The Porphyry Column in Constantinople and Тhe Relics of the True Cross
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Hadrian and the Greek East
HADRIAN AND THE GREEK EAST: IMPERIAL POLICY AND COMMUNICATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Demetrios Kritsotakis, B.A, M.A. * * * * * The Ohio State University 2008 Dissertation Committee: Approved by Professor Fritz Graf, Adviser Professor Tom Hawkins ____________________________ Professor Anthony Kaldellis Adviser Greek and Latin Graduate Program Copyright by Demetrios Kritsotakis 2008 ABSTRACT The Roman Emperor Hadrian pursued a policy of unification of the vast Empire. After his accession, he abandoned the expansionist policy of his predecessor Trajan and focused on securing the frontiers of the empire and on maintaining its stability. Of the utmost importance was the further integration and participation in his program of the peoples of the Greek East, especially of the Greek mainland and Asia Minor. Hadrian now invited them to become active members of the empire. By his lengthy travels and benefactions to the people of the region and by the creation of the Panhellenion, Hadrian attempted to create a second center of the Empire. Rome, in the West, was the first center; now a second one, in the East, would draw together the Greek people on both sides of the Aegean Sea. Thus he could accelerate the unification of the empire by focusing on its two most important elements, Romans and Greeks. Hadrian channeled his intentions in a number of ways, including the use of specific iconographical types on the coinage of his reign and religious language and themes in his interactions with the Greeks. In both cases it becomes evident that the Greeks not only understood his messages, but they also reacted in a positive way. -
Χρονολόγηση Γεωγραφικός Εντοπισμός Great Palace In
IΔΡΥΜA ΜΕΙΖΟΝΟΣ ΕΛΛΗΝΙΣΜΟΥ Συγγραφή : Westbrook Nigel (21/12/2007) Για παραπομπή : Westbrook Nigel , "Great Palace in Constantinople", 2007, Εγκυκλοπαίδεια Μείζονος Ελληνισμού, Κωνσταντινούπολη URL: <http://www.ehw.gr/l.aspx?id=12205> Great Palace in Constantinople Περίληψη : The Great Palace of the byzantine emperors was the first imperial palace in Constantinople. It was founded as such, supposedly by Constantine the Great, in his newly founded capital. It remained the primary imperial palace in Constantinople up to and beyond the reign of emperor Constantine VII (913-959), in whose Book of Ceremonies its halls are named. Χρονολόγηση 4th-10th c. Γεωγραφικός εντοπισμός Constantinople, Istanbul 1. Introduction The Great Palace of the Byzantine Emperors in Constantinople was the ceremonial heart of the Byzantine Empire for a millennium, and occupied a site that is now recognized as a World Heritage precinct [Fig. 1].1 The Great Palace has a high cultural and historical significance, exerting a significant influence on both Western European and Levantine palatine architecture, and forming a link between Imperial Roman and medieval palaces. It is, nonetheless, only partially understood. Its remains are largely buried under later structures, notably the Sultan Ahmet Mosque, and can only be interpreted through texts and old representations. 2. The Upper Palace, including the Daphne Palace The oldest portion of the Great Palace, the Palace of Daphne, built by Constantine the Great and his successors in the 4th and 5th centuries, was a complex that is thought to have occupied the site upon which the Sultan Ahmet, or Blue, Mosque now stands. Its immediate context comprised: the Hippodrome and adjacent palaces; the Baths of Zeuxippos; the Imperial forum or Augustaion, where Justinian I erected his equestrian statue on a monumental column in the 6th century; the churches of St. -
Ward Et Al JRA 2017 Post-Print
