Your Reading: a Booklist for Junior High and Middle School Students
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Nus » Indiqué Sur La Pochette, Sont Dis- En Résumé, Je Vous Recommande For- Ponibles En Cliquant Ou Sélectionnant Tement Ce DVD
BEATLES QUÉBEC MAGAZINE PAGE 9 nus » indiqué sur la pochette, sont dis- En résumé, je vous recommande for- ponibles en cliquant ou sélectionnant tement ce DVD. La qualité sonore et au menu, dans les « lobby cards » un visuelle de ce produit est sans égale, des personnages, soit sur John, Paul, compte tenue du produit qui date déjà George ou Ringo ou autre pour qu'ils de plus 42 ans. puissent virer au rouge. De là vous sélectionnez Play et le tour est joué: PROMOTION POUR vous avez les fameux spots de radio. Il LE FILM HELP! y en a 6 en tout répartis sur les 2 DVD. Ces hiddens in menus, appelés en Apple Records a conçu un mini site web pour le film. Vous retrouverez Page d’accueil du site Internet Scène coupée avec Wendy Richard language informatique « easter eggs », sont disponibles dans les deux formats DVD du film HELP!. toutes les informations pertinentes du film ainsi qu’une boutique de marchan- dises « Help! ». www.beatles.com/help UN DRAPEAU HELP! Avec la participation de Ringo Starr, eBay et Capitol Records (USA), un drapeau, mesurant 12 pieds par 18 pieds, à l’effigie du film HELP! , a été Scène coupée avec Wendy Richard offert en encan sur le site eBay. Les Beatles et Apple Records ne ces- Un ensemble d’items accompagnaient seront jamais de nous émerveiller. le fameux drapeau. Le gagnant de l’en- Même après toutes ces années, ils ont can s’est mérité un certificat d’authen- encore le don de nous fasciner. ticité signé par Ringo, un voyage de 5 jours/4 nuits à Londres, une visite au Studio Abbey Road, l’édition deluxe DVD du film Help! , un ensemble de 8 reproductions des « Lobby Cards » de 1965 du film Help! et un CD promo- tionnel (édition limitée). -
A Many-Storied Place
A Many-storied Place Historic Resource Study Arkansas Post National Memorial, Arkansas Theodore Catton Principal Investigator Midwest Region National Park Service Omaha, Nebraska 2017 A Many-Storied Place Historic Resource Study Arkansas Post National Memorial, Arkansas Theodore Catton Principal Investigator 2017 Recommended: {){ Superintendent, Arkansas Post AihV'j Concurred: Associate Regional Director, Cultural Resources, Midwest Region Date Approved: Date Remove not the ancient landmark which thy fathers have set. Proverbs 22:28 Words spoken by Regional Director Elbert Cox Arkansas Post National Memorial dedication June 23, 1964 Table of Contents List of Figures vii Introduction 1 1 – Geography and the River 4 2 – The Site in Antiquity and Quapaw Ethnogenesis 38 3 – A French and Spanish Outpost in Colonial America 72 4 – Osotouy and the Changing Native World 115 5 – Arkansas Post from the Louisiana Purchase to the Trail of Tears 141 6 – The River Port from Arkansas Statehood to the Civil War 179 7 – The Village and Environs from Reconstruction to Recent Times 209 Conclusion 237 Appendices 241 1 – Cultural Resource Base Map: Eight exhibits from the Memorial Unit CLR (a) Pre-1673 / Pre-Contact Period Contributing Features (b) 1673-1803 / Colonial and Revolutionary Period Contributing Features (c) 1804-1855 / Settlement and Early Statehood Period Contributing Features (d) 1856-1865 / Civil War Period Contributing Features (e) 1866-1928 / Late 19th and Early 20th Century Period Contributing Features (f) 1929-1963 / Early 20th Century Period -
AAAI 2017 JAY PUJARA, SAMEER SINGH, BHAVANA DALVI Tutorial Overview
