DOCSLIB.ORG

New Neil Young Album: "Chrome Dreams II"

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
New Neil Young Album: 2007-09-25 18:06 CEST New Neil Young album: "Chrome Dreams II" The new album by Neil Young, "Chrome Dreams II", will be released by Reprise Records on October 17th. Speaking from a vacation retreat with his family, Young says it’s “an album with a form based on some of my original recordings, with a large variety of songs, rather than one specific type of song.” It comes at a creative peak for the artist, following the Greendale, Prairie Wind, and Living With War albums, and a summer 2006 tour by Crosby, Stills, Nash & Young that concert audiences are still talking about. In many ways, Chrome Dreams II is the ultimate example of what Young does best: most of the songs were written recently and came quickly, and the “live” recording sessions in northern California were over before they were announced. The album includes all kinds of music, and taken together, offers a complete picture of where Neil Young is today. “Where Living With War and Everybody’s Rockin’ were albums focused on one subject or style,” Young says, “Chrome Dreams II is more like After The Goldrush or Freedom, with different types of songs working together to form a feeling. Now that radio formats are not as influential as they once were, it’s easier to release an album that crosses all formats with a message that runs through the whole thing, regardless of the type of song or sound.” On the sessions for the album, Neil Young was joined by Crazy Horse drummer Ralph Molina, pedal steel guitarist and dobro player Ben Keith (Harvest, Comes A Time, Harvest Moon) and bassist Rick Rosas (Freedom, Living With War, This Note’s For You). Most of the recording was done at Feelgood’s Garage studio near Redwood City, California, with two vintage gas pumps out front and vintage studio gear inside. On the music itself, Young says, “Some early listeners have said that this album is positive and spiritual. I like to think it focuses on the human condition. Like many of my recordings, this one draws on earlier material here and there. I used to do that a lot back in the day. Some songs, like ‘Ordinary People,’ need to wait for the right time. I think now is the right time for that song and it lives well with the new songs I have written in the past few months. I had a blast making this music.” The new album’s title refers to an earlier planned release that never came out. In fall of 1976, the album Chrome Dreams was announced for a November release. However, that date came and went and no album ever appeared. För mer information vänligen kontakta: Nikki Amini Warner Music Sweden [email protected] 08-752 26 05 www.neilyoung.com Warner Music International, a leading company in national and international repertoire operates through numerous international affiliates and licensees in more than 50 countries. With its broad roster of new stars and legendary artists, Warner Music Group is home to a collection of the best-known record labels in the music industry including Asylum, Atlantic, Bad Boy, Cordless, East West, Elektra, Lava, Maverick, Nonesuch, Parlophone, Reprise, Rhino, Roadrunner, Rykodisc, Sire, Warner Bros. and Word. Warner Music Group also includes Warner/Chappell Music, one of the world's leading music publishers. Kontaktpersoner Ellen Fjæstad Presskontakt Product & Promotion Manager Giant/Domestic [email protected] 0707754571 Darren Edwards Presskontakt International Promotion Manager International Promotion, Nuclear Blast and Roadrunner Records [email protected] 08-7522604.
Load more

Recommended publications
  • Songs-Of-Protest-2020.Pdf
    Elliott Forrest Dara Falco Executive & Artistic Director Managing Director Board of Trustees Stephen Iger, President Melanie Rock, Vice President Joe Morley, Secretary Tim Domini, Treasurer Karen Ayres Rod Greenwood Simon Basner Patrick Heaphy David Brogno James Sarna Hal Coon Lisa Waterworth Jeffrey Doctorow Matthew Watson SUPPORT THE ARTS Donations accepted throughout the show online at ArtsRock.org The mission of ArtsRock is to provide increased access to professional arts and multi-cultural programs for an underserved, diverse audience in and around Rockland County. ArtsRock.org ArtsRock is a 501 (C)(3) Not For-Profit Corporation Dear Friends both Near and Far, Welcome to SONGS OF PROTEST 4, from ArtsRock.org, a non- profit, non-partisan arts organization based in Nyack, NY. We are so glad you have joined us to celebrate the power of music to make social change. Each of the first three SONGS OF PROTEST events, starting in April of 2017, was presented to sold-out audiences in our Rockland, NY community. This latest concert, was supposed to have taken place in-person on April 6th, 2020. We had the performer lineup and songs already chosen when we had to halt the entire season due to the pandemic. As in SONGS OF PROTEST 1, 2 & 3, we had planned to present an evening filled with amazing performers and powerful songs that have had a historical impact on social justice. When we decided to resume the series virtually, we rethought the concept. With so much going on in our country and the world, we offered the performers the opportunity to write or present an original work about an issue from our current state of affairs.
