Pseudogenes Macaques

Total Page:16

File Type:pdf, Size:1020Kb

Pseudogenes Macaques Genetic Makeup of the DR Region in Rhesus Macaques: Gene Content, Transcripts, and Pseudogenes This information is current as Nanine de Groot, Gaby G. Doxiadis, Natasja G. de Groot, of September 25, 2021. Nel Otting, Corrine Heijmans, Annemiek J. M. Rouweler and Ronald E. Bontrop J Immunol 2004; 172:6152-6157; ; doi: 10.4049/jimmunol.172.10.6152 http://www.jimmunol.org/content/172/10/6152 Downloaded from References This article cites 45 articles, 15 of which you can access for free at: http://www.jimmunol.org/content/172/10/6152.full#ref-list-1 http://www.jimmunol.org/ Why The JI? Submit online. • Rapid Reviews! 30 days* from submission to initial decision • No Triage! Every submission reviewed by practicing scientists • Fast Publication! 4 weeks from acceptance to publication by guest on September 25, 2021 *average Subscription Information about subscribing to The Journal of Immunology is online at: http://jimmunol.org/subscription Permissions Submit copyright permission requests at: http://www.aai.org/About/Publications/JI/copyright.html Email Alerts Receive free email-alerts when new articles cite this article. Sign up at: http://jimmunol.org/alerts The Journal of Immunology is published twice each month by The American Association of Immunologists, Inc., 1451 Rockville Pike, Suite 650, Rockville, MD 20852 Copyright © 2004 by The American Association of Immunologists All rights reserved. Print ISSN: 0022-1767 Online ISSN: 1550-6606. The Journal of Immunology Genetic Makeup of the DR Region in Rhesus Macaques: Gene Content, Transcripts, and Pseudogenes1 Nanine de Groot,2 Gaby G. Doxiadis, Natasja G. de Groot, Nel Otting, Corrine Heijmans, Annemiek J. M. Rouweler, and Ronald E. Bontrop In the human population, five major HLA-DRB haplotypes have been identified, whereas the situation in rhesus macaques (Macaca mulatta) is radically different. At least 30 Mamu-DRB region configurations, displaying polymorphism with regard to number and combination of DRB loci present per haplotype, have been characterized. Until now, Mamu-DRB region genes have been studied mainly by genomic sequencing of polymorphic exon 2 segments. However, relatively little is known about the expression status of these genes. To understand which exon 2 segments may represent functional genes, full-length cDNA analyses of -DRA and -DRB were initiated. In the course of the study, 11 cDRA alleles were identified, representing four distinct gene products. Amino acid replacements are confined to the leader peptide and cytoplasmatic tail, whereas residues of the ␣1 domain involved in peptide binding, are conserved Downloaded from between humans, chimpanzees, and rhesus macaques. Furthermore, from the 11 Mamu-DRB region configurations present in this panel, 28 cDRB alleles were isolated, constituting 12 distinct cDRA/cDRB configurations. Evidence is presented that a single configuration expresses maximally up to three -DRB genes. For some exon 2 DRB sequences, the corresponding transcripts could not be detected, rendering such alleles as probable pseudogenes. The full-length cDRA and cDRB sequences are necessary to construct Mhc class II tetramers, as well as transfectant cell lines. As the rhesus macaque is an important animal model in AIDS vaccine studies, the infor- mation provided in this communication is essential to define restriction elements and to monitor immune responses in SIV/simian human http://www.jimmunol.org/ immunodeficiency virus-infected rhesus macaques. The Journal of Immunology, 2004, 172: 6152–6157. he rhesus monkey provides a valuable model in preclin- The organization of the Mamu-DRB region is complex and it dis- ical studies of infectious and chronic diseases