DOCSLIB.ORG

Annexure-VI-Eng Purba Bardhaman Corrected Final Final.Xlsx

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Annexure-VI-Eng Purba Bardhaman Corrected Final Final.Xlsx Annexure-6 (Chapter 2, para 2.9.1) LIST OF POLLING STATIONS For 260-Bardhaman Dakshin Assembly Constituency within 39-Bardhaman-Durgapur Perliamentry Constitutency Wheather Sr. No. for all voters of the Building in which will be Locality Polling Area or men only Polling located or women Station only 1 2 3 4 5 Kamal Sayar, Ward no. 26, Burdwan Municipality University Engineering 1. Both side of Kamal Sayar, 2. East Side of 1 For all voters Sadar Burdwan, Pin-713104. College, Kamal Sayar Research Hostel road Goda, Ward No. 26, Burdwan Municipality Sadar Goda Municipal F.P. School (R- 1.Goda Kajir Hat, 2. Goda Sib tala, 3. 2 For all voters Burdwan, Pin-713102. 1) Tarabag, 4. Golapbag Goda, Ward No. 26, Burdwan Municipality Sadar Goda Municipal F.P. School (R- 1. Goda Koit tala, 2. Goda Kumirgorh, 3. 3 For all voters Burdwan, Pin-713102. 2) Goda Jhumkotala, 4. Goda Khondekar para, 1. Banepukur Dakshinpar, 2. Banepukur Goda, Ward No. 26, Burdwan Municipality Sadar pashimpar, 3. Das para, 4. Simultala, 5. 4 Goda F.P. School (R-1) For all voters Burdwan, Pin-713102. Banepukur purba para, 6. Goda Roy colony, 7. Goda Majher para, 8. Goda Dangapara. 1. Goda Mondal Para, 2. Goda Molla Para, Goda, Ward No. 26, Burdwan Municipality Sadar 5 Goda F.P. School (R-2) 3.Dafadar Para, 4. Goda Bhand para, 5. Goda For all voters Burdwan, Pin-713102. Bizili par, 6. Nuiner Par 1. Goda math colony, 2. Goda kaibartya para, 3. Goda sibtala, 4. Goda mali para, 5. Goda Goda, Ward No. 26, Burdwan Municipality Sadar Goda Municipal F.P. School majh para, 6. Goda sahid tala, 7. Goda 6 For all voters Burdwan, Pin-713102. (R-3) sahana dakshin par, 8. Goda sahana purba par, 9. Goda sahana paschim par, 10. Goda sahana uttar par. 1 of 27 1 2 3 4 5 Tikarhat Ward No. 26, Burdwan Municipality Gov. College of Education (B. 1. From south side of Tikarhat Beltala Road to 7 For all voters Sadar Burdwan, Pin-713102. Ed.), Kazirhat (R-3) R.B. chatterjee Road, 1. Jalkal colony, Saratpally, Tentule para, karmakar para, Part of sukanta pally colony, Tikarhat Ward No. 26, Burdwan Municipality Gov. College of Education (B. 8 2. East Lacuddi From Purbalacuddi Bijay For all voters Sadar Burdwan, Pin-713102. Ed.), Kazirhat (R-4) Ghosh's home through the drain to the west side. Kajir Berh, Ward No. 26, Burdwan Municipality Gov. College of Education (B. 1. Tikarhat colony, 2. Tikarhat woman hostel 9 For all voters Sadar Burdwan, Pin-713102. Ed.), Kazirhat (R-1) area, Kajir Berh, Ward No. 26, Burdwan Municipality Gov. College of Education (B. 1. Tikarhat Road More, 2. Shibtala Kaibartya 10 For all voters Sadar Burdwan, Pin-713102. Ed.), Kazirhat (R2) Para Soho Lakurdi nalar Purbadik 2 of 27 1 2 3 4 5 1. Kashabganj Chati uttar, vacant agri. Land (from Krishna pur more Samit Mallick's to Keshabganj Bardhaman, Ward no. 1, Burdwan 11 Keshabganj F.P School (R-1) West Sanatan Singh's grage), 2. Dakshin For all voters Municipality Sadar Burdwan, Pin-713104. G.T. Road, east krishnapur road west vacant land. Baburbag, Ward no. 1, Burdwan Municipality Nibedita Kanya Balika 1. P.N. T. colony Khargragore 2. 