Peter Ostroushko a Minnesota Treasure
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Reference Manual
Reference Manual RRA008 | v.1.0 Contents Welcome to the Traveler Series 2 Download & Installation 3 Instrument 4 Phrases & FX 9 TACT 11 FX Rack 15 List of Articulations 16 Credits 17 License Agreement 18 1 | Page WELCOME TO THE TRAVELER SERIES Welcome to the Traveler Series, a collection of boutique sample libraries featuring traditional world instruments faithfully recorded on location from destinations around the globe. Traveler Series libraries focus on delivering a genuine purity that can only be captured where the instrument and musical style originated, preserving its true character and history. We seek out a region’s most skilled and renowned performers; amazing folks with stories and bloodlines who live and breathe traditional provincial music. We leave with an education and appreciation for their culture and the role these beautiful instruments serve (as well as a tale or two of our own). We hope our Traveler Series adds an authentic native spirit to your music. Bluegrass fiddling is a distinctive American style characterized by bold, bluesy improvisation, off-beat "chopping", and sophisticated use of double stops and old-time bowing patterns. Notes are often slid into, a technique seldom used in Celtic styles. Bluegrass fiddlers tend to ignore the rules that violinists follow: they hold the fiddle the “wrong” way and often don't use the chin & shoulder rests. We journeyed right to the heart of the Bluegrass State for our Bluegrass Fiddle – Clay City, Kentucky – to the private studio of one of the most renowned names in Bluegrass music, Rickey Wasson. Rickey hooked us up with a true Bluegrass fiddle legend, multi-instrumentalist Ronnie Stewart. -
The Notion of Song, Identities, Discourses, and Power
The Notion of Song, Identities, Discourses, and Power: Bridging Songs with Literary Texts to Enhance Students’ Interpretative Skills Elroy Alister Esdaille Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2020 © 2020 Elroy Alister Esdaille All Rights Reserved Abstract Sometimes students struggle to interpret literary texts because some of these texts do not lend themselves to the deduction of the interpretative processes with which they are familiar, but the same is not true when students pull interpretations from songs. Is it possible that students’ familiarity with songs might enable them to connect a song with a book and aid interpretation that way? This study attempted to explore the possibility of bridging songs to literary texts in my Community College English classroom, to ascertain if or how the use of song can support or extend students’ interpretive strategies across different types of texts. I investigated how songs might work as a bridge to other texts, like novels, and, if the students use songs as texts, to what extent do the students develop and hone their interpretative skills? Because of this, how might including songs as texts in English writing or English Literature curriculum contribute to the enhancement of students’ writing? The students’ responses disclosed that the songs appealed to their cognition and memories and helped them to interpret and write about the novels they read. Moreover, the students’ responses revealed that pairing or matching songs with novels strengthened interpretation of the book in a plethora of ways, such as meta-message deduction, applying contexts, applying comparisons, and examining thematic correlations. -
Ctba Newsletter 1412
Central IBMA Member Vol. 36 No. 12 Texas Bluegrass December 1, 2014 CTBA Year-end Wrap-up by Stacy Holt, President Now that 2014 is winding down, I thought I would take this time to look back at our CTBA year in review. I am proud of our accomplishments and what our CTBA board and members did this year. First, we found a new home for the CTBA Sunday jam at Hill’s Cafe. What I hear from most folks is that it has been a great success. Lots of jamming space available and great drinks and food available have made for a good time. Hill’s has definitely made us feel at home and has done an excellent job with the two other events we held there this year. Our Willa Beach-Porter Scholarships were given to three very deserving kids. Brothers Ethan and John-Samuel May attended Camp Bluegrass as a part of their scholarships. Ryan Chatterjee was our other recipient. He attended Gerald Jones’ Acoustic Music Camp in Arlington. I have met these young men and their families and can safely say, this is by far the best way our membership dol- lars are spent. To see fine young people continue the love and spreading of bluegrass music brings a great joy. CTBA was at the forefront of the Llano Blue Bell Bluegrass Festival with great thanks to our own webmaster, Jeff White. Jeff was once again in charge of booking acts for the festival and chose a fantastic line-up from CTBA bands. I strongly encourage you to attend next year’s event. -
Jack Pearson