as well as plays variation at the population level with regard to number T for tissue and organ transplantation (1–11). The applica- and/or combination of loci present per configuration (24–28). In tion of macaques in immunological research necessitates an ex- humans, the number of -DRB loci present per configuration differs tensive characterization of the MHC region, because the high de- from one to four, whereas in the rhesus macaque, one to eight loci gree of polymorphism of most of its genes is not only a main can be observed (12, 28). Only five HLA-DRB region configura- by guest on September 25, 2021 characteristic in humans, but also in nonhuman primates (12). Cell tions are known, and all of them display a high degree of poly- surface glycoproteins of the MHC, divided into class I and class II morphism, mainly at the -DRB1 locus (29, 30). The situation in gene products, present peptides to effector T cells, and therefore rhesus macaques is radically different, as Ͼ30 Mamu-DRB region play an important role in adaptive immunology. As one would configurations have been described so far (28). Although the total expect, several susceptibility or resistance traits have been mapped number of apparent Mamu-DRB alleles is comparable to those of to particular Mhc alleles in humans and rhesus macaques (13–22). the HLA-DRB1 locus, the Mamu-DRB region configurations them- The polymorphic MHC class II genes of the rhesus macaque selves show only a limited degree of allelic variation (25, 26). (MhcMamu) map to the DP, DQ, and DR regions. One expects The absence or lack of allelic polymorphism at Mamu-DRB re- that, as is found in humans, the actual polymorphism is mostly gion configurations can be explained in several ways. One inter- confined to exon 2 of the Mamu-DPB1, -DQA1, -DQB1, and -DRB pretation is that these configurations are relatively young and did loci encoding the contact residues of the peptide binding site. As not have time to accumulate variation. Alternatively, it is conceiv- a consequence, Mamu class II sequencing has been mainly focused able that these configurations experience conservative selection on the determination of allelic variation at exon 2 segments. and have been maintained over longer evolutionary time spans. In The Mamu-DRA locus encoding the DR ␣-chain is thought to be both cases, rhesus macaques used a radically different strategy than monomorphic and highly conserved through primate evolution, as humans to initiate Th cell responses to combat infections. While the it shows only limited variation in comparison to HLA-DRA (23). human population invested mainly in generating a high degree of allelic variation at the various DRB loci, the rhesus macaque popula- Department of Comparative Genetics and Refinement, Biomedical Primate Research tion primarily generated a large number of singular combinations of Centre, Rijswijk, The Netherlands DRB loci. We published evidence recently that Mamu-DR/DQ con- Received for publication November 14, 2003. Accepted for publication February figurations appear to be unique for a given population living at distinct 27, 2004. geographic locations (31). This implies that Mamu-DR/DQ region The costs of publication of this article were defrayed in part by the payment of page charges. This article must therefore be hereby marked advertisement in accordance configurations originated after the separation of eastern and western with 18 U.S.C. Section 1734 solely to indicate this fact. rhesus macaque populations, which is thought to have been caused by 1 This study was supported in part by the European Union Project IMGT-QLG2-CT a glacial ice barrier during the Pleistocene era (32). 