomène qui sau- publication ? D’aller jusqu’aux va le journalisme de la fin du siècle.
    [Show full text]
  • Philippe Lançon, Cinq Ans Après « Charlie » : « Les Tueurs Passent, La Création Continue »
    Philippe Lançon, cinq ans après « Charlie » : « Les tueurs passent, la création continue » Philippe Lançon à Paris, le 5 novembre 2018. (Denis ALLARD/REA) Plusieurs fois récompensé pour son poignant récit « le Lambeau », l’écrivain et journaliste Philippe Lançon, rescapé du 7 janvier 2015, livre avec finesse son sentiment sur les années écoulées depuis l’attentat. Propos recueillis par Caroline Michel-Aguirre et Maël Thierry Publié le 07 janvier 2020 à 07h00 Le 3 janvier, « le Lambeau » (prix Femina et prix spécial Renaudot 2018) est sorti en Livre de Poche. Qu’est-ce que le succès de ce livre vous a apporté que vous n’attendiez pas ? Et qu’est-ce que le livre a, d’après ce qu’ils vous en disent, apporté à ses nombreux lecteurs ? « Le Lambeau » m’a apporté un succès paisible, des centaines de lettres, des échanges surprenants, des disques envoyés par des lecteurs musiciens ou mélomanes et la possibilité, pour la première fois de ma vie, de m’endetter pour acheter un appartement. Il m’a aussi permis de mieux comprendre ce que j’attends d’un récit, comme lecteur et comme auteur : un mélange de tension, d’introspection et de simplicité. Si je m’en tiens aux lettres reçues, l’histoire que je raconte est souvent devenue l’histoire personnelle, intime, de ceux qui l’ont lue. Parmi eux, beaucoup de patients ou d’anciens patients, de soignants ou d’anciens soignants. Je viens encore d’apprendre qu’une lectrice, atteinte d’un cancer, avait donné mon prénom à sa potence hospitalière, un instrument avec lequel le patient ne cesse de se déplacer ! Je n’avais ni voulu ni prévu ces réactions, mais je m’en réjouis.
    [Show full text]
  • Charlie Hebdo Massacre Today Was the Twitter Hashtag #Je- of Charles De Gaulle
    reader %6IEWSR4YFPMGEXMSR N .ERYEV] 8LI'LEVPMI,IFHS8VEKIH] 'SRINSXE`(VIEQWXMQIGSQ --22 8,-77-779) ª..IWYMW'LEVVPMI«# ::MSPIRRX6IWTTSRWIWXS3JJIRWMZI7TIIGL ,,EXI 7TIIGL 0E[W -WWPEQMMG7EXMVVI -WWPEQ4VSLMFFMX-QEKIWSJ1SLEQQIH# ;;LMXII,SYWI SR'LEVPPMI,IFHS JJ2544_Newsletter.indd2544_Newsletter.indd 1 11/14/15/14/15 33:04:04 PPMM ‘Je suis Charlie’? No, You’re Not, or Else You Might Be Dead &]1EXX;IPGL 3VMKMREPP]TYFPMWLIH.ERYEV] One of the spontaneous social-media reactions to the cal publication was shuttered for its disrespect at the funeral Charlie Hebdo massacre today was the Twitter hashtag #Je- of Charles De Gaulle. It frequently published stuff that most SuisCharlie (“I am Charlie”). It’s an admirable sentiment, journalists know, but are too afraid to stand by. resonant with the classic post-9/11 Le Monde cover “Nous The cartoonists who were killed today—Wolinski, Cabu, sommes tous Americains.” It’s also totally inaccurate. Tignous, Charb—were some of the most beloved figures If we—all of us, any of us—were Charlie Hebdo, here are in modern French life. Contra some of the nonsense being some of the things that we might do: mouthed today by fools on Twitter, these weren’t some kind * Not just print original satirical cartoons taking the piss of Andrew Dice Clay acts looking for ever-more vulnerable out of Islamic-terrorist sensibilities, but do so six days after minorities to kick; Cabu, for instance, is most famous for you were firebombed for taking the piss creating the provincial, typical-French out of Islamic-terrorist sensibilities, and character Mon Beauf, who he mocks for do so in such a way that’s genuinely fun- being crude and bigoted toward minori- ny (IMO) and even touching, with the ties.
    [Show full text]
  • The Multidirectional Memory of Charlie Hebdo
    The Multidirectional Memory of Charlie Hebdo Hollis-Touré, I. (2016). The Multidirectional Memory of Charlie Hebdo. French Cultural Studies, 27(3), 293-302. https://doi.org/10.1177/0957155816648102 Published in: French Cultural Studies Document Version: Peer reviewed version Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2016 The Authors. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:28. Sep. 2021 The Multidirectional Memory of Charlie Hebdo: Isabel Hollis Queen’s University Belfast Abstract This article will discuss notions and concepts of remembering in the aftermath of the Charlie Hebdo attacks. Much has been written about the immediate response to the attacks, both commending the collective spirit of unity that defined the ‘marche républicaine’ of 11 January 2015, and criticising the alleged hypocrisy and cynicism of, most notably, the political figures that took to the streets that day, hand in hand.
