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128 13) It Is to Be Noted That the Theory of These Remarks Is Not Put
128 13) It is to be noted that the theory of these remarks is not put into practice in the Il.: it is taken for granted that Trojans and Greeks communicate with each other without the help of interpreters. The author of the HomericHymn to Aphrodite, indeed, goes one step further, since he makes Aphrodite (who pretends to be a Phrygian princess) say to the Trojan Anchises: (113-6) On this subject see further: J. Werner, NichtgriechischeSprachen imBewusstsein der antikenGriechen, in: P. Händel, W. Meid (ed.), Festschrift für Robert Muth(Innsbruck 1983), 583-95. THE FIRST SONG OF DEMODOCUS The quarrel of Odysseus and Achilles, about which the Phaeacian singer Demodocus sings at the beginning of a feast being held in Odysseus' honour, is neither attested to by any reliable tradition nor easily explicable from the internal standpoint of the epics'). It is thus not surprising that alongside attempts to discover the tradition to which it should be attributed, it has been argued that the subject of Demodocus' first song was simply invented by Homer. In his article on the Odysseyin RE, P. Von der Mfhll assumed that the quarrel of Odysseus and Achilles was an autoschediasma created with the intention of supplying Demodocus with material for his performance2). Though Von der Mfhll later abandoned this theory in favour of the hypothesis that the episode could be traced back to the Cypria3), the view that Demodocus' first song is an "Augenblickserfindung" was revived by W. Marg. According to Marg's theory, the quarrel between Odysseus and Achilles was invented in order to generate an allusion to the proem of the Iliad, to which it bears a striking resemblance4). -
The Suitors' Take: Manners and Power in Ithaka
Colby Quarterly Volume 29 Issue 3 September Article 4 September 1993 The Suitors' Take: Manners and Power in Ithaka Donald Lateiner Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 29, no.3, September 1993, p.173-196 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Lateiner: The Suitors' Take: Manners and Power in Ithaka The Suitors' Take: Manners and Power in Ithaka by DONALD LATEINER 1. Introduction HIS ESSAY EXAMINES "give and take" behaviors of the suitors, men of T acknowledged stature still inadequately examined by modern critics. The approach owes a debt to the social or human "sciences" of social psychology, historical anthropology, and comparative economics. I employ categories of nonverbal behavior, of social order and face-to-face interaction, and models of distributive reciprocity including gift-exchange. These tools for analyzing practices and habits that structure communities less and more complex than our own clarify heroic power and prestige and their absence. 1 These pages explore institutions of ubiquitous influence, characters of some depth, and situations ofsufficient complexity and significance. This exploration of elite ideology, of "what goes without saying," these quotidian values with which all comply complaint-free, shows how those in power "extortthe essential while seeming to demand the insignificant." It also addresses lesser phenomena, gestures and apparently off-handed comments in a carefully plotted text. This is a narrative "one of whose central themes.. -
Telemachus in Ithaca: Delimitation of Identity Frontiers in The
Global Journal of HUMAN SOCIAL SCIENCE Arts, Humanities & Psychology Volume 13 Issue 7 Version 1.0 Year 2013 Type: Double Blind Peer Reviewed International Research Journal Publisher: Global Journals Inc. (USA) Online ISSN: 2249-460x & Print ISSN: 0975-587X Telemachus in Ithaca: Delimitation of Identity Frontiers in the Ancient Iron Age (XII-VIII BC) By Ana Penha Gabrecht Universidade Federal do Espírito Santo, Brazil Abstract- In this article, we will try to understand how the description of space in Homer's Odyssey contributes to the delimitation of an Hellenic identity during the ancient Iron Age. We will first analyze the first book of the so-called Telemachia, part of the Odyssey that narrates the journey of Telemachus, Odysseus' son, to the kingdoms of Sparta and Pylos in search of news of his missing father. We believe that the young Ithacan's journey will help us in our task of understanding the way through which the Greeks saw the place (topos) where they lived and what makes of it a place of identity (isotopia). Keywords: odyssey; homer; space; identity; isotopia. GJHSS-A Classification: FOR Code: 440115 Telemachus in Ithaca Delimitation of Identity Frontiers in the Ancient Iron Age XII-VIII BC Strictly as per the compliance and regulations of: © 2013. Ana Penha Gabrecht. This is a research/review paper, distributed under the terms of the Creative Commons Attribution- Noncommercial 3.0 Unported License http://creativecommons.org/licenses/by-nc/3.0/), permitting all non-commercial use, distribution, and reproduction in any medium, provided the original work is properly cited. Telemachus in Ithaca: Delimitation of Identity Frontiers in the Ancient Iron Age (XII-VIII BC) Ana Penha Gabrecht Abstract- In this article, we will try to understand how the According to Buxton (1994, p.155, 212), the description of space in Homer's Odyssey contributes to the Odyssey allows us to understand the “Hellenicity” by 3 delimitation of an Hellenic identity during the ancient Iron Age. -
