2018 Summer Newsletter

Total Page:16

File Type:pdf, Size:1020Kb

2018 Summer Newsletter TRAIL MIX A limited print edition dedicated to those who support North Star Reach Summer 2018 FROM THE CAMPFIRE OF PATRICK SMITH, DIRECTOR OF CAMPING The Magic of Creating Community Paul Newman once said, “You can leave camp but friends isn’t something I create or control. I simply help camp never really leaves you.” It’s one of my favorite to cultivate the right conditions. Bring together kids quotes because it feels so true. Whether it’s your first who have been cheated out of childhood experiences time or hundredth coming to camp, you feel a sense of by illnesses with volunteers who want make a positive belonging here that can be hard to find anywhere else. impact on those young lives…well, that’s when something magical happens. The first time I went to camp, I was 21. A friend encour- aged me to volunteer at a camp for kids with cancer. I had no idea the experience would change my life. A friend encouraged I’d never been part of such a caring, close-knit me to volunteer at a community. From the kids to the volunteers, everyone camp for kids with One moment we are a group of kids and adults was supported in ways that brought out our best cancer. I had no idea standing under the shade of an old oak and facing the selves. When I went back the next summer, the camp unknown of a week at camp, and the next moment director said, “Welcome home.” That greeting seemed the experience would something has shifted. We’re talking! We’re laughing! just right to me: I felt I was returning to a safe place change my life. We’re sharing stories and connecting in real and where even strangers felt like family. surprising ways. I love this moment when it becomes clear to all of us that we have embarked on an epic Working at camps that serve children with serious Now, you might be thinking, how do I cultivate summer adventure, together. medical conditions has been my life ever since. community? It’s not always easy to see, but here’s one way it is: I lead icebreaker activities. An assignment, Today, as North Star Reach Director of Camping, one earnest or silly, can create a neutral space, a common of the things I love most about my job is creating ground between people and conversations start. What community. Despite what many people think, the three things do we share? How about two truths and a “camp magic” that quickly transforms strangers into lie? Or, hey, what animal would you be? An update on Nora... Many supporters of North Star Reach have We’re happy to report that Nora’s surgery went been thinking about 12-year-old Nora, whose well and that she is healing at home with her story we shared in our spring fundraising parents and siblings. “We are so relieved!” says appeal. Nora attended summer camp at North Connie, her mother. “She is struggling a bit with Star Reach for the first time when she was pain, but she is sleeping well and in good spirits!” ten years old, discovering independence and The first question I asked the newfound friends who shared her experiences The North Star Reach family sends wishes for doctors was, “Do you think as a cardiology patient. Last spring, Nora was Nora’s speedy recovery. We hope to see her well I will be able to go to camp facing her tenth surgery — this one to fuse her enough to join us at camp this year! spine— and was hoping to be well enough to this year?” I hope I can. attend camp this summer. VIEW FROM THE OBSERVATORY Medical volunteer Jacob Bilhartz, MD, examines 9-year-old Avery inside The Observatory this summer during Transplant Camp. At first glance, it’s not obvious that our campers are At each camp, medical volunteers—physicians and and as a child. Nurses see campers throughout the also patients living with serious illnesses like sickle nurses who are sent by medical partners or who day— delivering medications at meals, joining them cell anemia, congenital heart disorders, or chronic are using their vacation time to care for campers— for activities, and checking in during Toes-up-Time liver, kidney and heart disease. Take another look at become a vital part of the camp community. “Seeing (a mid-day rest) and again at bedtime. Along with the campers in the photograph on the front of our the kids outside of the hospital environment having helping maintain the wellness of campers, nurses tend newsletter. While a few scars are visible, it’s hard to fun is invaluable to all the medical volunteers,” says to specialized camper needs, like assisting with a tube imagine that each child has had an organ transplant Medical Director Skip Walton, MD. “Camp is one of the feeding or changing a dressing. and requires intensive medical care, from regular few places they get to see the positive outcomes of blood pressure monitoring to complex their clinical work.” “I felt like I was meant to come to North Star Reach,” immunosuppressant medication regimens. says volunteer Doris Nerderman, BSN, RN, who brings For some, that may mean up to 50 pills a day. 28 years of experience as a camp nurse at the YMCA Camp Belknap in New Hampshire. “I’ve helped with These campers are able to experience “I felt like I reviewing the health histories, worked at multiple summer camp only because their summer camps, volunteered for two family camps, and medical needs are supported by was meant am looking forward to being here this summer for two our