DOCSLIB.ORG

The Prairie Sage Winter 2013

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

The Prairie Sage Winter 2013 Welcome, Kristofer Johnson! Volunteer Day We are delighted to welcome Our October Volunteer Day was a great success. We were Kristofer Johnson as the new thrilled to have 24 people participate in the two-hour work director of Spring Creek day (photo below). Volunteers collected prairie plant seeds to Prairie Audubon Center. be replanted next spring. They also cut down invasive trees in His background in botany, the prairie uplands. (See related prairie management story on landscape architecture, and page 5.) The trees were treated to prevent their regrowth. land planning provides a great set of skills for our Another Volunteer Day will be scheduled for next spring. important work. For information about this or any other upcoming volunteer event, contact Chris Thody at [email protected] or call Kristofer states, “I am thrilled us at 402/797-2301. You can also check our Web site for to be joining Spring Creek events at www.springcreekprairie.org. Thank you to all of our Prairie and look forward wonderful volunteers! to meeting all of the dedicated people involved in its success. I am very excited to further engage the community This project was made possible to be involved with SCP and to build on your previous by a TogetherGreen Innovation accomplishments. Thank you in advance for your assistance Grant provided through an alliance as we continue our efforts for tallgrass prairie conservation.” between National Audubon Society and Toyota. Kristofer and his wife, Dori Johnson, moved back to Kristofer’s hometown of Lincoln from Salt Lake City, Utah. Dori works in the University of Nebraska’s Office of Research and Economic Development. If you would like to receive The Prairie Sage by e-mail, notify us at [email protected] or call 402/797-2301. Audubon Centers Among Top Sites The Center for Great Plains Studies at the University of The CGPS listed Audubon’s Rowe Sanctuary, along with the Nebraska has named Spring Creek Prairie Audubon Center Crane Trust, among the top 10 ecotourism sites in the region, as one of the top 50 ecotourism sites in the Great Plains. To for their conservation and education missions regarding the obtain the list, specialists were asked to identify the sites that Platte River and the sandhill crane migration. offered the “best, most powerful environmental experience and/or the ones that are ecologically the most important.” Hello Prairie Folks! FROM THE DIRECTOR I am so pleased to introduce our new Greetings! I am thrilled to introduce of private and public clients with director, Kristofer Johnson. He comes myself as Spring Creek Prairie Audubon preservation of environmental integrity. to us with all kinds of experience and Center’s new director. I am originally I believe this background, coupled with enthusiasm to help take our prairie from Lincoln and now after being away my operations management experience conservation efforts to a new level. for nearly 20 years, I am excited to be and a strong interest in working with back among friends, family, and familiar students of all ages to understand the Thanks to all of you who helped with a surroundings. More importantly, I landscape in novel ways, will lead to a busy fall season! Please stop in and say have the pleasure of working at this very successful future. “hi” when you visit. incredible place on education programs and habitat projects that represent a Now that you know a little about me, Sincerely, positive impact on our community. I would love to know more about all of you. As donors, volunteers, and I come here with a bachelor’s degree in supporters of Spring Creek Prairie, you botany from the University of Wyoming are critically important to our efforts. I Executive Director, Audubon Nebraska where I concentrated on broader plant invite you to call me directly or come ecology and landscape processes. I then out to the Center to meet in person. I Looking for a Place to pursued a graduate degree in landscape welcome the opportunity to discuss the Host an Event? architecture from the University future of tallgrass prairie education and of Illinois, which added a layer of conservation with you. Thank you for Remember Spring Creek Prairie design and land use policy to my your generosity and hard work. when planning business meetings, environmental education. Throughout wedding and anniversary receptions, my professional career, I have focused Best regards, and other get-togethers. on large-scale planning projects that strike a balance between the interests Kristofer Johnson, Director Five Years of Prairie Immersion by Deb Hauswald, Education Coordinator Five years and nearly 6,600 fourth The teacher evaluations and thank- grade students, each spending more you letters from students we