Knowledge Graph Construction from Text AAAI 2017 JAY PUJARA, SAMEER SINGH, BHAVANA DALVI Tutorial Overview Part 1: Knowledge Graphs Part 2: Part 3: Knowledge Graph Extraction Construction Part 4: Critical Analysis 2 Tutorial Outline 1. Knowledge Graph Primer [Jay] 2. Knowledge Extraction from Text a. NLP Fundamentals [Sameer] b. Information Extraction [Bhavana] Coffee Break 3. Knowledge Graph Construction a. Probabilistic Models [Jay] b. Embedding Techniques [Sameer] 4. Critical Overview and Conclusion [Bhavana] 3 What is Knowledge Extraction? Text John was born in Liverpool, to Julia and Alfred Lennon. Literal Facts Alfred Lennon childOf birthplace Liverpool John Lennon childOf Julia Lennon 4 NLP Fundamentals EXTRACTING STRUCTURES FROM LANGUAGE What is NLP? NLP “Knowledge” Unstructured Structured Ambiguous Precise, Actionable Lots and lots of it! Specific to the task Humans can read them, but Can be used for downstream … very slowly applications, such as creating … can’t remember all Knowledge Graphs! … can’t answer questions 6 What is NLP? John was born in Liverpool, to Julia and Alfred Lennon. Natural Language Processing Lennon.. Mrs. Lennon.. his father John Lennon... the Pool .. his mother .. he Alfred Person Location Person Person John was born in Liverpool, to Julia and Alfred Lennon. NNP VBD VBD IN NNP TO NNP CC NNP NNP 7 What is Information Extraction? Lennon.. Mrs. Lennon.. his father John Lennon... the Pool .. his mother .. he Alfred Person Location Person Person John was born in Liverpool, to Julia and Alfred Lennon. NNP VBD VBD IN NNP TO NNP CC NNP NNP Information Extraction Alfred Lennon childOf birthplace spouse Liverpool John Lennon childOf Julia Lennon 8 Breaking it Down Alfred Lennon Entity resolution, childOf birthplace spouse Entity linking, Liverpool John Lennon Julia Relation extraction… childOf Extraction Lennon Information Lennon. -
“Until That Song Is Born”: an Ethnographic Investigation of Teaching and Learning Among Collaborative Songwriters in Nashville
“UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2016 ABSTRACT “UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill With the intent of informing the practice of music educators who teach songwriting in K– 12 and college/university classrooms, the purpose of this research is to examine how professional songwriters in Nashville, Tennessee—one of songwriting’s professional “hubs”—teach and learn from one another in the process of engaging in collaborative songwriting. This study viewed songwriting as a form of “situated learning” (Lave & Wenger, 1991) and “situated practice” (Folkestad, 2012) whose investigation requires consideration of the professional culture that surrounds creative activity in a specific context (i.e., Nashville). The following research questions guided this study: (1) How do collaborative songwriters describe the process of being inducted to, and learning within, the practice of professional songwriting in Nashville, (2) What teaching and learning behaviors can be identified in the collaborative songwriting processes of Nashville songwriters, and (3) Who are the important actors in the process of learning to be a collaborative songwriter in Nashville, and what roles do they play (e.g., gatekeeper, mentor, role model)? This study combined elements of case study and ethnography. Data sources included observation of co-writing sessions, interviews with songwriters, and participation in and observation of open mic and writers’ nights. -
Prison Abolition and Grounded Justice
Georgetown University Law Center Scholarship @ GEORGETOWN LAW 2015 Prison Abolition and Grounded Justice Allegra M. McLeod Georgetown University Law Center, [email protected] This paper can be downloaded free of charge from: https://scholarship.law.georgetown.edu/facpub/1490 http://ssrn.com/abstract=2625217 62 UCLA L. Rev. 1156-1239 (2015) This open-access article is brought to you by the Georgetown Law Library. Posted with permission of the author. Follow this and additional works at: https://scholarship.law.georgetown.edu/facpub Part of the Criminal Law Commons, Criminal Procedure Commons, Criminology Commons, and the Social Control, Law, Crime, and Deviance Commons Prison Abolition and Grounded Justice Allegra M. McLeod EVIEW R ABSTRACT This Article introduces to legal scholarship the first sustained discussion of prison LA LAW LA LAW C abolition and what I will call a “prison abolitionist ethic.” Prisons and punitive policing U produce tremendous brutality, violence, racial stratification, ideological rigidity, despair, and waste. Meanwhile, incarceration and prison-backed policing neither redress nor repair the very sorts of harms they are supposed to address—interpersonal violence, addiction, mental