team of dedicated medical to come sessions. They’re just kids who want to have fun, like professionals working behind-the- every other kid, and sometimes you forget that they scenes at The Observatory, our state- to North have these big issues.” of-the-art health center. Star Reach.” Volunteer Doris Nerderman, BSN, RN “My favorite thing,” she adds, “is to look down from the “For us, camp season begins in January as upper balcony of the Health Center as the campers we do a rigorous review of medical forms for assemble for meals. From there I can watch the each child applying for camp,” says Health Center interactions between all the kids, the staff and the Director Alyssa Hardy, RN, MSN. “We make sure that we volunteers at one time. From that vantage point, I can have an accurate picture of each child’s medications One of the largest groups of volunteers are nurses. see happiness, smiles, energy, patience, kindness and and health histories. For the 2018 summer season, we Each cabin of eight to 12 kids has a dedicated nurse a whole lot of love. Who wouldn’t want to be a part reviewed over 520 camper applications alone!” who gets to know each camper intimately, as a patient of that?” Program Director Colleen Triezenberg tells us about North Star Reach’s Wabi-Sabi Healing Pot unconventional approach to a The wabi-sabi healing pot is one of our favorite art projects to do with campers. traditional camp arts activity: Wabi-sabi is a Japanese aesthetic that is about recognizing beauty in painting clay flowerpots. imperfection and vulnerability. First, campers choose a terra cotta flower pot and paint the pot however they please. We ask them to represent themselves in some way as they do this— they might include a personal saying, a favorite pattern or color, or a picture of themselves. Once the pots are dry, we go outside—and drop the pots on the cement— crash! Kids have so much fun doing this! Next, campers gather all of their pieces. We go into our art studio and begin the careful process of gluing the pot together. The kids settle down: this part of the project requires a lot of patience and deliberation. While we’re doing this, we have the opportunity to share stories and to talk about the process of healing. They can continue decorating the pot, even painting along the cracks. Each camper has had their own individual journey— and yet they’re able to find ways to heal and feel whole. The project is a lot of fun and results in a treasure to take home after camp— but it’s also a powerful and memorable lesson for kids about resilience. MEET A VOLUNTEER Michael Parker, “Coach” Long before “Coach” created a love song for resources to help guide you. I’ve grown a lot as a North Star Reach, an Elvis Presley-inspired person from that experience. This year, I’ll be a Unit “I Can’t Help Falling in Love with Camp,” he’d Director for the Epilepsy camp. won over the hearts of staff, volunteers and campers. A volunteer for North Star Reach’s What skill do you think camp has helped very first summer session in 2016, he’s been you master? giving generously on many fronts ever since: Creativity. There’s songs, and skits and thinking on the as a program volunteer, a donor, and as the fly to make sure every kid feels involved and included. newest member of North Star Reach’s Young I’m able to channel my inner kid around these kids. Professional Board. Outside of camp, he’s known I didn’t really think of myself as a creative person, but as Michael Parker and he works at the University through camp, it just naturally trickled down to me and of Michigan as a donor prospect management now it trickles into my day-to-day life.
Recommended publications
  • The Notion of Song, Identities, Discourses, and Power
    The Notion of Song, Identities, Discourses, and Power: Bridging Songs with Literary Texts to Enhance Students’ Interpretative Skills Elroy Alister Esdaille Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2020 © 2020 Elroy Alister Esdaille All Rights Reserved Abstract Sometimes students struggle to interpret literary texts because some of these texts do not lend themselves to the deduction of the interpretative processes with which they are familiar, but the same is not true when students pull interpretations from songs. Is it possible that students’ familiarity with songs might enable them to connect a song with a book and aid interpretation that way? This study attempted to explore the possibility of bridging songs to literary texts in my Community College English classroom, to ascertain if or how the use of song can support or extend students’ interpretive strategies across different types of texts. I investigated how songs might work as a bridge to other texts, like novels, and, if the students use songs as texts, to what extent do the students develop and hone their interpretative skills? Because of this, how might including songs as texts in English writing or English Literature curriculum contribute to the enhancement of students’ writing? The students’ responses disclosed that the songs appealed to their cognition and memories and helped them to interpret and write about the novels they read. Moreover, the students’ responses revealed that pairing or matching songs with novels strengthened interpretation of the book in a plethora of ways, such as meta-message deduction, applying contexts, applying comparisons, and examining thematic correlations.