$6.00 Magazine Volume 16, Number 2 January/February 2012 Jack Pearson Al Smith Nick DiSebastian Schenk Guitars 1 Flatpicking Guitar Magazine January/February 2012 design by [email protected] by “I am very picky about the strings I use on my Kendrick Custom Guitar, and GHS gives me unbeatable tone in a very long lasting string.” GHS Corporation / 2813 Wilber Avenue / Battle Creek . Michigan 49015 / 800 388 4447 2 Flatpicking Guitar Magazine January/February 2012 Block off February 23 thru the 26th!! Get directions to the Hyatt Regency in Bellevue, WA. Make hotel & travel arrangements. Purchase tickets for shows and workshops! Practice Jamming!! Get new strings! Bookmark wintergrass.com for more information! Tell my friends about who’s performing: Ricky Skaggs & Kentucky Thunder Tim O’Brien, The Wilders, The Grascals, The Hillbenders, Anderson Family Bluegrass and more!!! Practice Jamming!!!!! wintergrass.com 3 Flatpicking Guitar Magazine January/February 2012 Feb 23-26th 4 Flatpicking Guitar Magazine January/February 2012 1 Flatpicking Guitar Magazine January/February 2012 CONTENTS Flatpicking FEATURES Jack Pearson & “Blackberry Pickin’” 6 Guitar Schenk Guitars 25 Flatpick Profile: Al Smith & “Take This Hammer” 30 Magazine CD Highlight: Nick DiSebastian: “Snowday” 58 The Nashville Number System: Part 2 63 Volume 16, Number 2 COLUMNS January/February 2012 Bluegrass Rhythm Guitar: Homer Haynes 15 Published bi-monthly by: Joe Carr High View Publications Beginner’s Page: “I Saw the Light” 18 P.O. Box 2160 Dan Huckabee Pulaski, VA 24301 -
Description, Narrative, and Reflection
EmpoWord: A Student-Centered Anthology & Handbook for College Writers Part One: Description, Narrative, and Reflection Author: Shane Abrams, Portland State University This chapter is licensed with a Creative Commons Attribution-NonCommercial 4.0 International License Download this book free at: https://pdxscholar.library.pdx.edu/pdxopen/20/ Part One: Description, Narration, and Reflection 55 Section Introduction: Description, Narration, and Reflection Chapter Vocabulary Vocabulary Definition a rhetorical mode that emphasizes eye-catching, specific, and vivid description portrayal of a subject. Often integrates imagery and thick description to this end. a rhetorical mode involving the construction and relation of stories. narration Typically integrates description as a technique. a rhetorical gesture by which an author looks back, through the diegetic gap, to demonstrate knowledge or understanding gained from the subject on which they are reflecting. May also include consideration of reflection the impact of that past subject on the author’s future—“Looking back in order to look forward.” the circumstances in which rhetoric is produced, understood using the constituent elements of subject, occasion, audience, and purpose. Each element of the rhetorical situation carries assumptions and imperatives rhetorical situation about the kind of rhetoric that will be well received. Rhetorical situation will also influence mode and medium. Storytelling is one of few rituals that permeates all cultures. Indeed, there’s nothing quite as satisfying as a well-told story. But what exactly makes for a well-told story? Of course, the answer to that question depends on your rhetorical situation: your audience, your sociohistorical position, and your purpose will determine how you tell your story. -
Tunesmith Night February 11 Old
Volume 13, Issue 1 A quarterly newsletter published by the Wallowa Valley Music Alliance Winter 2017 Upcoming Music Events (More details inside...) Old-Time Community Dance January 21 Join us for the Old-Time Community Dance on Saturday, Friday, Jan 20, 5:30-7:30pm January 21, 7:00 to 9:00 PM at the Hurricane Creek Grange Jezebel’s Mother Hall. Dance squares, circles, reels, contras, waltzes, polkas with Silver Lake Bistro a caller and live string band. Beginners welcome, all dances will be taught, and no partner or special clothing required. Saturday, Jan 21, 7PM Admission $5/person, children under 12 FREE. Old-Time Community Dance Hurricane Creek Grange For more info or to volunteer at our monthly dances please call Laura Skovlin, 541-398-0800. Dances are generally be held every 3rd Saturday of the month, September through April, Tuesday, Jan 31, 7pm Joseph Jammers location varies. Watch for posters and Facebook notices. Stockman’s Lounge Tunesmith Night February 11 Saturday, Feb 4, 6pm Our monthly songwriter showcase continues Winter Blues Party w/Darrell Brann & Friends its tenth season on Saturday, February 11 Lostine Tavern with Elwood, Gregory Rawlins and Travis Ward. Join us every second Saturday for Saturday, Feb 11, 7PM Tunesmith Night at Stockman’s Lounge Tunesmith Night: Elwood, (formerly Lear’s) at 111 W. Main in Enterprise. Gregory Rawlins, Travis What is it that moves your soul? For Elwood, it has always been Ward the ever awe-inspiring serenity and sheer power of Mother Stockman’s Lounge Nature and you can feel it in his music. -
