Final Report Evaluation Study of Tribal/Folk Arts and Culture in West Bengal, Orissa, Jharkhand, Chhatisgrah and Bihar
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ODISHA REVIEW VOL. LXXI NO. 5 DECEMBER - 2014 MADHUSUDAN PADHI, I.A.S. Commissioner-cum-Secretary RANJIT KUMAR MOHANTY, O.A.S, ( SAG) Director DR. LENIN MOHANTY Editor Editorial Assistance Production Assistance Bibhu Chandra Mishra Debasis Pattnaik Bikram Maharana Sadhana Mishra Cover Design & Illustration D.T.P. & Design Manas Ranjan Nayak Hemanta Kumar Sahoo Photo Raju Singh Manoranjan Mohanty The Odisha Review aims at disseminating knowledge and information concerning Odisha’s socio-economic development, art and culture. Views, records, statistics and information published in the Odisha Review are not necessarily those of the Government of Odisha. Published by Information & Public Relations Department, Government of Odisha, Bhubaneswar - 751001 and Printed at Odisha Government Press, Cuttack - 753010. For subscription and trade inquiry, please contact : Manager, Publications, Information & Public Relations Department, Loksampark Bhawan, Bhubaneswar - 751001. Five Rupees / Copy E-mail : [email protected] Visit : http://odisha.gov.in Contact : 9937057528(M) CONTENTS Shrikshetra, Matha and its Impact Subhashree Mishra ... 1 Good Governance ... 3 India International Trade Fair - 2014 : An Overview Smita Kar ... 7 Mo Kahani' - The Memoir of Kunja Behari Dash : A Portrait Gallery of Pre-modern Rural Odisha Dr. Shruti Das ... 10 Protection of Fragile Ozone Layer of Earth Dr. Manas Ranjan Senapati ... 17 Child Labour : A Social Evil Dr. Bijoylaxmi Das ... 19 Reflections on Mahatma Gandhi's Life and Vision Dr. Brahmananda Satapathy ... 24 Christmas in Eternal Solitude Sonril Mohanty ... 27 Dr. B.R. Ambedkar : The Messiah of Downtrodden Rabindra Kumar Behuria ... 28 Untouchable - An Antediluvian Aspersion on Indian Social Stratification Dr. Narayan Panda ... 31 Kalinga, Kalinga and Kalinga Bijoyini Mohanty .. -
Dashabatar Taas of Bishnupur
Lost Game: Dashabatar Taas of Bishnupur Tarun Tapas Mukherjee Assistant Professor, Bhatter College, West Bengal, India Picture 1: Dashabatar Taas of Bishnupur by Sital Fouzdar: one of the court-cards from each suit The Dynasty and the Game Bishnupur witnessed the rise of a glorious tradition of art, craft and culture since the 700 AD under the patronage of the Malla kings of Bankura. The tradition reached its zenith during the reign (1565—1620 A.D) of Malla king Veer Hambir, the 49th ascender to the throne. His long and stable reign can be called the golden era of arts and culture—classical in taste and nature. The tradition was carried forward by his successors King Raghunath Singha and his son Veer Singha. Art, literature and music reached their heights through research, experimentation, training and application. After his conversion to Vaishnavism, according to some authors, under the influence of Vaishnav guru Srinivas Acharya, Veer Hambir was inspired to create a distinct style of art and to nurture a different type of cultural atmosphere in Bishnupur.i The establishment of Vaishanavism might have had something to do with enjoying pastime in a different and non-violent way and this might have given birth to the game of ‘Dashabatar taas’. Vaishanavism also hints that the game might have been imported Chitrolekha International Magazine on Art and Design, (ISSN 2231—4822), Vol. 1, No. 2, August, 2011 URL of the Issue: www.chitrolekha.com/v1n2.php Available at www.chitrolekha.com/V1/n2/09_Dashabatar_Taas_of_Bishnupur.pdf Kolkata, India. © Chitrolekha International Magazine on Art and Design. -
List of Municipalities Sl.No