received than three hours investigating, indicate the prairie is on its way to exploring, and reflecting in tallgrass an even better conservation future. prairie, have moved the mission Here are a few quotes from the teacher of Spring Creek Prairie Audubon evaluations: Center forward in exponential ways. “Very science-oriented. Kids were This year, the nearly 1,400 students investigating, recording and measuring, that visited between the end of making conjectures — simply fabulous! August and the middle of October They are volunteer Discovery Leaders I’ve taught a long time and have been marveled at the colors of the season, Sue Block, Emilie Ellingson, Ingrid on dozens of field trips. This is by far at the adaptations of the prairie plants Kirst, Gracie Morris, Jane Reinkordt, the best one…Thank You!” to the drought, and at the diversity of Dana Schmidt, Patty Spitzer, and invertebrates they captured using sweep Ruthie Stearns, and staff persons “Well done by professionals. Absolutely nets. A jeweler’s loupe, a new tool added Ben Mullarkey, Amy Plettner, Kevin perfect.” this year, allowed students to experience Poague, and Chris Thody. and appreciate a variety of plants up “The most valuable aspect of this field close and personal. Finally, thanks to the volunteers who trip was the hands-on experience for helped staff our building during tours: students — real life. Thanks for your Thanks to all the folks that helped make Bill and Trudy Adams, Bill Edwards, hard work in keeping our tallgrass these very positive outcomes possible. Edith Meints, and Rob Wikel. prairie ecosystem protected!” 2 The Prairie Sage Programs Details at www.springcreekprairie.org. Register by e-mail ([email protected]) or 402/797-2301. Children under 12 must be accompanied by an adult. Class sizes limited. Payment collected on day of program; checks and credit cards accepted. Groundhog Tales In Search of a Season: A Spring Treasure Hunt Saturday, February 2 9:00-11:00 a.m. Saturday, March 23 9:00 a.m.-12:00 noon Sunday, March 24 1:00-4:00 p.m. Start the celebration of the groundhog with a short introduction to groundhog facts and folklore followed by a Starting every 20 minutes, teams of two to ten participants hike to the most promising places on the prairie where one will be outfitted with a treasure map and clues to search for may grace us with an appearance (or not!). Hot chocolate will hidden treasure chests along the trail. At each chest they will be served at the Center afterward. use observation skills and special equipment to investigate the $5/person. Register by Feb. 1. sights and sounds of the prairie, and discover the subtle and sometimes elusive treasures of spring. $15/team. Each team must have at least one adult. Teams must preregister for a Warming Up to Winter Bugs scheduled starting time by March 22. Saturday, February 9 10:00 a.m.-12:00 noon Using magnifiers, microscopes, and mindful techniques, Make an Apple Basket adult/child teams will probe through leaf litter and rotten logs Saturday, April 27 9:00 a.m.-3:00 p.m. to discover a variety of spineless wonders wiling away the winter. Activities Back by popular demand, local artist and basket weaver Judy include a short hike and an indoor Hart will facilitate a hands-on apple basket weaving workshop. investigation session. This program is The apple basket pattern uses spoke construction featuring appropriate for grades K through 6 and a double bottom, continuous weave and a 12” round white designed for adult/child teams of 2 or oak swing handle with ears. The basket measures 12 inches in 3. $6/adult and $4/child 12 and under. diameter and 7 inches in height. Register by Feb. 8. The workshop will be fun and informative for beginners and veteran basket weavers alike. All supplies will be provided, but Writing Shapes and Patterns in Nature participants should bring their own 3-5 gallon bucket, pruners Saturday, February 16 1:00-3:30 p.m. or plant clippers if available, and their own lunch — coffee and tea will be provided. Pre-registration is required for this Learn new ways of looking at and understanding the natural popular class. $50/person. world. Using a jeweler’s loupe with indoor and outdoor activities, participants will learn to recognize and identify the basic shapes and patterns that reoccur in nature, and see how Once Upon A Prairie Wind Kite Fly this knowledge can help make sense of what may seem like a Sunday, April 28 1:00-4:00 p.m. chaotic system. Later, participants will use analogy and other easy, playful techniques to record their impressions. The wide-open expanse of Spring Creek Prairie makes for a perfect place to fly kites, and all ages Local author Amy Plettner will co-facilitate this program are welcome to come out and try their skills.
Recommended publications
  • The Notion of Song, Identities, Discourses, and Power

