Harbours from Antiquity Through Medieval Times
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Arcadius 8; (Column
index INDEX 319 Arcadius 8; (column of) 184 Balat 213–14 Archaeological Museum 93ff Baldwin, Count of Flanders 15 Argonauts, myth of 259, 263, 276 Balıklı Kilisesi 197–98 Major references, in cases where many are listed, are given in bold. Numbers in italics Armenian, Armenians 25, 189, 192, Balkapanı Han 132 are picture references. 193, 241–42, 258, 278; (Cemetery) Baltalimanı 258 268; (Patriarchate) 192 Balyan family of architects 34, 161, 193; Arnavutköy 255 (burial place of) 268 A Alexander, emperor 67 Arsenal (see Tersane) Balyan, Karabet 34, 247 Abdülaziz, sultan 23, 72, 215, 251; Alexander the Great 7; (sculptures of) 96 Ashkenazi Synagogue 228 Balyan, Kirkor 34, 234 (burial place of) 117 Alexander Sarcophagus 94, 95 Astronomer, office of 42 Balyan, Nikoğos 34, 246, 247, 249, Abdülhamit I, sultan 23, 118; (burial Alexius I, emperor 13, 282 At Meydanı (see Hippodrome) 252, 255, 274, 275 place of) 43 Alexius II, emperor 14 Atatürk 24, 42, 146, 237, 248; Balyan, Sarkis 34, 83, 247, 258, 272, Abdülhamit II, sultan 23, 251, 252, Alexius III, emperor 14 (Cultural Centre) 242; (Museum) 243; 267 278; (burial place of) 117 Alexius IV, emperor 15 (statue of) 103 Bank, Ottoman 227 Abdülmecit I, sultan 71, 93, 161, 164, Alexius V, emperor 15 Atik Ali Pasha 171; (mosque of) 119 Barbarossa, pirate and admiral 152, 247; (burial place of) 162 Ali Pasha of Çorlu, külliye of 119–20 Atik Mustafa Paşa Camii 216 250, 250; (burial place of) 250; Abdülmecit II, last caliph 24 Ali Sufi, calligrapher 157, 158 Atik Sinan, architect 130, 155, 212; (ensign -
Byzantine Ports
BYZANTINE PORTS Central Greece as a link between the Mediterranean and the Black Sea Vol. I.: Text and Bibliography ALKIVIADIS GINALIS Merton College and Institute of Archaeology University of Oxford Submitted for the degree of Doctor of Philosophy in Archaeology Hilary Term 2014 This thesis was examined by Prof. Michael Vickers (Jesus College, Oxford) and Dr. Archie W. Dunn (Birmingham) on July 24, 2014 and was recommended for the award of Doctor of Philosophy in Archaeology, which was officially granted to the author on October 21, 2014. Correspondence details of the author Dr. Alkiviadis Ginalis Feldgasse 3/11 1080, Vienna AUSTRIA Tel: 0043/6766881126 e-mail: [email protected] ACKNOWLEDGEMENTS This thesis owes a lot to the endless support and love of my family, who above all constantly kept encouraging me. I am particularly greatly indebted to my parents, Michalis and Monika, not only for making it financially possible but also for believing in me, and the way I chose to go. This gave me the incredible chance and strength to take the opportunity of getting the highest academic degree from one of the world’s best Universities. The 3 years I spent at Oxford, both inspired and enriched my academic knowledge, and became an unforgettable and unique personal experience of which I will profit my entire life. Furthermore, they gave me the necessary encouragement, as well as, made me think from different points of view. For support and thoughtful, as well as, dynamic and energetic guidance throughout my thesis my deepest debt is to my supervisors, Dr. Marlia Mango (St. -
Cultural Heritage of Turkey