    [Show full text]
  • Why the First Amendment Must Protect Provocative Portrayals of the Prophet Muhammad Daniel Ortner
    Northwestern Journal of Law & Social Policy Volume 12 | Issue 1 Article 1 Winter 2016 The eT rrorist's Veto: Why the First Amendment Must Protect Provocative Portrayals of the Prophet Muhammad Daniel Ortner Recommended Citation Daniel Ortner, The Terrorist's Veto: Why the First Amendment Must Protect Provocative Portrayals of the Prophet Muhammad, 12 Nw. J. L. & Soc. Pol'y. 1 (2016). http://scholarlycommons.law.northwestern.edu/njlsp/vol12/iss1/1 This Article is brought to you for free and open access by Northwestern University School of Law Scholarly Commons. It has been accepted for inclusion in Northwestern Journal of Law & Social Policy by an authorized editor of Northwestern University School of Law Scholarly Commons. Copyright 2016 by Northwestern University Pritzker School of Law Vol. 12, Issue 1 (2016) Northwestern Journal of Law and Social Policy The Terrorist’s Veto: Why the First Amendment Must Protect Provocative Portrayals of the Prophet Muhammad Daniel Ortner1 I. INTRODUCTION On Wednesday, January 7, 2015, armed gunmen entered the offices of French satirical magazine Charlie Hebdo and killed employees and editors of the magazine in probable retaliation for the publication of satirical cartoons depicting the Prophet Muhammad.2 The attack on Charlie Hebdo has contributed to the debate over whether publication of speech that is likely to provoke violent reactions from religious extremists should be permissible.3 Some have argued that such speech should be prohibited in order to prevent responsive violence and terrorism.4 Recently, a school of journalism dean argued in USA Today that the publication of cartoons that insult the Prophet Muhammad 1 Daniel Ortner, J.D.
    [Show full text]
  • P8.Qxp:Layout 1
    8 Established 1961 International Monday, January 15, 2018 The terror attack survivors who refuse to be silenced Artists, journalists vow to continue fighting for free speech COPENHAGEN: Gathered in the Danish capital for a target of several attempted assaults, the latest in conference of terror attack survivors, artists and journal- Copenhagen in February 2015, during a conference ists vowed to continue fighting for free speech, despite a dubbed “Art, blasphemy and freedom”. wave of violence targeting critical voices.”We are all tar- geted, indiscriminately, and the more of us choose to stay ‘That was it’ silent, the more dangerous it becomes for the few who Like El Razhoui, Vilks leads a complicated life. Under continue speaking out, like me,” said Zineb El Rhazoui, a constant surveillance, he must coordinate with his securi- 35-year-old journalist ty guards in order to from French satirical mag- plan his day. “If I have azine Charlie Hebdo. She forgotten to buy some was on holiday on January milk, I cannot actually go 7, 2015, when jihadists out and buy the milk, broke into the Paris offices ‘If you stop, the and I cannot in practice of the magazine, mas- call the bodyguards and sacring 12 people in an things going on say ‘I want to buy some attack that shook France milk’,” he said. “As a film and the world. The assault will not stop’ ... you have to plan your sparked mass protests and days in a certain way,” a wave of solidarity, with the 71-year-old added. people across the world But after surviving an adopting the slogan “Je attack, some people suis Charlie” (I am choose to move away Charlie).
    [Show full text]
  • Fdpnewsletter 16
    n° 802 du mardi 24 février 2015 e r _les clés de_ t t e l a l +la pLa borîte à outiles des profsessionnels s de la pressee L’événement Formation Charlie hebdo reparaît 7 clés pour comprendre la presse en 2015 mais des questions restent en suspens Confrontée à une baisse de ses ventes au numéro et de ses Le numéro 1 179 de Charlie hebdo paraît demain, 25 février. «Il fallait qu’on se fixe recettes publicitaires, chahutée >une date pour se jeter dans le grand bain », a expliqué Riss dans une interview aux par l'émergence du numérique, Inrockuptibles il y a une dizaine de jours. Un mois et demi après l’attentat qui a décimé la la presse bouge et il est souvent rédaction, le journal va reprendre son rythme hebdomadaire habituel, malgré les nombreuses bien difficile de suivre toutes questions qui se posent encore. ces évolutions. Pour s'en sortir, les éditeurs doivent Quel contenu ? faire preuve d'imagination et Charlie hebdo ne change pas ses habitudes et va se concentrer d'innovations. Pour mieux aider sur ce qui a marqué l’actualité ces dernières semaines : procès à comprendre cette mutation, et du Carlton et DSK, interview du nouveau ministre grec des dessiner des pistes de réflexion, Finances, Yanis Varoufakis, profanation d’un cimetière juif, les Clés de la presse organise, Salon de l’agriculture, grippe. Et le terrorisme, toujours le 18 mars, sa formation « 7 clés autant d’actualité après les attentats à Copenhague, comme pour comprendre la presse semble le regretter le rédacteur en chef, Gérard Biard, cité en 2015 » .
