Courses of Studies in Vocational Stream (Part-Iii) Social Science, Humanities Arts & Craft
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ODISHA REVIEW VOL. LXXI NO. 5 DECEMBER - 2014 MADHUSUDAN PADHI, I.A.S. Commissioner-cum-Secretary RANJIT KUMAR MOHANTY, O.A.S, ( SAG) Director DR. LENIN MOHANTY Editor Editorial Assistance Production Assistance Bibhu Chandra Mishra Debasis Pattnaik Bikram Maharana Sadhana Mishra Cover Design & Illustration D.T.P. & Design Manas Ranjan Nayak Hemanta Kumar Sahoo Photo Raju Singh Manoranjan Mohanty The Odisha Review aims at disseminating knowledge and information concerning Odisha’s socio-economic development, art and culture. Views, records, statistics and information published in the Odisha Review are not necessarily those of the Government of Odisha. Published by Information & Public Relations Department, Government of Odisha, Bhubaneswar - 751001 and Printed at Odisha Government Press, Cuttack - 753010. For subscription and trade inquiry, please contact : Manager, Publications, Information & Public Relations Department, Loksampark Bhawan, Bhubaneswar - 751001. Five Rupees / Copy E-mail : [email protected] Visit : http://odisha.gov.in Contact : 9937057528(M) CONTENTS Shrikshetra, Matha and its Impact Subhashree Mishra ... 1 Good Governance ... 3 India International Trade Fair - 2014 : An Overview Smita Kar ... 7 Mo Kahani' - The Memoir of Kunja Behari Dash : A Portrait Gallery of Pre-modern Rural Odisha Dr. Shruti Das ... 10 Protection of Fragile Ozone Layer of Earth Dr. Manas Ranjan Senapati ... 17 Child Labour : A Social Evil Dr. Bijoylaxmi Das ... 19 Reflections on Mahatma Gandhi's Life and Vision Dr. Brahmananda Satapathy ... 24 Christmas in Eternal Solitude Sonril Mohanty ... 27 Dr. B.R. Ambedkar : The Messiah of Downtrodden Rabindra Kumar Behuria ... 28 Untouchable - An Antediluvian Aspersion on Indian Social Stratification Dr. Narayan Panda ... 31 Kalinga, Kalinga and Kalinga Bijoyini Mohanty .. -
Annual Report 2014 - 2015 Ministry of Culture Government of India
ANNUAL REPORT 2014 - 2015 MINISTRY OF CULTURE GOVERNMENT OF INDIA Annual Report 2014-15 1 Ministry of Culture 2 Detail from Rani ki Vav, Patan, Gujarat, A World Heritage Site Annual Report 2014-15 CONTENTS 1. Ministry of Culture - An Overview – 5 2. Tangible Cultural Heritage 2.1 Archaeological Survey of India – 11 2.2 Museums – 28 2.2a National Museum – 28 2.2b National Gallery of Modern Art – 31 2.2c Indian Museum – 37 2.2d Victoria Memorial Hall – 39 2.2e Salar Jung Museum – 41 2.2f Allahabad Museum – 44 2.2g National Council of Science Museum – 46 2.3 Capacity Building in Museum related activities – 50 2.3a National Museum Institute of History of Art, Conservation and Museology – 50 2.3.b National Research Laboratory for conservation of Cultural Property – 51 2.4 National Culture Fund (NCF) – 54 2.5 International Cultural Relations (ICR) – 57 2.6 UNESCO Matters – 59 2.7 National Missions – 61 2.7a National Mission on Monuments and Antiquities – 61 2.7b National Mission for Manuscripts – 61 2.7c National Mission on Libraries – 64 2.7d National Mission on Gandhi Heritage Sites – 65 3. Intangible Cultural Heritage 3.1 National School of Drama – 69 3.2 Indira Gandhi National Centre for the Arts – 72 3.3 Akademies – 75 3.3a Sahitya Akademi – 75 3.3b Lalit Kala Akademi – 77 3.3c Sangeet Natak Akademi – 81 3.4 Centre for Cultural Resources and Training – 85 3.5 Kalakshetra Foundation – 90 3.6 Zonal cultural Centres – 94 3.6a North Zone Cultural Centre – 95 3.6b Eastern Zonal Cultural Centre – 95 3.6c South Zone Cultural Centre – 96 3.6d West Zone Cultural Centre – 97 3.6e South Central Zone Cultural Centre – 98 3.6f North Central Zone Cultural Centre – 98 3.6g North East Zone Cultural Centre – 99 Detail from Rani ki Vav, Patan, Gujarat, A World Heritage Site 3 Ministry of Culture 4. -