illness, and sexual abuse, among others. Yet despite persistent and increasing recognition of the deep problems that attend U.S. incarceration and prison- backed policing, criminal law scholarship has largely failed to consider how the goals of criminal law—principally deterrence, incapacitation, rehabilitation, and retributive justice—might be pursued by means entirely apart from criminal law enforcement. Abandoning prison-backed punishment and punitive policing remains generally unfathomable. This Article argues that the general reluctance to engage seriously an abolitionist framework represents a failure of moral, legal, and political imagination. -
The Notion of Song, Identities, Discourses, and Power
The Notion of Song, Identities, Discourses, and Power: Bridging Songs with Literary Texts to Enhance Students’ Interpretative Skills Elroy Alister Esdaille Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2020 © 2020 Elroy Alister Esdaille All Rights Reserved Abstract Sometimes students struggle to interpret literary texts because some of these texts do not lend themselves to the deduction of the interpretative processes with which they are familiar, but the same is not true when students pull interpretations from songs. Is it possible that students’ familiarity with songs might enable them to connect a song with a book and aid interpretation that way? This study attempted to explore the possibility of bridging songs to literary texts in my Community College English classroom, to ascertain if or how the use of song can support or extend students’ interpretive strategies across different types of texts. I investigated how songs might work as a bridge to other texts, like novels, and, if the students use songs as texts, to what extent do the students develop and hone their interpretative skills? Because of this, how might including songs as texts in English writing or English Literature curriculum contribute to the enhancement of students’ writing? The students’ responses disclosed that the songs appealed to their cognition and memories and helped them to interpret and write about the novels they read. Moreover, the students’ responses revealed that pairing or matching songs with novels strengthened interpretation of the book in a plethora of ways, such as meta-message deduction, applying contexts, applying comparisons, and examining thematic correlations. -
Middle Years (6-9) 2625 Books
South Australia (https://www.education.sa.gov.au/) Department for Education Middle Years (6-9) 2625 books. Title Author Category Series Description Year Aus Level 10 Rules for Detectives MEEHAN, Adventure Kev and Boris' detective agency is on the 6 to 9 1 Kierin trail of a bushranger's hidden treasure. 100 Great Poems PARKER, Vic Poetry An all encompassing collection of favourite 6 to 9 0 poems from mainly the USA and England, including the Ballad of Reading Gaol, Sea... 1914 MASSON, Historical Australia's The Julian brothers yearn for careers as 6 to 9 1 Sophie Great journalists and the visit of the Austrian War Archduke Franz Ferdinand aÙords them the... 1915 MURPHY, Sally Historical Australia's Stan, a young teacher from rural Western 6 to 9 0 Great Australia at Gallipoli in 1915. His battalion War lands on that shore ready to... 1917 GARDINER, Historical Australia's Flying above the trenches during World 6 to 9 1 Kelly Great War One, Alex mapped what he saw, War gathering information for the troops below him.... 1918 GLEESON, Historical Australia's The story of Villers-Breteeneux is 6 to 9 1 Libby Great described as wwhen the Australians held War out against the Germans in the last years of... 20,000 Leagues Under VERNE, Jules Classics Indiana An expedition to destroy a terrifying sea 6 to 9 0 the Sea Illustrated monster becomes a mission involving a visit Classics to the sunken city of Atlantis... 200 Minutes of Danger HEATH, Jack Adventure Minutes Each book in this series consists of 10 short 6 to 9 1 of Danger stories each taking place in dangerous situations. -
Songs of the Vietnam War Lyrics
