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An Urban Node in the Ritual Landscape of Byzantine Constantinople: the Church of St John the Baptist of the Stoudios Monastery

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An Urban Node in the Ritual Landscape of Byzantine Constantinople: the Church of St John the Baptist of the Stoudios Monastery AN URBAN NODE IN THE RITUAL LANDSCAPE OF BYZANTINE CONSTANTINOPLE: THE CHURCH OF ST JOHN THE BAPTIST OF THE STOUDIOS MONASTERY A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY DİLARA BURCU GİRİTLİOĞLU IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE DEPARTMENT OF HISTORY OF ARCHITECTURE OCTOBER 2019 Approval of the Graduate School of Social Sciences Prof. Dr. Yaşar Kondakçı Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Arts. Prof. Dr. F. Cânâ Bilsel Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Arts. Assoc. Prof. Dr. Pelin Yoncacı Arslan Supervisor Examining Committee Members Prof. Dr. Suna Güven (METU, AH) Assoc. Prof. Dr. Pelin Yoncacı Arslan (METU, AH) Assoc. Prof. Dr. İdil Üçer Karababa (İstanbul Bilgi Uni., IND) I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last Name: Dilara Burcu, Giritlioğlu Signature : iii ABSTRACT AN URBAN NODE IN THE RITUAL LANDSCAPE OF BYZANTINE CONSTANTINOPLE: THE CHURCH OF ST JOHN THE BAPTIST OF THE STOUDIOS MONASTERY Giritlioğlu, Dilara Burcu M.A., Department of History of Architecture Supervisor: Assoc. Prof. Dr. Pelin Yoncacı Arslan October 2019, 227 pages The Church of St. John the Baptist of the Stoudios Monastery is located in the southwestern corner of Byzantine Constantinople at the Psamathia region, near the Golden Gate of Theodosian Walls. It was built in the mid-fifth century by the consul Studius and used as a monastery church throughout the Byzantine period. This three-aisled basilica is the oldest ecclesiastical structure extant in Istanbul. The church was later converted into a mosque in the late fifteenth century and renamed as Imrahor Ilyas Bey mosque which served the Muslims population of the city until the early twentieth century. In the Republican period, it was turned into a museum under the name of Imrahor Monument. Despite its ruinous condition, the structure managed to preserve its original form. In the course of its history, the monastery church played a leading role in the social and spiritual life of the Byzantine Empire. It was an essential nodal point within the processional route and the ceremonial fabric of the city. For this thesis, the Stoudios Monastery will be studied for the purpose of investigating the reciprocal relationship between the urban ceremony and the monument. By discussing the complex relationship iv between Byzantines’ memories of the ceremony and their interactions with the associated monuments, the close reading of these public events will elucidate different modes of interaction between memory, experience, and architecture in the context of the ceremony in Byzantine mind. Keywords: Constantinople, Byzantine period, Stoudios Monastery, urban processions, experience/memory. v ÖZ BİZANS KONSTANTİNOPOLİS’İNİN RİTÜELİSTİK PEYZAJINDA KENTSEL BİR DÜĞÜM NOKTASI: STOUDIOS MANASTIRI VAFTİZCİ YAHYA KİLİSESİ Giritlioğlu, Dilara Burcu Yüksek Lisans, Mimarlık Tarihi Bölümü Tez Yöneticisi: Dr. Öğr. Üyesi Pelin Yoncacı Arslan Ekim 2019, 227 sayfa Stoudios Manastırı Vaftizci Yahya Kilisesi, Bizans Konstantinopolis’inin güneybatı köşesinde, Samatya bölgesinde, Theodosian Kara Surları üzerindeki Altın Kapı’nın yakınında bulunmaktadır. Beşinci yüzyılın ortalarında konsül Studius tarafından inşa edilmiş ve Bizans dönemi boyunca manastır kilisesi olarak kullanılmıştır. Bu üç nefli bazilika, İstanbul’un günümüze ulaşan en eski dini yapısıdır. Kilise daha sonra on beşinci yüzyılın sonlarında camiye dönüştürülmüş ve şehrin Müslüman nüfusuna yirminci yüzyılın başlarına kadar İmrahor İlyas Bey Camii adıyla hizmet vermiştir. Cumhuriyet döneminde müze haline getirilen bina İmrahor Anıtı olarak anılmaya başlamıştır. Yıkık durumuna rağmen, yapı orijinal formunu koruyabilmiştir. Manastır kilisesi tarihi boyunca Bizans İmparatorluğu’nun sosyal ve dini yaşamında öncü bir rol oynamış ve kentin törensel peyzajında önemli bir düğüm noktası olarak varlığını sürdürmüştür. Bu tez kapsamında, Stoudios Manastırı ve ana kilisesi kentteki tören alayları ile anıt arasındaki karşılıklı ilişkiyi araştırma amacıyla incelenmiştir. Bizanslıların günlük hayatlarını etkileyerek hafızalarında yer eden kent seremonileri ve bu vi seremonilerin etkileşim halinde olduğu anıtlarla arasındaki ilişkiyi tartışarak, bu toplumsal etkinliklerin yakından okunması, kent hafızası, deneyim ve mimarlık arasındaki farklı etkileşim biçimlerini tören bağlamında açıklamayı