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Χρονολόγηση Γεωγραφικός Εντοπισμός Great Palace In
IΔΡΥΜA ΜΕΙΖΟΝΟΣ ΕΛΛΗΝΙΣΜΟΥ Συγγραφή : Westbrook Nigel (21/12/2007) Για παραπομπή : Westbrook Nigel , "Great Palace in Constantinople", 2007, Εγκυκλοπαίδεια Μείζονος Ελληνισμού, Κωνσταντινούπολη URL: <http://www.ehw.gr/l.aspx?id=12205> Great Palace in Constantinople Περίληψη : The Great Palace of the byzantine emperors was the first imperial palace in Constantinople. It was founded as such, supposedly by Constantine the Great, in his newly founded capital. It remained the primary imperial palace in Constantinople up to and beyond the reign of emperor Constantine VII (913-959), in whose Book of Ceremonies its halls are named. Χρονολόγηση 4th-10th c. Γεωγραφικός εντοπισμός Constantinople, Istanbul 1. Introduction The Great Palace of the Byzantine Emperors in Constantinople was the ceremonial heart of the Byzantine Empire for a millennium, and occupied a site that is now recognized as a World Heritage precinct [Fig. 1].1 The Great Palace has a high cultural and historical significance, exerting a significant influence on both Western European and Levantine palatine architecture, and forming a link between Imperial Roman and medieval palaces. It is, nonetheless, only partially understood. Its remains are largely buried under later structures, notably the Sultan Ahmet Mosque, and can only be interpreted through texts and old representations. 2. The Upper Palace, including the Daphne Palace The oldest portion of the Great Palace, the Palace of Daphne, built by Constantine the Great and his successors in the 4th and 5th centuries, was a complex that is thought to have occupied the site upon which the Sultan Ahmet, or Blue, Mosque now stands. Its immediate context comprised: the Hippodrome and adjacent palaces; the Baths of Zeuxippos; the Imperial forum or Augustaion, where Justinian I erected his equestrian statue on a monumental column in the 6th century; the churches of St. -
Constantinople As Center and Crossroad
Constantinople as Center and Crossroad Edited by Olof Heilo and Ingela Nilsson SWEDISH RESEARCH INSTITUTE IN ISTANBUL TRANSACTIONS, VOL. 23 Table of Contents Acknowledgments ......................................................................... 7 OLOF HEILO & INGELA NILSSON WITH RAGNAR HEDLUND Constantinople as Crossroad: Some introductory remarks ........................................................... 9 RAGNAR HEDLUND Byzantion, Zeuxippos, and Constantinople: The emergence of an imperial city .............................................. 20 GRIGORI SIMEONOV Crossing the Straits in the Search for a Cure: Travelling to Constantinople in the Miracles of its healer saints .......................................................... 34 FEDIR ANDROSHCHUK When and How Were Byzantine Miliaresia Brought to Scandinavia? Constantinople and the dissemination of silver coinage outside the empire ............................................. 55 ANNALINDEN WELLER Mediating the Eastern Frontier: Classical models of warfare in the work of Nikephoros Ouranos ............................................ 89 CLAUDIA RAPP A Medieval Cosmopolis: Constantinople and its foreigners .............................................. 100 MABI ANGAR Disturbed Orders: Architectural representations in Saint Mary Peribleptos as seen by Ruy González de Clavijo ........................................... 116 ISABEL KIMMELFIELD Argyropolis: A diachronic approach to the study of Constantinople’s suburbs ................................... 142 6 TABLE OF CONTENTS MILOŠ -
