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Monitoring Vegetation Change Detection of Mayurbhanj District, Odisha by Using Geoinformatics
Int. J. Adv. Res. Biol. Sci. (2016). 3(10): 151-170 International Journal of Advanced Research in Biological Sciences ISSN: 2348-8069 www.ijarbs.com DOI: 10.22192/ijarbs Coden: IJARQG(USA) Volume 3, Issue 10 - 2016 Research Article DOI: http://dx.doi.org/10.22192/ijarbs.2016.03.10.022 Monitoring vegetation change detection of Mayurbhanj district, Odisha by using Geoinformatics R. Dash1, M. K. Swain1, M. Routray2, B.K.Samal2, D. Nandi1, I.Mohanta1, S.S.Patra3 and S. Rout3 1Department of Remote Sensing & GIS, North Orissa University, Takatpur, Baripada, Mayurbhanj, Odisha- 757003 2National Informatics Center (NIC), Bhubaneswar, Odisha-751001 3School of Forestry & Environment, Sam Higginbottom Institute of Agriculture Technology & Sciences, Allahabad, Uttar Pradesh-211007 *Corresponding author: [email protected] Abstract The study was conducted to detect vegetation changes using Gioinformatics in Mayurbhanj district, Odisha. It was conducted using Landsat 5 TM, and Landsat 7 ETM, images. For the vegetation change ERDAS Imagine 9.2 was used. for raw images and Arc GIS 10.1 for creating new feature for mapping was used. The result showed that during the year 2009-2014, there was an increase in vegetation cover in dense forest (13%). Over all, there was an increase in the dense forest vegetation cover of Mayurbhanj district of Odisha. Key words: Dense forest, Geoinformatics, Monitoring, Vegetation. Introduction Vegetation coverage change is a very important Forest and land cover change detection are one of the indication of the ecological environment change. major applications of satellite-based remote sensing. Vegetation change, which can be readily detected and Satellite images from different dates for a particular mapped by satellite remote sensing data (Xiao et al., geographic area are analyzed for changes in spectral 2004). -
DEPARTMENT of FOLKLORE University of Kalyani
DEPARTMENT OF FOLKLORE University of Kalyani COURSE CURRICULA OF M.A. IN FOLKLORE (Two- years Master’s Degree Programme under the Scheme of CBCS) Session: 2017-2018 and onwards As recommended by the Post Graduate Board of Studies (PGBoS) in Folklore in the meeting held on May 05, 2017 OPERATIONAL ASPECTS A. Timetable: 1) Class-hour will be of 1 hour and the time schedule of classes should be from 10.30 a.m. to 5.00 p.m. with 30 minutes lunch-break during 1.30 to 2.00 p.m., from Monday to Friday. Thus there shall be maximum 6 classes a day. 2) Normal 16 class-hours in a week may be kept for direct class instructions. The remaining 14 hours in a week shall be kept for Tutorial, Dissertation, Seminar, Assignments, Special Classes, holding class-tests etc. as may be required for the course. B. Course-papers and Allocation of Class-Hours per Course: 1) For evaluation purposes, each course shall be of 100 marks and for each course of 100 marks total number of direct instruction hours (theory/practical/field-training) shall be 48 hours. 2) The full course in 4 semesters shall be of total 1600 marks with total 16 courses (Fifteen Core Courses & One Open Course). In each semester, the course work shall be for 4 courses of total 400 marks. C. Credit Specification of the Course Curricula: M.A. Course in Folklore shall comprise 4 semesters. Each semester shall have 4 courses. In all, there shall be 16 courses of 4 credits each. -