2000-01287 and the National Institutes of Health Project 1-R24-RR16038-01 (Cata- Most of the Mamu-DRB alleles belong to lineages or loci that log of Federal Domestic Assistance 93.306). are shared between humans and macaques. In addition, present in 2 Address correspondence and reprint requests to Dr. Nanine de Groot, Biomedical Primate Research Centre, Lange Kleiweg 139, 2288 GJ Rijswijk, The Netherlands. the rhesus macaque are loci/lineages for which no human equiv- E-mail address: [email protected] alent is known (-DRBW). Some of the Mamu-DRB loci appear to Copyright © 2004 by The American Association of Immunologists, Inc. 0022-1767/04/$02.00 The Journal of Immunology 6153 have been duplicated and can be present twice, or even three times, phocytes or immortalized B cell lines used in this study originate from 14 on the same configuration (26). pedigreed animals in Biomedical Primate Research Center’s self-sustaining One needs to realize that many pseudogenes have been identi- colony (Indian origin). Of these rhesus macaques, five were homozygous and derived from consanguineous origin, two were homozygous, and seven were fied in the various HLA-DR regions. However, little is known heterozygous for their Mhc regions. This panel covers 11 of the most frequent about the expression of the various Mamu-DRB loci, lineages, or Mamu-DRB region configurations present in our colony, as well as some ex- alleles. For example, the Mamu-DRB6 locus, although it may be amples of DRB region configurations displaying allelic polymorphism (12, 26, transcribed (33, 34), does not seem to code for a functional class II 28, 31). gene product, because its exon 2 sequences show various character- RNA extraction, cDNA synthesis, and amplification istics such as inserts, stop codons, and deletions that would render it RNA was extracted from immortalized B cell lines of rhesus macaques a pseudogene (24). Only for some alleles of the Mamu-DRB1*03, using the RNeasy mini kit (Qiagen, Hilden, Germany) according to the -DRB1*10, -DRB1*04,-DRB*W3, DRB*W4, and -DRB*W5 lin- manufacturer’s recommendations. cDNA was then synthesized from eages, immunoprecipitation studies suggested that these particular al- freshly extracted mRNA using the Universal RiboClone cDNA Synthesis leles code for a class II molecule (12, 35). Restriction element studies System (Promega, Madison, WI) according to the manufacturer’s recom- revealed that certain alleles of the -DRB1*03 lineage, as well as mendations. Full-length Mamu-DRA sequences were amplified by PCR from cDNA using primers specific for human DRA 5Ј and 3Ј untranslated -DRB1*0406 and -DRB*W201, encode gene products which are able sequences (1): 5ЈDRA-SalI, 5Ј-TCC CGT CGA CCG CCC AAG AAG ϩ to present peptides to CD4 Th cells (1, 36, 37).
Recommended publications
  • OEDIPUS by Voltaire
    OEDIPUS By Voltaire Translated and adapted by Frank J. Morlock OEDIPUS By Voltaire Table of Contents OEDIPUS By Voltaire..............................................................................................................................................1 Translated and adapted by Frank J. Morlock.................................................................................................2 ACT I.............................................................................................................................................................4 ACT II..........................................................................................................................................................13 ACT III.........................................................................................................................................................24 ACT IV........................................................................................................................................................35 ACT V..........................................................................................................................................................45 i OEDIPUS By Voltaire OEDIPUS By Voltaire 1 OEDIPUS By Voltaire Translated and adapted by Frank J. Morlock Etext by Dagny • ACT I • ACT II • ACT III • ACT IV • ACT V Etext by Dagny This Etext is for private use only. No republication for profit in print or other media may be made without the express consent of the Copyright Holder. The Copyright
