Charlie Hebdo Massacre Today Was the Twitter Hashtag #Je- of Charles De Gaulle
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C'est Dur D'être Aimé Par Des Cons
« C’EST DUR D’ÊTRE AIMÉ PAR DES CONS » LE PROCÈS un fi lm de DANIEL LECONTE « IT’S HARD BEING LOVED BY JERKS » THE TRIAL a fi lm by DANIEL LECONTE FILM EN STOCK présente / presents PRESSE Laurence Granec & Karine Ménard 5 bis, rue Kepler - 75116 Paris SCÉANCE SPÉCIALE T. 01 47 20 36 66 F. 01 47 20 35 44 [email protected] CANNES Résidence du Gray d’Albion 20 bis, rue des Serbes - entrée D T. 04 93 68 17 84 / 04 93 68 19 33 Laurence Granec 06 07 49 16 49 Karine Ménard 06 85 56 22 99 « C’EST DUR D’ÊTRE AIMÉ PAR DES CONS » INTERNATIONAL PRESS IN CANNES LE PROCÈS ALIBI COMMUNICATIONS Brigitta Portier / Barbara Van Lombeek un fi lm de DANIEL LECONTE In Cannes : offi ce at Unifrance T. 0033 6 29607541 « IT’S HARD BEING LOVED BY JERKS » 5, rue du Chevalier de Saint George - 75008 Paris T. 01 42 96 01 01 THE TRIAL F. 01 40 20 02 21 a fi lm by elagesse@pyramidefi lms.com DANIEL LECONTE www.pyramidefi lms.com WORLD SALES 5, rue du Chevalier de Saint George - 75008 Paris T. 33(0) 1 42 96 02 20 F. 33(0) 1 40 20 05 51 yoann@pyramidefi lms.com CANNES MARKET Riviera-F6 DURÉE / RUNNING TIME 118’ T. 04 92 99 32 36 PHOTOS & DOSSIER DE PRESSE TÉLÉCHARGEABLES SUR WWW.PYRAMIDEFILMS.COM FILM EN STOCK IN CANNES Raphaël Cohen, Élodie Polo, Chloé Blondel Offi ce at Unifrance T. 0033 1 44 54 25 89 SYNOPSIS Pour avoir reproduit les douze caricatures danoises ayant déclenché la colère des musulmans aux quatre coins du monde, Philippe Val, le patron de Charlie Hebdo, journal satirique français, est assigné en justice par la Mosquée de Paris, la Ligue Islamique Mondiale et l’Union des Organisations Islamiques de France. -
“State of Civil Society Report: 2015
the year in review State of Civil Society report 2015: THE YEAR IN REVIEW ...these stories tell us that only civil introduction society, in its broadest sense, is taking a It has been another year of hard work and high achievement for civil society. The story of the year since the stance against the 2014 State of Civil Society Report was published has partly been one of a continuing series of attacks on civil concentration of society in the many countries where, when civil society asks difficult questions about power, the powerful seek to silence it. But is has also been a story of impressive and sustained civil society response, in a world that has power in the hands of become more turbulent and contested. a tiny, global, super- rich elite, and against As we show below, civil society faces challenges - of lack of space, under-resourcing and limited access to the attempts of many decision-makers. Civil society also needs continually to prove its connection with and relevance to citizens, political leaders and and it needs to demonstrate its ability to stay ahead of trends and innovate. When civil society groups do not corporate interests do these, they fail. But so often, we see civil society leading the response to crisis, taking on difficult issues, contributing to change, and winning arguments for social justice. to undermine human rights and This year in review section of the 2015 CIVICUS State of Civil Society Report is complemented by our report’s the value of people’s special thematic section on the resourcing for civil society, and the 27 guest contributions, from civil society participation. -
Controversy, Consensus, and Contradictions
Humour in Contemporary France Controversy, Consensus, and Contradictions Studies in Modern and Contemporary France 3 Studies in Modern and Contemporary France Series Editors Professor Gill Allwood, Nottingham Trent University Professor Denis M. Provencher, University of Arizona Professor Martin O’Shaughnessy, Nottingham Trent University The Studies in Modern and Contemporary France book series is a new collaboration between the Association for the Study of Modern and Contemporary France (ASMCF) and Liverpool University Press (LUP). Submissions are encouraged focusing on French politics, history, society, media and culture. The series will serve as an important focus for all those whose