    [Show full text]
  • Description, Narrative, and Reflection
    EmpoWord: A Student-Centered Anthology & Handbook for College Writers Part One: Description, Narrative, and Reflection Author: Shane Abrams, Portland State University This chapter is licensed with a Creative Commons Attribution-NonCommercial 4.0 International License Download this book free at: https://pdxscholar.library.pdx.edu/pdxopen/20/ Part One: Description, Narration, and Reflection 55 Section Introduction: Description, Narration, and Reflection Chapter Vocabulary Vocabulary Definition a rhetorical mode that emphasizes eye-catching, specific, and vivid description portrayal of a subject. Often integrates imagery and thick description to this end. a rhetorical mode involving the construction and relation of stories. narration Typically integrates description as a technique. a rhetorical gesture by which an author looks back, through the diegetic gap, to demonstrate knowledge or understanding gained from the subject on which they are reflecting. May also include consideration of reflection the impact of that past subject on the author’s future—“Looking back in order to look forward.” the circumstances in which rhetoric is produced, understood using the constituent elements of subject, occasion, audience, and purpose. Each element of the rhetorical situation carries assumptions and imperatives rhetorical situation about the kind of rhetoric that will be well received. Rhetorical situation will also influence mode and medium. Storytelling is one of few rituals that permeates all cultures. Indeed, there’s nothing quite as satisfying as a well-told story. But what exactly makes for a well-told story? Of course, the answer to that question depends on your rhetorical situation: your audience, your sociohistorical position, and your purpose will determine how you tell your story.
    [Show full text]
  • The Prairie Wind Newsletter of the Illinois Chapter of the SCBWI
    The Prairie Wind Newsletter of the Illinois Chapter of the SCBWI Spring 2015 • From the Editor Do you think fictional characters need to be likable? In this issue, by coincidence, two of our contributors explore this topic. Molly Backes in her Writer’s Tip says: “Personally, I’m in favor of unlikable characters. We are writing about teenagers, after all! They’re not the most likable creatures in the universe. Lovable, sure. But not always likable.” Juliet Bond, in her review of Blake Snyder’s book Save the Cat: The Last Book on Screenwriting You’ll Ever Need for the Writer’s Bookshelf, says, “I’m personally drawn to characters that are a bit prickly, rebellious, and less than charming. But they have to be likable.” See what you think. In our previous issue Lisa Bierman said goodbye. In this issue our new co-regional advisor Deborah Topolski introduces herself: “I’m a prepublished member, still learning how to make inroads in my career . I’m on this journey to publication with you.” Another change in this issue is in the format of our Illustrator in the Spotlight column. A panel of Illinois illustrators has compiled a set of questions that each issue’s featured illustrator will answer. This time it’s Theresa Brandon, answering such questions as “Do you ever tuck little personal homages or details in your illustrations?” and “What gets in the way of your creativity?” Our Tale from the Front, the story of a first-time author, comes from Stefanie Lyons, author of Dating Down. Stefanie has a curious tale to tell: “My first book that my agent liked but thought should be my second book while I was working on my second-supposed-to-be-first book with her turned out to be my first book anyway.” Check out Season’s Crop, compiled by Tina Stoval and Natalie Ziarnik, for a list of ten books coming out this spring by Illinois authors.
