The Mughal Empire – Baburnama “The Untouchables” Powerpoint Notes Sections 27-28: * Babur Founded the Mughal Empire, Also Called the Timurid State

Total Page:16

File Type:pdf, Size:1020Kb

The Mughal Empire – Baburnama “The Untouchables” Powerpoint Notes Sections 27-28: * Babur Founded the Mughal Empire, Also Called the Timurid State HUMA 2440 term 1 exam review Week 1 Section 1: India – An Overview * „Local‟ name: Bharat * Gained independence in 1947 * Capital is New Delhi * Official languages Hindi and English Section 2: Chronology and Maps * Gangetic Valley 1000-500 BC Maurya Empire under Ashoka 268-233 BC India 0-300 AD Gupta Empire 320-500 Early Middle Ages 900-1200 Late Middle Ages 1206-1526 Mughal Empire British Penetration of India 1750-1860 Republic of India 1947 Powerpoint notes Varna – caste (colour). Primarily Hindu societal concept Class /= caste. Is a set of social relations within a system of production (financial). Caste, conversely, is something you‟re born into. * as caste barriers are breaking down in modern India, class barriers are becoming more prominent. * first mention of caste differences are in the Rig Veda, which may have referred to main divisions of ancient Aryan society * the Rig Veda mentions a creation myth “Hymn of the Primeval Man” which refers to the creation of the universe and the division of man into four groups of body parts (below under section 3) * outsiders consider caste to the be the defining aspect of indian society. Megasthenes and Alberuni both focus on that when they analyze the culture. Jati or jat – subcaste. these have distinct names like “Gaud Saraswat Brahmins”. Dalit – untouchable Dvija – twice-born: part-way through a non-sudra person‟s life, they go through a „spiritual birth‟ which is their „second birth‟, called the upanayana, where the initiated then wear a sacred thread Hierarchy – different types of ordered ranks systems. i.e. gender hierarchy is male > female, sexual hierarchy is heterosexual > homosexual * rank can be inherited at birth (from father) * one‟s birth/rebirth is based on one‟s deeds in a past life Endogamy – marriage within own caste Commensality – can only eat with jati members Jatidharma and varna-dharma – one‟s duty in a caste or subcaste (lower castes must serve higher castes) Jajmani system – patron-client system of land owning and service/artisan castes. No longer prominent in modern India Karma – a sum of all an individual has done in the past and is currently doing and will do in the future: affects one‟s rebirth (what caste you‟re born into) Purity and pollution – concepts relating to different castes, which justifies one‟s caste. A Brahmin is more „pure‟ than a Sudra. Sudras are more „polluted‟ than other castes “Important themes in lecture”: relationships b/n fundamental values like hierarchial ranking and Indian social structures like caste, family, community * what role do these social structures and hierarchial constructs play in ancient, medieval and modern indian culture? * contrast outsider/insider view of indian society * consider the implications of caste on modern Indian society. political equality vs. social inequality? * last 10 slides should be studied: points of detailed inquiry and speculation – good for exam preparation. Week 2: Hierarchy and Social Structure Section 3: Religions on File * Main castes/varnas/colours: Brahmins (priests) – the mouth – white Kshatriyas (warriors and rulers) – the arms – red Vaishyas (merchants, husbandmen, craftsmen) – the thighs – gold Sudras (unskilled workers) – the feet – black Untouchables (labor) * Vishnu has 10 incarnations, and holds a conch shell, disc, mace and lotus * Shruti (revealed scriptures) - Vedas: Rig Veda, Sama Veda, Yajur Veda, Atharva Veda * Smriti (traditional scriptures): Laws of Manu, Bhagavad Gita, Ramayana, Mahabharata, Puranas Section 4: Stories from Buddhist Birth-Stories (Jataka Tales) * All of the tales are told in a frame narrative * Is Buddhist (religious) in nature * It‟s believed that the Buddha explained/commented on events happening around him by telling of similar events that had occurred in his previous births – and he used these stories to communicate * Western stories were borrowed from Buddhist stories * Have stanzas in the middle of stories to explicitly communicate a lesson Section 5: More Jataka Tales * Shakuntala Jataka Tale is in here. Powerpoint notes (look at week 3‟s powerpoint notes) Week 3: Folk Tales & Social Values Sections 6 & 7: Panchatantra – Social Values, Folk Tales * Panchatantra. Secular. Written by Vishnu Sharma. Overlaying narrative is that a wise scholar agrees to teach a king‟s stupid boys all aspects of life in a short period by telling them lots of stories. The teachings are broken up into 5 parts: 1 – estrangement of friends 2 – winning of friends 3 – of crows and owls 4 – loss of gains 5 – rash deeds These stories have further stories in them (the bull and lion …) and are filled with lessons. * Inherently sexist against women (reflective of patriarchal values of the time) Powerpoint notes (applies to week 2 as well) Katha(taka) – stories/narrative fiction Jataka tales – stories that convey religious teachings of the Buddha to his disciplies, later used to spread teachings of Buddhist from 500 BCE. * Buddha lived from ca.563-480 BCE Pali – sacred language of Buddhism (like Hindu‟s sacred language, Sanskrit) Panchatantra – see above. Nitishastra – instructional text that contains rules/lessons for leading a good life Frame narrative – story within story Champu – literary form that includes both verse and prose (like Jataka tales or Panchatantra) Vetalapanchavinsati – five and twenty tales of the genie written by Sivadasa in Sanskrit. King Vikramaditya (vikra = valour, aditya = name of the sun) encounters an evil monk (frame story) Major themes of these stories: * rules for good conduct * ideal of just and brave king * deceit and ruse (for good and bad ends) * weak characters outsmart stronger ones * humans trick gods *importance of practical wisdom *role of women (patriarchal values) *importance of order in society *concepts of honor among kings, warriors, husbands, women * The importance of folktales is that they are telling of values/society at the time. * Jataka tales have been represented in architecture carvings * Buddhism is more egalitarian (absence of caste system) * Panchatantra influenced a lot of western literature. Uses animals as characters a lot * (a lot of the powerpoint summarizes the events/preamble/premise of each book) Week 4: ..? notes/readings covered maybe combined with week 3? … Week 5: Representation of Women in Early Indian Literature powerpoint notes: * heterodox sects Buddhism and Jainism emerged in Northern India in the 6th-5th century BCE. * heterodoxy – not agreeing w/accepted or orthodox beliefs * collective authority (elders and chiefs) was surfacing as an alternative to the orthodox model of hereditary authority * oligarchy – a small group of people having control over a country * gana-sanghas – same as above. Assemblies of people of equal status (chiefs/leaders) that reach agreement through consensus and voting * an increase of wealth and agriculture in the 5th-6th century BCE led to a bigger gap in wealth between the rulers and the ruled. This led to more people questioning the validity of orthodox rule, further paving the way for the emergence of heterodox sects * hegemony – leadership/dominance of one group (e.g. Brahmin hegemony) * Buddha and Mahavira founded new religious traditions. Both were Kshatriyas and from regions that had “republican” chiefdoms (more egalitarian) * Buddha founded Buddhism and Mahavira founded Jainism * samsara – transmigration of the soul, rebirths * karma – the result of actions or deeds that influences