engagement with France is not restricted to the more classically literary, and can be seen as a long-form companion to the Association’s journal, Modern and Contemporary France, and to Contemporary French Civilization, published by Liverpool University Press. Humour in Contemporary France Controversy, Consensus, and Contradictions JONATH A N ERVIN E Humour in Contemporary France Liverpool University Press First published 2019 by Liverpool University Press 4 Cambridge Street Liverpool L69 7ZU Copyright © 2019 Jonathan Ervine The right of Jonathan Ervine to be identified as the author of this book has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. British Library Cataloguing-in-Publication data A British Library CIP record is available ISBN 978-1-78962-051-1 cased eISBN 978-1-78962-464-9 Typeset by Carnegie Book Production, Lancaster Contents Contents Acknowledgements vii Introduction. -
Unité 1: Bonjour, Tout Le Monde ! (P.3-48)
French 1 Semester 1 Study Guide 2016-17 Unité 1: Bonjour, tout le monde ! (p.3-48) Vocabulary Review vocabulary on pages 4-5, 16-17, 28-29 Listening Listen to the dialogue, then read the statements below. Write V if the statement is vrai (true) and F if it is faux (false). (Textbook Audio Program, Unité 1, U1C_p046_EvaluationA) 1. __F___ Maude introduces her cousin Robert to Aïcha. Aïcha: Bonjour, Maude. Maude: Bonjour, Aïcha. Comment ça va? 2. __F___ Robert is from Canada. Aïcha: Ça va bien, et toi? 3. __F___ Things aren’t going well for Aïcha. Maude: Pas mal. Aïcha: Je te présente mon cousin, Ahmed. 4. __F___ Maude invites Aïcha to a party. Ahmed est algérien. 5. __V___ Maude has homework to do. Maude: Enchantée, Ahmed. 6. __V___ The speakers will see each other the next day. Ahmed: Salut, Maude. On va au café. Et toi? Maude: Pas possible. Je dois faire mes Reading devoirs. On va au Vieux Carré*? Aïcha: Bon alors, à demain. Maude : Oui, à demain. Lilou: Allô, oui? Inès: Salut, Lilou est là? Lilou: Moi, c’est Lilou. Inès: Salut, Lilou. C’est Inès, ta camarade de classe. Lilou: Salut, Inès. Ça va? Inès: Pas mal, merci. Dis Lilou, tu fais quoi*? Lilou: Moi, je suis à la maison avec Fatima, ma copine française. Inès: On visite le Vieux Carré avec ta copine? Lilou: Non, ça ne marche pas. Je dois bientôt aller au centre commmerical avec mon père pour faire du shopping. Inès: D’accord. Lilou: Mais Fatima et moi, on va au café dans le Vieux Carré demain avec des copains. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title The Algerian War of Independence in Algerian bande dessin�e Permalink https://escholarship.org/uc/item/2tk6g7bg Author Dean, Veronica Publication Date 2020 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles The Algerian War of Independence in Algerian bande dessinée A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in French and Francophone Studies by Veronica Katherine Dean 2020 Copyright by Veronica Katherine Dean 2020 ABSTRACT OF THE DISSERTATION The Algerian War of Independence in Algerian bande dessinée by Veronica Katherine Dean Doctor of Philosophy in French and Francophone Studies University of California, Los Angeles, 2020 Professor Lia N. Brozgal, Chair “The Algerian War of Independence in Algerian bande dessinée” is animated by the question of how bande dessinée from Algeria represent the nation’s struggle for independence from France. Although the war is represented extensively in bande dessinée from France and Algeria, French texts are more well-known than their Algerian counterparts among scholars and bédéphiles alike. Catalysts behind this project are the disproportionate awareness and study of French bande dessinée on the war and the fact that critical studies of Algerian bande dessinée are rare and often superficial. This project nevertheless builds upon existing scholarship by problematizing its assumptions and conclusions, including the generalization that Algerian bande dessinée that depict the war are in essence propagandistic in nature. Employing tools of comics analysis and inflecting my research with journalistic work coming out of Algeria, this project attempts to rectify the treatment of Algerian bande dessinée in critical scholarship by illustrating ii the rich tradition of historical representation in the medium. -