Homer and Hesiod
University of Pennsylvania ScholarlyCommons Departmental Papers (Classical Studies) Classical Studies at Penn 1-1-1997 Homer and Hesiod Ralph M. Rosen University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/classics_papers Part of the Classical Literature and Philology Commons Recommended Citation Rosen, R. M. (1997). Homer and Hesiod. Retrieved from https://repository.upenn.edu/classics_papers/7 Postprint version. Published in A New Companion to Homer, edited by Barry Powell and Ian Morris, Mnemosyne: Bibliotheca classica Batava, Supplementum 163 (New York: Brill, 1997), pages 463-488. The author has asserted his right to include this material in ScholarlyCommons@Penn. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/classics_papers/7 For more information, please contact [email protected]. Homer and Hesiod Abstract One of the most frustrating aspects of Homeric studies is that so little literary material outside the Homeric corpus itself survives to enhance our understanding of the cultural landscape of the period. Recent scholarship suggests that a large and diverse poetic tradition lay behind the figure we refer to as "Homer," but little of it survives. Indeed we have little continuous written Greek for another century. The one exception is Hesiod, who composed two extant poems, the Theogony and Works and Days, and possibly several others, including the Shield of Heracles and the Catalogue of Women. As we shall see, while Hesiodic poetry was not occupied specifically with heroic themes, it was part of the same formal tradition of epic, sharing with Homer key metrical, dialectal, and dictional features. -
The Swedish Odyssey Scott D. Richardson (St. John's
The Swedish Odyssey Scott D. Richardson (St. John's University) Among the post-Homeric treatments of Odysseus, the Swedish novel, Strändernas svall (1946), by Nobel-prize winner Eyvind Johnson has gone largely unnoticed by Homeric scholars. Even Stanford gives it only a brief mention in his comprehensive The Ulysses Theme published two years after the novel’s English translation (dubbed The Return to Ithaca, 1952), now out of print. Yet this novel not only covers almost the entire plot of Homer’s Odyssey but it also gives us a fresh and penetrating exploration of the principal characters compatible with both the ancient epic and the post-WWII world. My goal is twofold: first, to introduce this excellent novel to those who love the Odyssey and, second, to demonstrate how Johnson’s fascinating alterations and embellishments actually draw out features in Homer’s portrayal that can shed rich insight into the characters and plotlines of the epic. When we meet Odysseus outside of Homer, we usually see a single episode in his life, sometimes from the Odyssey years, sometimes beforehand. Dante and Tennyson take us beyond his return to Ithaka, as does Kazantsakis’ mammoth sequel. Not many have tried to cover the same ground as Homer. Two 20th-century efforts are Johnson’s novel (literally, Surge of the Shores) and Margaret Atwood’s recent Penelopiad, which looks at the Ithacan portion of the Odyssey story largely through Penelope’s eyes and voice. Both use Homer as a launching pad for their explorations of contemporary concerns, and both surprise us with quite unHomeric facts and incidents. -
Chaos, Order, and Cunning in the "Odyssey" Author(S): M. E. Heatherington Source: Studies in Philology, Vol. 73, No. 3 (Jul., 1976), Pp
Chaos, Order, and Cunning in the "Odyssey" Author(s): M. E. Heatherington Source: Studies in Philology, Vol. 73, No. 3 (Jul., 1976), pp. 225-238 Published by: University of North Carolina Press Stable URL: http://www.jstor.org/stable/4173907 Accessed: 22-03-2016 14:31 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of North Carolina Press is collaborating with JSTOR to digitize, preserve and extend access to Studies in Philology . http://www.jstor.org This content downloaded from 64.58.181.189 on Tue, 22 Mar 2016 14:31:38 UTC All use subject to JSTOR Terms and Conditions STUDIES IN PHILOLOGY Volume LXXIII JULY, I976 Number 3 Chaos, Order, and Cunning in the Odyssey by M. E. Heatherington T HE chaos caused by the Trojan War did not end when the war did. Besides Odysseus's own troubles, we have ample testimony in the Telemachia from Nestor (III) and Menelaos (IV),, and from most of the heroes in Hades (XI, XXIV), that disruption, confusion, disorder, and despair were the norm among the Achaian host for many years after the fall of Troy. The whole thrust of the Odyssey is toward a restoration of order to that chaotic universe, a social and moral order which all who knew Odysseus swear did obtain on Ithaka before he left, but which we never actually see holding true. -