The Developmentof Early Imperial Dress from the Tetrachs to The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. The Development of Early Imperial Dress from the Tetrarchs to the Herakleian Dynasty General Introduction The emperor, as head of state, was the most important and powerful individual in the land; his official portraits and to a lesser extent those of the empress were depicted throughout the realm. His image occurred most frequently on small items issued by government officials such as coins, market weights, seals, imperial standards, medallions displayed beside new consuls, and even on the inkwells of public officials. As a sign of their loyalty, his portrait sometimes appeared on the patches sown on his supporters’ garments, embossed on their shields and armour or even embellishing their jewelry. Among more expensive forms of art, the emperor’s portrait appeared in illuminated manuscripts, mosaics, and wall paintings such as murals and donor portraits. Several types of statues bore his likeness, including those worshiped as part of the imperial cult, examples erected by public 1 officials, and individual or family groupings placed in buildings, gardens and even harbours at the emperor’s personal expense. -
Adoption Des Déclarations Rétrospectives De Valeur Universelle Exceptionnelle
Patrimoine mondial 40 COM WHC/16/40.COM/8E.Rev Paris, 10 juin 2016 Original: anglais / français ORGANISATION DES NATIONS UNIES POUR L’ÉDUCATION, LA SCIENCE ET LA CULTURE CONVENTION CONCERNANT LA PROTECTION DU PATRIMOINE MONDIAL, CULTUREL ET NATUREL COMITE DU PATRIMOINE MONDIAL Quarantième session Istanbul, Turquie 10 – 20 juillet 2016 Point 8 de l’ordre du jour provisoire : Etablissement de la Liste du patrimoine mondial et de la Liste du patrimoine mondial en péril. 8E: Adoption des Déclarations rétrospectives de valeur universelle exceptionnelle RESUME Ce document présente un projet de décision concernant l’adoption de 62 Déclarations rétrospectives de valeur universelle exceptionnelle soumises par 18 États parties pour les biens n’ayant pas de Déclaration de valeur universelle exceptionnelle approuvée à l’époque de leur inscription sur la Liste du patrimoine mondial. L’annexe contient le texte intégral des Déclarations rétrospectives de valeur universelle exceptionnelle dans la langue dans laquelle elles ont été soumises au Secrétariat. Projet de décision : 40 COM 8E, voir Point II. Ce document annule et remplace le précédent I. HISTORIQUE 1. La Déclaration de valeur universelle exceptionnelle est un élément essentiel, requis pour l’inscription d’un bien sur la Liste du patrimoine mondial, qui a été introduit dans les Orientations devant guider la mise en oeuvre de la Convention du patrimoine mondial en 2005. Tous les biens inscrits depuis 2007 présentent une telle Déclaration. 2. En 2007, le Comité du patrimoine mondial, dans sa décision 31 COM 11D.1, a demandé que les Déclarations de valeur universelle exceptionnelle soient rétrospectivement élaborées et approuvées pour tous les biens du patrimoine mondial inscrits entre 1978 et 2006. -
Arcadius 8; (Column
index INDEX 319 Arcadius 8; (column of) 184 Balat 213–14 Archaeological Museum 93ff Baldwin, Count of Flanders 15 Argonauts, myth of 259, 263, 276 Balıklı Kilisesi 197–98 Major references, in cases where many are listed, are given in bold. Numbers in italics Armenian, Armenians 25, 189, 192, Balkapanı Han 132 are picture references. 193, 241–42, 258, 278; (Cemetery) Baltalimanı 258 268; (Patriarchate) 192 Balyan family of architects 34, 161, 193; Arnavutköy 255 (burial place of) 268 A Alexander, emperor 67 Arsenal (see Tersane) Balyan, Karabet 34, 247 Abdülaziz, sultan 23, 72, 215, 251; Alexander the Great 7; (sculptures of) 96 Ashkenazi Synagogue 228 Balyan, Kirkor 34, 234 (burial place of) 117 Alexander Sarcophagus 94, 95 Astronomer, office of 42 Balyan, Nikoğos 34, 246, 247, 249, Abdülhamit I, sultan 23, 118; (burial Alexius I, emperor 13, 282 At Meydanı (see Hippodrome) 252, 255, 274, 275 place of) 43 Alexius II, emperor 14 Atatürk 24, 42, 146, 237, 248; Balyan, Sarkis 34, 83, 247, 258, 272, Abdülhamit II, sultan 23, 251, 252, Alexius III, emperor 14 (Cultural Centre) 242; (Museum) 243; 267 278; (burial place of) 117 Alexius IV, emperor 15 (statue of) 103 Bank, Ottoman 227 Abdülmecit I, sultan 71, 93, 161, 164, Alexius V, emperor 15 Atik Ali Pasha 171; (mosque of) 119 Barbarossa, pirate and admiral 152, 247; (burial place of) 162 Ali Pasha of Çorlu, külliye of 119–20 Atik Mustafa Paşa Camii 216 250, 250; (burial place of) 250; Abdülmecit II, last caliph 24 Ali Sufi, calligrapher 157, 158 Atik Sinan, architect 130, 155, 212; (ensign -