Cultural Heritage of Turkey by Zeynep AHUNBAY © Republic of Turkey Ministry of Culture and Tourism General Directorate of Libraries and Publications 3230 Handbook Series 9 ISBN: 978-975-17-3448-8 www.kulturturizm.gov.tr e-mail: [email protected] Photographs Grafiker Printing Co. Archive, Zeynep Ahunbay, Umut Almaç, Mine Esmer, Nimet Hacikura, Sinan Omacan, Robert Ousterhout, Levent Özgün, Nazlı Özgün, Işıl Polat, Mustafa Sayar, Aras Neftçi First Edition Grafiker Printing Co. Print run: 5000. Printed in Ankara in 2009. Second Edition Print and Bind: Kalkan Printing and Bookbinder Ind. Co. www.kalkanmatbaacilik.com.tr - Print run: 5000. Printed in Ankara in 2011. Ahunbay, Zeynep Cultural Heritage of Turkey / Ankara: Ministry of Culture and Tourism, 2011. 184 p.: col. ill.; 20 cm.- (Ministry of Culture and Tourism Publications; 3230. Handbook Series of General Directorate of Libraries and Publications: 9) ISBN: 978-975-17-3448-8 I. title. II. Series. 791.53 TABLE OF CONTENTS PREFACE 5 I.PREHISTORIC SETTLEMENTS AND ANCIENT SITES 7 Karain 7 Göbeklitepe 8 Çatalhöyük 9 Ephesus 12 Aphrodisias 18 Cultural Heritage of Turkey Heritage of Cultural Lycian Cities 21 Kekova 23 Pergamon 24 Perge 25 Sagalassos 26 Termessos 27 II. MEDIEVAL SITES 29 Myra and St.Nicholas Church 29 Tarsus and St.Paul’s well 30 Alahan Monastery 30 Sümela Monastery 32 III.ANATOLIAN SELJUK ARCHITECTURE 33 Ahlat and its medieval cemetery 33 Diyarbakır City Walls 34 Alanya Castle and Docks 36 St. Peter’s Church 37 Konya, Capital of the Anatolian Seljuks 38 Seljuk Caravansarays 39 IV.OTTOMAN MONUMENTS AND URBAN SITES 42 Bursa 42 Edirne and Selimiye Complex 44 3 Mardin 46 Harran and Urfa 47 Ishak Paşa Palace, Doğubayezıt 47 V. -
In Studies in Byzantine Sigillography, I, Ed. N. Oikonomides (Washington, D.C., 1987), Pp
Notes I. SOURCES FOR EARLY MEDIEVAL BYZANTIUM 1. N. Oikonomides, 'The Lead Blanks Used for Byzantine Seals', in Studies in Byzantine Sigillography, I, ed. N. Oikonomides (Washington, D.C., 1987), pp. 97-103. 2. John Lydus, De Magistratibus, in Joannes Lydus on Powers, ed. A. C. Bandy (Philadelphia, Penn., 1983), pp. 160-3. 3. Ninth-century deed of sale (897): Actes de Lavra, 1, ed. P. Lemerle, A. Guillou and N. Svoronos (Archives de l'Athos v, Paris, 1970), pp. 85-91. 4. For example, G. Duby, La societe aux xi' et xii' sii!cles dans la region maconnaise, 2nd edn (Paris, 1971); P. Toubert, Les structures du Latium medieval, 2 vols (Rome, 1973). 5. DAI, cc. 9, 46, 52, pp. 56-63, 214-23, 256-7. 6. De Cer., pp. 651-60, 664-78, 696-9. 7. See S. D. Goitein, A Mediterranean Society, 5 vols (Berkeley, Cal., 1967- 88), I, pp. 1-28. , 8. ]. Darrouzes, Epistoliers byzantins du x' sii!cle (Archives de I' orient Chretien VI, Paris, 1960), pp. 217-48. 9. Photius, Epistulae et Amphilochia, ed. B. Laourdas and L. G. Westerink, 6 vols (Leipzig, 1983-8), pope: nrs 288, 290; III, pp. 114-20, 123-38, qaghan of Bulgaria: nrs 1, 271, 287; 1, pp. 1-39; II, pp. 220-1; III, p. 113-14; prince of princes of Armenia: nrs 284, 298; III, pp. 1-97, 167-74; katholikos of Armenia: nr. 285; III, pp. 97-112; eastern patriarchs: nrs 2, 289; 1, pp. 39-53; III, pp. 120-3; Nicholas I, patriarch of Constantinople, Letters, ed. -
Venice, Genoa, and John VIII Palaeologus' Renovation of the Fortifications of Constantinople Marios Philippides University of Massachusetts Amherst