    [Show full text]
  • Strange Brew√ Fresh Insights on Rock Music | Edition 03 of September 30 2006
    M i c h a e l W a d d a c o r ‘ s πStrange Brew Fresh insights on rock music | Edition 03 of September 30 2006 L o n g m a y y o u r u n ! A tribute to Neil Young: still burnin‘ at 60 œ part two Forty years ago, in 1966, Neil Young made his Living with War (2006) recording debut as a 20-year-old member of the seminal, West Coast folk-rock band, Buffalo Springfield, with the release of this band’s A damningly fine protest eponymous first album. After more than 35 solo album with good melodies studio albums, The Godfather of Grunge is still on fire, raging against the System, the neocons, Rating: ÆÆÆÆ war, corruption, propaganda, censorship and the demise of human decency. Produced by Neil Young and Niko Bolas (The Volume Dealers) with co-producer L A Johnson. In this second part of an in-depth tribute to the Featured musicians: Neil Young (vocals, guitar, Canadian-born singer-songwriter, Michael harmonica and piano), Rick Bosas (bass guitar), Waddacor reviews Neil Young’s new album, Chad Cromwell (drums) and Tommy Bray explores his guitar playing, re-evaluates the (trumpet) with a choir led by Darrell Brown. overlooked classic album from 1974, On the Beach, and briefly revisits the 1990 grunge Songs: After the Garden / Living with War / The classic, Ragged Glory. This edition also lists the Restless Consumer / Shock and Awe / Families / Neil Young discography, rates his top albums Flags of Freedom / Let’s Impeach the President / and highlights a few pieces of trivia about the Lookin’ for a Leader / Roger and Out / America artist, his associates and his interests.
    [Show full text]
  • The Canadian Cadet Movement and the Boy Scouts of Canada in the Twentieth Century
    “No Mere Child’s Play”: The Canadian Cadet Movement and the Boy Scouts of Canada in the Twentieth Century by Kevin Woodger A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of History University of Toronto © Copyright by Kevin Woodger 2020 “No Mere Child’s Play”: The Canadian Cadet Movement and the Boy Scouts of Canada in the Twentieth Century Kevin Woodger Doctor of Philosophy Department of History University of Toronto Abstract This dissertation examines the Canadian Cadet Movement and Boy Scouts Association of Canada, seeking to put Canada’s two largest uniformed youth movements for boys into sustained conversation. It does this in order to analyse the ways in which both movements sought to form masculine national and imperial subjects from their adolescent members. Between the end of the First World War and the late 1960s, the Cadets and Scouts shared a number of ideals that formed the basis of their similar, yet distinct, youth training programs. These ideals included loyalty and service, including military service, to the nation and Empire. The men that scouts and cadets were to grow up to become, as far as their adult leaders envisioned, would be disciplined and law-abiding citizens and workers, who would willingly and happily accept their place in Canadian society. However, these adult-led movements were not always successful in their shared mission of turning boys into their ideal-type of men. The active participation and complicity of their teenaged members, as peer leaders, disciplinary subjects, and as recipients of youth training, was central to their success.