AT Mcmillan Mcmillan Memorial Library 490 East Grand Avenue Wisconsin Rapids, WI 54494
AT McMILLAN McMillan Memorial Library 490 East Grand Avenue Wisconsin Rapids, WI 54494 Volume 24, Number 2 March / April 2001 Library Concert Series Dean Magraw to Perform Continues with Bob Westfall in April The Library Concert Series, sponsored by a grant from Charles and JoAnn Lester, will continue with a Dean Magraw, who lives in St. Paul, Minnesota, will concert by Bob Westfall from Madison. Westfall will be the Library Concert Series performer on Thursday, perform on Thursday, March 8th at 7:00 P.M. in the April 5th at 7:00 P.M. in the Fine Arts Center. Dean is Fine Arts Center. He is a guitarist, songwriter and an acoustic guitar player whose music often blends multi-instrumentalist who has performed extensively folk and jazz into a style of his own. An exciting and throughout the United States. innovative guitarist, Dean's performances are full of Bob began playing the guitar at the early age of surprises that range from quiet intensity to explosive eight. During his career, Bob has shared the stage and power. He has appeared in solo concert tours in the opened shows for such artists as Leo Kottke, Lyle United States, Canada and Europe. Dean has also Lovett, Willy Porter, Riders in the Sky, Steve Gillette, performed with such artists as Peter Ostroushko, Nigel and John Hartford. He has also produced several CDs, Kennedy, the renowned St. Paul Chamber Orchestra, .. including "In a Heartbeat" where he produced and Garrison Keillor, Paul Brady, Greg Brown, and Byron _,/ arranged; sang; and played the violin, piano, electric Berline. -
The Prairie Wind Newsletter of the Illinois Chapter of the SCBWI
The Prairie Wind Newsletter of the Illinois Chapter of the SCBWI Spring 2015 • From the Editor Do you think fictional characters need to be likable? In this issue, by coincidence, two of our contributors explore this topic. Molly Backes in her Writer’s Tip says: “Personally, I’m in favor of unlikable characters. We are writing about teenagers, after all! They’re not the most likable creatures in the universe. Lovable, sure. But not always likable.” Juliet Bond, in her review of Blake Snyder’s book Save the Cat: The Last Book on Screenwriting You’ll Ever Need for the Writer’s Bookshelf, says, “I’m personally drawn to characters that are a bit prickly, rebellious, and less than charming. But they have to be likable.” See what you think. In our previous issue Lisa Bierman said goodbye. In this issue our new co-regional advisor Deborah Topolski introduces herself: “I’m a prepublished member, still learning how to make inroads in my career . I’m on this journey to publication with you.” Another change in this issue is in the format of our Illustrator in the Spotlight column. A panel of Illinois illustrators has compiled a set of questions that each issue’s featured illustrator will answer. This time it’s Theresa Brandon, answering such questions as “Do you ever tuck little personal homages or details in your illustrations?” and “What gets in the way of your creativity?” Our Tale from the Front, the story of a first-time author, comes from Stefanie Lyons, author of Dating Down. Stefanie has a curious tale to tell: “My first book that my agent liked but thought should be my second book while I was working on my second-supposed-to-be-first book with her turned out to be my first book anyway.” Check out Season’s Crop, compiled by Tina Stoval and Natalie Ziarnik, for a list of ten books coming out this spring by Illinois authors. -
Psychedelic Gospels
The Psychedelic Gospels The Psychedelic Gospels The Secret History of Hallucinogens in Christianity Jerry B. Brown, Ph.D., and Julie M. Brown, M.A. Park Street Press Rochester, Vermont • Toronto, Canada Park Street Press One Park Street Rochester, Vermont 05767 www.ParkStPress.com Park Street Press is a division of Inner Traditions International Copyright © 2016 by Jerry B. Brown and Julie M. Brown All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. Note to the Reader: The information provided in this book is for educational, historical, and cultural interest only and should not be construed in any way as advocacy for the use of hallucinogens. Neither the authors nor the publishers assume any responsibility for physical, psychological, legal, or any other consequences arising from these substances. Library of Congress Cataloging-in-Publication Data [cip to come] Printed and bound in XXXXX 10 9 8 7 6 5 4 3 2 1 Text design and layout by Priscilla Baker This book was typeset in Garamond Premier Pro with Albertus and Myriad Pro used as display typefaces All Bible quotations are from the King James Bible Online. A portion of proceeds from the sale of this book will support the Multidisciplinary Association for Psychedelic Studies (MAPS). Founded in 1986, MAPS is a 501(c)(3) nonprofit research and educational organization that develops medical, legal, and cultural contexts for people to benefit from the careful uses of psychedelics and marijuana. -