Folk Theatre in Goa: a Critical Study of Select Forms Thesis
FOLK THEATRE IN GOA: A CRITICAL STUDY OF SELECT FORMS THESIS Submitted to GOA UNIVERSITY For the Award of the degree of Doctor of Philosophy in English by Ms. Tanvi Shridhar Kamat Bambolkar Under the Guidance of Dr. (Mrs.) K. J. Budkuley Professor of English (Retd.), Goa University. January 2018 CERTIFICATE As required under the University Ordinance, OA-19.8 (viii), I hereby certify that the thesis entitled, Folk Theatre in Goa: A Critical Study of Select Forms, submitted by Ms. Tanvi Shridhar Kamat Bambolkar for the Award of the Degree of Doctor of Philosophy in English has been completed under my guidance. The thesis is the record of the research work conducted by the candidate during the period of her study and has not previously formed the basis for the award of any Degree, Diploma, Associateship, Fellowship or other similar titles to her by this or any other University. Dr. (Mrs.) K.J.Budkuley Professor of English (Retd.), Goa University. Date: i DECLARATION As required under the University Ordinance OA-19.8 (v), I hereby declare that the thesis entitled, Folk Theatre in Goa: A Critical Study of Select Forms, is the outcome of my own research undertaken under the guidance of Dr. (Mrs.) K.J.Budkuley, Professor of English (Retd.),Goa University. All the sources used in the course of this work have been duly acknowledged in the thesis. This work has not previously formed the basis of any award of Degree, Diploma, Associateship, Fellowship or other similar titles to me, by this or any other University. Ms. -
Programme Report for August 2020
IB-201, Sector – III, Salt Lake, Kolkata - 700106 Report of Activities for the month of August 2020 As the Covid – 19 Pandemic restrictions continued, most programmes in August were held on- line. EZCC was able to reach out to 2478 folk, tribal and upcoming classical artistes during the month. On-line Bihar Folk Festival – 02.08.2020 to 09.08.2020 Folk Dances and Music of Bihar was presented in the 7-day on-line Folk Festival. On-line Sherpa Dance and Music Festival – 04.08.2020 An on-line Sherpa Dance and Music Festival was brought to the viewers of EZCC from Namchi, Sikkim. Puppet Theatre – 09.08.2020 Two Puppet Theatres, one by Dolls Theatre, Kolkata and the other by Tripura Puppet Theatre, Agartala, were presented on-line. Both the shows had a large viewership. On-line Folk Song Workshop – 05-08.2020 to 16.08.2020 An on-line Folk Song Workshop on the folk song genres of undivided Bengal was held from 05.08.2020 to 16.08.2020. Conducted by celebrated folk singer Amit Saha, the on-line workshop had 20 participants. On-line Dance and Music Festival – 10.08.2020 On-line Dance and Music Festival (Phase I) was held on 10.08.2020. Folk and classical dance and music forms of all the member states was presented at this festival. Lok Sanskriti Utsav (Jharkhand) – 10.08.2020 Folk art forms of Jharkhand were presented at the Lok Sanskriti Utsav (Jharkhand) on 10.08.2020. Lok Sanskriti Utsav (Assam) – 11.08.2020 to 17.08.2020 Folk and tribal dances and music of Assam were presented in the Phase III and IV of the Lok Sanskriti Utsav (Assam). -
Eforms Publication of SEM-VI, 2021 on 7-9-2021.Xlsx