LIST OF MUNICIPAL BODIES WHERE ELECTIONS WILL BE HELD IN THE MIDDLE OF 2010 SL.NO. DISTRICT NAME OF MUNICIPALITY 1 Cooch Behar Municipality 2 Tufanganj Municipality Cooch Behar 3 Dinhata Municipality 4 Mathabhanga Municipality 5 Jalpaiguri Jalpaiguri Municipality 6 English Bazar Municipality Malda 7 Old Malda Municipality 8 Murshidabad Municipality 9 Jiaganj-Azimganj Municipality 10 Kandi Municipality Murshidabad 11 Jangipur Municipality 12 Dhulian Municipality 13 Beldanga Municipality 14 Nabadwip Municipality 15 Santipur Municipality 16 Ranaghat Municipality 17Nadia Birnagar Municipality 18 Kalyani Municipality 19 Gayeshpur Municipality 20 Taherpur Municipality 21 Kanchrapara Municipality 22 Halishar Municipality 23 Naihati Municipality 24 Bhatpara Municipality 25North 24-Parganas Garulia Municipality 26 North Barrackkpore Municipality 27 Barrackpore Municipality 28 Titagarh Municipality 29 Khardah Municipality \\Mc-4\D\Munc. Elec-2010\LIST OF MUNICIPALITIES SL.NO. DISTRICT NAME OF MUNICIPALITY 30 Kamarhati Municipality 31 Baranagar Municipality 32 North Dum Dum Municipality 33 Bongaon Municipality 34 Gobardanga Municipality 35North 24-Parganas Barasat Municipality 36 Baduria Municipality 37 Basirhat Municipality 38 Taki Municipality 39 New Barrackpore Municipality 40 Ashokenagar-Kalyangarh Municipality 41 Bidhannagar Municipality 42 Budge Budge Municipality 43South 24-Parganas Baruipur Municipality 44 Jaynagar-Mazilpur Municipality 45 Howrah Bally Municipality 46 Hooghly-Chinsurah Municipality 47 Bansberia Municipality 48 Serampore Municipality 49 Baidyabati Municipality 50 Champadany Municipality 51 Bhadreswar Municipality Hooghly 52 Rishra Municipality 53 Konnagar Municipality 54 Arambagh Municipality 55 Uttarpara Kotrung Municipality 56 Tarakeswar Municipality 57 Chandernagar Municipal Corporation 58 Tamluk Municipality Purba Medinipur 59 Contai Municipality 60 Chandrakona Municipality 61 Ramjibanpur Municipality 62Paschim Medinipur Khirpai Municipality 63 Kharar Municipality 64 Khargapur Municipality 65 Ghatal Municipality \\Mc-4\D\Munc. -
Monitoring Vegetation Change Detection of Mayurbhanj District, Odisha by Using Geoinformatics
Int. J. Adv. Res. Biol. Sci. (2016). 3(10): 151-170 International Journal of Advanced Research in Biological Sciences ISSN: 2348-8069 www.ijarbs.com DOI: 10.22192/ijarbs Coden: IJARQG(USA) Volume 3, Issue 10 - 2016 Research Article DOI: http://dx.doi.org/10.22192/ijarbs.2016.03.10.022 Monitoring vegetation change detection of Mayurbhanj district, Odisha by using Geoinformatics R. Dash1, M. K. Swain1, M. Routray2, B.K.Samal2, D. Nandi1, I.Mohanta1, S.S.Patra3 and S. Rout3 1Department of Remote Sensing & GIS, North Orissa University, Takatpur, Baripada, Mayurbhanj, Odisha- 757003 2National Informatics Center (NIC), Bhubaneswar, Odisha-751001 3School of Forestry & Environment, Sam Higginbottom Institute of Agriculture Technology & Sciences, Allahabad, Uttar Pradesh-211007 *Corresponding author: [email protected] Abstract The study was conducted to detect vegetation changes using Gioinformatics in Mayurbhanj district, Odisha. It was conducted using Landsat 5 TM, and Landsat 7 ETM, images. For the vegetation change ERDAS Imagine 9.2 was used. for raw images and Arc GIS 10.1 for creating new feature for mapping was used. The result showed that during the year 2009-2014, there was an increase in vegetation cover in dense forest (13%). Over all, there was an increase in the dense forest vegetation cover of Mayurbhanj district of Odisha. Key words: Dense forest, Geoinformatics, Monitoring, Vegetation. Introduction Vegetation coverage change is a very important Forest and land cover change detection are one of the indication of the ecological environment change. major applications of satellite-based remote sensing. Vegetation change, which can be readily detected and Satellite images from different dates for a particular mapped by satellite remote sensing data (Xiao et al., geographic area are analyzed for changes in spectral 2004). -