    [Show full text]
  • Enescu US 3/11/05 11:27 Page 16
    660163-64 bk Enescu US 3/11/05 11:27 Page 16 ENESCU 2 CDs Oedipe Pederson • Silins • Damiani • Lipov‰ek Chorus and Orchestra of the Vienna State Opera Michael Gielen Above: Oedipus (Monte Pederson) Right: Michael Gielen 8.660163-64 16 660163-64 bk Enescu US 3/11/05 11:27 Page 2 George ENESCU (1881-1955) Oedipe, Op. 23 (Tragédie lyrique en 4 actes et 6 tableaux) Libretto by Edmond Fleg Below and right: Oedipus (Monte Pederson) Oedipe . Monte Pederson, Bass-baritone Tirésias . Egils Silins, Bass Créon . Davide Damiani, Baritone Le berger (The Shepherd) . Michael Roider, Tenor Le grand prêtre (The High Priest) . Goran Simi´c, Bass Phorbas . Peter Köves, Bass Le veilleur (The Watchman) . Walter Fink, Bass Thésée . Yu Chen, Baritone Laïos . Josef Hopferwieser, Tenor Jocaste/La Sphinge (The Sphinx) . Marjana Lipov‰ek, Mezzo-soprano Antigone . Ruxandra Donose, Soprano Mérope . Mihaela Ungureanu, Mezzo-soprano Chorus of the Vienna State Opera Répétiteur: Erwin Ortner Vienna Boys Choir Orchestra of the Vienna State Opera Stage Orchestra of the Austrian Federal Theatres Michael Gielen 8.660163-64 2 15 8.660163-64 660163-64 bk Enescu US 3/11/05 11:27 Page 14 CD 1 63:53 CD 2 64:33 Act I (Prologue) Act III 1 Prelude 4:31 1 Oh! Oh! Hélas! Hélas! 9:04 (Chorus, Oedipus, High Priest, Creon) 2 Roi Laïos, en ta maison 6:56 (Women, High Priest, Warriors, 2 Divin Tirésias, très cher, très grand 6:02 Shepherds, Creon) (Oedipus, Tiresias, Creon, Chorus) 3 Les Dieux ont béni l’enfant 8:11 3 Qu’entends-je, Oedipe? 12:37 (High Priest, Jocasta, Laius, (Jocasta,
    [Show full text]
  • ENG 3010G-001: Literary Masterworks John Kilgore Eastern Illinois University
    Eastern Illinois University The Keep Fall 2007 2007 Fall 8-15-2007 ENG 3010G-001: Literary Masterworks John Kilgore Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/english_syllabi_fall2007 Part of the English Language and Literature Commons Recommended Citation Kilgore, John, "ENG 3010G-001: Literary Masterworks" (2007). Fall 2007. 104. http://thekeep.eiu.edu/english_syllabi_fall2007/104 This Article is brought to you for free and open access by the 2007 at The Keep. It has been accepted for inclusion in Fall 2007 by an authorized administrator of The Keep. For more information, please contact [email protected]. 36/CJ 6 -do ( Page 1 of 5 '3 o tOG- 7()0 Printer-Friendly Version English 3010G, Literary Masterworks Fall, 2007 On-Campus: 8:00-9:15 TR, CH 3150 Off-Campus: 6:30-9:00 R, Parkland CC, 0148 Current Assignment Readings as assigned Hand-in Dates: Last Update: 8/15/2007 9/20: Exam # 1 10/9: Paper# 1 (10/11 off campus) 11/1: Exam# 2 11/13: Paper# 2 (11/15 off campus) 2/6: Optional Rewrite 12/13: Final Exam General Information COURSE DESCRIPTION: An extremely selective survey of works from antiquity to the present, likely to include the following: Homer (selections from The Iliad), Sophocles (Oedipus Rex), Shakespeare (Hamlet), Voltaire (Candide), Austen (Pride and Prejudice), Wordsworth, Keats, and an assortment of modern writers. Our primary concern will be with the individual greatness and beauty of the works themselves, but a secondary concern will be to develop a basic sense of the shape of literary history in the West.