    The Notion of Song, Identities, Discourses, and Power

    The Notion of Song, Identities, Discourses, and Power: Bridging Songs with Literary Texts to Enhance Students’ Interpretative Skills Elroy Alister Esdaille Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2020 © 2020 Elroy Alister Esdaille All Rights Reserved Abstract Sometimes students struggle to interpret literary texts because some of these texts do not lend themselves to the deduction of the interpretative processes with which they are familiar, but the same is not true when students pull interpretations from songs. Is it possible that students’ familiarity with songs might enable them to connect a song with a book and aid interpretation that way? This study attempted to explore the possibility of bridging songs to literary texts in my Community College English classroom, to ascertain if or how the use of song can support or extend students’ interpretive strategies across different types of texts. I investigated how songs might work as a bridge to other texts, like novels, and, if the students use songs as texts, to what extent do the students develop and hone their interpretative skills? Because of this, how might including songs as texts in English writing or English Literature curriculum contribute to the enhancement of students’ writing? The students’ responses disclosed that the songs appealed to their cognition and memories and helped them to interpret and write about the novels they read. Moreover, the students’ responses revealed that pairing or matching songs with novels strengthened interpretation of the book in a plethora of ways, such as meta-message deduction, applying contexts, applying comparisons, and examining thematic correlations.
  • Strange Brew√ Fresh Insights on Rock Music | Edition 03 of September 30 2006

    Strange Brew√ Fresh Insights on Rock Music | Edition 03 of September 30 2006

    M i c h a e l W a d d a c o r ‘ s πStrange Brew Fresh insights on rock music | Edition 03 of September 30 2006 L o n g m a y y o u r u n ! A tribute to Neil Young: still burnin‘ at 60 œ part two Forty years ago, in 1966, Neil Young made his Living with War (2006) recording debut as a 20-year-old member of the seminal, West Coast folk-rock band, Buffalo Springfield, with the release of this band’s A damningly fine protest eponymous first album. After more than 35 solo album with good melodies studio albums, The Godfather of Grunge is still on fire, raging against the System, the neocons, Rating: ÆÆÆÆ war, corruption, propaganda, censorship and the demise of human decency. Produced by Neil Young and Niko Bolas (The Volume Dealers) with co-producer L A Johnson. In this second part of an in-depth tribute to the Featured musicians: Neil Young (vocals, guitar, Canadian-born singer-songwriter, Michael harmonica and piano), Rick Bosas (bass guitar), Waddacor reviews Neil Young’s new album, Chad Cromwell (drums) and Tommy Bray explores his guitar playing, re-evaluates the (trumpet) with a choir led by Darrell Brown. overlooked classic album from 1974, On the Beach, and briefly revisits the 1990 grunge Songs: After the Garden / Living with War / The classic, Ragged Glory. This edition also lists the Restless Consumer / Shock and Awe / Families / Neil Young discography, rates his top albums Flags of Freedom / Let’s Impeach the President / and highlights a few pieces of trivia about the Lookin’ for a Leader / Roger and Out / America artist, his associates and his interests.
  • Description, Narrative, and Reflection

    Description, Narrative, and Reflection

    EmpoWord: A Student-Centered Anthology & Handbook for College Writers Part One: Description, Narrative, and Reflection Author: Shane Abrams, Portland State University This chapter is licensed with a Creative Commons Attribution-NonCommercial 4.0 International License Download this book free at: https://pdxscholar.library.pdx.edu/pdxopen/20/ Part One: Description, Narration, and Reflection 55 Section Introduction: Description, Narration, and Reflection Chapter Vocabulary Vocabulary Definition a rhetorical mode that emphasizes eye-catching, specific, and vivid description portrayal of a subject. Often integrates imagery and thick description to this end. a rhetorical mode involving the construction and relation of stories. narration Typically integrates description as a technique. a rhetorical gesture by which an author looks back, through the diegetic gap, to demonstrate knowledge or understanding gained from the subject on which they are reflecting. May also include consideration of reflection the impact of that past subject on the author’s future—“Looking back in order to look forward.” the circumstances in which rhetoric is produced, understood using the constituent elements of subject, occasion, audience, and purpose. Each element of the rhetorical situation carries assumptions and imperatives rhetorical situation about the kind of rhetoric that will be well received. Rhetorical situation will also influence mode and medium. Storytelling is one of few rituals that permeates all cultures. Indeed, there’s nothing quite as satisfying as a well-told story. But what exactly makes for a well-told story? Of course, the answer to that question depends on your rhetorical situation: your audience, your sociohistorical position, and your purpose will determine how you tell your story.
  • The Prairie Wind Newsletter of the Illinois Chapter of the SCBWI