Authoritative Response, Homeric Irony, and the Peril of a Missed Language Cue 1
This article belongs to a special issue of Oral Tradition published in honor of John Miles Foley’s 65th birthday and 2011 retirement. The surprise Festschrift, guest-edited by Lori and Scott Garner entirely without his knowledge, celebrates John’s tremendous impact on studies in oral tradition through a series of essays contributed by his students from the University of Missouri- Columbia (1979-present) and from NEH Summer Seminars that he has directed (1987-1996). http://journal.oraltradition.org/issues/26ii This page is intentionally left blank. Oral Tradition, 26/2 (2011): 493-520 “Stricken to Silence”: Authoritative Response, Homeric Irony, and the Peril of a Missed Language Cue 1 Andrew E. Porter The Formula The formula2 “Thus he spoke, but they in fact all were stricken to silence” (ὣς ἔφαθ’, οἳ δ’ ἄρα πάντες ἀκὴν ἐγένοντο σιωπῇ)3 occurs sixteen times in Homer4 and has received significant treatment in a number of recent studies focusing on its referential force. Its “connotative level of signification” (Kelly 2007:6) has been projected in part for the Iliad, and important themes and functions have been suggested. Silvia Montiglio (1993:175-78) has considered the formula’s meaning within the Iliad both etymologically and more generally, and found that it suggests “une rupture anormale,” “la déchirure” of the normal communication process. John Miles Foley has linked the formula in the Iliad with the speech that precedes it, since “each initial speech proposes or reports a radical, usually unexpected action” (1995:13) that promises either the winning or losing of kleos. Foley’s research further demonstrates that the 1 I wish to thank my anonymous external reviewers along with Casey Dué, Scott Garner, David Mulroy, and Kevin Muse for their remarks on earlier drafts of this article. -
S Mythological Network
RESEARCH ARTICLE The Odyssey's mythological network Pedro Jeferson Miranda1, Murilo Silva Baptista2, Sandro Ely de Souza Pinto1* 1 Department of Physics, State University of de Ponta Grossa, ParanaÂ, Brazil, 2 Institute for Complex System and Mathematical Biology, SUPA, University of Aberdeen, Aberdeen, United Kingdom * [email protected] Abstract In this work, we study the mythological network of Odyssey of Homer. We use ordinary sta- a1111111111 a1111111111 tistical quantifiers in order to classify the network as real or fictional. We also introduce an a1111111111 analysis of communities which allows us to see how network properties shall emerge. We a1111111111 found that Odyssey can be classified both as real and fictional network. This statement is a1111111111 supported as far as mythological characters are removed, which results in a network with real properties. The community analysis indicated to us that there is a power-law relation- ship based on the max degree of each community. These results allow us to conclude that Odyssey might be an amalgam of myth and of historical facts, with communities playing a OPEN ACCESS central role. Citation: Miranda PJ, Baptista MS, de Souza Pinto SE (2018) The Odyssey's mythological network. PLoS ONE 13(7): e0200703. https://doi.org/ 10.1371/journal.pone.0200703 Editor: Satoru Hayasaka, University of Texas at Austin, UNITED STATES Introduction Received: April 3, 2018 The paradigm's shift from reductionism to holism stands for a stepping stone that is taking researcher's interests to the interdisciplinary approach. This process is accomplished as far as Accepted: July 2, 2018 the fundamental concepts of complex network theory are applied to problems that may arise Published: July 30, 2018 from many areas of study. -
An Alternative Virtual Odyssey
XXII Generative Art Conference - GA2019 An Alternative Virtual Odyssey Yiannis Papadopoulos Computer Science, University of Hull, Hull, United Kingdom https://yipapadopoulos.wixsite.com/yiap e-mail: [email protected] Luis Torrao Computer Science, University of Hull, Hull, United Kingdom www.luistorrao.com e-mail: [email protected] Agelina Vakali Translator and Dramaturg, Athens, Greece e-mail: [email protected] __________________________________________________ 1. Introduction For over 25 years, Athenian painter Stefanos Zannis has been painting Homer’s Odyssey but with a twist: delving into verses of the original poem who many would find obscure. This ancient poem has always been a quintessential symbol of the journey of life that we all go