The Hagia Sophia in Its Urban Context: an Interpretation of the Transformations of an Architectural Monument with Its Changing Physical and Cultural Environment
THE HAGIA SOPHIA IN ITS URBAN CONTEXT: AN INTERPRETATION OF THE TRANSFORMATIONS OF AN ARCHITECTURAL MONUMENT WITH ITS CHANGING PHYSICAL AND CULTURAL ENVIRONMENT A Thesis Submitted to the Graduate School of Engineering and Sciences of İzmir Institute of Technology in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE in Architecture by Nazlı TARAZ August 2014 İZMİR We approve the thesis of Nazlı TARAZ Examining Committee Members: ___________________________ Assist. Prof. Dr. Zeynep AKTÜRE Department of Architecture, İzmir Institute of Technology _____________________________ Assist. Prof. Dr. Ela ÇİL SAPSAĞLAM Department of Architecture, İzmir Institute of Technology ___________________________ Dr. Çiğdem ALAS 25 August 2014 ___________________________ Assist. Prof. Dr. Zeynep AKTÜRE Supervisor, Department of Architecture, İzmir Institute of Technology ____ ___________________________ ______________________________ Assoc. Prof. Dr. Şeniz ÇIKIŞ Prof. Dr. R. Tuğrul SENGER Head of the Department of Architecture Dean of the Graduate School of Engineering and Sciences ACKNOWLEDGMENTS First and foremost, I would like to thank my supervisor Assist.Prof.Dr.Zeynep AKTÜRE for her guidance, patience and sharing her knowledge during the entire study. This thesis could not be completed without her valuable and unique support. I would like to express my sincere thanks to my committee members Assist. Prof. Dr. Ela ÇİL SAPSAĞLAM, Dr. Çiğdem ALAS, Assoc. Prof. Dr. Erdem ERTEN and Assist. Prof. Dr. Zoltan SOMHEGYI for their invaluable comments and recommendations. I owe thanks to my sisters Yelin DEMİR, Merve KILIÇ, Nil Nadire GELİŞKAN and Banu Işıl IŞIK for not leaving me alone and encouraging me all the time. And I also thank to Seçkin YILDIRIMDEMİR who has unabled to sleep for days to help and motivate me in the hardest times of this study. -
Costantino Da Bisanzio a Costantinopoli(*)1
EUGENIO RUSSO Costantino da Bisanzio a Costantinopoli(*)1 Abstract Constantine was a Christian. Of that there can be no doubt. The surviving signs of paganism visible in Constantine are rather the result of his education and culture. They in no way whatsoever constitute evidence for the continu- ing imperial worship of pagan divinities in the Constantinian period. Examination of the literary sources and ar- chaeological remains allows us to conclude that it is possible to recognize traces of the former Byzantium of Sep- timius Severus in the archaeological sites of the Strategion and a building beneath the Baths of Zeuxippos. In AD 324-330, the city on the Bosporus underwent a radical revolution: the city of Constantine went beyond the walls of the third century AD and it expanded to the west along the east-west axis. The previous city within the third- century walls was completely undermined in its north-south and east-west axes; there arose a new diagonal axis running northeast/southwest, which departed from the column of the Goths and arrived at the Augustaion, at the Hippodrome, and at the Palace (all Constantinian constructions, with St. Irene included). The centre of power (Palace-Hippodrome) was intimately linked to the Christian pole (St. Irene as the first cathedral and the pre- Justinianic St. Sophia that lay on the same axis and even closer to the Palace). According to the Chronicon Pas- chale, the church of St. Sophia was founded by Constantine in AD 326. The emperor deliberately abandoned the acropolis of Byzantium, and Byzantium was absorbed by the new city and obliterated by the new diagonal axis. -