Sur Choron, Dernière
ChoronPour restera beaucoup, le monsieur chauve et ivre qui mettait sa bite dans les flûtes de champagne. horOn, Remarquez, y a pire comme trace C laissée sur terre. BHL, exemple au hasard, ne laissera-t-il pas derniÈre l’image d’un triste sire LE FILM qui montrait sa chemise blanche documentaire dans les postes de télévision ? de Pierre Carles Quoi qu’il en soit, le Prof et Martin, était bien plus que cela. Avec Georges Bernier, Quand j’étais jeune (et vrai) journaliste, de la bande des dit Choron, Cavanna, Cabu, Siné, NAbe, Hara-Charlie-Kiri-Hebdo, Vuillemin, Wolinski, Val… c’était lui qu’on voulait tous Choron, dernière - 1 h 38’, couleur. 1,33, mono, 2008. Réalisation : Pierre Carles et Martin. rencontrer. Entretiens : Xavier Naizet. Image : Éric Maizy. Son : Bertrand Bourdin, Fabien Briand, Marie- Parce qu’il avait la classe. Pierre Thomat. Montage : Pierre Carles (assistant : Ludovic Raynaud). Mixage : Cristinel Sirli. Le panache. L’esprit vif. Production : Muriel Merlin, 3B productions. Coproduction : Pages et Images, Yorame Merovach, Créative Sound. Avec le soutien de la Région Picardie et du Festival de la BD d’Angoulême. La grande gueule qui cogne. Distribution : Tadrart Films, 01 43 13 10 68. [email protected] Les autres étaient bien gentils www.choronderniere.com de dessiner et d’exprimer leurs idées, mais qui leur fournissait le papier ? C’était bien lui. Escroc, menteur, voleur, peut-être. Mais qui avait les Bête et méchant couilles d’être leur directeur de Charlie Hebdo appartient maintenant à l’histoire. Dans cinquante ans, on étudiera en cercles de sociologues ce phénomène qui sau- publication ? D’aller jusqu’aux va le journalisme de la fin du siècle. -
Isabelle Monin Et Cabu
Isabelle monin et cabu Continue Ujourd'hui c'est la paralysie g'no- For You Sanders Show Cabu also released political cartoons for his rival Le Canard encha'n and other magazines. His most famous characters were Mont Bof (My Shunya), the embodiment of bullish French provincial complacency. Charlie Hebdo published the cartoons in solidarity with the Danish newspaper and make a point about freedom of expression in France, which has the largest Muslim population in Europe. But his experience in Algeria turned him into a fierce anti-militarist, and he remained a tireless campaigner for non-violence and a critic of the French political establishment. The boy became better known in France as a punk singer and songwriter Mano ... In the 1960s, Cabu had a son, Isabelle Monin, co-founder of the environmental magazine La Gueule. Isabelle Monin nous exit le 26 dechembre. The boy became better known in France as punk singer-songwriter Mano Solo, who died of AIDS in 2010. The philanthropist and heir to the Littlewoods Empire, who became the generous patron of Mano Solo, was born Emmanuel Cabut, was a French singer. In the 1960s, Cabu had a son, Isabelle Monin, co-founder of the environmental magazine La Gueule. Cabu also produced political cartoons for his rival Le Canard encha'n and other magazines. But his experience in Algeria turned him into a fierce anti-militarist, and he remained a tireless campaigner for non-violence and a critic of the French political establishment. BORN En 1986, il apprend sa s'ropositivit. However, in March 2007, after a hearing that was considered a trial case on freedom of expression, Val was acquitted by a Paris court. -
MEDIA POLARIZATION “À LA FRANÇAISE”? Comparing the French and American Ecosystems