through, complete with the monsters we face and the longing for a spiritual home, or end-goal, symbolised by Odysseus island home, Ithaka. We take inspiration from Stefanos’s work on this epic poem to create an ‘alternative virtual Odyssey’ in multimedia form, an artistic reinterpretation of the poem that throws light on unheroic but important and emotionally loaded aspects of this journey. This virtual Odyssey takes place in a navigable virtual gallery of Stefanos’s works which are projected on multimedia sculptures created with the Timaeus art studio [1]. Sculptures are customized with media including images, videos, music, and narration, can be hollow and translucent, illuminated, and navigated either externally or internally. These become curved spaces or ‘worlds’ where projected episodes of the Odyssey can be experienced in three dimensions. Timaeus is thus a medium for creating spaces appropriate for experiencing the elements of this alternative Odyssey. -
Fama and Fiction in Vergil's Aeneid
Fama and Fiction in Vergil’s Aeneid For my sister, Lydia Fama and Fiction in Vergil’s Aeneid Antonia Syson The Ohio State University Press • Columbus Copyright © 2013 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Syson, Antonia Jane Reobone, 1973– Fama and fiction in Vergil’s Aeneid / Antonia Syson. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-1234-9 (cloth : alk. paper) ISBN-10: 0-8142-1234-4 (cloth : alk. paper) ISBN-13: 978-0-8142-9336-2 (cd-rom) ISBN-10: 0-8142-9336-0 (cd-rom) 1. Virgil. Aeneis—Criticism and interpretation. 2. Epic poetry, Latin—History and criticism. 3. Rhetoric, Ancient. I. Title. PA6932.S97 2013 873'.01—dc23 2013014967 Cover design by Mia Risberg Text design by Juliet Williams Type set in Adobe Garamond Pro Printed by Thomson-Shore, Inc. Cover image: Master of the Aeneid (fl. ca. 1530–1540). Juno, Seated on a Golden Throne, Asks Alecto to Confuse the Trojans. France, Limoges, ca. 1530–35. Painted enamel plaque on copper, partly gilt, H. 9 in. (22.9 em) ; W. 8 in. (20.3 em.). Fletcher Fund, 1945 (45.60.6). The Metropolitan Museum of Art, New York, NY, U.S.A. Image copyright © The Metropolitan Museum of Art. Image source: Art Resource, NY The paper used in this publication meets the minimum requirements of the American Na- tional Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 Contents Acknowledgments vii Chapter 1 • Introduction 1 1.1 The seams of fiction in -
Nausicaa: a Feminine Threat Author(S): Nicolas P
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UT Digital Repository Nausicaa: A Feminine Threat Author(s): Nicolas P. Gross and Nicholas P. Gross Source: The Classical World, Vol. 69, No. 5 (Feb., 1976), pp. 311-317 Published by: The Johns Hopkins University Press on behalf of the Classical Association of the Atlantic States Stable URL: http://www.jstor.org/stable/4348437 Accessed: 08-08-2016 18:29 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Classical Association of the Atlantic States, The Johns Hopkins University Press are collaborating with JSTOR to digitize, preserve and extend access to The Classical World This content downloaded from 128.83.205.78 on Mon, 08 Aug 2016 18:29:03 UTC All use subject to http://about.jstor.org/terms FEBRUARY 1976 THE CLASSICAL WORLD 311 Nausicaa: A Feminine Threat From ancient times to the present Homer's treatment of Nausicaa has elicited scholarly criticism. The scholiasts (probably Aristarchus alone), despite conclusive evidence of authenticity, doubted every explicit suggestion of marriage between Odysseus and the Phaeacian princess.' Even when modern scholars are more sympathetic to the romantic potential of the young woman's story, they are no less critical of Homer. -
Reckless Rationalism and Heroic Reverence in Homer's Odyssey Author(S): Darrell Dobbs Source: the American Political Science Review, Vol
Reckless Rationalism and Heroic Reverence in Homer's Odyssey Author(s): Darrell Dobbs Source: The American Political Science Review, Vol. 81, No. 2 (Jun., 1987), pp. 491-508 Published by: American Political Science Association Stable URL: http://www.jstor.org/stable/1961963 Accessed: 10/12/2010 23:52 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=apsa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. American Political Science Association is collaborating with JSTOR to digitize, preserve and extend access to The American Political Science Review. http://www.jstor.org RECKLESS RATIONALISMAND HEROICREVERENCE IN HOMER'S ODYSSEY DARRELL DOBBS Universityof Houston A decision-theoretic analysis of the central incident of Homer'sOdyssey revealsthe insufficiencyof rationalcalculation as a guide for political prudence.Surprisingly, the poet distinguishesbetween two rationaland formally iden- tical calculations in no uncertain terms; he condemns one as utter recklessnessand praises the other as consummatewisdom.