Northumbria Research Link Citation: Ward, Kate, Crow, James and Crapper, Martin Water supply infrastructure of Byzantine Constantinople. Journal of Roman Archaeology, 30. pp. 175-195. ISSN 1047-7594 Published by: UNSPECIFIED URL: This version was downloaded from Northumbria Research Link: http://northumbria-test.eprints- hosting.org/id/eprint/49486/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/pol i cies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription may be required.) Citation: Ward, Kate, Crow, James and Crapper, Martin (2017) Water supply infrastructure of Byzantine Constantinople. Journal of Roman Archaeology. ISSN 1063-4304 (In Press) Published by: Journal of Roman Archaeology LLC URL: This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/31340/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. -
Bourbouhakis Curriculum Vitae
Curriculum Vitae Emmanuel C. Bourbouhakis Assistant Professor Department of Classics Princeton University 141 East Pyne Princeton, NJ 08544 Tel: 609-258-3951 Email: [email protected] Current Position 2011- Assistant Professor, Department of Classics, Princeton University Previous Employment 2008-2010 DFG Teaching–Research Fellow, Department of History, Albert-Ludwigs Universität Freiburg 2007-2008 Lecturer, Department of the Classics, Harvard University Education 09/1999-10/2006 PhD in Classical and Byzantine Philology, Harvard University 09/1997-06/1999 MA in Classical Philology, University of Western Ontario 09/1989-06/1993 BA in History, McGill University; Liberal Arts College, Concordia University Ancient Languages Latin, Greek (classical & medieval) Modern Languages Greek (modern), English, French, German, Italian Awards, Honours, Fellowships 2010 Gerda Henkel Stiftung Fellowship 2008 Deutsche Forschungsgemeinschaft Forschungsstipendium (German National Research Foundation Fellowship) at the Albert-Ludwigs Universität Freiburg 2005 Harvard University Humanities Dissertation Fellowship 2004 Dumbarton Oaks Junior Fellowship 2003 DAAD Doctoral Fellowship at the Byzantinisch-Neugriechisches Institut, Freie Universität Berlin 2 2002 Canadian Social Sciences and Humanities Research Council Doctoral Grant Academic Service Princeton University 2011-2012 Search Committee, Byzantine Art and Archaeology 2012-2013 Forbes College Academic Advisor 2012-2013 Department of Classics Seniors Adviser 2012-2013 Department of Classics Undergraduate -
Black Sea-Caspian Steppe: Natural Conditions 20 1.1 the Great Steppe
The Pechenegs: Nomads in the Political and Cultural Landscape of Medieval Europe East Central and Eastern Europe in the Middle Ages, 450–1450 General Editors Florin Curta and Dušan Zupka volume 74 The titles published in this series are listed at brill.com/ecee The Pechenegs: Nomads in the Political and Cultural Landscape of Medieval Europe By Aleksander Paroń Translated by Thomas Anessi LEIDEN | BOSTON This is an open access title distributed under the terms of the CC BY-NC-ND 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc-nd/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Publication of the presented monograph has been subsidized by the Polish Ministry of Science and Higher Education within the National Programme for the Development of Humanities, Modul Universalia 2.1. Research grant no. 0046/NPRH/H21/84/2017. National Programme for the Development of Humanities Cover illustration: Pechenegs slaughter prince Sviatoslav Igorevich and his “Scythians”. The Madrid manuscript of the Synopsis of Histories by John Skylitzes. Miniature 445, 175r, top. From Wikimedia Commons, the free media repository. Proofreading by Philip E. Steele The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov LC record available at http://catalog.loc.gov/2021015848 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. -
Georgiadi, F.-E. (2021): 'Classicising Histories, Chronicles, and The