    [Show full text]
  • Psychedelic Gospels
    The Psychedelic Gospels The Psychedelic Gospels The Secret History of Hallucinogens in Christianity Jerry B. Brown, Ph.D., and Julie M. Brown, M.A. Park Street Press Rochester, Vermont • Toronto, Canada Park Street Press One Park Street Rochester, Vermont 05767 www.ParkStPress.com Park Street Press is a division of Inner Traditions International Copyright © 2016 by Jerry B. Brown and Julie M. Brown All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. Note to the Reader: The information provided in this book is for educational, historical, and cultural interest only and should not be construed in any way as advocacy for the use of hallucinogens. Neither the authors nor the publishers assume any responsibility for physical, psychological, legal, or any other consequences arising from these substances. Library of Congress Cataloging-in-Publication Data [cip to come] Printed and bound in XXXXX 10 9 8 7 6 5 4 3 2 1 Text design and layout by Priscilla Baker This book was typeset in Garamond Premier Pro with Albertus and Myriad Pro used as display typefaces All Bible quotations are from the King James Bible Online. A portion of proceeds from the sale of this book will support the Multidisciplinary Association for Psychedelic Studies (MAPS). Founded in 1986, MAPS is a 501(c)(3) nonprofit research and educational organization that develops medical, legal, and cultural contexts for people to benefit from the careful uses of psychedelics and marijuana.
    [Show full text]
  • Pdfperiurban Parks Fact Sheets
    BARCELONA ESPAGNE Parc de Collserola Parc Serralada Litoral Surface : 8 070 hectares Population : 3 millions residents Cerdanyola Region : Catalunya Parc Natural del Garraf Organisme gestionnaire: Consorci del Parc de Collserola Adress : Carretera de l'Església, 92 E 08017 Barcelona Mataró Tel. +34 93 280 06 72 BARCELONA Fax. +34 93 280 60 74 Aeroport del Prat e-mail : [email protected] web : http://parccollserola.amb.es La Sierra de Collserola is part of the coastal cordillera, a mountainous, 300 km-long landscape along the Mediterranean Ocean. The park's northern boundary is the Besòs river and Vallès depression, and it is bordered by the Llobregat river and city of Barcelona in the south. In 1987, a special management and environmental protection plan was established for Collserola. It is based on the principle of protecting and strengthening ecosystems. At the same time, infrastructure construction has allowed the public to use this space rationally, without endangering the park's precious natural and landscape resources. The site, managed by the Collserola park Consortium, is a diversified spectrum of natural Mediterranean environments, where forest areas predominate. There are also a few agricultural areas. The park's highest point is on the Tibidabo mountain (512 m). It has a typically Mediterranean climate. The average temperature is 14°C, with pluviometry of 620 mm/year, although microclimates due to diverse hilly terrain must also be considered. Natural heritage. The park is home to a wealth of plant and animal species characteristic of Mediterranean ecosystems. Thus, endemic Iberian Peninsula species are found among the arthropods, some of which have been observed exclusively on the Collserola site.
    [Show full text]
  • THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
    1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour.
    [Show full text]
  • The Rise and Fall of the Hillbilly Music Genre, a History, 1922-1939. Ryan Carlson Bernard East Tennessee State University
    East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 12-2007 The Rise and Fall of the Hillbilly Music Genre, A History, 1922-1939. Ryan Carlson Bernard East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Musicology Commons Recommended Citation Bernard, Ryan Carlson, "The Rise and Fall of the Hillbilly Music Genre, A History, 1922-1939." (2007). Electronic Theses and Dissertations. Paper 2059. https://dc.etsu.edu/etd/2059 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. The Rise and Fall of the Hillbilly Music Genre: A History, 1922-1939. ___________________ A thesis presented to the faculty of the Department of Liberal Studies East Tennessee State University In partial fulfillment of the requirements for the degree Masters of Arts in Liberal Studies ___________________ by Ryan Carlson Bernard December, 2006 ___________________ Dr. Richard Blaustein, Chair Dr. Ted Olson Dr. Kevin O’Donnell Keywords: Hillbilly, Music, Stereotype, Genre, Phonograph, Radio ABSTRACT The Rise and Fall of the Hillbilly Music Genre: A History, 1922-1939 by Ryan Carlson Bernard This research will examine the rise in popularity of the hillbilly music genre as it relates to the early part of the twentieth century as well as its decline with the arrival of the western hero, the cowboy.