    [Show full text]
  • Making Sense of the Attack on Charlie Hebdo a Qualitative Content Analysis of De Standaard and Al Arabiya
    KU LEUVEN FACULTEIT THEOLOGIE EN RELIGIEWETENSCHAPPEN MAKING SENSE OF THE ATTACK ON CHARLIE HEBDO A QUALITATIVE CONTENT ANALYSIS OF DE STANDAARD AND AL ARABIYA Scriptie, Master in de Promotor wereldgodsdiensten, de interreligieuze dialoog en de Prof. Dr. Mehdi AZAIEZ religiestudie Copromotor door Prof. Dr. Johan VERSTRAETEN Linde VAN GOETHEM 2015 KU LEUVEN FACULTEIT THEOLOGIE EN RELIGIEWETENSCHAPPEN MAKING SENSE OF THE ATTACK ON CHARLIE HEBDO A QUALITATIVE CONTENT ANALYSIS OF DE STANDAARD AND AL ARABIYA Scriptie, Master in de Promotor wereldgodsdiensten, de interreligieuze dialoog en de Prof. Dr. Mehdi AZAIEZ religiestudie Copromotor door Prof. Dr. Johan VERSTRAETEN Linde VAN GOETHEM 2015 Linde Van Goethem, Making Sense of the Attack on Charlie Hebdo. A Qualitative Content Analysis of De Standaard and Al Arabiya. Master thesis presented to obtain the degree of: Master in de wereldgodsdiensten, interreligieuze dialoog en religiestudie Examenperiode: September 2015 Promotor: Mehdi Azaiez Copromotor: Johan Verstraeten Na de aanslag op Charlie Hebdo op 7 januari 2015 werd duidelijk dat mensen op heel verschillende manieren een betekenis geven aan en reflecteren over de oorzaken van een dergelijke gebeurtenis. Om deze reden werd besloten een kwalitatieve inhoudsanalyse uit te voeren van twee kranten, De Standaard (66 artikels) en Al Arabiya (33 artikels), aangevuld met enkele grafieken gebaseerd op een kwantitatieve analyse. Op deze manier zou het mogelijk worden om een beter begrip te krijgen van tenminste twee verschillende perspectieven op de aanslag op Charlie Hebdo, waarbij De Standaard een Westers perspectief reflecteert en Al Arabiya een Arabisch perspectief. Er werd gekozen voor een vergelijkende aanpak met als doel te zoeken naar gelijkenissen en verschillen tussen beide kranten.
    [Show full text]
  • The 'Franco-German Duo' and Europe As Seen in Cartoons
    The ‘Franco-German duo’ and Europe as seen in cartoons (1945–2013). Index of cartoonists Source: CVCE. Copyright: (c) Translation CVCE.EU by UNI.LU All rights of reproduction, of public communication, of adaptation, of distribution or of dissemination via Internet, internal network or any other means are strictly reserved in all countries. Consult the legal notice and the terms and conditions of use regarding this site. URL: http://www.cvce.eu/obj/the_franco_german_duo_and_europe_as_seen_in_cartoons _1945_2013_index_of_cartoonists-en-17603916-94cf-438a-bb4a-a3aca36b335a.html Last updated: 04/07/2016 1/13 The ‘Franco-German duo’ and Europe as seen in cartoons (1945–2013) Index of cartoonists Mark Aleksandrovich Abramov ∗ 1913 in Kharkov † 1994 in Moscow Mark Abramov published his cartoons in several newspapers and magazines including Pravda, Krokodil, Ogonek and Znamia. Paul Baringou (BAROU) ∗ 1930 Press illustrator Paul Baringou has contributed to several newspapers including Ouest-France, Témoignage Chrétiens, La Tribune Socialiste, Le Canard enchaîné and Le Monde. Pierre Georges Marie de Barrigue de Montvallon (PIEM) ∗ 12 November 1923 in Saint-Étienne Cartoonist PIEM has worked since 1944 for a range of newspapers and magazines including Témoignage chrétien, Le Figaro, Paris Match and La Croix. Gabor Benedek ∗ 12 October 1938 in Budapest Architect and political cartoonist Gabor Benedek has been publishing his illustrations since 1967 in various newspapers including Süddeutsche Zeitung, Hannoversche Allgemeine Zeitung, Die Zeit and Der Spiegel. Peter Bensch ∗ 1938 in Berlin Cartoonist and press illustrator Peter Bensch lives in Vienna and works for various newspapers including Aachener Volkszeitung, Rhein-Zeitung and Kieler Nachrichten. Henry Meyer-Brockmann ∗ 24 December 1912 in Berenbostel † 23 December 1968 in Munich Illustrator and cartoonist Henry Meyer-Brockmann published his cartoons in several newspapers and magazines including Der Ruf, Süddeutsche Zeitung, Simplicissimus and Abendzeitung.