    The Prairie Wind Newsletter of the Illinois Chapter of the SCBWI

    The Prairie Wind Newsletter of the Illinois Chapter of the SCBWI Spring 2015 • From the Editor Do you think fictional characters need to be likable? In this issue, by coincidence, two of our contributors explore this topic. Molly Backes in her Writer’s Tip says: “Personally, I’m in favor of unlikable characters. We are writing about teenagers, after all! They’re not the most likable creatures in the universe. Lovable, sure. But not always likable.” Juliet Bond, in her review of Blake Snyder’s book Save the Cat: The Last Book on Screenwriting You’ll Ever Need for the Writer’s Bookshelf, says, “I’m personally drawn to characters that are a bit prickly, rebellious, and less than charming. But they have to be likable.” See what you think. In our previous issue Lisa Bierman said goodbye. In this issue our new co-regional advisor Deborah Topolski introduces herself: “I’m a prepublished member, still learning how to make inroads in my career . I’m on this journey to publication with you.” Another change in this issue is in the format of our Illustrator in the Spotlight column. A panel of Illinois illustrators has compiled a set of questions that each issue’s featured illustrator will answer. This time it’s Theresa Brandon, answering such questions as “Do you ever tuck little personal homages or details in your illustrations?” and “What gets in the way of your creativity?” Our Tale from the Front, the story of a first-time author, comes from Stefanie Lyons, author of Dating Down. Stefanie has a curious tale to tell: “My first book that my agent liked but thought should be my second book while I was working on my second-supposed-to-be-first book with her turned out to be my first book anyway.” Check out Season’s Crop, compiled by Tina Stoval and Natalie Ziarnik, for a list of ten books coming out this spring by Illinois authors.
  • Psychedelic Gospels

    Psychedelic Gospels

    The Psychedelic Gospels The Psychedelic Gospels The Secret History of Hallucinogens in Christianity Jerry B. Brown, Ph.D., and Julie M. Brown, M.A. Park Street Press Rochester, Vermont • Toronto, Canada Park Street Press One Park Street Rochester, Vermont 05767 www.ParkStPress.com Park Street Press is a division of Inner Traditions International Copyright © 2016 by Jerry B. Brown and Julie M. Brown All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. Note to the Reader: The information provided in this book is for educational, historical, and cultural interest only and should not be construed in any way as advocacy for the use of hallucinogens. Neither the authors nor the publishers assume any responsibility for physical, psychological, legal, or any other consequences arising from these substances. Library of Congress Cataloging-in-Publication Data [cip to come] Printed and bound in XXXXX 10 9 8 7 6 5 4 3 2 1 Text design and layout by Priscilla Baker This book was typeset in Garamond Premier Pro with Albertus and Myriad Pro used as display typefaces All Bible quotations are from the King James Bible Online. A portion of proceeds from the sale of this book will support the Multidisciplinary Association for Psychedelic Studies (MAPS). Founded in 1986, MAPS is a 501(c)(3) nonprofit research and educational organization that develops medical, legal, and cultural contexts for people to benefit from the careful uses of psychedelics and marijuana.
  • Pdfperiurban Parks Fact Sheets

    Pdfperiurban Parks Fact Sheets

    BARCELONA ESPAGNE Parc de Collserola Parc Serralada Litoral Surface : 8 070 hectares Population : 3 millions residents Cerdanyola Region : Catalunya Parc Natural del Garraf Organisme gestionnaire: Consorci del Parc de Collserola Adress : Carretera de l'Església, 92 E 08017 Barcelona Mataró Tel. +34 93 280 06 72 BARCELONA Fax. +34 93 280 60 74 Aeroport del Prat e-mail : [email protected] web : http://parccollserola.amb.es La Sierra de Collserola is part of the coastal cordillera, a mountainous, 300 km-long landscape along the Mediterranean Ocean. The park's northern boundary is the Besòs river and Vallès depression, and it is bordered by the Llobregat river and city of Barcelona in the south. In 1987, a special management and environmental protection plan was established for Collserola. It is based on the principle of protecting and strengthening ecosystems. At the same time, infrastructure construction has allowed the public to use this space rationally, without endangering the park's precious natural and landscape resources. The site, managed by the Collserola park Consortium, is a diversified spectrum of natural Mediterranean environments, where forest areas predominate. There are also a few agricultural areas. The park's highest point is on the Tibidabo mountain (512 m). It has a typically Mediterranean climate. The average temperature is 14°C, with pluviometry of 620 mm/year, although microclimates due to diverse hilly terrain must also be considered. Natural heritage. The park is home to a wealth of plant and animal species characteristic of Mediterranean ecosystems. Thus, endemic Iberian Peninsula species are found among the arthropods, some of which have been observed exclusively on the Collserola site.
  • New Neil Young Album: "Chrome Dreams II"