rebirths * right conduct – doing good deeds released the soul from rebirth… * nirvana(Buddhism), moksha, mukti(hindu) – all meaning the release of the soul from rebirth, ending suffering * the new heterodox sects introduced the idea of reaching enlightenment without the need for intermediaries such as Brahmin priests or rituals * ahmisa – non-injury to all living things. especially challenged animal sacrifices brought out by Vedic and Brahmin tradition * 4 noble truths – Buddhist concept: life is full of suffering (dukkha), this suffering is caused by desire and greed, overcoming desire is the path to enlightenment * eightfold path – Buddhist concept: a path to reach nirvana. Right understanding, thought, speech, action, livelihood, effort, awareness, concentration * 3 principles of Samadhi (concentration), panna (wisdom) and sila (morality) * 3 jewels/authorities of Buddhism: * acceptance of the Buddha * acceptance of the Dhamma (rules and teaching) * acceptance of the Sangha (ascetic community of monks, nuns) * Buddhism was antagonistic towards women: nuns were not allowed to be part of the Sangha (ascetic community) * Patriarchal ideologies still took over Buddhism in the 6th century BCE * importance of the Therigatha * earliest known anthology of women‟s literature * carried over as oral literature over 400 years * first written down about 80 BCE * theri – respected, revered females; senior nuns. gatha – song/poems * was a compilation of rarely recorded expressions of women‟s experiences and feelings in their own words (not portrayed by men) * nuns come from many backgrounds (lowest caste or highest cast, young or old) * Therigatha contains religious material * revealed domestic suffering and patriarchal chokehold on daily life of women * a lot of songs emphasized “freedom” from hardship, suffering, inferiority – as well as from rebirth * changes from Buddhism * improvement of status of women (allowed to become nuns) * more egalitarian * use of local languages * incorporated heterodox concepts (like ahmisa: good deeds) * Jainism * founded by Vardhamana Mahavira (Great Hero) 540-468 BCE,
Recommended publications
  • Courses of Studies in Arts Stream
    COUNCIL OF HIGHER SECONDARY EDUCATION ODISHA, BHUBANRSWAR COURSES OF STUDIES IN ARTS STREAM FOR THE HIGHER SECONDARY EXAMINATION 2018 AD Arts Stream CONTENTS 2 S. No Subject Page No 1. Scheme of Studies 3 2. English 4 3. Modern Indian Langugaes a) Odia 10 b) Hindi 15 c) Bengali 19 d) Telugu 24 e) Urdu 27 f) Sanskrit 31 g) Alternative English 34 4. Environment Education 39 5. Yoga 41 6. Basic Computer Education 42 Elective Subjects 7. a) Odia 44 b) Bengali 46 c) Hindi 51 d) Telugu 54 e) Urdu 57 f) Sanskrit 61 8. History 66 9. Pol Science 69 10. Logic 73 11. Economics 74 12. Statistics 77 13. Mathematics 81 14. Sociology 87 15. Geography 90 16. Education 96 17. Anthropology 100 18. Psychology 104 19. Home Science 109 20. Industrial Relation and Personnel Management 114 21. Music(Indian) 118 22. Information Technology 128 Arts Stream 3 SCHEME OF STUDIES The following combinations in two years +2 Arts course of 2013-14 admission batch under CHSE(O) are allowed. Any deviation to this shall not be entertained. 1. Compulsory Subjects a) English b) M.I.L. (Odia / Telugu/ Bengali/ Urdu / Hindi/ Sanskrit/Alternative English) Compulsory subjects( English and M.I.L.) carry 200 marks each (100 Marks in 1st year and 100 marks in 2nd year) 2. Compulsory Subjects( To be assessed at the college level only) Three compulsory subjects, Environmental Education(EE),Yoga , and Basic Computer Education(BCE) carry 100 marks each(1st year-Theory-70 marks and 2ndyear -project/practical 30 marks) will be assessed at the college level and the grades (A+, A, B, C,D, in order of merit) are to be awarded by the College and the same shall be recorded in thebody of the pass certificate given by the council subsequently.