Odisha Review Dr
Orissa Review * Index-1948-2013 Index of Orissa Review (April-1948 to May -2013) Sl. Title of the Article Name of the Author Page No. No April - 1948 1. The Country Side : Its Needs, Drawbacks and Opportunities (Extracts from Speeches of H.E. Dr. K.N. Katju ) ... 1 2. Gur from Palm-Juice ... 5 3. Facilities and Amenities ... 6 4. Departmental Tit-Bits ... 8 5. In State Areas ... 12 6. Development Notes ... 13 7. Food News ... 17 8. The Draft Constitution of India ... 20 9. The Honourable Pandit Jawaharlal Nehru's Visit to Orissa ... 22 10. New Capital for Orissa ... 33 11. The Hirakud Project ... 34 12. Fuller Report of Speeches ... 37 May - 1948 1. Opportunities of United Development ... 43 2. Implication of the Union (Speeches of Hon'ble Prime Minister) ... 47 3. The Orissa State's Assembly ... 49 4. Policies and Decisions ... 50 5. Implications of a Secular State ... 52 6. Laws Passed or Proposed ... 54 7. Facilities & Amenities ... 61 8. Our Tourists' Corner ... 61 9. States the Area Budget, January to March, 1948 ... 63 10. Doings in Other Provinces ... 67 1 Orissa Review * Index-1948-2013 11. All India Affairs ... 68 12. Relief & Rehabilitation ... 69 13. Coming Events of Interests ... 70 14. Medical Notes ... 70 15. Gandhi Memorial Fund ... 72 16. Development Schemes in Orissa ... 73 17. Our Distinguished Visitors ... 75 18. Development Notes ... 77 19. Policies and Decisions ... 80 20. Food Notes ... 81 21. Our Tourists Corner ... 83 22. Notice and Announcement ... 91 23. In State Areas ... 91 24. Doings of Other Provinces ... 92 25. Separation of the Judiciary from the Executive .. -
The Mughal Empire – Baburnama “The Untouchables” Powerpoint Notes Sections 27-28: * Babur Founded the Mughal Empire, Also Called the Timurid State
HUMA 2440 term 1 exam review Week 1 Section 1: India – An Overview * „Local‟ name: Bharat * Gained independence in 1947 * Capital is New Delhi * Official languages Hindi and English Section 2: Chronology and Maps * Gangetic Valley 1000-500 BC Maurya Empire under Ashoka 268-233 BC India 0-300 AD Gupta Empire 320-500 Early Middle Ages 900-1200 Late Middle Ages 1206-1526 Mughal Empire British Penetration of India 1750-1860 Republic of India 1947 Powerpoint notes Varna – caste (colour). Primarily Hindu societal concept Class /= caste. Is a set of social relations within a system of production (financial). Caste, conversely, is something you‟re born into. * as caste barriers are breaking down in modern India, class barriers are becoming more prominent. * first mention of caste differences are in the Rig Veda, which may have referred to main divisions of ancient Aryan society * the Rig Veda mentions a creation myth “Hymn of the Primeval Man” which refers to the creation of the universe and the division of man into four groups of body parts (below under section 3) * outsiders consider caste to the be the defining aspect of indian society. Megasthenes and Alberuni both focus on that when they analyze the culture. Jati or jat – subcaste. these have distinct names like “Gaud Saraswat Brahmins”. Dalit – untouchable Dvija – twice-born: part-way through a non-sudra person‟s life, they go through a „spiritual birth‟ which is their „second birth‟, called the upanayana, where the initiated then wear a sacred thread Hierarchy – different types of ordered ranks systems. i.e. gender hierarchy is male > female, sexual hierarchy is heterosexual > homosexual * rank can be inherited at birth (from father) * one‟s birth/rebirth is based on one‟s deeds in a past life Endogamy – marriage within own caste Commensality – can only eat with jati members Jatidharma and varna-dharma – one‟s duty in a caste or subcaste (lower castes must serve higher castes) Jajmani system – patron-client system of land owning and service/artisan castes. -