    [Show full text]
  • On the Passions of Kings: Tragic Transgressors of the Sovereign's
    ON THE PASSIONS OF KINGS: TRAGIC TRANSGRESSORS OF THE SOVEREIGN’S DOUBLE BODY IN SEVENTEENTH-CENTURY FRENCH THEATRE by POLLY THOMPSON MANGERSON (Under the Direction of Francis B. Assaf) ABSTRACT This dissertation seeks to examine the importance of the concept of sovereignty in seventeenth-century Baroque and Classical theatre through an analysis of six representations of the “passionate king” in the tragedies of Théophile de Viau, Tristan L’Hermite, Pierre Corneille, and Jean Racine. The literary analyses are preceded by critical summaries of four theoretical texts from the sixteenth and seventeenth centuries in order to establish a politically relevant definition of sovereignty during the French absolutist monarchy. These treatises imply that a king possesses a double body: physical and political. The physical body is mortal, imperfect, and subject to passions, whereas the political body is synonymous with the law and thus cannot die. In order to reign as a true sovereign, an absolute monarch must reject the passions of his physical body and act in accordance with his political body. The theory of the sovereign’s double body provides the foundation for the subsequent literary study of tragic drama, and specifically of king-characters who fail to fulfill their responsibilities as sovereigns by submitting to their human passions. This juxtaposition of political theory with dramatic literature demonstrates how the king-character’s transgressions against his political body contribute to the tragic aspect of the plays, and thereby to the
    [Show full text]
  • Furbish'd Remnants
    UNIVERSITY OF CALIFORNIA Los Angeles “Furbish’d Remnants”: Theatrical Adaptation and the Orient, 1660-1815 A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Angelina Marie Del Balzo 2019 Ó Copyright by Angelina Marie Del Balzo 2019 ABSTRACT OF THE DISSERTATION “Furbish’d Remnants”: Theatrical Adaptation and the Orient, 1660-1815 by Angelina Marie Del Balzo Doctor of Philosophy in English University of California, Los Angeles, 2019 Professor Felicity A. Nussbaum, Chair Furbish’d Remnants argues that eighteenth-century theatrical adaptations set in the Orient destabilize categories of difference, introducing Oriental characters as subjects of sympathy while at the same time defamiliarizing the people and space of London. Applying contemporary theories of emotion, I contend that in eighteenth-century theater, the actor and the character become distinct subjects for the affective transfer of sympathy, increasing the emotional potential of performance beyond the narrative onstage. Adaptation as a form heightens this alienation effect, by drawing attention to narrative’s properties as an artistic construction. A paradox at the heart of eighteenth-century theater is that while the term “adaptation” did not have a specific literary or theatrical definition until near the end of the period, in practice adaptations and translations proliferated on the English stage. Anticipating Linda Hutcheon’s postmodernist theory of adaptation, eighteenth-century playwrights and performers conceptualized adaptation as both process and product. Adaptation created a narrative mode that emphasized the process and labor of performance for audiences in order to create a higher level of engagement with ii audiences.
    [Show full text]
  • Words Full of Deed Prophets and Prophecy in German Literature
    Words Full of Deed Prophets and Prophecy in German Literature around 1800 Patrick J. Walsh Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2017 © 2017 Patrick J. Walsh All rights reserved Abstract Words Full of Deed: Prophets and Prophecy in German Literature around 1800 Patrick J. Walsh In this dissertation, I consider the role of prophets and prophecy in German drama and dramatic discourse of the Romantic period. Against the backdrop of the upheaval wrought by the Enlightenment, the French Revolution, and the Revolutionary and Napoleonic Wars, such discourse exhibits a conspicuous fascination with political and social crisis in general as well as a preoccupation with imagining how the crises of the present could provide an opportunity for national or civilizational renewal. One prominent manifestation of this focus is a pronounced interest in charismatic leaders of the legendary or historical past—among them prophets like Moses, Muhammad and Joan of Arc—who succeeded in uniting their respective societies around a novel vision of collective destiny. In order to better understand the appeal of such figures during this period, I examine works of drama and prose fiction that feature prophets as their protagonists and that center on scenarios of political or religious founding. Reading texts by major authors like Johann Wolfgang Goethe, Friedrich Schiller and Achim von Arnim alongside those by the lesser- known writers such as Karoline von Günderrode, August Klingemann and Joseph von Hammer, I analyze the various ways these scenarios are staged and situate them within their specific political, intellectual and literary contexts.