amaçlamıştır. Anahtar Kelimeler: Konstantinopolis, Bizans dönemi, Stoudios Manastırı, tören alayları, deneyim/hafıza. vii To My Parents viii ACKNOWLEDGMENTS I wish to express my deepest gratitude to my supervisor, Assoc. Prof. Dr. Pelin Yoncacı Arslan for her expertise, invaluable guidance, advice, encouragements, and insight throughout the study. Her endless patience and unwavering support helped me through all the difficulties along the way. I am also indebted to the dear members of the examining committee; Prof. Dr. Suna Güven and Assoc. Prof. Dr. İdil Üçer Karababa for their suggestions and comments. I would also express my gratitude to my professors at Cyprus International University for their continuous support. Finally, I would like to thank my parents, who have been incessantly supporting me all through my life and stood beside me every step of the way while showing me nothing but patience and love. Thank you for believing that I can achieve anything I want and encouraging me to reach for the stars. ix TABLE OF CONTENTS PLAGIARISM ...................................................................................................... iii ABSTRACT ......................................................................................................... iv ÖZ ......................................................................................................................... vi DEDICATION ................................................................................................... viii ACKNOWLEDGMENTS .................................................................................... ix TABLE OF CONTENTS ....................................................................................... x LIST OF MAPS ................................................................................................... xii LIST OF FIGURES ............................................................................................ xiii CHAPTER 1. INTRODUCTION ............................................................................... 1 2. CONSTANTINOPLE: A CEREMONIAL CITY ................................ 6 2.1. The Urban Development from the Constantine to Justinian ......... 6 2.2. The Urban Ritual in Constantinople ............................................ 23 2.3. The Sources and Studies on the Ceremonial Life of Constantinople ........................................................................... 26 2.4. Urban Processions of Constantinople in the Early and Middle Byzantine Period: An Overview ................................................ 29 2.5. The Prominent Nodal Points of Urban Ceremonies in Constantinople ........................................................................... 42 2.5.1. Hagia Sophia .................................................................... 45 2.5.2. Hagia Irene ....................................................................... 49 2.5.3. The Church of the Holy Apostles ..................................... 51 2.5.4. The Church of Hagios Ioannes Prodromos in Hebdomon ........................................................................... 53 2.5.5. The Church of the Theotokos of Chalkoprateia ................ 55 2.5.6. The Shrine of the Theotokos at the Pege .......................... 56 2.5.7. The Church of St Mary of Blachernae .............................. 57 x 2.5.8. The Church of St John the Baptist of the Stoudios Monastery ........................................................................... 58 3. THE STOUDİOS MONASTERY AS A TIMELESS EDIFICE: A SURVEY ....................................................................................... 60 3.1. History of the Stoudios Monastery in the Byzantine Period ....... 60 3.2. Previous Studies on the Stoudios Monastery ............................... 72 3.3. The Architecture of the Church of St John the Baptist of the Stoudios Monastery .................................................................... 79 4. THE STOUDİOS MONASTERY WITHIN THE RITUAL LANDSCAPE OF CONSTANTIONOPLE ...................................... 90 4.1. The Stoudios Monastery and the Ritual Use of Space ................. 90 4.2. The Stoudios Monastery in Menologion the Basil II ................... 91 4.3. The Annual Visit of the Emperors to the Stoudios Monastery .... 93 4.4. The Adventus Ceremony of the “New Constantine” .................. 105 5. CONCLUSION ................................................................................ 132 REFERENCES ...................................................................................... 139 APPENDICES A. MAPS .................................................................................
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