Courses of Studies in Arts Stream
COUNCIL OF HIGHER SECONDARY EDUCATION ODISHA, BHUBANRSWAR COURSES OF STUDIES IN ARTS STREAM FOR THE HIGHER SECONDARY EXAMINATION 2018 AD Arts Stream CONTENTS 2 S. No Subject Page No 1. Scheme of Studies 3 2. English 4 3. Modern Indian Langugaes a) Odia 10 b) Hindi 15 c) Bengali 19 d) Telugu 24 e) Urdu 27 f) Sanskrit 31 g) Alternative English 34 4. Environment Education 39 5. Yoga 41 6. Basic Computer Education 42 Elective Subjects 7. a) Odia 44 b) Bengali 46 c) Hindi 51 d) Telugu 54 e) Urdu 57 f) Sanskrit 61 8. History 66 9. Pol Science 69 10. Logic 73 11. Economics 74 12. Statistics 77 13. Mathematics 81 14. Sociology 87 15. Geography 90 16. Education 96 17. Anthropology 100 18. Psychology 104 19. Home Science 109 20. Industrial Relation and Personnel Management 114 21. Music(Indian) 118 22. Information Technology 128 Arts Stream 3 SCHEME OF STUDIES The following combinations in two years +2 Arts course of 2013-14 admission batch under CHSE(O) are allowed. Any deviation to this shall not be entertained. 1. Compulsory Subjects a) English b) M.I.L. (Odia / Telugu/ Bengali/ Urdu / Hindi/ Sanskrit/Alternative English) Compulsory subjects( English and M.I.L.) carry 200 marks each (100 Marks in 1st year and 100 marks in 2nd year) 2. Compulsory Subjects( To be assessed at the college level only) Three compulsory subjects, Environmental Education(EE),Yoga , and Basic Computer Education(BCE) carry 100 marks each(1st year-Theory-70 marks and 2ndyear -project/practical 30 marks) will be assessed at the college level and the grades (A+, A, B, C,D, in order of merit) are to be awarded by the College and the same shall be recorded in thebody of the pass certificate given by the council subsequently. -
Integrated Handicraft Cluster Development Programme
OFFICE OF THE DEVELOPMENT COMMISSIONER [HANDICRAFTS] West Block No. 7, R.K. Puram, New Delhi-110066 INTEGRATED HANDICRAFT CLUSTER DEVELOPMENT PROGRAMME Proposals are invited in prescribed proforma for undertaking Handicraft Cluster Development Projects under Ambedkar Hastshilp Vikas Yojana for the year 2016-17. The eligible Organisation who can apply are Central/State Handloom and Handicrafts Development Corporations and other Govt. Corporations/agencies promoted by State Government or organization promoted by Financial Institutions/banks and NIFT, NID, University Department, DRDA, NISIET, Artisans Federation, Apex Co-operatives societies/Co-Operative Society, EDIs and other similar bodies, and those Non-Governmental Organisations(NGOs) which are empanelled with TATA INSTITUTE OF SOCIAL SCIENCES(TISS), MUMBAI & NITI AYUG NGO Partnership Portal. In addition to the above, Research and Development Project Proposal under R&D Scheme is also invited from the eligible Organisation. For further details visit: www.handicrafts.nic.in OFFICE OF THE DEVELOPMENT COMMISSIONER [HANDICRAFTS] West Block No. 7, R.K. Puram, New Delhi-110066 INTEGRATED HANDICRAFT CLUSTER DEVELOPMENT PROGRAMME Proposals are invited in prescribed proforma for undertaking Handicraft Cluster