    [Show full text]
  • Oedipus the King
    Oedipus the King Sophocles Translated by David Grene CHARACTERS OEDIPUS, King of Thebes FIRST MESSENGER JOCASTA, His Wife SECOND MESSENGER CREON, His Brother-in-Law A HERDSMAN TEIRESIAS, an Old Blind Prophet A CHORUS OF OLD MEN OF THEBES PRIEST PART I: already; it can scarcely lift its prow Scene: In front of the palace of Oedipus at Thebes. To the 25 out of the depths, out of the bloody surf. Right of the stage near the altar stands the PRIEST with a A blight is on the fruitful plants of the earth. crowd of children. A blight is on the cattle in the fields, OEDIPUS emerges from the central door. a blight is on our women that no children are born to them; a God that carries fire, OEDIPUS: Children, young sons and daughters of old 30 a deadly pestilence, is on our town, Cadmus,1 strikes us and spears us not, and the house of Cadmus why do you sit here with your suppliant crowns?2 is emptied of its people while black Death the town is heavy with a mingled burden grows rich in groaning and in lamentation.6 of sounds and smells, of groans and hymns and We have not come as suppliants to this altar incense; 35 because we thought of you as a God, 5 I did not think it fit that I should hear but rather judging you the first of men of this from messengers but came myself,-- in all the chances of this life and when I Oedipus whom all men call the Great.
    [Show full text]
  • Oedipus Trilogy
    The Oedipus Cycle eLangdell® Press 2014 2 Table of Contents The Oedipus Cycle ............................................................................................................................................ 2 Notices ............................................................................................................................................................ 4 OEDIPUS THE KING ................................................................................................................................. 11 Translation by F. Storr, BA Formerly Scholar of Trinity College, Cambridge From the Loeb Library Edition Originally published by Harvard University Press, Cambridge, MA and William Heinemann Ltd, London First published in 1912 ............................................................ 11 ARGUMENT ......................................................................................................................................... 11 DRAMATIS PERSONAE ................................................................................................................... 12 OEDIPUS THE KING ................................................................................................................................. 12 FOOTNOTES ............................................................................................................................................ 65 SOPHOCLES .................................................................................................................................................
    [Show full text]
  • Structuralism in Oedipus the King by Jacob Cooper, English 483
    The Construction of a Play: Structuralism in Oedipus the King By Jacob Cooper, English 483 n Oedipus, the King, a play by Sophocles, we (Barthes 241). Narrative is involved in the I sentences of a work, the basic blocks of its are presented with the mythical king who structure. But it is the culmination of these sen- defeated the Sphinx and now rules over Thebes. tences, these building blocks, that make up the However, he got the position by killing his whole and ultimately give meaning to the work. biological father, Laius, at a crossroads years Basically, a narrative “appears as a before the play takes place. A major purpose or succession of tightly interlocking mediate and meaning is to present the great irony immediate elements; dystaxy initiates a surrounding Oedipus and his rule. However, ‘horizontal’ reading, while integration there is a systematic construction, or structure, superimposes on it a ‘vertical’ reading. There is through which the play a sort of structural gets its meaning across. ‘limping,’ a constant To understand the interplay of potentials, meaning, we must first whose ‘falls’ impart understand the structure. ‘tone’ or energy to the Whether it be through the narrative. Each unit is layout of specific scenes perceived as a surface or the order of the scenes texture, while an in-depth through the entire play, dimension is maintained, the structure is what gives and in this way narrative the play the ability to ‘moves along’” (Barthes make its meaning 270). There is an possible; structure is the overarching connection to catalyst for meaning.
    [Show full text]
  • The Tragic Perspective in Hamlet's Character During the Play-Scene Malik Hashim Hassan
    International Journal of English, Literature and Social Sciences (IJELS) Vol-4, Issue-6, Nov – Dec 2019 https://dx.doi.org/10.22161/ijels.46. 33 ISSN: 2456-7620 The Tragic perspective in Hamlet's character during the play-scene Malik Hashim Hassan Ministry of education, Education General directorate in Thiqar, Iraq [email protected] Abstract— The researcher explains the tragic of the play represented with Hamlet's father death. The most familiar image of the play is the young prince contemplating how he will revenge., the overriding theme being how people react to death. Though every version has the basic central story of Hamlet’s revenge for his father’s murder, each inevitably presents a more or less subtly different narrative, some omitting whole scenes and even major story threads. All this helps to explain why the play—and its central character—have been subject to an exceptionally wide range of interpretation. The researcher in this paper, will concentrate on one of the tragic situation for the protagonist of the play that father's murder by his mother and uncle. Keywords— Hamlet's character, play-scene. I. INTRODUCTION his central moral dilemma transcends the Elizabethan Although this play is over four hundred years old, the period, making him a man for all ages. In his difficult conflicts of these characters are still relevant today. struggle to somehow act within a corrupt world and yet Hamlet is uncertainly the most well-known play in the maintain his moral integrity, Hamlet ultimately reflects the English language. it is written Probably in 1601 or 1602, fate of all human beings, even in this day and age.