    [Show full text]
  • Tu Parles, CHARB ! Le Rédacteur En Chef De Charlie Hebdo, Stéphane Charbonnier, Dit Charb, Vit Actuellement Sous Protection Policière
    Renseignements généraux L'interview d'un charLes tu parLes, charb ! Le rédacteur en chef de Charlie Hebdo, Stéphane Charbonnier, dit Charb, vit actuellement sous protection policière. Elle a été renforcée en mars lorsque le journal en langue anglaise Inspire, financé par Al-Qaïda au Yémen, a publié sa photo avec la mention : « Wanted Dead or Alive ». Charb revient pour nous sur sa carrière de dessinateur politique et satirique, amoureux fou du trait de Cabu, son maître. Hommage de à Charlie Hebdo. Charles Par Arnaud Viviant Portraits Patrice Normand/Temps Machine Naissance ? de problèmes, ou du moins, il ne m’en a jamais Ma mère a dépoté à Conflans-Sainte-Honorine parlé. Même s’il ne détestait pas son boulot, son en 1967. Mais j’ai grandi juste à côté dans le Val plus grand bonheur dans la vie a quand même été d’Oise, à Pontoise. À l’époque, c’était encore la de partir à la retraite. Seine-et-Oise. Mes parents y vivent toujours. Lycée ? Que font-ils ? J’ai tout fait à Pontoise : l’école primaire, le collège, Ils sont aujourd’hui retraités. Mon père travaillait à le lycée. Je ferai peut-être le cimetière à Pontoise, France Télécom en tant que technicien et ma mère qui n’est pas très loin, lui non plus. Tout est dans était secrétaire d’un huissier de justice jusqu’à la le même quartier. naissance de mon petit frère. Après s’être arrêtée C’était comment Pontoise à cette époque ? un moment, elle a repris son poste de secrétariat J’imagine que ça a beaucoup changé ? mais à l’Éducation nationale, dans un LEP.
    [Show full text]
  • Readingsample
    Islam in der Gesellschaft Muslime in Deutschland Historische Bestandsaufnahme, aktuelle Entwicklungen und zukünftige Forschungsfragen Bearbeitet von Peter Antes, Rauf Ceylan 1. Auflage 2016. Taschenbuch. IX, 374 S. Softcover ISBN 978 3 658 15114 0 Format (B x L): 14,8 x 21 cm Gewicht: 497 g Weitere Fachgebiete > Ethnologie, Volkskunde, Soziologie > Volkskunde > Minderheiten, Interkulturelle Fragen Zu Inhaltsverzeichnis schnell und portofrei erhältlich bei Die Online-Fachbuchhandlung beck-shop.de ist spezialisiert auf Fachbücher, insbesondere Recht, Steuern und Wirtschaft. Im Sortiment finden Sie alle Medien (Bücher, Zeitschriften, CDs, eBooks, etc.) aller Verlage. Ergänzt wird das Programm durch Services wie Neuerscheinungsdienst oder Zusammenstellungen von Büchern zu Sonderpreisen. Der Shop führt mehr als 8 Millionen Produkte. Perceptions of Islam in Western Publics Between Orientalism, Islamophobia and Multiculturalism1 Maxie Wolf and Dirk Halm Abstract Th e representation of Muslims and Islam in Western publics is dominated by topics related to terror, violence and fundamentalism. As far as the media discourse is concerned, the article asks in how far Eduard Said’s postcolonial theory – Orien- talism – can be applied to understanding the underlying structure of the reporting. Th e rationale of this approach is that journalists may function as “Orientalists” according to Said’ s reasoning, generating one-sided, Western-centric information. Th e article focuses on how Islam and Muslims are represented in the broadsheet newspaper Daily Telegraph by means of reporting about the fi rst free democratic election in Tunisia and the terrorist attack on Charlie Hebdo. Special emphasis lies on the extent to which the West/East dichotomy is maintained, possibly re- sulting in Islamophobia.
    [Show full text]