Development Projects under Ambedkar Hastshilp Vikas Yojana for the year 2015-16. The eligible Organisation who can apply are Central/State Handloom and Handicrafts Development Corporations and other Govt. Corporations/agencies promoted by State Government or organization promoted by Financial Institutions/banks and NIFT, NID, University Department, DRDA, NISIET, Artisans Federation, Apex Co-operatives societies/Co-Operative Society, EDIs and other similar bodies, and those Non- Governmental Organisations (NGOs) which are empanelled with TATA INSTITUTE OF SOCIAL SCIENCES (TISS), MUMBAI. The proposal can be submitted to Deputy Director (Cluster Cell), Hd. -
Annexure-VI-Eng Purba Bardhaman Corrected Final Final.Xlsx
Annexure-6 (Chapter 2, para 2.9.1) LIST OF POLLING STATIONS For 260-Bardhaman Dakshin Assembly Constituency within 39-Bardhaman-Durgapur Perliamentry Constitutency Wheather Sr. No. for all voters of the Building in which will be Locality Polling Area or men only Polling located or women Station only 1 2 3 4 5 Kamal Sayar, Ward no. 26, Burdwan Municipality University Engineering 1. Both side of Kamal Sayar, 2. East Side of 1 For all voters Sadar Burdwan, Pin-713104. College, Kamal Sayar Research Hostel road Goda, Ward No. 26, Burdwan Municipality Sadar Goda Municipal F.P. School (R- 1.Goda Kajir Hat, 2. Goda Sib tala, 3. 2 For all voters Burdwan, Pin-713102. 1) Tarabag, 4. Golapbag Goda, Ward No. 26, Burdwan Municipality Sadar Goda Municipal F.P. School (R- 1. Goda Koit tala, 2. Goda Kumirgorh, 3. 3 For all voters Burdwan, Pin-713102. 2) Goda Jhumkotala, 4. Goda Khondekar para, 1. Banepukur Dakshinpar, 2. Banepukur Goda, Ward No. 26, Burdwan Municipality Sadar pashimpar, 3. Das para, 4. Simultala, 5. 4 Goda F.P. School (R-1) For all voters Burdwan, Pin-713102. Banepukur purba para, 6. Goda Roy colony, 7. Goda Majher para, 8. Goda Dangapara. 1. Goda Mondal Para, 2. Goda Molla Para, Goda, Ward No. 26, Burdwan Municipality Sadar 5 Goda F.P. School (R-2) 3.Dafadar Para, 4. Goda Bhand para, 5. Goda For all voters Burdwan, Pin-713102. Bizili par, 6. Nuiner Par 1. Goda math colony, 2. Goda kaibartya para, 3. Goda sibtala, 4. Goda mali para, 5. Goda Goda, Ward No. -
Secondary Indian Culture and Heritage
Culture: An Introduction MODULE - I Understanding Culture Notes 1 CULTURE: AN INTRODUCTION he English word ‘Culture’ is derived from the Latin term ‘cult or cultus’ meaning tilling, or cultivating or refining and worship. In sum it means cultivating and refining Ta thing to such an extent that its end product evokes our admiration and respect. This is practically the same as ‘Sanskriti’ of the Sanskrit language. The term ‘Sanskriti’ has been derived from the root ‘Kri (to do) of Sanskrit language. Three words came from this root ‘Kri; prakriti’ (basic matter or condition), ‘Sanskriti’ (refined matter or condition) and ‘vikriti’ (modified or decayed matter or condition) when ‘prakriti’ or a raw material is refined it becomes ‘Sanskriti’ and when broken or damaged it becomes ‘vikriti’. OBJECTIVES After studying this lesson you will be able to: understand the concept and meaning of culture; establish the relationship between culture and civilization; Establish the link between culture and heritage; discuss the role and impact of culture in human life. 1.1 CONCEPT OF CULTURE Culture is a way of life. The food you eat, the clothes you wear, the language you speak in and the God you worship all are aspects of culture. In very simple terms, we can say that culture is the embodiment of the way in which we think and do things. It is also the things Indian Culture and Heritage Secondary Course 1 MODULE - I Culture: An Introduction Understanding Culture that we have inherited as members of society. All the achievements of human beings as members of social groups can be called culture. -