The Limits of Power: The United States in Vietnam Name:______________________________________________ 2 Online Lesson Songs of the Vietnam War Lyrics Introduction: Throughout history, the strong feelings raised by the sacrifices, ideals, heartbreaks, and triumphs of war have often been expressed by poets and artists in songs. Songs that best cap- tured the strong feelings of Americans became very popular and lived on long after the details of the conflict were forgotten. Whether they expressed patriotism and national ideals such as inThe Star-Spangled Banner and The Battle Hymn of the Republic, sacrifice and heroism such as inWhen Johnny Comes Marching Home, or disappointment and loss such as All Quiet Along the Potomac Tonight, these songs have become part of the history. The Vietnam War was no exception. Below is a small selection of the many songs written by Americans, Vietnamese, and French about the Vietnam War. Lyndon Johnson Told the Nation By Tom Paxton (1965, folk) < http://youtu.be/JQqapCkf4Uc> I got a letter from L.B.J., it said, “This is your lucky day. It’s time to put your khaki trousers on. Though it may seem very queer, we’ve got no jobs to give you here, so we are sending you to Viet Nam” chorus And Lyndon Johnson told the nation, “Have no fear of escalation, I am trying ev’ryone to please. Though it isn’t really war, we’re sending fifty thousand more to help save Viet Nam from Viet Namese.” I jumped off the old troop ship, I sank in mud up to my hips, And cussed until the captain called me down, “never mind how hard it’s raining, Think of all the ground we’re gaining, just don’t take one step outside of town.” Every night the local gentry slip out past the sleeping sentry They go out to join the old V.C. -
Cover No Spine
2006 VOL 44, NO. 4 Special Issue: The Hans Christian Andersen Awards 2006 The Journal of IBBY,the International Board on Books for Young People Editors: Valerie Coghlan and Siobhán Parkinson Address for submissions and other editorial correspondence: [email protected] and [email protected] Bookbird’s editorial office is supported by the Church of Ireland College of Education, Dublin, Ireland. Editorial Review Board: Sandra Beckett (Canada), Nina Christensen (Denmark), Penni Cotton (UK), Hans-Heino Ewers (Germany), Jeffrey Garrett (USA), Elwyn Jenkins (South Africa),Ariko Kawabata (Japan), Kerry Mallan (Australia), Maria Nikolajeva (Sweden), Jean Perrot (France), Kimberley Reynolds (UK), Mary Shine Thompson (Ireland), Victor Watson (UK), Jochen Weber (Germany) Board of Bookbird, Inc.: Joan Glazer (USA), President; Ellis Vance (USA),Treasurer;Alida Cutts (USA), Secretary;Ann Lazim (UK); Elda Nogueira (Brazil) Cover image:The cover illustration is from Frau Meier, Die Amsel by Wolf Erlbruch, published by Peter Hammer Verlag,Wuppertal 1995 (see page 11) Production: Design and layout by Oldtown Design, Dublin ([email protected]) Proofread by Antoinette Walker Printed in Canada by Transcontinental Bookbird:A Journal of International Children’s Literature (ISSN 0006-7377) is a refereed journal published quarterly by IBBY,the International Board on Books for Young People, Nonnenweg 12 Postfach, CH-4003 Basel, Switzerland tel. +4161 272 29 17 fax: +4161 272 27 57 email: [email protected] <www.ibby.org>. Copyright © 2006 by Bookbird, Inc., an Indiana not-for-profit corporation. Reproduction of articles in Bookbird requires permission in writing from the editor. Items from Focus IBBY may be reprinted freely to disseminate the work of IBBY. -
01A-Front Page
July 2005 Volume 36, Issue 3 Court Rules: Historic Designation of Coronado Belt Line Unlawfully Set Aside by City Council SUSAN BRANDT HAWLEY The San Diego Historical Resources Board has declared after careful review that the portion of the Coronado Belt Line railway located in San Diego is a historic site. At the request of the MTDB and Councilmember Ralph Inzunza, the City Council overturned the Board’s desig- nation in 2004 against the recommendations of City staff and the City Manager, with Councilmember Donna Frye as the sole dissenting vote. Save Our Heritage Organisa- tion (SOHO) sued the City because, as City staff pointed out, there was no legal basis to overturn the historic status. (San Diego Superior Court Case GIC837743.) On July 