THE UNIVERSITY OF BURDWAN COLLEGE NAME- TARAKESWAR DEGREE COLLEGE- 415 LIST OF APPLICANT FOR SEM -VI, 2020 AND THEIR DETAILS AFTER SUBMITTING BA/BCOM/BSC (H/G) SEM-VI, 2021 ONLINE EXAMINATION FORM (যারা অনলাইন পেম কেরেছ ৯/০৭/২০২১ (বার) রাত ৮.০০ িমিনেটর মেধ তােদর তািলকা) Cours Hons/ Hons/ Application e Hons Gen Gen Gen Sub- SEC Seq No Code Registration No Student Name Father Name Sub Honours Sub CC-13 Honours Sub CC-14 Sub-1 Sub-2 3 DSE-3/1B Topic Name DSE-4/2BTopic Name DSE-3B Topic Name GE Sub GE-2 Topic Name Sub SEC-4 Topic Name Bish Sataker Swadhinata- Sahitya Bisayak 20216415AH0 Sanskrita O Ingreji Sahityer Rup- Riti O Purbabarti Bangla Prabandha O 29030 BAH 201501064828 SRIBAS BAG DILIP BAG BNGH Sahityer Itihas Sangrup BNGH BNGH Kathasahitya Lakasahitya Rabindranath's Stage Demonstration - 20216415AH0 DIPENDRA NATH Khyal Vilambit & Gitinatya and Stage Demonstration - Rabindra Sangeet and 33874 BAH 201501070379 ADITI BERA BERA MUCH Drut Nrityanatya MUCH MUCH Khyal Bengali Song Bish Sataker Swadhinata- Sahitya Bisayak 20216415AH0 Sanskrita O Ingreji Sahityer Rup- Riti O Purbabarti Bangla Prabandha O 28925 BAH 201601067467 CHANDRA SANTRA ASIT KUMAR SANTRA BNGH Sahityer Itihas Sangrup BNGH BNGH Kathasahitya Lakasahitya Bish Sataker Swadhinata- Sahitya Bisayak 20216415AH0 Sanskrita O Ingreji Sahityer Rup- Riti O Purbabarti Bangla Prabandha O 28717 BAH 201601073761 MADHUMITA BALI SHYAMSUNDAR BALI BNGH Sahityer Itihas Sangrup BNGH BNGH Kathasahitya Lakasahitya Rabindranath's Stage Demonstration - 20216415AH0 Khyal Vilambit & Gitinatya and -
The Seraikella Chhau Dance
The Seraikella Chhau Dance Text and Photographs by Mohan Khokar If the one-time princely state of Seraikella is known to the outside world, it is mainly because of the Chhau dance. For centuries the people here-rulers and commonersalike-havecherished and preservedthisextraordinarily stylised and aesthetically rich form of art. Dance traditions bearing the same name, Chhau, also obtain in nearby Mayurbhanj. in Orissa, and Purulia, in West Bengal, and certain parallel characteristics suggest a common origin for the three. Broadly, however, the Chhau of Seraikella can be said to be poetic and evocative, that of Mayurbhanj earthy and vibrant, and of Purulia robust and virile. Hara-Parvatt. 25 Seraikella lies in the heart of the Singhbhum district, formerly of Orissa and now of Bihar. Girdled as it is by the rolling Saranda and Bangriposi hills, it has for centuries maintained its own peculiar religious and cultural traditions, immune to influence from without. And these traditions find their fullest flower ing once every year, at the time of Chaitra Parva, the Spring Festival . Preceded by elaborate ceremonies and rituals, the Chhau is performed for four or five nights and witnessed by thousands from the city and around. The technique of the Chhau dance stems from the parikhanda system of exercise, an important part of the training of the sipahis, or warriors, of Seraikella. Pari means shield and khanda sword, and in the parikhanda the performers all hold swords and shields in their hands when doing the exercises. The parikhanda is generally performed in the early hours of the morning and, traditionally, only at one place-a stretch of raised land on the bank of the Kharkai river, known as Bhairavsal. -
Odisha Review Dr