    [Show full text]
  • The Prairie Sage Winter 2013
    The Prairie Sage Winter 2013 Welcome, Kristofer Johnson! Volunteer Day We are delighted to welcome Our October Volunteer Day was a great success. We were Kristofer Johnson as the new thrilled to have 24 people participate in the two-hour work director of Spring Creek day (photo below). Volunteers collected prairie plant seeds to Prairie Audubon Center. be replanted next spring. They also cut down invasive trees in His background in botany, the prairie uplands. (See related prairie management story on landscape architecture, and page 5.) The trees were treated to prevent their regrowth. land planning provides a great set of skills for our Another Volunteer Day will be scheduled for next spring. important work. For information about this or any other upcoming volunteer event, contact Chris Thody at [email protected] or call Kristofer states, “I am thrilled us at 402/797-2301. You can also check our Web site for to be joining Spring Creek events at www.springcreekprairie.org. Thank you to all of our Prairie and look forward wonderful volunteers! to meeting all of the dedicated people involved in its success. I am very excited to further engage the community This project was made possible to be involved with SCP and to build on your previous by a TogetherGreen Innovation accomplishments. Thank you in advance for your assistance Grant provided through an alliance as we continue our efforts for tallgrass prairie conservation.” between National Audubon Society and Toyota. Kristofer and his wife, Dori Johnson, moved back to Kristofer’s hometown of Lincoln from Salt Lake City, Utah.
    [Show full text]
  • Seed Laws That Criminalise Farmers Resistance and Fightback
    Seed laws that criminalise farmers Resistance and fightback March 2015 La Via Campesina International Peasant Movement International Secretariat: Stand No 197A, Smuts Road Prospect Waterfalls – Harare – Zimbabwe Email: [email protected] Website: www.viacampesina.org and tv.viacampesina.org GRAIN Girona 25 pral., 08010 Barcelona, Spain Tel: +34 93 301 1381 Fax: +34 93 301 16 27 Email: [email protected] Website: www.grain.org Editorial design: www.mareavacia.com Cover picture: Tineke d’Haese – Oxfam Table of contents Acronyms 3 Introduction 4 1. How seed laws make farmers’ seeds illegal 7 2. African seeds: A treasure under threat 14 3. The Americas: Massive resistance against “Monsanto laws” 22 4. Asia: The struggle against a new wave of industrial seeds 30 5. Europe: Farmers strive to rescue agricultural diversity 35 Conclusion 44 Glossary 45 Accompanying web resources (for download only or online consultation: www.grain.org/e/5175 and viacampesina.org/es/index.php/publicaciones-mainmenu-30) • Seed laws by country – Online map published by GRAIN • Trade agreements that privatise seeds – Publication by GRAIN • Take action! – poster published by GRAIN and La Via Campesina • Additional country experiences: published by GRAIN and La Via Campesina • Going further Acronyms ARIPO: African Regional Intellectual Property Organisaton CAFTA: Central America Free Trade Agreement CFA: name of two currencies used in Africa, the West African CFA franc and the Central Africa CFA franc (in French – Franc des Communautés financières d’Afrique)
    [Show full text]
  • A Treasure Album of Milledgeville and Baldwin County, Georgia
    •* ts> *•■£,•' aV ^'‘aA aO° *V ***•'•' y a0 % **•.*•' y ^ - *0 ^ .4 ♦V. * vdfe*. V y ^ y ASfer- ^ y *w^ ^.y * o vv C, vP V <Cc * <£ ^ °o ^,* A %> J.W/ v ^ A ^ °.w-‘ O . » *o-.. , 44 a0' °V '••* 0^ t.-., *V *4> C0 “ 8 c°‘ i*^* °o , •y c *W2^A o A* „• \N ^ * JWt/S?^ - aN % o 'X y ^ < V O O V 0 v 0 *• v0« o V y; 4.0^ <-£► *> i? ^ * • r O^ * 0 „ 08 ^o ^ *8 *' * y r+ c> <p »;*8' > v .•• \ y % y *' ^ss v-v C, vP ; y*V ' ‘ “ 1 1 * *VA * V V '•^^K;> y* y °°?fl!v yv ** <r *'. .-V ,GV O '<>..* A •C* ' • *4 a° A. ^ . ^ . AsS’ -;»“<=« - . - -*>. o .<■••. \A s *■OsXWN.^vk. ' + r_ c 1 VX <A o V ^ b°-r* ,0 *U •■•• ... 'V';'"’v^',.--, %*•■•’ .v ^ .* .•>335^'. V A+ ^ <& & V C, v/‘ c> V ,• /\ ;.!W' --w.* ♦♦■ V r»* <<y 'i '«.»’* a <\ ♦^^..•"•*c <G< V '«•> ^ ag" '•-• »v'# a o av<kV o, o M « C° v^.*- °o ^ C° • C -'&4r77?i?„ ° ^ o V & - >. -a? ^z&yj},& * Nv O '^vV5“ * 0 ,0* o H 0 ,0' O. * D N O ° \0 £> M © ,0 »1*8' > V *LV1'* ^ 0 . V*-;o* v> *■ /. • v «*> V ,-v4 .VVa5 ^ • ^ > % ^ ; " ^ V v^v •. r . * c, vP 1 * AV^ ° cSV “¥/¥¥,' • 4? % i '•> ^ r,*- >' ^ °y#VJ/ ^ a v % - vG^ ■ vD 'o'. * A ** <% A V. sV o * o „ X> o ;A -°_H^V V ^ c0^ ‘*4"* ^ ° V or o V ^ > i Yrj&gmpa ’ ^ Oa o5 ^ ,* r o ^ .y o. ‘o;^8 A %8»'°’ A.0 x ° " 0 ’ A0 * ' ' 1 ‘ <V^ C-^ ■»- > vN »lVCj* _i0r »y • °- > v ,0^ ., * °- > V% -" V‘% cv V - A ♦VSiD^'.