    [Show full text]
  • Neil Youngs Harvest Free
    FREE NEIL YOUNGS HARVEST PDF Sam Inglis | 128 pages | 30 Oct 2003 | Bloomsbury Publishing PLC | 9780826414953 | English | London, United Kingdom Harvest (Neil Young album) - Wikipedia It topped the Billboard album chart [2] for two weeks, and spawned two hit singles, " Old Man ", which peaked at No. The record was a massive hit, producing a US number one single in "Heart of Gold". Other songs returned to some usual Young themes: " The Neil Youngs Harvest and the Damage Done " was a lament for great artists who had been addicted to heroinincluding Crazy Horse bandmate Danny Whitten ; "Alabama" was "an unblushing rehash of ' Southern Man '"; [5] to which southern rock band Lynyrd Skynyrd wrote their hit " Sweet Home Alabama " in reply, stating "I hope Neil Young will remember, a Southern Man don't need him around, anyhow". Young later wrote of "Alabama" in his autobiography Waging Heavy Peacesaying it Neil Youngs Harvest deserved the shot Lynyrd Skynyrd gave me with their great record. I don't like my words when I listen to it. They are accusatory and condescending, not fully thought out, and too easy to misconstrue. It has a typical Neil Young structure consisting of Neil Youngs Harvest chords during the multiple improvised solos. The album's success caught Young off guard and his first instinct was to back away from stardom. He would later write that the record "put me in the middle of the road. Traveling there soon became a bore so I headed for the ditch. A rougher ride but I saw more interesting people there. The recording of the remainder of Harvest was notable for the spontaneous and serendipitous way it Neil Youngs Harvest together.
    [Show full text]
  • Andy Higgins, BA
    Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support.
    [Show full text]
  • The Future of the Past: Science in Archaeology Illinois Antiquity Vol
    The Future of the Past: Science in Archaeology Illinois Antiquity Vol. 50, No. 3 September 2015 REFERENCES AND SUGGESTED READINGS ARCHAEOLOGY AND ECOLOGY: BRIDGING THE SCIENCES THROUGH INTERDISCIPLINARY RESEARCH By Carol E. Colaninno LiDAR ILLUMINATED By Michael Farkas IDENTIFYING BLACK DRINK CEREMONIALISM AT CAHOKIA: CHEMICAL RESIDUE ANALYSIS By Thomas E. Emerson and Timothy R. Pauketat SOURCING NATIVE AMERICAN CERAMICS FROM WESTERN ILLINOIS By Julie Zimmermann Holt, Andrew J. Upton, and Steven A. Hanlin Conrad, Lawrence A. 1989 The Southeastern Ceremonial Complex on the Northern Middle Mississippian Frontier: Late Prehistoric Politico-religious Systems in the Central Illinois River Valley. In The Southeastern Ceremonial Complex: Artifacts and Analysis, edited by P. Galloway, pp. 93-113. University of Nebraska Press, Lincoln. 1991 The Middle Mississippian Cultures of the Central Illinois Valley. In Cahokia and the Hinterlands: Middle Mississippian Cultures of the Midwest, edited by T. E. Emerson and R. B. Lewis, pp. 119-156. University of Illinois Press, Urbana. Dye, David H. 2004 Art, Ritual, and Chiefly Warfare in the Mississippian World. In Hero, Hawk, and Open Hand: American Indian Art of the Ancient Midwest and South, edited by R. F. Townsend, pp. 191-205. The Art Institute, Chicago. Fie, Shannon M. 2006 Visiting in the Interaction Sphere: Ceramic Exchange and Interaction in the Lower Illinois Valley. In Recreating Hopewell, edited by D. K. Charles and J. E. Buikstra, pp. 427-45. University Press of Florida, Gainesville. 2008 Middle Woodland Ceramic Exchange in the Lower Illinois Valley. Midcontinental Journal of Archaeology 33:5-40. Fowles, Severin M., Leah Minc, Samuel Duwe and David V.