12 For all voters Sadar Burdwan, Pin-713102. Vidyalayaa (R-1) Badsahiroad, Sharamapara, Baburbag, Ward no. 1, Burdwan Municipality Nibedita Kanya Balika 1. Bhanga kuthi Danga para, 2. Badsahi road 13 For all voters Sadar Burdwan, Pin-713102. Vidyalayaa (R-2) uttar para. 1. Bhangha kuthi badsahi road Paschim Badsahi Road, Ward no. 1, Burdwan Municipality Badshahi Road Hindi Primary Khargragore, 2. Badsahi road, sharma para 14 For all voters Sadar Burdwan, Pin-713102. School Khargragore, 3. Kardanga para Khargragore, 4. Bhanga kuthi uttar Khargragore, Samima Khatun F.P. School, ward no. 1, Burdwan Samima Khatun F.P. School (R- 15 1. Lakshmipur math - Uttar For all voters Municipality Sadar Burdwan, Pin-713101. 1) Samima Khatun F.P. School, ward no. 1, Burdwan Samima Khatun F.P. School (R- 1. Middle part of Lakshmipur Math - Uttar 16 For all voters Municipality Sadar Burdwan, Pin-713101 2) and Lakshmipur Math South, Samima Khatun F.P. School, ward no. 1, Burdwan Samima Khatun F.P. School (R- 17 1. Lakshmipur math - Dakshin. For all voters Municipality Sadar Burdwan, Pin-713101. 3) 1. Lakshmipur (Middle part) Kantapukur Laxmipur G.T. Road, Ward No. 1, Burdwan Netaji Hindi Primary School (R- Nortern side road. 2. G.T. Road (South) From 18 For all voters Municipality Sadar Burdwan, Pin-713101. 1) Amitava Chowdhury's house to Mahadeb Hazra's house. Baburbag, Bardhaman, Ward no. 1, Burdwan Nibedita Kanya Balika 19 1. Bhanga Kuthi & Khogragare road (East) For all voters Municipality Sadar Burdwan, Pin-713104. Bidyamandir (R-3) 1. East side of Bhanga Kuthi Khagra gore Baburbag, Bardhaman, Ward no. 1, Burdwan Nibedita Kanya Balika 20 road, 2. East side of Bhanga Kuthi Khagra For all voters Municipality Sadar Burdwan, Pin-713104. Bidyamandir (R-4) gore road, Khagragore Road. Bahir Sarbamongala para, Ward no. 1, Burdwan Bahir Sarbamangala Harijan 21 1. Bahir Sarbamongala Math para, For all voters Municipality Sadar Burdwan, Pin-713101. F.P School (R-1) 3 of 27 1 2 3 4 5 Bahir Sarbamongala para, Ward no. 1, Burdwan Bahir Sarbamangala Harijan 22 1. Math para For all voters Municipality Sadar Burdwan, Pin-713101. F.P School (R-2) 1. Mahedibagan Dompara G.T. Road, 2. Lakshmipur G.T. Road, ward no. 1, Burdwan 23 Neheru Bidyamandir (R-1) Lakshmi pur Math, 3. Badsahi Kantapukur For all voters Municipality Sadar Burdwan, Pin-713101. road. Lakshmipur, ward no. 1, Burdwan Municipality 24 Neheru Bidyamandir (R-2) 1. Badsahi Kantapukur road. For all voters Sadar Burdwan, Pin-713101. Bajepratappur, Ward no. 4, Burdwan Municipality Subhaspally Primary Vidhalaya 25 1. Bajepratappur (Subhas Pally) For all voters Sadar Burdwan, Pin-713101. (Bajepratappur) Near Railway overbridge, Ward no. 4, Burdwan 26 Haribhajan F.P School (R-1) 1. Math para, For all voters Municipality Sadar Burdwan, Pin-713101. 