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Orissa Review * April-May - 2009 Integration of Princely States Under Dr. Harekrushna Mahtab Balabhadra Ghadai The Constitution of Orissa Order-1936 got the different parts of the Princely States in Orissa. In approval of the British king on 3rd March, 1936. 1938 Praja Mandals (People's Association) were It was announced that the new province would formed and under their banner, struggle began come into being on 1st April, 1936 with Sir John for securing democratic rights. In the Princely State Austin Hubback, I.C.S. as the Governor. On the of Talcher a movement against feudal exploitation appointed day in a solemn ceremony held at the made significant advance. There was unrest at Ravenshaw College Hall, Cuttack, Sir John Austin Dhenkanal also where the Ruler tried his best to Hubback was administered the oath of office by suppress it. In October 1938, six persons including Sir Courtney Terrel, the Chief Justice of Bihar a 12 year old boy named Baji Rout died as a and Orissa High Court. The Governor read out result of firing. In Ranpur there was an out-break the message of goodwill received from the king- of lawlessness and the situation became serious emperor George VI and the Viceroy of India in January 1939 when the Political Agent Major Lord Linlithgow, for the people of Orissa. Thus, R.L. Bazelgatte was messacred by the mob on 5 the long cherished dream of the Oriya speaking January, 1939 at Ranpur. The troops were sent people of years at last became a reality. to crush the people's movement. -
DEPARTMENT of FOLKLORE University of Kalyani
DEPARTMENT OF FOLKLORE University of Kalyani COURSE CURRICULA OF M.A. IN FOLKLORE (Two- years Master’s Degree Programme under the Scheme of CBCS) Session: 2017-2018 and onwards As recommended by the Post Graduate Board of Studies (PGBoS) in Folklore in the meeting held on May 05, 2017 OPERATIONAL ASPECTS A. Timetable: 1) Class-hour will be of 1 hour and the time schedule of classes should be from 10.30 a.m. to 5.00 p.m. with 30 minutes lunch-break during 1.30 to 2.00 p.m., from Monday to Friday. Thus there shall be maximum 6 classes a day. 2) Normal 16 class-hours in a week may be kept for direct class instructions. The remaining 14 hours in a week shall be kept for Tutorial, Dissertation, Seminar, Assignments, Special Classes, holding class-tests etc. as may be required for the course. B. Course-papers and Allocation of Class-Hours per Course: 1) For evaluation purposes, each course shall be of 100 marks and for each course of 100 marks total number of direct instruction hours (theory/practical/field-training) shall be 48 hours. 2) The full course in 4 semesters shall be of total 1600 marks with total 16 courses (Fifteen Core Courses & One Open Course). In each semester, the course work shall be for 4 courses of total 400 marks. C. Credit Specification of the Course Curricula: M.A. Course in Folklore shall comprise 4 semesters. Each semester shall have 4 courses. In all, there shall be 16 courses of 4 credits each. -
District Sl No Name Post Present Place of Posting S 24 Pgs 1 TANIA