    [Show full text]
  • Courses of Studies in Vocational Stream (Part-I) Agriculture, Paramedical & Engineering Group
    ODISHA COUNCIL OF HIGHER SECONDARY EDUCATION ODISHA, BHUBANESWAR COURSES OF STUDIES IN VOCATIONAL STREAM (PART-I) AGRICULTURE, PARAMEDICAL & ENGINEERING GROUP FOR THE HIGHER SECONDARY VOCATIONAL EXAMINATION 2015 AD Rs. 20.00 CONTENTS Sl.No. Subject Page No. 1. English 09 2. Modern Indian Language : a) Oriya 17 b) Hindi 23 c) Bengali 27 d) Telugu 31 e) Urdu 35 f) Sanskrit 41 g) Alternative English 51 3. Environmental Education 59 4. Yoga 63 5. Basic Computor Education 65 B.F.C. SUBJECT (GROUP A, B & C 6. Physics 67 7. Chemistry 71 8. Mathematics 78 9. Biology 81 TRADE SUBJECTS GROUP - A (AGRICULTURE) 10. Dairying 83 11. Poultry Farming 87 12. Horticulture 92 13. Sericulture 99 (a) CSV-I 14. Inland fisheries 108 15. Crop - Production 115 GROUP - B (HEALTH AND PARAMEDICAL) 16. Medical & Laboratory Rechnician 126 17. Microbiology & Serology 139 GROUP - C (ENGINEERING AND TECHNOLOGY) 18. Audio Visual Technic 155 19. Bulding Maintanance 162 20. Computer Technic 168 21. Repair and Maintanenance of Electrical Domestic Appliance 177 22. Repair and Maintenance of Power Driven farn Machinery. 188 [4] CSV-I SCHEME OF STUDIES FOR VOCATIONAL The following combinations in Vocational Stream are allowed. Any deviation of this will not be entertained. Compulsory Subjects Compulsory subjects English and M.I.L. carry 200 marks each (100 Marks in 1st year and 100 marks in 2nd year) 1. English 2. M.I.L. (Oriya / Telugu/ Bengali/ Urdu & Persian/ Hindi/ Sanskrit/ Alternative English) 3. Environmental Education (Compulsory) 100 marks The Environmental Education will be assessed at the college level for 100 marks (70 marks for theory and 30 marks for project work) at the end of 1st year +2 course and the grades (A+, A, B, C, D, in order of merit) are to be awarded by the College and the same shall be recorded in the body of the pass certificate given by the council subsequently.
    [Show full text]
  • Stamps of India - Commemorative by Prem Pues Kumar [email protected] 9029057890
    E-Book - 26. Checklist - Stamps of India - Commemorative By Prem Pues Kumar [email protected] 9029057890 For HOBBY PROMOTION E-BOOKS SERIES - 26. FREE DISTRIBUTION ONLY DO NOT ALTER ANY DATA ISBN - 1st Edition Year - 1st May 2020 [email protected] Prem Pues Kumar 9029057890 Page 1 of 76 Nos. YEAR PRICE NAME Mint FDC B. 1 2 3 1947 1 21-Nov-47 31/2a National Flag 2 15-Dec-47 11/2a Ashoka Lion Capital 3 15-Dec-47 12a Aircraft 1948 4 29-May-48 12a Air India International 5 15-Aug-48 11/2a Mahatma Gandhi 6 15-Aug-48 31/2a Mahatma Gandhi 7 15-Aug-48 12a Mahatma Gandhi 8 15-Aug-48 10r Mahatma Gandhi 1949 9 10-Oct-49 9 Pies 75th Anni. of Universal Postal Union 10 10-Oct-49 2a -do- 11 10-Oct-49 31/2a -do- 12 10-Oct-49 12a -do- 1950 13 26-Jan-50 2a Inauguration of Republic of India- Rejoicing crowds 14 26-Jan-50 31/2a Quill, Ink-well & Verse 15 26-Jan-50 4a Corn and plough 16 26-Jan-50 12a Charkha and cloth 1951 17 13-Jan-51 2a Geological Survey of India 18 04-Mar-51 2a First Asian Games 19 04-Mar-51 12a -do- 1952 20 01-Oct-52 9 Pies Saints and poets - Kabir 21 01-Oct-52 1a Saints and poets - Tulsidas 22 01-Oct-52 2a Saints and poets - MiraBai 23 01-Oct-52 4a Saints and poets - Surdas 24 01-Oct-52 41/2a Saints and poets - Mirza Galib 25 01-Oct-52 12a Saints and poets - Rabindranath Tagore 1953 26 16-Apr-53 2a Railway Centenary 27 02-Oct-53 2a Conquest of Everest 28 02-Oct-53 14a -do- 29 01-Nov-53 2a Telegraph Centenary 30 01-Nov-53 12a -do- 1954 31 01-Oct-54 1a Stamp Centenary - Runner, Camel and Bullock Cart 32 01-Oct-54 2a Stamp Centenary
    [Show full text]