    [Show full text]
  • NY Unofficial Archive V5.2 22062018 TW.Pdf
    ........................................................................................................................................................................................... THE UNOFFICIAL ARCHIVE: NEIL YOUNG’S “UNRELEASED” SONGS ©Robert Broadfoot 2018 • [email protected] Version 5.2 -YT: 22 June 2018 Page 1 of 98 CONTENTS CONTENTS ............................................................................................................................. 2 FOREWORD .......................................................................................................................... 3 A NOTE ON SOURCES ......................................................................................................... 5 KEY .......................................................................................................................................... 6 I. NEIL YOUNG SONGS NOT RELEASED ON OFFICIAL MEDIA PART ONE THE CANADIAN YEARS .............................................................................. 7 PART TWO THE AMERICAN YEARS ........................................................................... 16 PART THREE EARLY COVERS AND INFLUENCES ........................................................ 51 II. NEIL YOUNG PERFORMING ON THE RELEASED MEDIA AND AT CONCERT APPEARANCES, OF OTHER ARTISTS ..................................................... 63 III. UNRELEASED NEIL YOUNG ALBUM PROJECTS PART ONE DOCUMENTED ALBUM PROJECTS ....................................................... 83 PART TWO SPECULATION
    [Show full text]
  • An Explorer's Guide: Spell Songs
    SINGING NATURE BACK TO LIFE thelostwords.org 1 AN EXPLORER’S GUIDE: SPELL SONGS A COMPANION TO THE LOST WORDS’ EXPLORER’S PACK AND CHALLENGE CARDS. The pack provides a wide range of suggestions to embrace a cross-curricular approach, encouraging constructive curiosity and suggesting a variety of ways of communicating and responding creatively, using a wide range of interdisciplinary skills. Suggestions are made for individual and collaborative work, with the opportunity for some activities to involve the wider community. It is an exploration of the whole range of beautiful musical responses by eight musicians to the art and words of Jackie Morris and Robert Macfarlane, together with the new spells and paintings that appear in this artefact. The overwhelming and widespread response to The Lost Words and Spell Songs also offers a heartening opportunity for the redevelopment of a strong shared poetic and musical culture, rooted in an awareness of our environment, both local and beyond, something which has been eroding over time, brought about by the loss – of words, the ability to name, the capacity to notice. There is recognition of the importance of space – in art and music and literature and life. Space to think: to ask and answer questions, to observe, reflect, understand, create and share. Time to think about the absence, or threatened absence of things, and what is truly important to us, to create a sense of personal responsibility with regard to protecting and cherishing our natural world and the creative opportunities that are open to young people. Eva John thelostwords.org Illustrations © Jackie Morris 2017 SINGING NATURE BACK TO LIFE thelostwords.org 2 © Elly Lucas Photography GENERAL ACTIVITIES • Watch and listen to the Spell Songs videos https://www.youtube.com/watch?v=Hg1xFYpXuWA&feature=youtu.be • Create your own Spell Songs book to record your own ideas in response to the art and music of The Lost Words and the environment around you.
    [Show full text]