    [Show full text]
  • The Prairie Wind Newsletter of the Illinois Chapter of the SCBWI
    The Prairie Wind Newsletter of the Illinois Chapter of the SCBWI Spring 2015 • From the Editor Do you think fictional characters need to be likable? In this issue, by coincidence, two of our contributors explore this topic. Molly Backes in her Writer’s Tip says: “Personally, I’m in favor of unlikable characters. We are writing about teenagers, after all! They’re not the most likable creatures in the universe. Lovable, sure. But not always likable.” Juliet Bond, in her review of Blake Snyder’s book Save the Cat: The Last Book on Screenwriting You’ll Ever Need for the Writer’s Bookshelf, says, “I’m personally drawn to characters that are a bit prickly, rebellious, and less than charming. But they have to be likable.” See what you think. In our previous issue Lisa Bierman said goodbye. In this issue our new co-regional advisor Deborah Topolski introduces herself: “I’m a prepublished member, still learning how to make inroads in my career . I’m on this journey to publication with you.” Another change in this issue is in the format of our Illustrator in the Spotlight column. A panel of Illinois illustrators has compiled a set of questions that each issue’s featured illustrator will answer. This time it’s Theresa Brandon, answering such questions as “Do you ever tuck little personal homages or details in your illustrations?” and “What gets in the way of your creativity?” Our Tale from the Front, the story of a first-time author, comes from Stefanie Lyons, author of Dating Down. Stefanie has a curious tale to tell: “My first book that my agent liked but thought should be my second book while I was working on my second-supposed-to-be-first book with her turned out to be my first book anyway.” Check out Season’s Crop, compiled by Tina Stoval and Natalie Ziarnik, for a list of ten books coming out this spring by Illinois authors.
    [Show full text]
  • Illustrated Flora of East Texas Illustrated Flora of East Texas
    ILLUSTRATED FLORA OF EAST TEXAS ILLUSTRATED FLORA OF EAST TEXAS IS PUBLISHED WITH THE SUPPORT OF: MAJOR BENEFACTORS: DAVID GIBSON AND WILL CRENSHAW DISCOVERY FUND U.S. FISH AND WILDLIFE FOUNDATION (NATIONAL PARK SERVICE, USDA FOREST SERVICE) TEXAS PARKS AND WILDLIFE DEPARTMENT SCOTT AND STUART GENTLING BENEFACTORS: NEW DOROTHEA L. LEONHARDT FOUNDATION (ANDREA C. HARKINS) TEMPLE-INLAND FOUNDATION SUMMERLEE FOUNDATION AMON G. CARTER FOUNDATION ROBERT J. O’KENNON PEG & BEN KEITH DORA & GORDON SYLVESTER DAVID & SUE NIVENS NATIVE PLANT SOCIETY OF TEXAS DAVID & MARGARET BAMBERGER GORDON MAY & KAREN WILLIAMSON JACOB & TERESE HERSHEY FOUNDATION INSTITUTIONAL SUPPORT: AUSTIN COLLEGE BOTANICAL RESEARCH INSTITUTE OF TEXAS SID RICHARDSON CAREER DEVELOPMENT FUND OF AUSTIN COLLEGE II OTHER CONTRIBUTORS: ALLDREDGE, LINDA & JACK HOLLEMAN, W.B. PETRUS, ELAINE J. BATTERBAE, SUSAN ROBERTS HOLT, JEAN & DUNCAN PRITCHETT, MARY H. BECK, NELL HUBER, MARY MAUD PRICE, DIANE BECKELMAN, SARA HUDSON, JIM & YONIE PRUESS, WARREN W. BENDER, LYNNE HULTMARK, GORDON & SARAH ROACH, ELIZABETH M. & ALLEN BIBB, NATHAN & BETTIE HUSTON, MELIA ROEBUCK, RICK & VICKI BOSWORTH, TONY JACOBS, BONNIE & LOUIS ROGNLIE, GLORIA & ERIC BOTTONE, LAURA BURKS JAMES, ROI & DEANNA ROUSH, LUCY BROWN, LARRY E. JEFFORDS, RUSSELL M. ROWE, BRIAN BRUSER, III, MR. & MRS. HENRY JOHN, SUE & PHIL ROZELL, JIMMY BURT, HELEN W. JONES, MARY LOU SANDLIN, MIKE CAMPBELL, KATHERINE & CHARLES KAHLE, GAIL SANDLIN, MR. & MRS. WILLIAM CARR, WILLIAM R. KARGES, JOANN SATTERWHITE, BEN CLARY, KAREN KEITH, ELIZABETH & ERIC SCHOENFELD, CARL COCHRAN, JOYCE LANEY, ELEANOR W. SCHULTZE, BETTY DAHLBERG, WALTER G. LAUGHLIN, DR. JAMES E. SCHULZE, PETER & HELEN DALLAS CHAPTER-NPSOT LECHE, BEVERLY SENNHAUSER, KELLY S. DAMEWOOD, LOGAN & ELEANOR LEWIS, PATRICIA SERLING, STEVEN DAMUTH, STEVEN LIGGIO, JOE SHANNON, LEILA HOUSEMAN DAVIS, ELLEN D.