1. Subhas pally, 2. Katwa Road (Subhas Near Railway overbridge, Ward no. 4, Burdwan 27 Haribhajan F.P School (R-2) pally), East katwa road from Khator Bari to For all voters Municipality Sadar Burdwan, Pin-713101. Subhas pally Lane 1. West side of Aludanga Road, 2. Near Dubraj Dighi, Ward no. 4, Burdwan Dubraj Dighi Municipal F.P. 28 Solapukur(Dakshin), 3. Harer danga (Sola For all voters Municipality Sadar Burdwan, Pin-713101. School (R-1) Purkur), Near Dubraj Dighi, Ward no. 4, Burdwan Dubraj Dighi Municipal F.P. 29 1. Harer Danga, 2. Railway Qtr. For all voters Municipality Sadar Burdwan, Pin-713101. School (R-2) Near Railway hospital, Ward no. 4, Burdwan 1. Bajepratappur Tripalpara, 2. Bajepratappur 30 Railway Mahila Samiti For all voters Municipality Sadar Burdwan, Pin-713101. lahar dhar, 3. Bajepratappur Katwa road. Dubrajdighi, Ward no. 4, Burdwan Municipality Dubraj Dighi Municipal F.P. 1. Part of Katwa road, 2. Eker Pally, 3. Natun 31 For all voters Sadar Burdwan, Pin-713101. School (R-3) Pukur road, Dubrajdighi, Ward no. 4, Burdwan Municipality Dubraj Dighi Municipal F.P. 32 1. Katwa road & triffic colony For all voters Sadar Burdwan, Pin-713101. School (R-4) Dubrajdighi, Ward no. 4, Burdwan Municipality 1. Dubrajdighi North & East, 2. Dubrajdighi 33 Dubraj Dighi High School (R-1) For all voters Sadar Burdwan, Pin-713101. North, Dubrajdighi, Ward no. 4, Burdwan Municipality 34 Dubraj Dighi High School (R-2) 1. Dubrajdighi South, 2. Dubrajdighi west. For all voters Sadar Burdwan, Pin-713101. Dubrajdighi, Ward no. 5, Burdwan Municipality Aludanga Abaitanik Prathamik 35 1. Sadhanpur Aludanga, For all voters Sadar Burdwan, Pin-713101. Vidyalayaa (R-1) Dubrajdighi, Ward no. 5, Burdwan Municipality Aludanga Abaitanik Prathamik 36 1. Sadhanpur Aludanga Ghosh para For all voters Sadar Burdwan, Pin-713101. Vidyalayaa (R-2) 4 of 27 1 2 3 4 5 1. Dubrajdighi (Dubraj Kenduli Pukur) Aludanga, Ward No. 5, Burdwan Municipality Paschim-O-Dakshin Dubrajdighir Main 37 Dubraj Dighi High School (R-3) For all voters Sadar Burdwan, Pin-713101. Roader Himid Sahaber Bari Haite, 2. Dubraj East , Aludanga, Ward No. 5, Burdwan Municipality 1. Dubraj Ghosh para, 2. Dubraj Natun pally, 38 Dubraj Dighi High School (R-4) For all voters Sadar Burdwan, Pin-713101. 3. Katwa Road. Sadhanpur, Ward no. 5, Burdwan Municipality Maharajadhiraj Bijaychand 1. Golpukur area, 2. Sadhanpur housing area 39 For all voters Sadar Burdwan, Pin-713101. Engineering Inst. of Tech. (R-1) & rayen road, 3. East side of Aludanga road Ladmipur G.T. Road, Ward no. 3, Burdwan Ramasish Hindi High School 40 1. Laxmipur North For all voters Municipality Sadar Burdwan, Pin-713101. (R-1) Ladmipur G.T. Road, Ward no. 3, Burdwan Ramasish Hindi High School 1. Laxmipur South to North Rail Line, 2. 41 For all voters Municipality Sadar Burdwan, Pin-713101. (R-2) Badsahi Katapukur Road. 1. Lakshmipur Utter Rail Line (Surendra Modaler Bari Theke Ram Prosader Bari Ladmipur G.T. Road, Ward no. 3, Burdwan Ramasish Hindi High School 42 Parjanta) Dakshin Bijoy Master Lane. 2. For all voters Municipality Sadar Burdwan, Pin-713101. (R-3) Mahidibagan dom para G.T. Road, Lakshmipur math, 3. Lakshmipur Math, Lakshmipur, Ward no. 3, Burdwan Municipality 1. South & west of Mahandibagen, North G.T. 43 Rasikpur F.P School (R-1) For all voters Sadar Burdwan, Pin-713101. Road, 1. Laxmipur North Rail Line, (From Tara Laxmipur G.T. Road, ward no. 3, Burdwan Lakshmipur Hindi Prathamik 44 Mudi Shop to Lahiri Babu's House), Sourt For all voters Municipality Sadar Burdwan, Pin-713101. Vidyalaya R-1 Lakshmipur Road.