  • Identity and Composite Culture : the Bengal Case
    Journal of the Asiatic Society of Bangladesh (Hum.), Vol. 58(1), 2013, pp. 1-25 IDENTITY AND COMPOSITE CULTURE : THE BENGAL CASE Sushil Chaudhury* The main thrust of the paper is to examine the evolution of a composite culture in Bengal, and to explain its nature and character, especially from the sixteenth to the eighteenth century which is the period when it evolved and flourished in the region. This exercise is significant even today as the legacy from the past is still vibrant in many parts of the country, Bangladesh or West Bengal. For instance, there was a news report in The Statesman of January 10, 2006 that at a place in rural Bengal, called Maynagar in Tamluk, about 90 kilometers west of Kolkata, a pir’s dargah is looked after by a Hindu trustee and a fair organized by the authorities of a Radhagobinda temple include a Muslim as part of centuries-old tradition.1 Such instances abound in many parts of Bengal even now and there is little doubt that this tradition comes down from several centuries earlier. While talking about the evolution of a composite culture, it is pertinent to see how it was intertwined with the question of identity of Bengali Muslims. The Islamic revitalizing and purificatory movements in Bengal in the nineteenth century laid bare the roots of cleavage and dualism between Bengali Muslim’s cultural position, caught between the opposite pulls of Bengal localism and Islamic extra-territoriality. The said new movements, combined with the changed social and political circumstances of Bengal under the British domination, sharpened the focus, as never before, on the “Islamic” identity of the Bengali believers, with the result that a massive and organized assault on the syncretistic tradition and on the cultural values and norms, necessary to sustain it, followed to which we shall turn later.
    [Show full text]
  • Seer Women Poets in Pre-Colonial and Colonial India
    International Journal of Humanities and Social Science Research International Journal of Humanities and Social Science Research ISSN: 2455-2070; Impact Factor: RJIF 5.22 Received: 01-08-2020; Accepted: 15-08-2020; Published: 02-09-2020 www.socialsciencejournal.in Volume 6; Issue 5; 2020; Page No. 01-03 Seer women poets in pre-colonial and colonial India B Venkata Ramana1, C Pradgna2 1, 2 Department of English, GSGS, GITAM (Deemed to be University), Visakhapatnam, Andhra Pradesh, India Abstract Poetry has been a powerful vehicle of expression for several men and women in the world of literature. Bhakti or devotion to God is a deep personal feeling and an expression of one’s spiritual or mystical experience. There are plethora of poet-seers in India and women had to suffer even to find a place in Bhakti cult as it is also patriarchal. Women had to debate with men and had to be stubborn to demonstrate their devotion through poetry. Through their devotional poetry women have not only expressed their piety but also raised their voice against several biases’ existent in the then society. Women personally have adopted unique ways to express themselves. This paper unleashes seer women poets in pre-colonial and colonial India who composed in the regional language deliberately breaking the literary and the religious hold of Sanskrit. Keywords: bhakti, women, struggle for recognition, reformist ideas 1. Introduction (55). It is a transcendental mystical experience beyond the Literature in the Indian context beginning from the ancient everyday experience. times generally would never had been made possible Indian religious literature in the early years was sectarian in without religion and spiritual aspects impressing upon it nature.