University of Massachusetts Amherst ScholarWorks@UMass Amherst Classics Faculty Publication Series Classics 2016 Venice, Genoa, and John VIII Palaeologus' Renovation of the Fortifications of Constantinople Marios Philippides University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/clas_faculty_pubs Part of the Ancient History, Greek and Roman through Late Antiquity Commons Recommended Citation Philippides, Marios, "Venice, Genoa, and John VIII Palaeologus' Renovation of the Fortifications of Constantinople" (2016). Classics Faculty Publication Series. 3. Retrieved from https://scholarworks.umass.edu/clas_faculty_pubs/3 This Article is brought to you for free and open access by the Classics at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Classics Faculty Publication Series by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Venice, Genoa, and John VIII Palaeologus’ Renovation of the Fortifications of Constantinople Marios Philippides Leslie S. B. MacCoull: In memoriam N INCIDENT involving Emperor John VIII Palaeologus and his Genoese neighbors at Pera, across Constan- A tinople’s Golden Horn, is briefly described by Laonikos [= Nikolaos] Khalkokondyles. Khalkokondyles furnishes no specific date for this incident, but its position in his narrative suggests that it took place early in the 1430s.1 According to Khalkokondyles, a localized conflict arose between Constan- tinople and the Genoese settlement because of John’s attempt to raise taxes on the Perenses (6.3):2 Ἰωάννης δ’ οὖν ὁ τοῦ Βυζαντίου βασιλεὺς ἐπολέµει πρὸς τοὺς Ἰανυΐους, διενεχθεὶς ἀπὸ αἰτίας τοιᾶσδε, τῆς ἀπὸ κουµερκίων τοῦ Γαλάτου ἕνεκα. ἐνταῦθα οἱ Ἰανύϊοι ναῦς πληρώσαντες µεγίστας δὴ τῶν παρ’ αὐτοῖς καὶ τριήρεις τρισκαίδεκα, καὶ ἐµβιβάσαντες ἐς τὰς ναῦς ὁπλίτας αὐτῶν ἀµφὶ τοὺς ὀκτακισχι- λίους, ἐπέπλεον ἐπὶ Βυζάντιον, ἐξελεῖν βουλόµενοι. -
GIUSTINO II E IL RESTYLING DEL PORTUS NOVUS a COSTANTINOPOLI Alessandro Taddei
GIUSTINO II E IL RESTYLING DEL PORTUS NOVUS A COSTANTINOPOLI Alessandro Taddei UDC: 711.453.4-167(262.53)"04" A. Taddei 7.078 (Sapienza Università di Roma) Preliminary communication P.le Aldo Moro 5 Manuscript received: 22. 10. 2015. 00185 Roma, Italia Revised manuscript accepted: 20. 03. 2016. DOI: 10.1484/J.HAM.5.111332 Several monuments, either within or outside the walls of Constantinople, are to be quite certainly attributed to emperor Justin II (565-578). Sources inform us about some public buildings he commanded ex-novo, as well as concerning restorations he undertook in a number of already existing complexes. is latter is the case – for instance – of the old Harbour of Julian, located to the southwest of the hippodrome, in a deep inlet of the coastline of the Sea of Marmara. Having been inaugurated with the name of Portus Novus under emperor Julian (361-363), it provided a convenient shelter even for large ships in the very proximity of the Great Palace. Since it proved to be quite exposed to sand lling, it underwent to frequent dredging works. Further – signicant – works were carried out at the harbour by order of Justin II. ese works consisted in a whole architectural restyling. New honorary columns were raised, bearing the statues of the emperor and – notably – of his wife Sophia, after whom the harbour was renamed “Harbour of Sophia”. Key words: Early Byzantine Constantinople, Topography, Justin II, Harbour of Julian, Harbour of Sophia, Sea of Marmara […] portum quem geminae complexant brachia ripae moenibus adpositis, rapidos contemnere ventos et faciunt, praebentque salum statione quietum: aequoreos frangunt obiecto marmore fluctus et prohibent refluas angustis faucibus undas. -