institut montaigne MEDIA POLARIZATION “À LA FRANÇAISE”? Comparing the French and American Ecosystems REPORT MAY 2019 MEDIA POLARIZATION “À LA FRANÇAISE” MEDIA POLARIZATION There is no desire more natural than the desire for knowledge MEDIA POLARIZATION “À LA FRANÇAISE”? Comparing the French and American Ecosystems MAY 2019 EXECUTIVE SUMMARY In France, representative democracy is experiencing a growing mistrust that also affects the media. The latter are facing major simultaneous challenges: • a disruption of their business model in the digital age; • a dependence on social networks and search engines to gain visibility; • increased competition due to the convergence of content on digital media (competition between text, video and audio on the Internet); • increased competition due to the emergence of actors exercising their influence independently from the media (politicians, bloggers, comedians, etc.). In the United States, these developments have contributed to the polarization of the public square, characterized by the radicalization of the conservative press, with significant impact on electoral processes. Institut Montaigne investigated whether a similar phenomenon was at work in France. To this end, it led an in-depth study in partnership with the Sciences Po Médialab, the Sciences Po School of Journalism as well as the MIT Center for Civic Media. It also benefited from data collected and analyzed by the Pew Research Center*, in their report “News Media Attitudes in France”. Going beyond “fake news” 1 The changes affecting the media space are often reduced to the study of their most visible symp- toms. For instance, the concept of “fake news”, which has been amply commented on, falls short of encompassing the complexity of the transformations at work. -
Terrorist Tactics and Strategies Compiled and Selected by Judith Tinnes
PERSPECTIVES ON TERRORISM Volume 12, Issue 5 Bibliography: Terrorist Tactics and Strategies Compiled and selected by Judith Tinnes [Bibliographic Series of Perspectives on Terrorism - BSPT-JT-2018-6] Abstract This bibliography contains journal articles, book chapters, books, edited volumes, theses, grey literature, bibliographies and other resources on terrorist tactics and strategies (such as the planning of attacks, targeting, decision making, and successful or failed plots). Though focusing on recent literature, the bibliography is not restricted to a particular time period and covers publications up to September 2018. The literature has been retrieved by manually browsing more than 200 core and periphery sources in the field of Terrorism Studies. Additionally, full-text and reference retrieval systems have been employed to broaden the search. Keywords: bibliography; resources; literature; terrorism; tactics, strategies, planning, plots, attacks, targeting, decision making NB: All websites were last visited on 16.09.2018. - See also Note for the Reader at the end of this literature list. Bibliographies and other Resources Al-Khalidi, Ashraf; Renahan, Thomas (Eds.) (2015, May-): Daesh Daily: An Update On ISIS Activities. URL: http://www.daeshdaily.com Atkins, Stephen E. (2011): Annotated Bibliography. In: Stephen E. Atkins (Ed.): The 9/11 Encyclopedia. (Vol. 1). (2nd ed.). Santa Barbara: ABC-CLIO, 481-508. Bergen, Peter et al. (2016-): Terrorism in America after 9/11. (New America In-Depth Report). URL: https:// www.newamerica.org/in-depth/terrorism-in-america Bowie, Neil G. (2017, August): Terrorism Events Data: An Inventory of Databases and Data Sets, 1968-2017. Perspectives on Terrorism, 11(4), 50-72. URL: https://www.universiteitleiden.nl/binaries/content/assets/ customsites/perspectives-on-terrorism/2017/issue-4/0620174-terrorism-events-data-an-inventory-of- databases-and-data-sets-1968-2017-by-neil-g.-bowie.pdf Bowie, Neil G.; Schmid, Alex P. -
Brésil Selon Le Monde Diplomatique Et Le Courrier International
i Uaiversite Lumiere Lyon II : MEMCMHE DE DEA Sciences de Flttformation et de la Communication )n ; Langage et symboliques de la commtiiiicatien et des medias LE BRESIL SELON LE MONDE DIFLOMATIQUE ET LE COURRIER INTERNATIONAI, Les sources d,$'nformati.on et ieur paroie dans la formation de 1'opiiiion Marcio Augusto FLEXA SANTOS Sous la direction de : Jean-Fmngois' Titu DE L ENSSIB \ Septembre 1999 812411 Jmverswc lumiere leole Natieaak Seperieere Urthe.