    New Neil Young Album: "Chrome Dreams II"

    2007-09-25 18:06 CEST New Neil Young album: "Chrome Dreams II" The new album by Neil Young, "Chrome Dreams II", will be released by Reprise Records on October 17th. Speaking from a vacation retreat with his family, Young says it’s “an album with a form based on some of my original recordings, with a large variety of songs, rather than one specific type of song.” It comes at a creative peak for the artist, following the Greendale, Prairie Wind, and Living With War albums, and a summer 2006 tour by Crosby, Stills, Nash & Young that concert audiences are still talking about. In many ways, Chrome Dreams II is the ultimate example of what Young does best: most of the songs were written recently and came quickly, and the “live” recording sessions in northern California were over before they were announced. The album includes all kinds of music, and taken together, offers a complete picture of where Neil Young is today. “Where Living With War and Everybody’s Rockin’ were albums focused on one subject or style,” Young says, “Chrome Dreams II is more like After The Goldrush or Freedom, with different types of songs working together to form a feeling. Now that radio formats are not as influential as they once were, it’s easier to release an album that crosses all formats with a message that runs through the whole thing, regardless of the type of song or sound.” On the sessions for the album, Neil Young was joined by Crazy Horse drummer Ralph Molina, pedal steel guitarist and dobro player Ben Keith (Harvest, Comes A Time, Harvest Moon) and bassist Rick Rosas (Freedom, Living With War, This Note’s For You).
  • THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam

    THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam

    1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour.
  • The Rise and Fall of the Hillbilly Music Genre, a History, 1922-1939. Ryan Carlson Bernard East Tennessee State University

    The Rise and Fall of the Hillbilly Music Genre, a History, 1922-1939. Ryan Carlson Bernard East Tennessee State University

    East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 12-2007 The Rise and Fall of the Hillbilly Music Genre, A History, 1922-1939. Ryan Carlson Bernard East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Musicology Commons Recommended Citation Bernard, Ryan Carlson, "The Rise and Fall of the Hillbilly Music Genre, A History, 1922-1939." (2007). Electronic Theses and Dissertations. Paper 2059. https://dc.etsu.edu/etd/2059 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. The Rise and Fall of the Hillbilly Music Genre: A History, 1922-1939. ___________________ A thesis presented to the faculty of the Department of Liberal Studies East Tennessee State University In partial fulfillment of the requirements for the degree Masters of Arts in Liberal Studies ___________________ by Ryan Carlson Bernard December, 2006 ___________________ Dr. Richard Blaustein, Chair Dr. Ted Olson Dr. Kevin O’Donnell Keywords: Hillbilly, Music, Stereotype, Genre, Phonograph, Radio ABSTRACT The Rise and Fall of the Hillbilly Music Genre: A History, 1922-1939 by Ryan Carlson Bernard This research will examine the rise in popularity of the hillbilly music genre as it relates to the early part of the twentieth century as well as its decline with the arrival of the western hero, the cowboy.
  • Seed Laws That Criminalise Farmers Resistance and Fightback

    Seed Laws That Criminalise Farmers Resistance and Fightback

    Seed laws that criminalise farmers Resistance and fightback March 2015 La Via Campesina International Peasant Movement International Secretariat: Stand No 197A, Smuts Road Prospect Waterfalls – Harare – Zimbabwe Email: [email protected] Website: www.viacampesina.org and tv.viacampesina.org GRAIN Girona 25 pral., 08010 Barcelona, Spain Tel: +34 93 301 1381 Fax: +34 93 301 16 27 Email: [email protected] Website: www.grain.org Editorial design: www.mareavacia.com Cover picture: Tineke d’Haese – Oxfam Table of contents Acronyms 3 Introduction 4 1. How seed laws make farmers’ seeds illegal 7 2. African seeds: A treasure under threat 14 3. The Americas: Massive resistance against “Monsanto laws” 22 4. Asia: The struggle against a new wave of industrial seeds 30 5. Europe: Farmers strive to rescue agricultural diversity 35 Conclusion 44 Glossary 45 Accompanying web resources (for download only or online consultation: www.grain.org/e/5175 and viacampesina.org/es/index.php/publicaciones-mainmenu-30) • Seed laws by country – Online map published by GRAIN • Trade agreements that privatise seeds – Publication by GRAIN • Take action! – poster published by GRAIN and La Via Campesina • Additional country experiences: published by GRAIN and La Via Campesina • Going further Acronyms ARIPO: African Regional Intellectual Property Organisaton CAFTA: Central America Free Trade Agreement CFA: name of two currencies used in Africa, the West African CFA franc and the Central Africa CFA franc (in French – Franc des Communautés financières d’Afrique)
  • A Treasure Album of Milledgeville and Baldwin County, Georgia