A History of Indian Music by the Same Author
68253 > OUP 880 5-8-74 10,000 . OSMANIA UNIVERSITY LIBRARY Call No.' poa U Accession No. Author'P OU H Title H; This bookok should bHeturned on or befoAbefoifc the marked * ^^k^t' below, nfro . ] A HISTORY OF INDIAN MUSIC BY THE SAME AUTHOR On Music : 1. Historical Development of Indian Music (Awarded the Rabindra Prize in 1960). 2. Bharatiya Sangiter Itihasa (Sanglta O Samskriti), Vols. I & II. (Awarded the Stisir Memorial Prize In 1958). 3. Raga O Rupa (Melody and Form), Vols. I & II. 4. Dhrupada-mala (with Notations). 5. Sangite Rabindranath. 6. Sangita-sarasamgraha by Ghanashyama Narahari (edited). 7. Historical Study of Indian Music ( ....in the press). On Philosophy : 1. Philosophy of Progress and Perfection. (A Comparative Study) 2. Philosophy of the World and the Absolute. 3. Abhedananda-darshana. 4. Tirtharenu. Other Books : 1. Mana O Manusha. 2. Sri Durga (An Iconographical Study). 3. Christ the Saviour. u PQ O o VM o Si < |o l "" c 13 o U 'ij 15 1 I "S S 4-> > >-J 3 'C (J o I A HISTORY OF INDIAN MUSIC' b SWAMI PRAJNANANANDA VOLUME ONE ( Ancient Period ) RAMAKRISHNA VEDANTA MATH CALCUTTA : INDIA. Published by Swaxni Adytaanda Ramakrishna Vedanta Math, Calcutta-6. First Published in May, 1963 All Rights Reserved by Ramakrishna Vedanta Math, Calcutta. Printed by Benoy Ratan Sinha at Bharati Printing Works, 141, Vivekananda Road, Calcutta-6. Plates printed by Messrs. Bengal Autotype Co. Private Ltd. Cornwallis Street, Calcutta. DEDICATED TO SWAMI VIVEKANANDA AND HIS SPIRITUAL BROTHER SWAMI ABHEDANANDA PREFACE Before attempting to write an elaborate history of Indian Music, I had a mind to write a concise one for the students. -
Jadupatias in the Aesthetics of the Craft of Jewellery
Jadupatias in the Aesthetics of the Craft of Jewellery Long Abstract The Jadupatias is an obscure community in Jharkhand, India, who engage in the dokra jewellery making. The aesthetics of brass jewellery are not just based on the aspect of ‘charm’. But there is a larger social construction of its aesthetics of making. It is based on their own environment, the materials they procure from their environment and other secular and non- secular agencies. Family, religion, markets (both local and global) and intervention from the government and non government agencies construct the aesthetic of production, and in turn this constitute their larger social world of interaction which involves and includes the petty businessmen to whom they sell their products, the customers and the artists and the designers with whom they come in contact while in training camp. But, it’s sad that they have forgotten their own stories and songs that constituted the aesthetic of jewellery making earlier, as it has been largely replaced by the songs and stories on the transistors that play in the background. The issue is not that whether the folk songs or stories can always make a claim for their moralistic and superior status over the products of culture industries. But, what was part of their production will never be told or reproduced. Thus the paper would address the role of these agencies that construct the aesthetics of craft which have multiple relationships with art. Also, it would delineate how the community attitude changes towards various agencies which construct the aesthetics of making and their larger social world. -