Load more

Recommended publications
  • Integrated Handicraft Cluster Development Programme
    OFFICE OF THE DEVELOPMENT COMMISSIONER [HANDICRAFTS] West Block No. 7, R.K. Puram, New Delhi-110066 INTEGRATED HANDICRAFT CLUSTER DEVELOPMENT PROGRAMME Proposals are invited in prescribed proforma for undertaking Handicraft Cluster Development Projects under Ambedkar Hastshilp Vikas Yojana for the year 2016-17. The eligible Organisation who can apply are Central/State Handloom and Handicrafts Development Corporations and other Govt. Corporations/agencies promoted by State Government or organization promoted by Financial Institutions/banks and NIFT, NID, University Department, DRDA, NISIET, Artisans Federation, Apex Co-operatives societies/Co-Operative Society, EDIs and other similar bodies, and those Non-Governmental Organisations(NGOs) which are empanelled with TATA INSTITUTE OF SOCIAL SCIENCES(TISS), MUMBAI & NITI AYUG NGO Partnership Portal. In addition to the above, Research and Development Project Proposal under R&D Scheme is also invited from the eligible Organisation. For further details visit: www.handicrafts.nic.in OFFICE OF THE DEVELOPMENT COMMISSIONER [HANDICRAFTS] West Block No. 7, R.K. Puram, New Delhi-110066 INTEGRATED HANDICRAFT CLUSTER DEVELOPMENT PROGRAMME Proposals are invited in prescribed proforma for undertaking Handicraft Cluster Development Projects under Ambedkar Hastshilp Vikas Yojana for the year 2015-16. The eligible Organisation who can apply are Central/State Handloom and Handicrafts Development Corporations and other Govt. Corporations/agencies promoted by State Government or organization promoted by Financial Institutions/banks and NIFT, NID, University Department, DRDA, NISIET, Artisans Federation, Apex Co-operatives societies/Co-Operative Society, EDIs and other similar bodies, and those Non- Governmental Organisations (NGOs) which are empanelled with TATA INSTITUTE OF SOCIAL SCIENCES (TISS), MUMBAI. The proposal can be submitted to Deputy Director (Cluster Cell), Hd.
    [Show full text]
  • Jadupatias in the Aesthetics of the Craft of Jewellery
    Jadupatias in the Aesthetics of the Craft of Jewellery Long Abstract The Jadupatias is an obscure community in Jharkhand, India, who engage in the dokra jewellery making. The aesthetics of brass jewellery are not just based on the aspect of ‘charm’. But there is a larger social construction of its aesthetics of making. It is based on their own environment, the materials they procure from their environment and other secular and non- secular agencies. Family, religion, markets (both local and global) and intervention from the government and non government agencies construct the aesthetic of production, and in turn this constitute their larger social world of interaction which involves and includes the petty businessmen to whom they sell their products, the customers and the artists and the designers with whom they come in contact while in training camp. But, it’s sad that they have forgotten their own stories and songs that constituted the aesthetic of jewellery making earlier, as it has been largely replaced by the songs and stories on the transistors that play in the background. The issue is not that whether the folk songs or stories can always make a claim for their moralistic and superior status over the products of culture industries. But, what was part of their production will never be told or reproduced. Thus the paper would address the role of these agencies that construct the aesthetics of craft which have multiple relationships with art. Also, it would delineate how the community attitude changes towards various agencies which construct the aesthetics of making and their larger social world.
    [Show full text]
  • Arts-Integrated Learning
    ARTS-INTEGRATED LEARNING THE FUTURE OF CREATIVE AND JOYFUL PEDAGOGY The NCF 2005 states, ”Aesthetic sensibility and experience being the prime sites of the growing child’s creativity, we must bring the arts squarely into the domain of the curricular, infusing them in all areas of learning while giving them an identity of their own at relevant stages. If we are to retain our unique cultural identity in all its diversity and richness, we need to integrate art education in the formal schooling of our students for helping them to apply art-based enquiry, investigation and exploration, critical thinking and creativity for a deeper understanding of the concepts/topics. This integration broadens the mind of the student and enables her / him to see the multi- disciplinary links between subjects/topics/real life. Art Education will continue to be an integral part of the curriculum, as a co-scholastic area and shall be mandatory for Classes I to X. Please find attached the rich cultural heritage of India and its cultural diversity in a tabular form for reading purpose. The young generation need to be aware of this aspect of our country which will enable them to participate in Heritage Quiz under the aegis of CBSE. TRADITIONAL TRADITIONAL DANCES FAIRS & FESTIVALS ART FORMS STATES & UTS DRESS FOOD (ILLUSTRATIVE) (ILLUSTRATIVE) (ILLUSTRATIVE) (ILLUSTRATIVE) (ILLUSTRATIVE) Kuchipudi, Burrakatha, Tirupati Veerannatyam, Brahmotsavam, Dhoti and kurta Kalamkari painting, Pootha Remus Andhra Butlabommalu, Lumbini Maha Saree, Langa Nirmal Paintings, Gongura Pradesh Dappu, Tappet Gullu, Shivratri, Makar Voni, petticoat, Cherial Pachadi Lambadi, Banalu, Sankranti, Pongal, Lambadies Dhimsa, Kolattam Ugadi Skullcap, which is decorated with Weaving, carpet War dances of laces and fringes.