Orissa Review * Index-1948-2013 Index of Orissa Review (April-1948 to May -2013) Sl. Title of the Article Name of the Author Page No. No April - 1948 1. The Country Side : Its Needs, Drawbacks and Opportunities (Extracts from Speeches of H.E. Dr. K.N. Katju ) ... 1 2. Gur from Palm-Juice ... 5 3. Facilities and Amenities ... 6 4. Departmental Tit-Bits ... 8 5. In State Areas ... 12 6. Development Notes ... 13 7. Food News ... 17 8. The Draft Constitution of India ... 20 9. The Honourable Pandit Jawaharlal Nehru's Visit to Orissa ... 22 10. New Capital for Orissa ... 33 11. The Hirakud Project ... 34 12. Fuller Report of Speeches ... 37 May - 1948 1. Opportunities of United Development ... 43 2. Implication of the Union (Speeches of Hon'ble Prime Minister) ... 47 3. The Orissa State's Assembly ... 49 4. Policies and Decisions ... 50 5. Implications of a Secular State ... 52 6. Laws Passed or Proposed ... 54 7. Facilities & Amenities ... 61 8. Our Tourists' Corner ... 61 9. States the Area Budget, January to March, 1948 ... 63 10. Doings in Other Provinces ... 67 1 Orissa Review * Index-1948-2013 11. All India Affairs ... 68 12. Relief & Rehabilitation ... 69 13. Coming Events of Interests ... 70 14. Medical Notes ... 70 15. Gandhi Memorial Fund ... 72 16. Development Schemes in Orissa ... 73 17. Our Distinguished Visitors ... 75 18. Development Notes ... 77 19. Policies and Decisions ... 80 20. Food Notes ... 81 21. Our Tourists Corner ... 83 22. Notice and Announcement ... 91 23. In State Areas ... 91 24. Doings of Other Provinces ... 92 25. Separation of the Judiciary from the Executive .. -
SLGT- Navaratri Flyer 2018
ANAPA I G T M H I SRI LAKSHMI GANAPATHI TEMPLE H T S E K M A P L L I HINDU TEMPLE OF PLANO E R S HINDU TEMPLE OF PLANO 3829 W Spring Creek Pkwy Suite # 110 Plano TX 75023 | (972)635-3456, (512)466-1789 DEVI NAVRATRI CELEBRATION ( 09 OCTOBER - 18 OCTOBER 2018 ) Dear Devotees We cordially invite you and your family to attend DEVI NAVRATRI CELEBRATION From October 9th to 18th. Day 1: TUESDAY 09 OCT BALA TRIPURA SUNDARI *(EVENING) KUMKUMA ARCHANA Day 10 : THURSDAY18 OCT SRI RAJA RAJESHWARI DEVI (VIJAYADASHMI) DUSHERA. Day 2 : WEDNESDAY 10 OCT SRI GAYATHRI DEVI *(EVENING) KUMKUMA ARCHANA Day 9 : WRDNESDAY 17 OCT Day 3 : THURSDAY 11 OCT SRI CHANDIKA DEVI SRI ANNAPOORNA DEVI (MORNING) CHANDI HOMAM *(EVENING) KUMKUMA ARCHANA 6:00AM *(EVENING) KUMKUMA ARCHANA Day 4: FRIDAY 12 OCT SRI MAHA LAKSHMI DEVI *(EVENING) KUMKUMA ARCHANA GARBA/KOLATAM Day 8 : TUESDAY 16 OCT SRI MAHISHASURA MARDINI *(EVENING) KUMKUMA ARCHANA SUHASINI POOJA BATHUKAMMA CELEBRATION. Day 5 : SATURDAY 13 OCT SRI SARASWATHI DEVI (MORNING/EVENING) *(EVENING) KUMKUMA ARCHANA AKSHRABHYASAM. Day 7 : MONDAY 15 OCT SRI DURGA DEVI * (EVENING) KUMKUMA ARCHANA Day 6: SUNDAY 14 OCT BALA POOJA. SRI LALITHA TRIPURA SUNDARI *(EVENING) KUMKUMA ARCHANA 100TH YEAR OF SAI BABA MAHA SAMADHI ON VIJAYADASHMI (DUSSHERA) DAILY POOJA SCHEDULE Chandi Parayanam - 11:00 am Special Cultural Program - 8:00pm Kumkuma Archana - 7:00 pm. SPECIAL CELEBRATION SAI BABA PANCHAMRUTAM ABHISHAKEM | SPECIAL ARCHANA WITH PALLAKI SEVA | MAHA AARTHI AND MAHA PRASADAM INTERESTED TO SPONSOR ? Sarees Sponsors (Saree are in Temple) $101 Chandi Homam $251 Flowers Each Day $51 All 9 Days Devi Pooja $501 Annadaanam Each day $51 2 Day $101 **POOJA SPONSOR BRING FLOWERS, FRUITS AND PRASADAM **PLEASE DONATE PLATES, SPOONS, NAPKINS AND CUPS TO THE TEMPLE. -
List of Indian Folk Dances - State Wise