    [Show full text]
  • Voltaire's Candide
    Voltaire’s Candide: A Discussion Guide By David Bruce Copyright 2009 by Bruce D. Bruce SMASHWORDS EDITION Thank you for downloading this free ebook. You are welcome to share it with your friends. This book may be reproduced, copied and distributed for non-commercial purposes, provided the book remains in its complete original form. If you enjoyed this book, please return to Smashwords.com to discover other works by this author. Thank you for your support. Dedicated with Love to Josephine Saturday Bruce ••• Preface The purpose of this book is educational. I have read, studied and taught Voltaire’s Candide, and I wish to pass on what I have learned to other people who are interested in studying Voltaire’s Candide. This book uses a question-and-answer format. It poses, then answers, relevant questions about Voltaire, background information, and Candide. I recommend that you read the relevant section of Candide, then read my comments, then go back and re-read the relevant section of Candide. However, do what works for you. Teachers may find this book useful as a discussion guide for the novel. Teachers can have students read chapters from this short novel, then teachers can ask students selected questions from this study guide. The long quotations from Voltaire’s Candide in this study guide, unless otherwise indicated, come from an 18th-century translation by Tobias Smollett. The short quotations (with page numbers in parentheses) are from the translation by Lowell Bair. This study guide will occasionally use short quotations from books about Voltaire and Candide. The use of these short quotations is consistent with fair use: § 107.
    [Show full text]
  • The Neo-Classic Tragedy and the Greek
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Papers from the University Studies series (The University of Nebraska) University Studies of the University of Nebraska 7-1906 Corneille: The Neo-Classic Tragedy and the Greek Prosser Hall Frye Follow this and additional works at: https://digitalcommons.unl.edu/univstudiespapers Part of the Comparative Literature Commons, and the French and Francophone Literature Commons This Article is brought to you for free and open access by the University Studies of the University of Nebraska at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Papers from the University Studies series (The University of Nebraska) by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOL. VI JULY 1906 No.3 UNIVERSITY STUDIES Published by the University of Nebraska COMMITTEE OF PUBLICATION C. E. BESSEY F. M. FLING W. G. L. TAYLOR H. ALICE HOWELL T. ~L. BOLTON } EDITORS L. A. SHERMAN CONTENTS I COMPARATIVE 0 B S Ie R V A T ION S ON THE EVOLUTION OF ·GAS FROM THE CATHODE IN HELIUM AND ARGON Clarence A. Skinner 193 II ON THE STRUCTURE OF THE PISTILS OF SOMa GRASSES Elda Rema Walker 203 III CORNEILLE: THE NEO-CLASSIC TRAGEDY AND THE GREEK Prosser Hall Frye 219· IV ON THE COMPARISON OF ADVERBS IN ENGLISH IN THE FOURTEENTH CnNTURY Alma Hosic 251 LINCOLN NEBRASKA Entered at the post-office in Lincoln, Nebraska, as second-class matter, as University Bulletin, Series XI, No. 18 111.-Corneille: The N eo-Classic Tragedy and the Greek1 BY PROSSER HALL FRYE I It is not solely the fault of our cntlcs that we have no such criticism as the French; it is also the fault of our literature.
    [Show full text]