Konstantinopolis'te Ulaşim
KONSTANTİNOPOLİS’TE ULAŞIM NİLGÜN ELAM* u yazıda Bizans döneminde Konstantinopolis’te Karadeniz’e ve oradan da güneye doğru Bosphorus’a Bmevcut karayolu ağı ile limanlar ele alınacak ve (Boğaziçi) kadar kıyı şeridine paralel giden Via Militaris ya şehrin Anadolu ve Rumeli ile olan bağlantı yollarına da Via Traiana adlarıyla anılan bir yol daha vardı. temas edilecektir. Bilindiği üzere, Roma döneminde Konstantinopolis’i Anadolu’ya bağlayan yollardan yollar kamu yolları (viae publicae) ve özel yollar birisi olan Oxys Dromos (Οξύς δρόμος), Khalkedon (viae privatae) olarak ikiye ayrılırdı. Değişen zaman (Kadıköy)’dan başlar; Prainetos (Karamürsel), koşullarına uygun olarak bazı farklılıklarla bu ayrımı Hellenopolis (Hersek) ve Pylai (Yalova) üzerinden korumuş olan Bizanslılar Roma’nın mirasçısıydılar Anadolu’ya ilerlerdi. Diğer bir yol da Trapezous ve Roma yol ağını koruyup yer yer de genişlettiler. (Trabzon)’tan başlayıp Euchaita (Beyözü/Çorum) Bizanslılar yolları kullanım amaçlarına, şekillerine ve Paflagonia’yı bir baştan bir başa geçerek Bizans veya mahiyetlerine göre değişik isimler altında başkentine ulaşırdı. kategorize ederlerdi. Kamuya açık yollar, imparatorluk (basiliki) yolları, devlet (dimosia ya da dimosiaki) Konstantinopolis’in Caddeleri yolları, büyük (megaloi), küçük (mikroi), dar Esas konumuz olan Konstantinopolis’teki yol ağına (estenomenoi) yollar, eski (palaioi), genel (katholiki), gelince; İmparator Konstantinus ve İmparator Theodosios kereste taşımak için kullanılan yollar (xylophoriki), döneminde alanı genişleyen başkent, bu yeni alanları yük arabalarının kullandığı yollar (amaxigi), taşla içine aldığında zaten bir dizi karayoluna sahipti. Bunların döşeli (plakotoi) ve patika (monopation) yollar gibi. en önemlisi olan Mese (Μέση) adlı cadde, esasen Balkan Taş döşeli, düz ve sağlam bir yapıya sahip olan Bizans Yarımadası’nı kateden eski bir Roma askerî yolu olan Via devlet yollarının genişliği zaman zaman 6,5 m’yi Egnatia’nın doğu kanadını oluşturmaktaydı. -
An Urban Node in the Ritual Landscape of Byzantine Constantinople: the Church of St John the Baptist of the Stoudios Monastery
AN URBAN NODE IN THE RITUAL LANDSCAPE OF BYZANTINE CONSTANTINOPLE: THE CHURCH OF ST JOHN THE BAPTIST OF THE STOUDIOS MONASTERY A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY DİLARA BURCU GİRİTLİOĞLU IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE DEPARTMENT OF HISTORY OF ARCHITECTURE OCTOBER 2019 Approval of the Graduate School of Social Sciences Prof. Dr. Yaşar Kondakçı Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Arts. Prof. Dr. F. Cânâ Bilsel Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Arts. Assoc. Prof. Dr. Pelin Yoncacı Arslan Supervisor Examining Committee Members Prof. Dr. Suna Güven (METU, AH) Assoc. Prof. Dr. Pelin Yoncacı Arslan (METU, AH) Assoc. Prof. Dr. İdil Üçer Karababa (İstanbul Bilgi Uni., IND) I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last Name: Dilara Burcu, Giritlioğlu Signature : iii ABSTRACT AN URBAN NODE IN THE RITUAL LANDSCAPE OF BYZANTINE CONSTANTINOPLE: THE CHURCH OF ST JOHN THE BAPTIST OF THE STOUDIOS MONASTERY Giritlioğlu, Dilara Burcu M.A., Department of History of Architecture Supervisor: Assoc. -