    [Show full text]
  • New Concept Calendar
    From the innocuous marigold to the conch shell, from the deep sea to the bees, the birds and their complex abodes, to the intricacies of the human body, to the incredible geometry of the solar system, all things big and small in this universe reveal superlative design. Bhubaneswar Office D-60, 1st Floor Injecting the rhythm, the balance and harmony displayed Phase-I, Maitri Vihar in nature into the human environment remains the quest Bhubaneswar - 751023 as well as the challenge of this millennium. Tel: 0674 - 2301299 email: [email protected] With 25 years of collective experience in transformational research and communication, we at New Concept are Chennai Office CALENDAR geared to meet this challenge head on! Old No-65/2, New No-149 LUZ Church Road New Concept specialises in: Mylapore, Chennai – 600004 2013 l Rigorous quantitative, qualitative and evidence-based Tel: 044 - 24984402 research; email: [email protected] l Analytical documentation of processes and outcomes; Delhi Office l Supportive monitoring & evaluation, impact 206, 2nd Floor, LSC assessments; Pocket D & E Market l Web-based monitoring systems, content Sarita Vihar, New Delhi – 110076 management, resource centres, repositories; Tel: 011 - 64784300 Fax: 011 - 26972743 email: [email protected] l Researching into knowledge, attitude and behaviours of communities; Hyderabad Office l Developing effective communication strategies for “Vani Nilayam” H.No. 6-3-903/A/4/1 behaviour change; 2nd Floor, Surya Nagar Colony Somajiguda, Hyderabad – 500082 l Capacity building for grassroot, frontline, managerial Tel: 040 - 23414986 functionaries and stakeholders; and email: [email protected] l Producing artistic communication materials that mobilise communities.
    [Show full text]
  • Brochure Handicrafts
    INDIAN HANDICRAFTS From India to the world, It’s Handmade with Love. www.reyatrade.com DHOKRA Dhokra (also spelt Dokra) is non–ferrous metal casting using the lost wax technique. This sort of metal casting has been used in India for over 4,000 years and is still used. One of the earliest known lost wax artefacts is the dancing girl of Mohenjo-daro. The product of dhokra artisans are in great demand in domestic and foreign markets because of primitive simplicity, enchanting folk motifs and forceful form. Dhokra horses, elephants, peacocks, owls, religious images, measuring bowls, and lamp caskets etc., are highly appreciated. Reyatrade TERRACOTTA The word ‘terracotta’ has been derived from the Latin phrase “terra cocta”, which means ‘baked earth’. Terracotta can be simple defined as clay based earthenware. It is something that we see everywhere. From the roadside tea shop to the flower pots in our balconies, it is part of our daily lives. Reyatrade LEATHER ART Leather puppets and Lamp shades are the authentic product of Andhra Pradesh art and crafts. The motifs and designs are mostly inspired from the hindu epics such as, Ramayana and Mahabharata. The colors which are derived from vegetables dyes, like brilliant red, green, white, yellow, browns and orange are popular. Creating small holes inside the decorative patterns enhances the attraction of the lampshade, which is done using a pogaru (chisel). Reyatrade PATTACHITRA Pattachitra or Patachitra is a general term for traditional, cloth-based scroll painting, based in the eastern Indian states of Odisha and West Bengal. Pattachitra art form is known for its intricate details as well as mythological narratives and folktales inscribed in it.