Georgiadi, F.-E. (2021): ‘Classicising histories, chronicles, and the advantages and disadvantages that are associated with these terms as used by modern scholars to describe Byzantine historical narratives.’ Rosetta 26: 44-49 http://www.rosetta.bham.ac.uk/issue26/Georgiadi.pdf Classicising histories, chronicles, and the advantages and disadvantages that are associated with these terms as used by modern scholars to describe Byzantine historical narratives Foivi-Eirini Georgiadi1 In Byzantine literature (which we nowadays know historical writing to be),2 there was a relative (but not strict or clear) distinction between histories (“ἱστορία”) and chronicles (“χρονικόν” or “χρονογραφία”). Histories were written in classical Attic Greek, according to the stylistic rules set by the ancient Greek tradition of history writing (mainly by Herodotus3 and Thucydides), and covered a relatively short period of time, close to the times when historians themselves had lived. Chronicles, on the other hand, were written in a simpler, less difficult language (although not in the vernacular). They either covered the period from the Creation of the world to the time of their composition (or perhaps a little before that), or continued the chronicle of another author, which had again started with the Creation. Early chronicles, such as the Chronicon Paschale of the seventh century and that of Theophanes Confessor (eighth/ninth century), were rather laconic, as they were structured year by year in order to record various events in a very succinct way. Subsequently, chronicles, such as those of John Skylitzes (late eleventh century), John Zonaras, Constantine Manasses and Michael Glykas (all dated to the twelfth century), were written in a language that combined Attic Greek and forms that were close to the spoken language. -
The Developmentof Early Imperial Dress from the Tetrachs to The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. The Development of Early Imperial Dress from the Tetrarchs to the Herakleian Dynasty General Introduction The emperor, as head of state, was the most important and powerful individual in the land; his official portraits and to a lesser extent those of the empress were depicted throughout the realm. His image occurred most frequently on small items issued by government officials such as coins, market weights, seals, imperial standards, medallions displayed beside new consuls, and even on the inkwells of public officials. As a sign of their loyalty, his portrait sometimes appeared on the patches sown on his supporters’ garments, embossed on their shields and armour or even embellishing their jewelry. Among more expensive forms of art, the emperor’s portrait appeared in illuminated manuscripts, mosaics, and wall paintings such as murals and donor portraits. Several types of statues bore his likeness, including those worshiped as part of the imperial cult, examples erected by public 1 officials, and individual or family groupings placed in buildings, gardens and even harbours at the emperor’s personal expense. -
Arcadius 8; (Column
index INDEX 319 Arcadius 8; (column of) 184 Balat 213–14 Archaeological Museum 93ff Baldwin, Count of Flanders 15 Argonauts, myth of 259, 263, 276 Balıklı Kilisesi 197–98 Major references, in cases where many are listed, are given in bold. Numbers in italics Armenian, Armenians 25, 189, 192, Balkapanı Han 132 are picture references. 193, 241–42, 258, 278; (Cemetery) Baltalimanı 258 268; (Patriarchate) 192 Balyan family of architects 34, 161, 193; Arnavutköy 255 (burial place of) 268 A Alexander, emperor 67 Arsenal (see Tersane) Balyan, Karabet 34, 247 Abdülaziz, sultan 23, 72, 215, 251; Alexander the Great 7; (sculptures of) 96 Ashkenazi Synagogue 228 Balyan, Kirkor 34, 234 (burial place of) 117 Alexander Sarcophagus 94, 95 Astronomer, office of 42 Balyan, Nikoğos 34, 246, 247, 249, Abdülhamit I, sultan 23, 118; (burial Alexius I, emperor 13, 282 At Meydanı (see Hippodrome) 252, 255, 274, 275 place of) 43 Alexius II, emperor 14 Atatürk 24, 42, 146, 237, 248; Balyan, Sarkis 34, 83, 247, 258, 272, Abdülhamit II, sultan 23, 251, 252, Alexius III, emperor 14 (Cultural Centre) 242; (Museum) 243; 267 278; (burial place of) 117 Alexius IV, emperor 15 (statue of) 103 Bank, Ottoman 227 Abdülmecit I, sultan 71, 93, 161, 164, Alexius V, emperor 15 Atik Ali Pasha 171; (mosque of) 119 Barbarossa, pirate and admiral 152, 247; (burial place of) 162 Ali Pasha of Çorlu, külliye of 119–20 Atik Mustafa Paşa Camii 216 250, 250; (burial place of) 250; Abdülmecit II, last caliph 24 Ali Sufi, calligrapher 157, 158 Atik Sinan, architect 130, 155, 212; (ensign -