15th, San Diego Superior Court Judge Ronald S. Prager ruled in favor of SOHO, agreeing that the City acted unlawfully and granting a peremptory writ requir- ing the City to set aside its action. (See ruling at www.sandiego.courts.ca.gov.) Photo/Bruce Coons The Coronado Belt Line looped around the San Diego coastline and up the Silver Strand to Coronado as part of the Spreckels railroad empire, contributing to San Diego’s growth and vitality as it linked the City with the harbor and South Bay communities. From 1888 until the mid-20th century, the Belt Line regularly transported residents, visitors, World War I and II military shipments, agricultural products, building materials, and commer- cial and industrial wares through the region. SOHO Executive Director Bruce Coons said, “This is an important precedent proving that the City Council can not arbitrarily overturn historic designations just because they want to approve some ill-advised development scheme. -
The Images Built Through the Use of Ecclesiastical Words in Emerson’S “The Problem”
THE IMAGES BUILT THROUGH THE USE OF ECCLESIASTICAL WORDS IN EMERSON’S “THE PROBLEM” AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By CHATARINA TRIHASTUTI Student Number: 054214020 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2009 THE IMAGES BUILT THROUGH THE USE OF ECCLESIASTICAL WORDS IN EMERSON’S “THE PROBLEM” AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By CHATARINA TRIHASTUTI Student Number: 054214020 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2009 i ii iii WHATEVER YOU DO IN WORD OR DEED, DO ALL IN THE NAME OF JESUS CHRIST (COLLOSIANS 3:17) Others have seen what is and asked why. I have seen what could be and asked why not. - Pablo Picasso iv FOR MY BELOVED PARENTS IN THE HOPE OF A BETTER FUTURE v vi ACKNOWLEDGEMENTS The first one, I would like to thank Jesus Christ and the Blessed Virgin Mary for being with me everyday. Thanks for the love and blessing upon me. I believe without Jesus’ hand, I will never finish this thesis. I do love Him whole- heartedly. I would like to thank my advisor, Adventina Putranti, S.S., M. Hum. and my co-advisor Dr. Fr. B. Alip, M.Pd., M.A. for helping me in finishing this thesis. I thank for their patience, guidance, advice, time, and support. This thesis will not complete without their help. -
Description, Narrative, and Reflection
EmpoWord: A Student-Centered Anthology & Handbook for College Writers Part One: Description, Narrative, and Reflection Author: Shane Abrams, Portland State University This chapter is licensed with a Creative Commons Attribution-NonCommercial 4.0 International License Download this book free at: https://pdxscholar.library.pdx.edu/pdxopen/20/ Part One: Description, Narration, and Reflection 55 Section Introduction: Description, Narration, and Reflection Chapter Vocabulary Vocabulary Definition a rhetorical mode that emphasizes eye-catching, specific, and vivid description portrayal of a subject. Often integrates imagery and thick description to this end. a rhetorical mode involving the construction and relation of stories. narration Typically integrates description as a technique. a rhetorical gesture by which an author looks back, through the diegetic gap, to demonstrate knowledge or understanding gained from the subject on which they are reflecting. May also include consideration of reflection the impact of that past subject on the author’s future—“Looking back in order to look forward.” the circumstances in which rhetoric is produced, understood using the constituent elements of subject, occasion, audience, and purpose. Each element of the rhetorical situation carries assumptions and imperatives rhetorical situation about the kind of rhetoric that will be well received. Rhetorical situation will also influence mode and medium. Storytelling is one of few rituals that permeates all cultures. Indeed, there’s nothing quite as satisfying as a well-told story. But what exactly makes for a well-told story? Of course, the answer to that question depends on your rhetorical situation: your audience, your sociohistorical position, and your purpose will determine how you tell your story.