Front Matter
Cambridge University Press 978-0-521-80123-2 - Emperor and Priest: The Imperial Office in Byzantium Gilbert Dagron Frontmatter More information Emperor and Priest The Imperial Office in Byzantium This is a revised and translated edition of Gilbert Dagron’s Empereur et pretreˆ (1996), an acknowledged masterwork by one of the great Byzantine scholars of our time. The figure of the Byzantine emperor, a ruler who sometimes was also designated a priest, has long fascinated the western imagination. This book studies in detail the imperial union of ‘two powers’ against a wide background of relations between Church and state and religious and political spheres. While in the medieval West the empire was broken down into its various temporal realms, leaving spiritual matters to the papacy, the Byzantine East preserved the struc- tures of an empire whose ruler – the anointed successor of David – received directly from God his mission to lead his Christian subjects. In this sense, the emperor was a priest, albeit ‘of another priesthood’ or a quasi-bishop. Historians have continued the debate on this subject since the time of the Reformation, declaring ‘caesaropapism’ to be a malady of the East. Yet the ambiguities and nuances of this divided imperial role can still be perceived today. Presenting much unfamiliar material in complex, brilliant style, as much for western medievalists as for Byzantinists, it will attract all historians concerned with royal and ecclesiastical sources of power. ...aprofound exploration of wide-ranging aspects of Byzantine thought and percep- tion – a veritable pilgrim’s guide to the Byzantine soul . This is a very significant book for Byzantine specialists, one of the most stimulating to appear for some time, but it will also be of great use to those outside the field of Byzantine studies . -
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Port Heritage, Planning Challenges and the Role of GIS Tools in Multi Layered Cities Yenikapi Metro Station, Istanbul Adem Erdem Erbas [1], Bedel Emre [2] [1] Faculty of Architecture Mimar Sinan Fine Art University Istanbul, Turkey [2] Eurasia Institute of Earth Science Istanbul Technical University Istanbul, Turkey Abstract The aim of this study is to present arguments showing that on the port heritage area, underground cultural inventory should be considered from the historic landscape point of view within the framework of the conservation plans. This study focuses on the Yenikapı region, whose settlement history of the Historical Peninsula changed following the rescue excavation performed at the end of The Bosphorus Rail Tube Crossing Project (Marmaray). The area covering the Port of Theodosius, whose multi-layered urban formation started in the Neolithic period and which was one of the most significant grain trade ports in the Byzantine era, and the port heritage within the background of this area consist of important spatial formations. However, waterfront regeneration projects have disrupted the spatial continuity of cultural heritage under the effect of neoliberal policies. The methodology of the study, which involves the use of GIS, is based on the overlapping of the archaeological surveys from the Istanbul Archaeology Museum, geological structure data from the Istanbul Metropolitan Municipality, and historical maps. The conservation planning approach in a metropolitan city like Istanbul, whose archaeological layers reflect the -