    [Show full text]
  • V Nocus Calks
    VOLUME 92 NUMBER 49 AMi[T, CAMBRIDGE, MASSACHUSETTS TUESDAY,, NOVEMBER 21, 1972 FIVE CENTS __ .M r~~~~~~ eme By Walter ']. Middlebrook When asked about the sup- last Monday be observed as a Approximately 200 people port for the students from the day of moratorium, and that gathered at Kresge Auditorium black community, she replied, next Monday be used as the first last night to discuss the slayings "From the community our sup- day of a nation wide student of two black students as port has been over-whelming, strike. Southern University. parents, workers, students from Long before any ot the news The rally at Kresge was the other campuses in the city, and media in the city began to cover climax in the Boston area of a residents of the state are doing the events at Southern in detail, nationwide day-long protest and all that can be done in our WTBS began a grueling campaign moratorium concerning the struggle." She was rather upset, for support and facts regarding deaths of Denver A. Smith of however, at the lack of response the incident by way of one of its New Roads, Louisiana and that had been received from the programs, the Ghetto. Since Leonard Brown of Gilbert, black faculties on the campuses. twelve midnight on Thursday, Louisiana. The other memorial She did point out that some the Ghetto has been carrying services imathe Boston area were faculty members had shown constant coverage of the events held at Boston College, Boston some sense of concern and as of that went on in Baton Rouge University, Harvard University, this date, six of those professors with recorded telephone reports and Brandeis University.
    [Show full text]
  • Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites
    Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites – 750 Vallejo In North Beach, SF “The Jam” Mike Bloomfield and friends at Fillmore West - January 30-31-Feb. 1-2, 1970? Feb. 11, 1970 -- Fillmore West -- Benefit for Magic Sam featuring: Butterfield Blues Band / Mike Bloomfield & Friends / Elvin Bishop Group / Charlie Musselwhite / Nick Gravenites Feb. 28, 1970 – Mike Bloomfield, Keystone Korner, SF March 19, 1970 – Elvin Bishop Group plays Keystone Korner , SF Bloomfield was supposed to show for a jam. Did he? March 27,28, 1970 – Mike Bloomfield and Nick Gravenites, Keystone Korner ***** MICHAEL BLOOMFIELD AND FRIENDS 1970. Feb. 27. Eagles Auditorium, Seattle 1. “Wine” (8.00) This is the encore from Seattle added on the bootleg as a “filler”! The rest is from Long Beach Auditorium Apr. 8, 1971. 1970 1 – CDR “JAMES COTTON W/MIKE BLOOMFIELD AND FRIENDS” Bootleg 578 ***** JANIS JOPLIN AND THE BUTTERFIELD BLUES BAND 1970. Mar. 28. Columbia Studio D, Hollywood, CA Janis Joplin, vocals - Paul Butterfield, hca - Mike Bloomfield, guitar - Mark Naftalin, organ - Rod Hicks, bass - George Davidson, drums - Gene Dinwiddle, soprano sax, tenor sax - Trevor Lawrence, baritone sax - Steve Madaio, trumpet 1. “One Night Stand” (Version 1) (3.01) 2. “One Night Stand” (Version 2) wrong speed 1982 1 – LP “FAREWELL SONG” CBS 32793 (NL) 1992 1 – CD “FAREWELL SONG” COLUMBIA 484458 2 (US) ?? 2 – CD-3 BOX SET CBS ***** SAM LAY 1970 Producer Nick Gravenites (and Michael Bloomfield) Sam Lay, dr, vocals - Michael Bloomfield, guitar - Bob Jones, dr – bass ? – hca ? – piano ? – organ ? Probably all of The Butterfield Blues Band is playing. Mark Naftalin, Barry Goldberg, Paul Butterfield 1.