    [Show full text]
  • Minutes of 33Rd GIAC Meeting
    Scheme - I : Financial Assistance for Purchase of Books List of proposals kept in 33 rd Grant in Aid Committee Meeting held on 7 th to 9 th August, 2019 Sl. Name & Address of the Price per No. of Amount Title No. Applicant & File No. copy copies (less discount) BODO 1 Dr. Rupali Swargiary Gubun Gubun Raithai 150/- Not Vill.-Dhepargaon, Recommended P.O. Dhepargaon, Baksa District, Assam-781354 50-23(1)/17-18/Bodo/GIA 2 Dr. Rupali Swargiary Raithai Bihung 150/- 100 11,250/- Vill.-Dhepargaon, P.O. Dhepargaon, Baksa District, Assam-781354 50-23(2)/17-18/Bodo/GIA DOGRI 3 Sri Deshbandhu Dogra Nutan Dogri Lekhmala Part-1 300/- 165 37,125/- 189/2, Indira Nagar, Udhampur, Jammu & Kashmir - 182101 50-21(1)/18-19/Dogri/GIA 4 Prof. Sushma Sharma Dogri Gadya - Ik 299/- 160 35,880/- P.G Department of Dogri, Parchol University of Jammu, Jammu & Kashmir - 180006 50-21(2)/18-19/Dogri/GIA 5 Sri Bishan Dass Aastha Da Kendar : 300/- 100 22,500/- R/o Majhoor, , Dhanna Ambo Basawa Shani, Teh Chowki Choura, Jammu District, Jammu & Kashmir - 185154 50-21(3)/19-20/Dogri/GIA 6 Sri Narinder Bhasin Suchi Samhaal 400/- 120 36,000/- H.No. 57, Vikas Lane No. 3, Talab Tillo, Jammu - Tawi, Jammu & Kashmir-180002 50-21(4)/18-19/Dogri/GIA 7 Smt. Sheetal Devi Kahanikar Dr. Manoj Te 400/- 125 37,500/- W/o Dr. Ajay Kumar Sharma, Undiyan Kahaniyan R/o. Badyal Brahmana, Teh R.S. Pura, P/o. R.S. Pura, Jammu District, Jammu & Kashmir-181103 50-21(5)/19-20/Dogri/GIA KONKANI 8 Smt.
    [Show full text]
  • Sebuah Kajian Pustaka
    International Journal of Research in Social Sciences Vol. 8 Issue 11, November 2018, ISSN: 2249-2496 Impact Factor: 7.081 Journal Homepage: http://www.ijmra.us, Email: [email protected] Double-Blind Peer Reviewed Refereed Open Access International Journal - Included in the International Serial Directories Indexed & Listed at: Ulrich's Periodicals Directory ©, U.S.A., Open J-Gate as well as in Cabell‟s Directories of Publishing Opportunities, U.S.A The Voice of Double Subjugation: Dalit Telugu Women’s Writing Kriti Songriwal Scholar (M.Phil.) University of Delhi Abstract Indian society has always been a caste-based society. Caste has formed the very base for all its rules, regulations, codes and conventions as a result of which, Indian population unfortunately till date is divided into 2 groups: The Upper Caste and Lower Caste. High caste population tend to get everything, be it property, voting rights, land, wealth, education etc. not because they deserve it but because Vedas and Puranas have got their back. On the other hand, maximum number of lower caste people are destined to struggle throughout their life for even the basic necessities like water, clothes, food and shelter. We Indians, thanks to the struggle and fight from lower caste section most important weapon for which was Dalit Literature, have somehow managed to use „maximum number of lower caste people‟ instead of „all the lower caste people‟. Dalit Literature which technically emerged during Bhakti Tradition with the voice of many Untouchables like Chokhamela , Dadu Dayal, Ravidas etc. gained a modern outlook with Marathi Dalit Panther Movement. It spread to almost all the corners of the world from there and Telugu Dalit Literature is no exception.