Steerage Song Program
Theater Latté Da in partnership with Minnesota Public Radio presents by Peter Rothstein and Dan Chouinard Mike Wangen Elizabeth R. MacNally Lighting Designer Stage Manager Rick Polenek Michael Hanisch Prop Designer Video Designer Dan Chouinard Music Director Peter Rothstein* Director Opening Night: Thursday, June 2, 2011 * Member of Stage Directors and Choreographers Society Theater Latté Da gratefully acknowledges the generous support of This activity is made possible in part by a grant from the Minnesota State Arts Board, through an appropriation by the Minnesota State Legislature and a grant from the This presentation of Steerage Song is supported in part by National Endowment for the Arts. the National Fund of New Musicals, a program of the National Alliance for Musical Theatre – www.namt.org the Ensemble Sasha Andreev Dennis Curley Jake Ingbar Braxton Baker Dylan Fresco Natalie Nowytski John Bitterman Jennifer Grimm Amy Stockhaus Erin Capello Jay Hornbacher the Musicians Dan Chouinard .......................................................................Accordion, Piano and Tuba Dirk Freymuth ................................................................................... Guitar and Bouzouki Laura MacKenzie ................................................................ Flutes, Pipes and Concertina Dale Mendenhall ................................................................................................ Clarinet Peter Ostroushko .............................................................................Violin and Mandolin -
Twin Cities Funk & Soul
SEPTEMBER 25, 2012 I VOLUME 1 I ISSUE 1 DEDICATED TO UNCOVERING MUSIC HISTORY WILLIE & THE PROPHETS BAND OF KUXL JACKIE BUMBLEBEES OF PEACE THIEVES RADIO HARRIS 99 SECRET STASH ISSUE 1: TWIN CITIES FUNK & ANDSOUL MUCH SEPTEMBER MORE 25, 2012 The Philadelphia Story (AKA Valdons) mid 70s courtesy Minnesota Historical Society. Photo by Charles Chamblis. Left to right: Maurice Young, Clifton Curtis, Monroe Wright, Bill Clark Maurice McKinnies circa 1972 courtesy Minnesota Historical Society. Photo by Charles Dance contest at The Taste Show Lounge, Minneapolis late 70s courtesy Minnesota Historical Chamblis. Society. Photo by Charles Chamblis. 02 SECRET STASH VOLUME 1 - ISSUE 1: TWIN CITIES FUNK & SOUL SEPTEMBER 25, 2012 INTRODUCTION It was three years ago that we launched Secret Stash Records. About a year and a half lat- er, we started working on what would eventually become our biggest release, Twin Cities Funk & Soul: Lost R&B Grooves From Minneapolis/St. Paul 1964-1979. What follows is our attempt to share with you some of the amazing stories, history, and photos that have been so gracious- ly shared with us during the course of producing a compilation of soulful tunes from our hometown. ..... R&B, soul, and funk music in the Twin Cities of Minneapolis and St. Paul, Minnesota went through dra- matic changes during the 1960s and 1970s. Predating these changes, a vibrant jazz scene beginning in the 1920s laid the groundwork with several players being instrumental in helping teach young local R&B mu- sicians how to play. However, many of the early R&B pioneers, including Mojo Buford, Maurice McKin- nies, and Willie Walker, came to Minnesota from other states and brought the music with them. -
Still on the Road Venue Index 1956 – 2016
STILL ON THE ROAD VENUE INDEX 1956 – 2016 STILL ON THE ROAD VENUE INDEX 1956-2016 2 Top Ten Concert Venues 1. Fox Warfield Theatre, San Francisco, California 28 2. The Beacon Theatre, New York City, New York 24 3. Madison Square Garden, New York City, New York 20 4. Nippon Budokan Hall, Tokyo, Japan 15 5. Hammersmith Odeon, London, England 14 Royal Albert Hall, London, England 14 Vorst Nationaal, Brussels, Belgium 14 6. Earls Court, London, England 12 Jones Beach Theater, Jones Beach State Park, Wantagh, New York 12 The Pantages Theater, Hollywood, Los Angeles, California 12 Wembley Arena, London, England 12 Top Ten Studios 1. Studio A, Columbia Recording Studios, New York City, New York 27 2. Studio A, Power Station, New York City, New York 26 3. Rundown Studios, Santa Monica, California 25 4. Columbia Music Row Studios, Nashville, Tennessee 16 5. Studio E, Columbia Recording Studios, New York City, New York 14 6. Cherokee Studio, Hollywood, Los Angeles, California 13 Columbia Studio A, Nashville, Tennessee 13 7. Witmark Studio, New York City, New York 12 8. Muscle Shoals Sound Studio, Sheffield, Alabama 11 Skyline Recording Studios, Topanga Park, California 11 The Studio, New Orleans, Louisiana 11 Number of different names in this index: 2222 10 February 2017 STILL ON THE ROAD VENUE INDEX 1956-2016 3 1st Bank Center, Broomfield, Colorado 2012 (2) 34490 34500 30th Street Studio, Columbia Recording Studios, New York City, New York 1964 (1) 00775 40-acre North Forty Field, Fort Worth Stockyards, Fort Worth, Texas 2005 (1) 27470 75th Street,