Istanbul'un Bizans Dönemi Mimarisi
İSTANBUL'UN BİZANS DÖNEMİ MİMARİSİ HALUK ÇETİNKAYA* entte mimari eserleri görülen Geç Antik ve Bizans1* göstermiştir. Bu farklılıklar malzeme ve işçilikten daha K uygarlıkları belli dönemlere ayrılmıştır. Roma çok oran ve boyutlardadır. Geleneksel Roma imparatorluk İmparatorluğu’nun güç kaybetmeye başladığı özellikle mimarisinin anıtsal boyutlu ve propaganda amaçlı IV. yüzyıldan itibaren bunun yansıması mimaride yapıları, yeni din Hristiyanlığın yayılmaya başlamasıyla görülmüştür. Siyasi ve askerî güç kaybı beraberinde birlikte küçülmeye başlamıştır. Roma’da toplumsal mali zaafı da getirirken Hristiyanlığın etkisiyle de yaşamın vazgeçilmez unsurları olan tiyatro, stadyum ve yaşantı ve buna bağlı olarak ihtiyaç duyulan mekânlar hamamlar yeni düzende kendilerine yer bulamamışlardır. da değişmiştir. Bu sebeple içinde Geç Antik Çağı da Tiyatrolar IV. yüzyılın sonunda olimpiyat oyunlarıyla barındıran Bizans sanatı ve mimarisinin dönemleri birlikte yasaklanınca halkın bir araya gelerek eğlendikleri şöyle sıralanabilir: (1) Erken dönem (330-726): yerler kısıtlanmıştır. Hristiyanlığın resmî din olarak İstanbul’un başkent oluşundan itibaren ve geleneksel yine aynı yüzyılın sonunda kabul edilmesinin ardından Roma imparatorluk mimarisi izlerinin anıtsal boyuttaki ise hamamlar din adamları tarafından şer yuvaları Ayasofya gibi yapılarda hâlâ görüldüğü dönem. (2) olarak değerlendirildiklerinden eski alışkanlıklardan Tasvir kırıcılık-ikonaklazma dönemi (726-843): vazgeçilerek çok daha küçük ölçekte yapılmaya ve önceden Hristiyanlığın resmî din olmasının -
Mundus Matka Maailman Keskipisteeseen
ACTA 235 ILKKA VÄÄTTI MUNDUS MATKA MAAILMAN KESKIPISTEESEEN MUNDUS MATKA MAAILMAN KESKIPISTEESEEN Omistettu Isälleni Acta Universitatis Lapponiensis 235 ILKKA VÄÄTTI MUNDUS MATKA MAAILMAN KESKIPISTEESEEN Delfoin omfaloksesta etruskien mundukseen, Rooman umbilicuksesta Konstantinopolin Hagia Sofi an omfalioniin Rovaniemi 2012 lapin yliopisto • taiteiden tiedekunta © Ilkka Väätti Graafi nen asu Mako Niemelä Myynti Tiede- ja taidekirjakauppa Tila PL 8123 96101 Rovaniemi puh. +358 40 821 4242 fax +358 16 362 932 [email protected] www.ulapland.fi /LUP Painotyö Kirjapaino Öhrling • Tampere 2012 Painopaperi Galerie Art Matt 170g/m2 Kirjaintyypit Minion Pro, DIN Pro ISSN 0788-7604 ISBN 978-952-484-561-8 SISÄLLYS Esipuhe ............................................................................................. 6 I Matkavalmistelut • Johdanto .................................................... 9 II Omfalos • Kreikkalaisen maailman napa ..................................25 • Pyhä vuori ................................................................................. 29 • Maailman keskipiste .................................................................36 • Napakiviverkosto ......................................................................48 • Matkapäätelmät ........................................................................56 III Umbilicus • Roomalaisen maailman napa ................................ 59 • Etruskien uhrikaivo ..................................................................63 • Kaupungin napa ........................................................................74