The Hagia Sophia in Its Urban Context: an Interpretation of the Transformations of an Architectural Monument with Its Changing Physical and Cultural Environment
THE HAGIA SOPHIA IN ITS URBAN CONTEXT: AN INTERPRETATION OF THE TRANSFORMATIONS OF AN ARCHITECTURAL MONUMENT WITH ITS CHANGING PHYSICAL AND CULTURAL ENVIRONMENT A Thesis Submitted to the Graduate School of Engineering and Sciences of İzmir Institute of Technology in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE in Architecture by Nazlı TARAZ August 2014 İZMİR We approve the thesis of Nazlı TARAZ Examining Committee Members: ___________________________ Assist. Prof. Dr. Zeynep AKTÜRE Department of Architecture, İzmir Institute of Technology _____________________________ Assist. Prof. Dr. Ela ÇİL SAPSAĞLAM Department of Architecture, İzmir Institute of Technology ___________________________ Dr. Çiğdem ALAS 25 August 2014 ___________________________ Assist. Prof. Dr. Zeynep AKTÜRE Supervisor, Department of Architecture, İzmir Institute of Technology ____ ___________________________ ______________________________ Assoc. Prof. Dr. Şeniz ÇIKIŞ Prof. Dr. R. Tuğrul SENGER Head of the Department of Architecture Dean of the Graduate School of Engineering and Sciences ACKNOWLEDGMENTS First and foremost, I would like to thank my supervisor Assist.Prof.Dr.Zeynep AKTÜRE for her guidance, patience and sharing her knowledge during the entire study. This thesis could not be completed without her valuable and unique support. I would like to express my sincere thanks to my committee members Assist. Prof. Dr. Ela ÇİL SAPSAĞLAM, Dr. Çiğdem ALAS, Assoc. Prof. Dr. Erdem ERTEN and Assist. Prof. Dr. Zoltan SOMHEGYI for their invaluable comments and recommendations. I owe thanks to my sisters Yelin DEMİR, Merve KILIÇ, Nil Nadire GELİŞKAN and Banu Işıl IŞIK for not leaving me alone and encouraging me all the time. And I also thank to Seçkin YILDIRIMDEMİR who has unabled to sleep for days to help and motivate me in the hardest times of this study. -
Costantino Da Bisanzio a Costantinopoli(*)1
EUGENIO RUSSO Costantino da Bisanzio a Costantinopoli(*)1 Abstract Constantine was a Christian. Of that there can be no doubt. The surviving signs of paganism visible in Constantine are rather the result of his education and culture. They in no way whatsoever constitute evidence for the continu- ing imperial worship of pagan divinities in the Constantinian period. Examination of the literary sources and ar- chaeological remains allows us to conclude that it is possible to recognize traces of the former Byzantium of Sep- timius Severus in the archaeological sites of the Strategion and a building beneath the Baths of Zeuxippos. In AD 324-330, the city on the Bosporus underwent a radical revolution: the city of Constantine went beyond the walls of the third century AD and it expanded to the west along the east-west axis. The previous city within the third- century walls was completely undermined in its north-south and east-west axes; there arose a new diagonal axis running northeast/southwest, which departed from the column of the Goths and arrived at the Augustaion, at the Hippodrome, and at the Palace (all Constantinian constructions, with St. Irene included). The centre of power (Palace-Hippodrome) was intimately linked to the Christian pole (St. Irene as the first cathedral and the pre- Justinianic St. Sophia that lay on the same axis and even closer to the Palace). According to the Chronicon Pas- chale, the church of St. Sophia was founded by Constantine in AD 326. The emperor deliberately abandoned the acropolis of Byzantium, and Byzantium was absorbed by the new city and obliterated by the new diagonal axis. -