    [Show full text]
  • FINAL RESULT GYMNASTICS ACROBATICS 2018 SL STUDENT DISTRICT DATE of FATHER's Age Group Events Position STUDENT NAME SCHOOL NAME CLASS NO
    WEST BENGAL STATE COUNCIL FOR SCHOOL GAMES AND SPORTS 64th SSG GYMNASTICS (ARTISTIC, ACROBATICS & RHYTHMIC) CHAMPIONSHIP 2018 OF UNDER - 14, 17 & 19 yrs. BOYS & GIRLS AT UTTARPARA GOVT.HIGH SCHOOL, with SARATHI CLUB, UTTARPARA, HOOGHLY From 01st November 2018 to 03rd November, 2018 FINAL RESULT GYMNASTICS ACROBATICS 2018 SL STUDENT DISTRICT DATE OF FATHER'S Age Group Events Position STUDENT NAME SCHOOL NAME CLASS NO. REGISTRATION NO NAME BIRTH NAME JAHANNAGAR U-19 yrs. Men's Pair FIRST 20 09-18-19-01-08634 Bardhaman RAJ DEBNATH KUMARANANDA HIGH 23-07-02 XII RATAN DEBNATH SCHOOL U-19 yrs. Men's Pair FIRST 19 09-18-19-01-08627 Bardhaman BAPAN DEBNATH KURICHA T.D. HIGH SCHOOL 06-01-05 IX TARANI DEBNATH U-19 yrs. Men's Pair SECOND 103 10-18-19-01-08368 Nadia RAHUL DAS KABI BIJOYLAL HS INSTITUTE 23-11-02 XI BIMAL DAS NABADWIP HINDU HIGH SHYAM SUNDAR 10-18-19-01-08369 Nadia SOUMALYA BISWAS 26-01-07 VII U-19 yrs. Men's Pair SECOND 104 SCHOOL BISWAS AMIT KUMAR TELENIPARA M.G. VIDYAPITH 12-18-17-01-08267 Hooghly 03-01-02 X ASHOK CHOWDHURY U-17 yrs. Men's Pair THIRD 32 CHOWDHURY H.S. CHANDERNAGORE KANAILAL SUBHAS CHANDRA 12-18-14-01-08268 Hooghly SUJAL ROY VIDYAMANDIR (ENGLISH 13-09-06 VII U-14 yrs. Men's Pair THIRD 30 ROY SECTION) NABADWIP TARASUNDARI 10-18-19-02-08373 Nadia PARAMITA DEBNATH 31-07-06 VII GAUTAM DEBNATH U-19 yrs. Women's Pair FIRST 108 GIRLS HIGH SCHOOL NABADWIP TARASUNDARI BIJAN KUMAR 10-18-19-02-08372 Nadia DEBASMITA SARKAR 18-11-02 XI U-19 yrs.
    [Show full text]
  • Call for Expressions of Interest for Final Evaluation of the Project
    Call for expressions of interest for Final Evaluation of the project “Development of Rural Craft and Cultural Hubs in West Bengal to support inter-generational transmission of rural craft and performing arts”, funded by the Department of Micro, Small, and Medium Enterprises and Textiles (MSME&T), Government of West Bengal, and implemented in partnership with UNESCO New Delhi and Contact Base. UNESCO New Delhi Cluster Office for Bangladesh, Bhutan, India, Nepal, Maldives, and Sri Lanka is seeking expressions of interest from qualified and experienced individuals, to conduct the final evaluation of the project titled “Development of Rural Craft and Cultural Hubs in West Bengal to support inter-generational transmission of rural craft and performing arts”. 1. PROJECT BACKGROUND Context While West Bengal is rich in performing arts and crafts, the continuity of such traditions is at stake due to the low socio-economic status of the practitioners in general that does not encourage the younger generation to pursue the practices. The reduced opportunities for practice has also led to the deterioration in the quality of knowledge and skills of the practitioners. Absence of public exposure has not allowed them to tap into opportunities in the contemporary context. In light of the above, UNESCO and the Department of Micro, Small, and Medium Enterprises and Textiles (MSME&T), Government of West Bengal, signed a Funds-in-Trust (FiT) Agreement for a duration of 30 months in August 2016 to promote community well-being through the safeguarding of performing arts and crafts in West Bengal. The project called Rural Craft and Cultural Hubs (RCCH) is being implemented by UNESCO in partnership with Contact Base (also called Banglanatak), a NGO based in Kolkata.