STUDENT'S SENA New resolution for banking aspirants List of Indian Folk Dances - State Wise List of Folk dances, important for general awareness section of bank exams. Jharkhand Chhanu, Sarahul, Jat-Jatin, Karma, Danga, Bidesia, Sohrai. Uttarakhand Garhwali, Pandav Nritya, Kumaoni, Kajari, Chancheri, Jhora, Raslila, Chhapeli. Andhra Kuchipudi (Classical), Ghanta mardala, Vilasini Pradesh Natyam, Andhra Natyam, Burrakatha, Veeranatyam, Butta bommalu, Tholu Bommalata, Dappu. Chhattisgarh Goudi, Karma, Jhumar, Dagla, Pali, Tapali, Navrani, Diwari, Mundari. Arunachal Mask dance (Mukhauta Nritya), War dance. Pradesh Himachal Jhora, Jhali, Chharhi, Dhaman, Chhapeli, Mahasu, Pradesh Nati, Dangi, Chamba, Thali, Jhainta, Daf, Stick dance etc. Goa Mandi, Jhagor, Khol, Dakni etc. Assam Bihu, Bichhua, Natpuja, Maharas, Kaligopal, Bagurumba, Naga dance, Khel Gopal, Tabal Chongli, Canoe, Jhumura Hobjanai etc. West Bengal Kathi, Gambhira, Dhali, Jatra, Baul, Marasia, Mahal, Keertan etc. Kerala Kathakali (Classical), Ottamthullal, Mohiniyattam, Kaikottikali, Tappeti Kali, Kali Attam. Meghalaya Laho, Baala etc. Manipur Manipuri (Classical), Rakhal, Nat Rash, Maha Rash, Raukhat etc. 1 STUDENT'S SENA New resolution for banking aspirants Nagaland Chong, Lim, Nuralim etc. Orissa Odissi (Classical), Savari, Ghumara, Painka, Munari, Chhau, Chadya Dandanata etc. Maharashtra Lavani, Nakata, Koli, Lezim, Gafa, Dahikala Dashavatar or Bohada, Tamasha, Mouni, Powara, Gauricha etc. Karnataka Yakshagana, huttar, Suggi, Kunitha, Karga, Lambi Gujarat Garba, Dandiya Raas, Tippani Juriun, Bhavai. Punjab Bhangra, Giddha, Daff, Dhaman etc. Rajasthan Ghumar, Chakri, Ganagor, Jhulan Leela, Jhuma, Suisini, Ghapal, Panihari, Ginad etc. Mizoram Khanatm, Pakhupila, Cherokan etc. Jammu Rauf, Hikat, Mandjas, kud Dandi nach, Damali. & Kashmir Tamil Nadu Bharatanatyam, Kummi, Kolattam, Kavadi. Uttar Pradesh Nautanki, Raslila, Kajri, Jhora, Chappeli, Jaita. Bihar Jata-Jatin,Bakho-Bakhain, Panwariya, Sama-Chakwa, Bidesia, Jatra etc. -
Integrated Handicraft Cluster Development Programme
OFFICE OF THE DEVELOPMENT COMMISSIONER [HANDICRAFTS] West Block No. 7, R.K. Puram, New Delhi-110066 INTEGRATED HANDICRAFT CLUSTER DEVELOPMENT PROGRAMME Proposals are invited in prescribed proforma for undertaking Handicraft Cluster Development Projects under Ambedkar Hastshilp Vikas Yojana for the year 2016-17. The eligible Organisation who can apply are Central/State Handloom and Handicrafts Development Corporations and other Govt. Corporations/agencies promoted by State Government or organization promoted by Financial Institutions/banks and NIFT, NID, University Department, DRDA, NISIET, Artisans Federation, Apex Co-operatives societies/Co-Operative Society, EDIs and other similar bodies, and those Non-Governmental Organisations(NGOs) which are empanelled with TATA INSTITUTE OF SOCIAL SCIENCES(TISS), MUMBAI & NITI AYUG NGO Partnership Portal. In addition to the above, Research and Development Project Proposal under R&D Scheme is also invited from the eligible Organisation. For further details visit: www.handicrafts.nic.in OFFICE OF THE DEVELOPMENT COMMISSIONER [HANDICRAFTS] West Block No. 7, R.K. Puram, New Delhi-110066 INTEGRATED HANDICRAFT CLUSTER DEVELOPMENT PROGRAMME Proposals are invited in prescribed proforma for undertaking Handicraft Cluster Development Projects under Ambedkar Hastshilp Vikas Yojana for the year 2015-16. The eligible Organisation who can apply are Central/State Handloom and Handicrafts Development Corporations and other Govt. Corporations/agencies promoted by State Government or organization promoted by Financial Institutions/banks and NIFT, NID, University Department, DRDA, NISIET, Artisans Federation, Apex Co-operatives societies/Co-Operative Society, EDIs and other similar bodies, and those Non- Governmental Organisations (NGOs) which are empanelled with TATA INSTITUTE OF SOCIAL SCIENCES (TISS), MUMBAI. The proposal can be submitted to Deputy Director (Cluster Cell), Hd. -