Alexander Panayotov Phd Thesis
THE JEWS IN THE BALKAN PROVINCES OF THE ROMAN EMPIRE : AN EPIGRAPHIC AND ARCHAEOLOGICAL SURVEY Alexander Panayotov A Thesis Submitted for the Degree of PhD at the University of St Andrews 2004 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/13849 This item is protected by original copyright THE JEWS IN THE BALKAN PROVINCES OF THE ROMAN EMPIRE. AN EPIGRAPHIC AND ARCHAEOLOGICAL SURVEY Alexander Panayotov PhD Candidate Submitted: 28lh January 2004 School of Divinity University of St Andrews Scotland ProQuest Number: 10170770 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10170770 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 I, ALEXANDER ANTONIEV PANAYOTOV, hereby certify that this thesis, which is approximately 94,520 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. -
Pu1cheria's Crusade A.D. 421-22 and the Ideology of Imperial Victory Kenneth G
Pulcheria's Crusade A.D. 421-22 and the Ideology of Imperial Victory Holum, Kenneth G Greek, Roman and Byzantine Studies; Summer 1977; 18, 2; Periodicals Archive Online pg. 153 Pu1cheria's Crusade A.D. 421-22 and the Ideology of Imperial Victory Kenneth G. Holum .. 'EST qu'en effet l'empereur byzantin, comme son ancetre Cl'imperator des derniers siecles de Rome, est essentiellement, aux yeux de son peuple, un maitre victorieux." This pointed definition (from the pen of Jean Gagel) underscores a theme of imperial ideology which receives such insistent emphasis in the offi cial art, ceremonial and panegyric of late antiquity that it must correspond to a chilling reality. The defeat of an emperor threatened not only the integrity of the frontiers but internal stability as well and the ascendancy of the emperor and his friends. Conversely, if a weak emperor could claim a dramatic victory, he might establish a more effective hold on the imperial power. In A.D. 420-22 this inner logic of Roman absolutism led to innovations in imperial ideology and to a crusade against Persia, with implications which have escaped the attention of scholars. The unwarlike Theodosius II made war not to defend the Empire but to become "master of victory," and, as will be seen, to strengthen the dynastic pretensions of his sister Pulcheria Augusta. I The numismatic evidence is crucial. Between 420 and early 422 the mint of Constantinople initiated a strikingly new victory type, the much-discussed 'Long-Cross Solidi' (PLATE 2):2 Obverse AELPVLCH-ERIAAVG Bust right, diademed, crowned by a hand Reverse VOTXX MVLTXXX~ Victory standing left, holding a long jeweled cross, CONOB in the exergue 1 "l:Taupoc VLK01TOLbC: la victoire imperiale dans l'empire chretien," Revue d'histoire et de philosophie religieuses 13 (1933) 372. -
I Ntroduction
Cambridge University Press 978-0-521-77257-0 - Byzantine Monuments of Istanbul John Freely and Ahmet S. Cakmak Excerpt More information _ I NTRODUCTION his is the story of the Byzantine monuments of Istanbul, the city known to Tthe Greeks as Constantinople, the ancient Byzantium. Constantinople was, for more than a thousand years, capital of the Byzantine Empire, which in its earlier period, from the fourth to the sixth century,was synonomous with the Roman Empire. During those centuries, the religion of the empire changed from pagan to Christian and its language from Latin to Greek, giving rise to the cul- ture that in later times was called Byzantine, from the ancient name of its capital. As the great churchman Gennadius was to say in the mid-fifteenth century,when the empire had come to