    A Treasure Album of Milledgeville and Baldwin County, Georgia

    •* ts> *•■£,•' aV ^'‘aA aO° *V ***•'•' y a0 % **•.*•' y ^ - *0 ^ .4 ♦V. * vdfe*. V y ^ y ASfer- ^ y *w^ ^.y * o vv C, vP V <Cc * <£ ^ °o ^,* A %> J.W/ v ^ A ^ °.w-‘ O . » *o-.. , 44 a0' °V '••* 0^ t.-., *V *4> C0 “ 8 c°‘ i*^* °o , •y c *W2^A o A* „• \N ^ * JWt/S?^ - aN % o 'X y ^ < V O O V 0 v 0 *• v0« o V y; 4.0^ <-£► *> i? ^ * • r O^ * 0 „ 08 ^o ^ *8 *' * y r+ c> <p »;*8' > v .•• \ y % y *' ^ss v-v C, vP ; y*V ' ‘ “ 1 1 * *VA * V V '•^^K;> y* y °°?fl!v yv ** <r *'. .-V ,GV O '<>..* A •C* ' • *4 a° A. ^ . ^ . AsS’ -;»“<=« - . - -*>. o .<■••. \A s *■OsXWN.^vk. ' + r_ c 1 VX <A o V ^ b°-r* ,0 *U •■•• ... 'V';'"’v^',.--, %*•■•’ .v ^ .* .•>335^'. V A+ ^ <& & V C, v/‘ c> V ,• /\ ;.!W' --w.* ♦♦■ V r»* <<y 'i '«.»’* a <\ ♦^^..•"•*c <G< V '«•> ^ ag" '•-• »v'# a o av<kV o, o M « C° v^.*- °o ^ C° • C -'&4r77?i?„ ° ^ o V & - >. -a? ^z&yj},& * Nv O '^vV5“ * 0 ,0* o H 0 ,0' O. * D N O ° \0 £> M © ,0 »1*8' > V *LV1'* ^ 0 . V*-;o* v> *■ /. • v «*> V ,-v4 .VVa5 ^ • ^ > % ^ ; " ^ V v^v •. r . * c, vP 1 * AV^ ° cSV “¥/¥¥,' • 4? % i '•> ^ r,*- >' ^ °y#VJ/ ^ a v % - vG^ ■ vD 'o'. * A ** <% A V. sV o * o „ X> o ;A -°_H^V V ^ c0^ ‘*4"* ^ ° V or o V ^ > i Yrj&gmpa ’ ^ Oa o5 ^ ,* r o ^ .y o. ‘o;^8 A %8»'°’ A.0 x ° " 0 ’ A0 * ' ' 1 ‘ <V^ C-^ ■»- > vN »lVCj* _i0r »y • °- > v ,0^ ., * °- > V% -" V‘% cv V - A ♦VSiD^'.
  • NY Unofficial Archive V5.2 22062018 TW.Pdf

    NY Unofficial Archive V5.2 22062018 TW.Pdf

    ........................................................................................................................................................................................... THE UNOFFICIAL ARCHIVE: NEIL YOUNG’S “UNRELEASED” SONGS ©Robert Broadfoot 2018 • [email protected] Version 5.2 -YT: 22 June 2018 Page 1 of 98 CONTENTS CONTENTS ............................................................................................................................. 2 FOREWORD .......................................................................................................................... 3 A NOTE ON SOURCES ......................................................................................................... 5 KEY .......................................................................................................................................... 6 I. NEIL YOUNG SONGS NOT RELEASED ON OFFICIAL MEDIA PART ONE THE CANADIAN YEARS .............................................................................. 7 PART TWO THE AMERICAN YEARS ........................................................................... 16 PART THREE EARLY COVERS AND INFLUENCES ........................................................ 51 II. NEIL YOUNG PERFORMING ON THE RELEASED MEDIA AND AT CONCERT APPEARANCES, OF OTHER ARTISTS ..................................................... 63 III. UNRELEASED NEIL YOUNG ALBUM PROJECTS PART ONE DOCUMENTED ALBUM PROJECTS ....................................................... 83 PART TWO SPECULATION