    [Show full text]
  • 2015 Williams Richard 113649
    This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Hindustani music between Awadh and Bengal, c.1758-1905 Williams, Richard David Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 09. Oct. 2021 Hindustani music between Awadh and Bengal, c.1758-1905 RICHARD DAVID WILLIAMS Submitted in FulFilment of the requirements For the degree of Doctor oF Philosophy KING’S COLLEGE LONDON DECEMBER 2014 ABSTRACT This thesis explores the interaction between Hindustani and Bengali musicians and their patrons over the eighteenth and nineteenth centuries, and the convergence of Braj, Persianate, and Bengali musical cultures in Bengal after 1856.
    [Show full text]
  • Raman Women in India a Social and Cultural History
    Women in India India Physical Map Courtesy of Natraj A. Raman Women in India A Social and Cultural History Volume 1 SITA ANANTHA RAMAN PRAEGER An Imprint of ABC-CLIO, LLC Copyright 2009 by Sita Anantha Raman All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publisher. Library of Congress Cataloging in Publication Data Raman, Sita Anantha. Women in India : a social and cultural history / Sita Anantha Raman. p. cm. Includes bibliographical references and index. ISBN 978 0 275 98242 3 (hard copy (set) : alk. paper) ISBN 978 0 313 37710 5 (hard copy (vol. 1) : alk. paper) ISBN 978 0 313 37712 9 (hard copy (vol. 2) : alk. paper) ISBN 978 0 313 01440 6 (ebook (set)) ISBN 978 0 313 37711 2 (ebook (vol. 1)) ISBN 978 0 313 37713 6 (ebook (vol. 2)) 1. Women India. 2. Women India Social conditions. I. Title. HQ1742.R263 2009 305.48’891411 dc22 2008052685 131211100912345 This book is also available on the World Wide Web as an eBook. Visit www.abc clio.com for details. ABC CLIO, LLC 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116 1911 This book is printed on acid free paper Manufactured in the United States of America YOKED OXEN Pipes played, drums rolled the chant of mantras cleansed the air as showered with flowers we took seven steps together, you and I two oxen, one yoke Since that day pebbles on my path became petals on a rug For dear Babu CONTENTS Volume 1: Early India Preface ix Introduction xi Abbreviations xxi 1.
    [Show full text]
  • (O), Bhubaneswar VOCATIONAL COURSES
    CHSE (O), Bhubaneswar VOCATIONAL COURSES 2016‐2018 For +2 1st Year Students of (2016 Admission Batch) of Vocational Colleges Part ‐ I : (Agriculture and Engineering) Part ‐ II : (Business and Commerce) Part ‐ III : (Humanities, Home Science, Visual Art and Performing Art) Scheme of Studies Vol. III, 2016 CHSE, ODISHA VOCATIONAL COURSES, 2016-2018 PART – III Humanities, Home Science, Visual Arts & Performing Art Scheme of Studies A. Common Compulsory Subjects 1. English MIL (Alternative English / Bengali / Hindi / Odia / Sanskrit / Telugu / Urdu) 2. Environment Education, Basic Computer Education, Yoga) B. Basic Foundation Course (BFC) Economics, History, Political Science C. Part III Trade Subjects (a) Humanities (i) Textile Designing (ii) Tourism and Travel Management (b) Home Science (i) Crech and Pre-School Management (ii) Catering and Restaurant Management (iii) Para Medical Health Care (iv) Microbiology and Serology (c) Visual Art (i) Painting (ii) Graphic Art (iii) Applied Art (iv) Modelling and Sculpture (v) Traditional Art and Craft (d) Performing Arts (i) Chhow Dance (ii) Drama (iii) Flute / Violin / Setar (FLUIS) (iv) Hindustani Vocal (v) Odissi Vocal (vi) Odissi Dance (vii) Odissi Pakhwaj (Mardal) (viii) Tabla 1 Vol. III, 2016 D. Pattern of Course, Marks Distribution Compulsory 1st Year 2nd Year 1. English 50 Marks 50 Marks 2. MIL 50 Marks 50 Marks 3. BFC – 300 Marks BFC-I Theory 70 70 (any three subjects from Practical 30 30 the list) (If the subject has no BFC-II Theory 70 70 practical Practical 30 30 Element, the total marks is BFC-III Theory 70 70 100) Practical 30 30 4. Trade Subject – 200 Marks Trade Theory 40 Trade (Any One subjects from Paper I Paper III the list) Theory 40 Practical 60 Practical 60 Trade Theory 40 Trade Paper II Paper IV Theory 40 Practical 60 Practical 60 Total 600 600 E.