an end,“Though I am a Hellene by speech yet I would never say that I was a Hellene, for I do not believe as Hellenes believe. I should like to take my name from my faith, and if anyone asks me what I am, I answer, ‘A Christian.’Though my father dwelt in Thessaly, I do not call myself a Thes- salian, but a Byzantine, for I am of Byzantium.”1 The surviving Byzantine monuments of Istanbul include more than a score of churches, most notably Hagia Sophia. Other extant monuments include the great land walls of the city and fragments of its sea walls; the remains of two or three palaces; a fortified port; three commemorative columns and the base of a fourth; two huge subterranean cisterns and several smaller ones; three enormous reservoirs; an aqueduct; a number of fragmentary ruins; and part of the Hippo- drome, the city’s oldest monument and the only one that can surely be assigned to ancient Byzantium. -
Water Supply Infrastructure of Byzantine Constantinople
Northumbria Research Link Citation: Ward, Kate, Crow, James and Crapper, Martin (2017) Water supply infrastructure of Byzantine Constantinople. Journal of Roman Archaeology, 30. pp. 175-195. ISSN 1063- 4304 Published by: Journal of Roman Archaeology URL: https://doi.org/10.1017/S1047759400074079 <https://doi.org/10.1017/S1047759400074079> This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/31340/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription may be required.) Water supply infrastructure of Byzantine Constantinople Kate Ward, James Crow and Martin Crapper1 Introduction Modern water supply systems – hidden beneath the ground, constructed, expanded, adapted and repaired intermittently by multiple groups of people – are often messy and difficult to comprehend. -
The Conception and Articulation of Urban Space in Constantinople
The Conception and Articulation of Urban Space in Constantinople Paul Magdalino Patria (995) I. The city-plan of Constantine – New walls, churches, baths – Forum with porphyry column, triumphal arches, Senate House – Hag.Eirene, Holy Apostles, Hag. Sophia, St Agathonikos, St Akakios – Palace complex (17 units) – Hippodrome – Houses for 12 senators – 4 emboloi emanating from the Palace, with domed vaults and paved terraces – Aqueducts and sewers – Palaces for 3 sons (walls of Theodosius II) II. Statues (Constantine) III. Buildings (from Constantine to the present) Patria I 68, ed. Preger, Scriptores, 148 He also built four porticoes (emboloi), with domed masonry vaults, from the palace as far as the land walls. One began from the Tykanisterion and (by way of) the Mangana and the Acropolis and ta Eugeniou went as far as St Anthony's; another, from the Daphne and the (harbour of) Sophiai, as far as Rabdos. The other two porticoes (went from) the Chalke and the Milion and the Forum as far as the Bull and the Ox and the Exokionion. Above the porticoes were terraces paved with stone slabs and innumerable bronze statues for the city's adornment. He also built the cisterns and brought the aqueducts from Bulgaria; in addition, he made deep, stone-built channels throughout the whole city, as deep as the porticoes were tall, so that there would be no foul smells and spread of diseases, but the foul smelling matter would drain away into the depths and pass down to the sea. Constantine the Rhodian Ekphrasis of the Seven Wonders of Constantinople and the Church of the Holy Apostles (945-959) • Splendid churches • Long vaulted stoai • Tall columns • The Seven Wondersσφαιροσυνθέταις (columns of Justinian, στέγαις Constantine, Staurion, Theodosius, Arcadius + Senate House and Anemodoulion) • Statues in the Forum, Hippodrome, Strategion and the streets • Hagia Sophia and Holy Apostles • What the traveller sees approaching the city: – Towers – Columns like giants – Houses ( – Lofty churches δόμους) Theodore Prodromos Farewell to Constantinople (c.