    [Show full text]
  • Ben Keith, Neil Young's Ste
    Ben Keith, Neil Young's steel guitarist: 1937-2010 | Pop & Hiss | Los Angeles Times July 27, 2010 | 1:25 pm Ben Keith, the veteran steel guitarist who played on Patsy Cline’s 1961 hit “I Fall to Pieces” before befriending Neil Young and going on to play on more than a dozen of the Canadian rocker's albums, has died. He was 73. He died of a heart attack, director Jonathan Demme said Tuesday. Demme, who directed Young’s concert films “Neil Young Trunk Show” from earlier this year and 2006’s “Heart of Gold,” said Keith had been staying at Young’s ranch in Northern California, working on new projects with his longtime collaborator. Keith was featured prominently in both. In “Neil Young Trunk Show,” shot in Pennsylvania at a stop on Young’s 2007-2008 concert tour, Young said a key reason he chose to tour with Keith, bassist Rick Rosas and Crazy Horse drummer Ralph Molina, rather than convening the full, hard-rocking Crazy Horse trio, was that “I can do more variety this way, because Ben plays so many instruments.” Demme called Keith “an elegant, beautiful dude, and obviously a genius. He could play every instrument. He was literally the bandleader on any of that stuff… Neil has all the confidence in the world, but with Ben on board, there were no limits. Neil has a fair measure of the greatness of his music, but he knew he was even better when Ben was there.” Most recently, Keith had been touring with Young’s wife, Pegi, in support of her second solo album, “Foul Deeds,” for a handful of West Coast performances in June.
    [Show full text]
  • Neil Young & Crazy Horse Live in New York 1969 Mp3, Flac
    Neil Young & Crazy Horse Live In New York 1969 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Live In New York 1969 Country: Italy Released: 1991 Style: Country Rock MP3 version RAR size: 1612 mb FLAC version RAR size: 1260 mb WMA version RAR size: 1420 mb Rating: 4.3 Votes: 214 Other Formats: APE AUD AAC MP1 MOD MPC VQF Tracklist A1 Cinnamon Girl A2 Cowgirl In The Sand A3 Winterlong A4 Downtown B1 Down By The River B2 Everybody Knows This Is Nowhere B3 Wondering Credits Bass – Billy Talbot Drums – Ralph Molina Electric Guitar – Danny Whitten Lead Vocals, Electric Guitar – Neil Young Other versions Category Artist Title (Format) Label Category Country Year Neil Young & Sunset Cowboy (CD, Living Legend LLRCD 042 LLRCD 042 Italy 1989 Crazy Horse Unofficial) Records Neil Young & Live In New York 1969 Armando Curcio DIR - 07 DIR - 07 Italy 1991 Crazy Horse (CD, RM, Unofficial) Editore Neil Young And Blankness (CD, TGP-CD-127 The Genuine Pig TGP-CD-127 Italy 1990 Crazy Horse* Unofficial) Neil Young & Blankness (CD, Black Panther BP-081 BP-081 Japan 1993 Crazy Horse Unofficial) Records Related Music albums to Live In New York 1969 by Neil Young & Crazy Horse 1. Neil Young & Crazy Horse - The Violent Side 2. Neil Young With Crazy Horse - Neil Young With Crazy Horse 3. Neil Young & Crazy Horse - Year Of The Horse Radio Press Kit 4. Neil Young & Crazy Horse - LIVE DURING USA TOUR NOVEMBER 1956 5. Neil Young & Crazy Horse - Afternoon Radio 6. Neil Young & Crazy Horse - Touch The Night - Santa Cruz 1984 7.
    [Show full text]