    [Show full text]
  • Refugee?: Bengal Partition in Literature and Cinema
    Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-24-2015 12:00 AM "More or Less" Refugee?: Bengal Partition in Literature and Cinema Sarbani Banerjee The University of Western Ontario Supervisor Prof. Nandi Bhatia The University of Western Ontario Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Sarbani Banerjee 2015 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Comparative Literature Commons, Film and Media Studies Commons, Race, Ethnicity and Post-Colonial Studies Commons, South and Southeast Asian Languages and Societies Commons, and the Women's Studies Commons Recommended Citation Banerjee, Sarbani, ""More or Less" Refugee?: Bengal Partition in Literature and Cinema" (2015). Electronic Thesis and Dissertation Repository. 3125. https://ir.lib.uwo.ca/etd/3125 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. i “MORE OR LESS” REFUGEE? : BENGAL PARTITION IN LITERATURE AND CINEMA (Thesis format: Monograph) by Sarbani Banerjee Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Sarbani Banerjee 2015 ii ABSTRACT In this thesis, I problematize the dominance of East Bengali bhadralok immigrant’s memory in the context of literary-cultural discourses on the Partition of Bengal (1947).
    [Show full text]
  • Reduced ICSE Class 10 Indian Language Syllabus for the Year 2022
    Reduced ICSE Class 10 Indian Language Syllabus for the Year 2022 INDIAN LANGUAGES CLASS X Papers will be set in the following languages: 4. Grammar: This will consist of tests in the use of language vocabulary, syntax and idioms, synthesis Ao-Naga, Assamese, Bengali, Dzongkha, Garo, in sentence construction, formation of sentences in Gujarati, Hindi, Kannada, Khasi, Lepcha, Malayalam, the language correctly embodying given words or Manipuri, Marathi, Mizo, Nepali, Odia, Punjabi, forms. The question will not require any Sanskrit, Tamil, Tangkhul, Telugu, Urdu or any other knowledge of grammatical terms. (8 Marks) language of an Indian community approved by the Council. SECTION B: PRESCRIBED TEXTS - 40 Marks There will be one paper of three hours duration The question paper will consist of structured and short carrying 80 marks and Internal Assessment of 20 marks. answer questions. Candidates will be required to answer four questions from ONLY two of the The paper will be divided into two sections, Section A prescribed text books. All questions will be set in the and Section B. language and candidates will be required to answer in Section A: Language (40 Marks) the language. The questions set will be designed to Section B: Prescribed Texts (40 Marks) test the candidates’ understanding of the subject matter of the prescribed books. Candidates will be required to attempt all questions from Section A. They must attempt four questions from Note: Reduction has been made in the list of Section B from ONLY two of the prescribed textbooks. prescribed textbooks for Ao-Naga, Assamese, Bengali, Garo, Gujarati, Hindi, Kannada, Khasi, SECTION A: LANGUAGE - 40 Marks Lepcha, Malayalam, Marathi, Mizo, Nepali, Odia, This section will consist of four questions, all of which Punjabi, Sanskrit, Tamil, Tangkhul, Telugu & Urdu.
    [Show full text]