Jews in Constantinople
IΔΡΥΜA ΜΕΙΖΟΝΟΣ ΕΛΛΗΝΙΣΜΟΥ Συγγραφή : Panayotov Alexander (22/12/2008) Για παραπομπή : Panayotov Alexander , "Jews in Constantinople (Byzantine period)", 2008, Εγκυκλοπαίδεια Μείζονος Ελληνισμού, Κωνσταντινούπολη URL: <http://www.ehw.gr/l.aspx?id=11982> Jews in Constantinople (Byzantine period) Περίληψη : 1. The sources A synagogue in the Copper Market of Constantinople is first mentioned by Theophanes the Confessor (ca760-12th March 817) in relation to the construction of the church of the Mother of God in AD 449-450. According to his description the church was built by Pulcheria the sister of Theodosius II (408-450) and supplanted the existing synagogue. The text of Theophanes’Chronography runs as follows: Then she built the church of the Copper Market for the holy Mother of God, which had previously been a Jewish synagogue.|| However, later in his work Theophanes returns again to the construction of the church stating this time that it was built in AD 576- 577 by Justin II (565-578) : In this year the emperor Justin took away the synagogue of the Hebrews, the one in the Chalkoprateia, and built the church of our Lady, the holy Mother of God, which is near the Great Church. The contradiction between the passages raises questions about the historical reliability of the evidence provided by Theophanes. As Mango has rightly noted, in the latter passage Theophanes re-edits his earlier source on the basis of a later one. A possible explanation for the attribution of the church to Justin II can be found in the description of Constantinople preserved in P£tria K wnstantinoupÒlewj III, 32: The [church of the] holy Mother of God [in] the Copper Market was previously, under Constantine the Great, occupied by Jews who had been there for 132 years and were selling copper handiwork. -
Corpus Scriptorum Historiae Byzantinae, Volume 15
Corpus Scriptorum Historiae Byzantinae, Volume 15, Corpus Scriptorum Historiae Byzantinae, Volume 15, , Barthold Georg Niebuhr, Nicetas Choniates, GeÅrgios AkropolitÄ“s, Agathias, IÅannÄ“s AnagnÅstÄ“s, Anastasius (bibliothecarius), Anastasius (the Librarian), Joannes Cameniata, Joannes Cananus, Laonikos ChalkokondylÄ“s, IÅannÄ“s Kinnamos, Joannes Zonaras, George Codinus, Anna Comnena, Constantine VII Porphyrogenitus (Emperor of the East), Flavius Cresconius Corippus, Dexippus (the Platonist.), Doukas, Ephraim (ho chronographos), Eunapius, GeÅrgios PhrantzÄ“s, George (the Pisidian.), GeÅrgios (Synkellos), Nicephorus Gregoras, Hierocles (Grammarian.), Joannes Cantacuzenus (Emperor of the East), Johannes Laurentius Lydus, Michael Glykas, John Malalas, Joannes Scylitzes, Leo (the Deacon), Leo (Grammaticus.), Malchus (Philadelphensis.), Constantine Manasses, Menander (Protector), Flavius Merobaudes, MichaÄ“l AttaleiatÄ“s, Saint Nicephorus (Patriarch of Constantinople.), George Pachymeres, Paulus Silentiarius, Petrus Patricus, Procopius, Theophylactus Simocatta, Symeon (Metaphrastes), Theophanes (the Confessor), Zosimus, 1831, impensis E. Weberi, 1831 download file here: http://projecttn.org/.aXsylwd.pdf Corpus Scriptorum Historiae Byzantinae, History, ISBN:1115482092, 2009, Barthold Georg Niebuhr, This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections, 600 pages Corpus Scriptorum Historiae Byzantinae, 600 pages, History, ISBN:1115482084, 2009, This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections, Barthold Georg Niebuhr Of Tours, IV, 5 p. 489; Paul the Deacon (Historia Longobardorum, IV Agathias, p. 107;Theophanes Chronographia (Corpus Scriptorum Historiae Byzantinae), year 5048, âœmaximo vero puerorum, mortalitas Title That earlier plague Journal Demography Volume 5, Issue 1.