    [Show full text]
  • CA March 2021 Topicwise
    Note: First few volume of target shots are bigger because we are covering news in detail with static linkages considering fresher's preparation also. Next coming volumes will be more concise. JOIN Us : https://targetupsc.in/ 8830115524 Environment. North East Cane and Bamboo Development Council (NECBDC) ● NECBDC was incorporated with the objective of organizing the hitherto untapped bamboo sector of North East India. ● Formerly known as ‘Cane and Bamboo Development Council’ (CBDC) ● Why in news? : The Union Territory of Jammu & Kashmir will set up three Bamboo Clusters #Target_shots Addition National Bamboo Mission (NBM): ● Launched in April 2018. ● Aims to-increase area under bamboo cultivation and also adopting region based strategies to promote bamboo products. ● The NBM envisages promoting holistic growth of bamboo sector by adopting area-based, regionally differentiated strategy and to increase the area under bamboo cultivation and marketing. ● The NBM will be a sub-scheme of National Mission on Sustainable Agriculture (NMSA) under the umbrella scheme Krishonnati Yojana. Bamboo Flowering ● The ‘gregarious flowering of bamboo’ inside the Wayanad Wildlife Sanctuary (WWS) may pose a threat to wildlife in the Nilgiri biosphere. ● The bamboo groves in the Wayanad forest are the mainstay of herbivores in the Nilgiri biosphere during summer. ● The gregarious flowering may adversely affect migration of lower herbivores owing to the mass destruction of bamboo groves after the flowering. ● The farmers living near the sanctuary fear that the destruction of bamboo groves may worsen the increasing man-animal conflict. ● The bamboo flowering is considered a bad omen in several northeastern states of India, especially when accompanied by an increase in rodent population.
    [Show full text]
  • Chapter Ii History Rise and Fall of the Bishnupur Raj
    CHAPTER II HISTORY RISE AND FALL OF THE BISHNUPUR RAJ The history of Bankura, so far as it is known, prior to the period of British rule, is identical with the history of the rise and fall of the Rajas of Bishnupur, said to be one of the oldest dynasties in Bengal. "The ancient Rajas of Bishnupur," writes Mr. R. C. Dutt, "trace back their history to a time when Hindus were still reigning in Delhi, and the name of Musalmans was not yet heard in India. Indeed, they could already count five centuries of rule over the western frontier tracts of Bengal before Bakhtiyar Khilji wrested that province from the Hindus. The Musalman conquest of Bengal, however, made no difference to the Bishnupur princes. Protected by rapid currents like the Damodar, by extensive tracts of scrub-wood and sal jungle, as well as by strong forts like that of Bishnupur, these jungle kings were little known to the Musalman rulers of the fertile portions of Bengal, and were never interfered with. For long centuries, therefore, the kings of Bishnupur were supreme within their extensive territories. At a later period of Musalman rule, and when the Mughal power extended and consolidated itself on all sides, a Mughal army sometimes made its appearance near Bishnupur with claims of tribute, and tribute was probably sometimes paid. Nevertheless, the Subahdars of Murshidabad never had that firm hold over the Rajas of Bishnupur which they had over the closer and more recent Rajaships of Burdwan and Birbhum. As the Burdwan Raj grew in power, the Bishnupur family fell into decay; Maharaja Kirti Chand of Burdwan attacked the Bishnupur Raj and added to his zamindari large slices of his neighbour's territories.
    [Show full text]
  • I Ntroduct Ion This Thesis Is Ahout R Villrge Society and Its Relationship
    I ntroduct ion This thesis is ahout R villRge society and its relationship with a Hindu kingship in the 1 ight ()!' the ritual system of an old temple, which includes servic~ tenures granted by the local Maharaja and the ritual organization based on caste and kinship system in the village. The village; Kshiragram, is famous for being one of 51 sakta-,-pi thas in Bengal, and the village temple (jogadya-mandir) was prosperous under the ratronage of the Bardhaman Haj in the early eighteenth century. 1 The temple history is, however, far older than this as inferred from the mystical legends of the goddess Jogadya recited by the villagers .. · The ritual system of the temple is fundamentally designed for sacrifice. In the medieval period, it is said, there used to be human sacrifice in front of the image of the goddess, which is implied now hy various ritual evidences remained in the ritual courses. 1. The village society and the temple ,_ a) The vi I I age setting The viiage society consists of eighteen castes. But, there are the three major population strenghs: a) the Ugra-Kshatriya, b).the Bagdi, and c) the Brahman. The Ugra-Kshatriya is dominant landholding caste as well as the largest population strengh in the village. They are the main ·patron of the Brahman and the other service castes. They claim the status of Kshatriya caste in the village, and are "Kshiragram' is the literary name of the village. The popular name is "kshirgram'; however, sometime it is called "kshirgan' colloquially. ln this thesis, I '- adopted the formal name; "kshi rag ram' to refer to the village.