^de Jese. Mmlia ? Des Seieneeti d« rlBferraatitta Lyoa 3 et cies Eibiieteques B-mmb Universite Lumiere Lyon II MEMOIRE DE DEA Sciences de 1'Information et de la Communication Option : Langage et symboliques de la communication et |< ^O/c,l 1,-B ' des medias % • LE BRESIL SELON LE MONDE DIPLOMATIQUE ET LE COURRIER INTERNATIONAL Les sources d'information et leur parole dans la formation de 1'opinion Marcio Augusto FLEXA SANTOS Sous la direction de : Jean-Frangois Tetu Septembre 1999 Universite lumiere Ecole Nationaie Superieure Universite Jean Moulin Lvon 2 Des Sciences de i'Information Lvon 3 et des Bibiioteques O C? Q Enssib 'X £ H z, J Universite Lumiere Lyon II MEMOIRE DE DEA Sciences de 1'Information et de la Communicatlon Option : Langage et symboliques de la communication et des medias LE BRESIL SELON LE MONDE DIPLOMATIQUE ET LE COURRIERINTERNATIONAL Les sources d'information et leur parole dans la formation de 1'opinion Marcio Augusto FLEXA SANTOS Sous la direction de: Jean-Frangois Tetu Septembre 1999 Universite lumiere Ecole Nationale Superieure Universite Jean Moulin Lyon 2 Des Sciences de l'Information Lyon 3 et des Biblioteques Enssib REMERCIEMENTS Ce travail n 'aurait pu voir le jour sans le soutien constant et les encouragements de M. -
Blasphemy, Charlie Hebdo, and the Freedom of Belief and Expression
Blasphemy, Charlie Hebdo, and the Freedom of Belief and Expression The Paris attacks and the reactions rashad ali The horrific events in Paris, with the killing of a group of Other reactions highlight and emphasise the fact journalists, a Police officer, and members of the Jewish that Muslims are also victims of terrorism – often the community in France have shocked and horrified most main victims – a point which Charlie Hebdo made in commentators. These atrocities, which the Yemen branch an editorial of the first issue of the magazine published of the global terrorist group al-Qaeda have claimed the following the attack on its staff. Still others highlight responsibility for,1 have led to condemnations from that Jews were targeted merely because they were Jews.2 across the political spectrum and across religious divides. This was even more relevant given how a BBC journalist Some ubiquitous slogans that have arisen, whether appeared to suggest that there was a connection between Je suis Charlie, Ahmed, or Juif, have been used to show how “Jews” treated Palestinians in Israel and the killing of empathy with various victims of these horrid events. Jews in France in a kosher shop.3 These different responses illustrate some of the divides in The most notorious response arguably has not come public reaction, with solidarity shown to various camps. from Islamist circles but from the French neo-fascist For example, some have wished to show support and comedian Dieudonne for stating on his Facebook solidarity with the victims but have not wished to imply account “je me sens Charlie Coulibaly” (“I feel like Charlie or show support to Charlie Hebdo as a publication, Coulibaly”). -
Je Suis Charlie?
Je Suis Charlie? Why Positive Integration of Muslims in France Reinforces the Republican Ideal By Emmanuel Todd e can now say, with the benefit of hindsight, that in January 2015 France succumbed to an attack of hysteria. The massacre of the editorial board Wof the satirical magazine Charlie Hebdo, as well as of several police officers and the customers of a Jewish shop, triggered a collective reaction unprec - edented in our country’s history. It would have been impossible to discuss it in the heat of the moment. The media joined hands to denounce terrorism, to celebrate the admirable character of the French people, and to sacralize liberty and the French Republic. Charlie Hebdo and its caricatures of Mohammed were enshrined. The government announced that it was giving a grant to the weekly so that it could get back on its feet. Crowds of people followed the government’s appeal to march in protest throughout the land: they held pencils to symbolize press freedom and applauded the state security police and the marksmen posted on the rooftops. The logo “Je suis Charlie” (“I am Charlie”), written in white letters against a black background, could be seen everywhere: on our screens, in the streets, on restaurant menus. Children came home from school with a letter C written on their hands. Kids aged 7 and 8 were interviewed at the school gates and asked for their thoughts on the horror of the events and the importance of one’s freedom to draw caricatures. The government decreed that anyone who failed to toe the line would be punished.