Classical Dances Have Drawn Sustenance
Performing Art 1 Classic Dances 4 Bharatnatyam Dance 8 Kathakali Dance 12 Kathak Dance 18 Manipuri 21 Lai Haraoba 22 Radha and Krishna 23 Pung Cholam 23 Kartal Cholam 23 Thang-Ta 24 Musicians 24 Odissi 25 Kuchipudi 30 Sattriya 34 Performing Art In India, various facets of performing arts are all pervading bringing colour and joy to numerous festivals and ceremonies, and reaffirming the faith of the people in their heritage. These facets have been responsible for sustaining the long continuities of ancient traditions. They are the link between the past and the present. It thus exemplifies the complex, organic interaction of all aspects of life implicit in all tribal and folk art forms; art is not seen as something apart from life, a mere ornamentation or entertainment, but as an intrinsic part of it. Page !1 of !36 Pre-historic Cave painting, Bhimbetka, Madhya Pradesh Under the patronage of Kings and rulers, skilled artisans and entertainers were encouraged to specialize and to refine their skills to greater levels of perfection and sophistication. Gradually, the classical forms of Art evolved for the glory of temple and palace, reaching their zenith around India around 2nd C.E. onwards and under the powerful Gupta empire, when canons of perfection were laid down in detailed treatise - the Natyashastra and the Kamasutra - which are still followed to this day. Through the ages, rival kings and nawabs vied with each other to attract the most renowned artists and performers to their courts. While the classical arts thus became distinct from their folk roots, they were never totally alienated from them, even today there continues a mutually enriching dialogue between tribal and folk forms on the one hand, and classical art on the other; the latter continues to be invigorated by fresh folk forms, while providing them with new thematic content in return. -
Annexure-VI-Eng Purba Bardhaman Corrected Final Final.Xlsx
Annexure-6 (Chapter 2, para 2.9.1) LIST OF POLLING STATIONS For 260-Bardhaman Dakshin Assembly Constituency within 39-Bardhaman-Durgapur Perliamentry Constitutency Wheather Sr. No. for all voters of the Building in which will be Locality Polling Area or men only Polling located or women Station only 1 2 3 4 5 Kamal Sayar, Ward no. 26, Burdwan Municipality University Engineering 1. Both side of Kamal Sayar, 2. East Side of 1 For all voters Sadar Burdwan, Pin-713104. College, Kamal Sayar Research Hostel road Goda, Ward No. 26, Burdwan Municipality Sadar Goda Municipal F.P. School (R- 1.Goda Kajir Hat, 2. Goda Sib tala, 3. 2 For all voters Burdwan, Pin-713102. 1) Tarabag, 4. Golapbag Goda, Ward No. 26, Burdwan Municipality Sadar Goda Municipal F.P. School (R- 1. Goda Koit tala, 2. Goda Kumirgorh, 3. 3 For all voters Burdwan, Pin-713102. 2) Goda Jhumkotala, 4. Goda Khondekar para, 1. Banepukur Dakshinpar, 2. Banepukur Goda, Ward No. 26, Burdwan Municipality Sadar pashimpar, 3. Das para, 4. Simultala, 5. 4 Goda F.P. School (R-1) For all voters Burdwan, Pin-713102. Banepukur purba para, 6. Goda Roy colony, 7. Goda Majher para, 8. Goda Dangapara. 1. Goda Mondal Para, 2. Goda Molla Para, Goda, Ward No. 26, Burdwan Municipality Sadar 5 Goda F.P. School (R-2) 3.Dafadar Para, 4. Goda Bhand para, 5. Goda For all voters Burdwan, Pin-713102. Bizili par, 6. Nuiner Par 1. Goda math colony, 2. Goda kaibartya para, 3. Goda sibtala, 4. Goda mali para, 5. Goda Goda, Ward No.