    [Show full text]
  • Vol-XVI, West Bengal & Sikkim
    CENSUS OF INDIA. 1961 WEST BENGAL & SIKKIM Volume XVI Part VilA (iii) HANDICRAFTS SURVEY MONOGRAPH ON STONEW ARES Investigation, Tabulation & First Draft OIPANKAR SEN, H. A., Investigator Editing & Final Draft, Supervision & Guidance SUKUMAR SINHA of the West Bengal Civil Service Officer on Special Duty, Census Office, West Bengal & Sikkim STONE WARES A HANDICRAFTS SURVEY MONOGRAPH P. R. G. 163. A 3(N) 1,000 PRINTED IN INDIA, AT CAMEO (PRIVATE) LTO., 60, GREY STREET, CALCUTTA-6 AND PUBLISH EO BY THE MANAGER OF PUBLICATIONS, .CIVIL LINES, DELHI, 1967. Price: Rs. 8.50 paise or 19 sh. 10 d. or 3$'. 6 cents. 1961 CENSUS PUBLICATIONS [All parts will be uniform size, demy quarto 8!"x 11t"] GOVERNMENT OF INDIA PUBLICATIONS VOL. XVI-WEST BENGAL & SIKKIM PART I-A (i) GENERAL REPORT (POPULATION PROGRESS) Published PART I-A (ii) GENERAL REPORT (POPULATION AND SOCIETY) In Press PART I-B* REPORT ON VITAL STATISTICS Published PART I-C SUBSIDIARY TABLES " PART II-A GENERAL POPULATION TABLES " PART II-B (i) GENERAL ECONOMIC TABLES (B-l TO B-IV) " PART II-B (jj) GENERAL ECONOMIC TABLES (B-V TO B-IX) PART II-C (i) SOCIAL AND CULruRAL TABLES ' PART II-C (ii) MIGRATION TABLES CD-I TO D-III) " PART II-e (iii) MIGRATION TABLES (D-IV TO D-VI) " PART III HOUSEHOLD ECONOMIC TABLES PART IV (0 REPORT AND MAIN TABLES ON HOUSING AND ESTABLISHMENTS " PART TV Oi) SUBSIDIARY TABLES ON HOUSING AND ESTABLISHMENTS PART V-A (i)* TABLES ON SCHEDULED CASTES " PART V-A (ii)* TABLES ON SCHEDULED TRIBES " PART VI 0-21)* VILLAGE SURVEY MONOGRAPHS 5 Volumes published 1 Volume in
    [Show full text]
  • The Dhokra Artisans of Bankura and Dariapur, West Bengal: a Case Study and Knowledge Archive of Technological Change in Progress
    The Dhokra Artisans of Bankura and Dariapur, West Bengal: A Case Study and Knowledge Archive of Technological Change in Progress David Smith, Newport, UK Rajesh Kochhar, New Delhi, India The project report describes the process of village renewal in the Bengal region of India. It deals with the replacing of an ancient traditional but inefficient metal-foundry technique in the village with another which is almost as ancient but more efficient. The impact of this apparently simple change on this dhokra practice has been both profound and rapid, leading to significant improvements in the creativity and prosperity of the dhokra artisans and their families. The project is set in me context of a wider exploration of the potential capability of multimedia as a tool for ethnographic research. Multimedia systems make it possible to use a full range of modalities of description, including video, sound, still image, conventional text and technical diagrams to develop adequate representations of skilled performance mediated by the craftsman him- or herself. It was therefore possible to produce a mediated record of change in progress. This provides the basis of an archival record which will help to correct acknowledged defects in the existing ethnographic literature of the artisan craft industries in India. It is also likely to prove a useful teaching resource, both in me field of cultural studies and as a means of throwing light on archaeological and other evidence of past metalworking practices. 1. Introduction: The Ancient Craft of Dhokra The ancient craft of dhokra (cire perdue, or lost wax) metal casting was once widespread throughout India, but is now restricted to a small number of groups of traditional artisans in widely dispersed locations.
    [Show full text]