Don't Talk About Khalistan but Let It Brew Quietly. Police Say Places Where Religious
22 MARCH 2021 / `50 www.openthemagazine.com CONTENTS 22 MARCH 2021 5 6 12 14 16 18 LOCOMOTIF bengAL DIARY INDIAN ACCENTS TOUCHSTONE WHISPERER OPEN ESSAY The new theology By Swapan Dasgupta The first translator The Eco chamber By Jayanta Ghosal Imperfect pitch of victimhood By Bibek Debroy By Keerthik Sasidharan By James Astill By S Prasannarajan 24 24 AN EAST BENGAL IN WEST BENGAL The 2021 struggle for power is shaped by history, geography, demography—and a miracle by the Mahatma By MJ Akbar 34 THE INDISCREET CHARM OF ABBAS SIDDIQUI Can the sinking Left expect a rainmaker in the brash cleric, its new ally? By Ullekh NP 38 A HERO’S WELCOME 40 46 Former Naxalite, king of B-grade films and hotel magnate Mithun Chakraborty has traversed the political spectrum to finally land a breakout role By Kaveree Bamzai 40 HARVESTING A PROTEST If there is trouble from a resurgent Khalistani politics in Punjab, it is unlikely to follow the 50 54 roadmap of the 1980s By Siddharth Singh 46 TURNING OVER A NEW LEAF The opportunities and pains of India’s tiny seaweed market By Lhendup G Bhutia 62 50 54 60 62 65 66 OWNING HER AGE THE VIOLENT INDIAN PAGE TURNER BRIDE, GROOM, ACTION HOLLYWOOD REPORTER STARGAZER Pooja Bhatt, feisty teen Thomas Blom Hansen The eternity of return The social realism of Viola Davis By Kaveree Bamzai idol and magazine cover on his new book By Mini Kapoor Indian wedding shows on her latest film magnet of the 1990s, is back The Law of Force: The Violent By Aditya Mani Jha Ma Rainey’s Black Bottom By Kaveree Bamzai Heart of Indian Politics -
(DLNA) of the Cyclone Fani in Odisha
讼µĝ uµ Photographs: United Nations Children’s Fund (UNICEF) and Odisha State Disaster Management Authority (OSDMA) Publishing support including editing and designing: Lucid Solutions, www.lucidsolutionsonline.com Contents Foreword v Acknowledgements vii Executive Summary xi SOCIAL SECTORS 1. Housing, Land, and Settlements 3 2. Education and Child Protection 20 3. Health, Nutrition, and Food Security 28 4. Cultural Heritage and Tourism 38 PRODUCTIVE SECTORS 5. Agriculture, Fisheries, and Livestock 53 INFRASTRUCTURE SECTORS 6. Power 81 7. Telecommunications 86 8. Roads 91 9. Water, Sanitation, and Hygiene 99 10. Public Buildings 109 11. Water Resources 114 CROSS CUTTING SECTORS 12. Employment, Livelihoods, and Social Protection 119 13. Gender and Social Inclusion 133 14. Environment 143 15. Disaster Risk Reduction 149 Contents HUMAN IMPACT AND MACROECONOMIC IMPACT 16. Human Impact Assessment 159 17. Macroeconomic Impact Assessment 174 RECOVERY STRATEGY 18. Recovery Strategy 187 ANNEXES Annexes to Chapters 195 Abbreviations and Acronyms 229 DLNA Sector Teams and Contributors 232 iv NAVEEN PATNAIK STATE SECRETARIAT CHIEF MINISTER, ODISHA BHUBANESWAR FOREWORD Odisha faced Extremely Severe Cyclone ‘FANI’ in 3rd May this year. FANI was one of the rarest of rare summer cyclones, the fi rst one to hit in 43 years and one of the only three cyclones to hit Odisha in the last 150 years. It caused havoc in Puri and Khurda districts and left marks of extensive damage to life and property of more than 1.65 crore people in 12 districts it passed through. As Odisha has already set global benchmark in handling disasters by leveraging technology, strengthening institutional capacities and building resilient measures, it was fully prepared to face all possible eventualities in the face of this calamity of national magnitude.