District Sl No Name Post Present Place of Posting PADMERHAT RURAL S 24 Pgs 1 TANIA SARKAR GDMO HOSPITAL S 24 Pgs 2 DR KIRITI ROY GDMO HARIHARPUR PHC S 24 Pgs 3 Dr. Monica Chattrejee, GDMO Kalikapur PHC S 24 Pgs 4 Dr. Debasis Chakraborty, GDMO Sonarpur RH S 24 Pgs 5 Dr. Tusar Kanti Ghosh, GDMO Fartabad PHC S 24 Pgs 6 Dr. Iman Bhakta GDMO Kalikapur PHC Momrejgarh PHC, Under S 24 Pgs 7 Dr. Uday Sankar Koyal GDMO Padmerhat RH, Joynagar - I Block S 24 Pgs 8 Dr. Dipak Kumar Ray GDMO Nolgara PHC S 24 Pgs 9 Dr. Basudeb Kar GDMO Jaynagar R.H. S 24 Pgs 10 Dr. Amitava Chowdhury GDMO Jaynagar R.H. Dr. Sambit Kumar S 24 Pgs 11 GDMO Jaynagar R.H. Mukharjee Nalmuri BPHC,Bhnagore S 24 Pgs 12 Dr. Snehadri Nayek GDMO I Block,S 24 Pgs Jirangacha S 24 Pgs 13 Dr. Shyama pada Banarjee GDMO BPHC(bhangar-II Block) Jirangacha S 24 Pgs 14 Dr. Himadri sekhar Mondal GDMO BPHC(bhangar-II Block) S 24 Pgs 15 Dr. Tarek Anowar Sardar GDMO Basanti BPHC S 24 Pgs 16 Debdeep Ghosh GDMO Basanti BPHC S 24 Pgs 17 Dr.Nitya Ranjan Gayen GDMO Jharkhali PHC S 24 Pgs 18 GDMO SK NAWAZUR RAHAMAN GHUTARI SARIFF PHC S 24 Pgs 19 GDMO DR. MANNAN ZINNATH GHUTARI SARIFF PHC S 24 Pgs 20 Dr.Manna Mondal GDMO Gosaba S 24 Pgs 21 Dr. Aminul Islam Laskar GDMO Matherdighi BPHC S 24 Pgs 22 Dr. Debabrata Biswas GDMO Kuchitalahat PHC S 24 Pgs 23 Dr. -
Programme Report for August 2020
IB-201, Sector – III, Salt Lake, Kolkata - 700106 Report of Activities for the month of August 2020 As the Covid – 19 Pandemic restrictions continued, most programmes in August were held on- line. EZCC was able to reach out to 2478 folk, tribal and upcoming classical artistes during the month. On-line Bihar Folk Festival – 02.08.2020 to 09.08.2020 Folk Dances and Music of Bihar was presented in the 7-day on-line Folk Festival. On-line Sherpa Dance and Music Festival – 04.08.2020 An on-line Sherpa Dance and Music Festival was brought to the viewers of EZCC from Namchi, Sikkim. Puppet Theatre – 09.08.2020 Two Puppet Theatres, one by Dolls Theatre, Kolkata and the other by Tripura Puppet Theatre, Agartala, were presented on-line. Both the shows had a large viewership. On-line Folk Song Workshop – 05-08.2020 to 16.08.2020 An on-line Folk Song Workshop on the folk song genres of undivided Bengal was held from 05.08.2020 to 16.08.2020. Conducted by celebrated folk singer Amit Saha, the on-line workshop had 20 participants. On-line Dance and Music Festival – 10.08.2020 On-line Dance and Music Festival (Phase I) was held on 10.08.2020. Folk and classical dance and music forms of all the member states was presented at this festival. Lok Sanskriti Utsav (Jharkhand) – 10.08.2020 Folk art forms of Jharkhand were presented at the Lok Sanskriti Utsav (Jharkhand) on 10.08.2020. Lok Sanskriti Utsav (Assam) – 11.08.2020 to 17.08.2020 Folk and tribal dances and music of Assam were presented in the Phase III and IV of the Lok Sanskriti Utsav (Assam). -
Eforms Publication of SEM-VI, 2021 on 7-9-2021.Xlsx
THE UNIVERSITY OF BURDWAN COLLEGE NAME- TARAKESWAR DEGREE COLLEGE- 415 LIST OF APPLICANT FOR SEM -VI, 2020 AND THEIR DETAILS AFTER SUBMITTING BA/BCOM/BSC (H/G) SEM-VI, 2021 ONLINE EXAMINATION FORM (যারা অনলাইন পেম কেরেছ ৯/০৭/২০২১ (বার) রাত ৮.০০ িমিনেটর মেধ তােদর তািলকা) Cours Hons/ Hons/ Application e Hons Gen Gen Gen Sub- SEC Seq No Code Registration No Student Name Father Name Sub Honours Sub CC-13 Honours Sub CC-14 Sub-1 Sub-2 3 DSE-3/1B Topic Name DSE-4/2BTopic Name DSE-3B Topic Name GE Sub GE-2 Topic Name Sub SEC-4 Topic Name Bish Sataker Swadhinata- Sahitya Bisayak 20216415AH0 Sanskrita O Ingreji Sahityer Rup- Riti O Purbabarti Bangla Prabandha O 29030 BAH 201501064828 SRIBAS BAG DILIP BAG BNGH Sahityer Itihas Sangrup BNGH BNGH Kathasahitya Lakasahitya Rabindranath's Stage Demonstration - 20216415AH0 DIPENDRA NATH Khyal Vilambit & Gitinatya and Stage Demonstration - Rabindra Sangeet and 33874 BAH 201501070379 ADITI BERA BERA MUCH Drut Nrityanatya MUCH MUCH Khyal Bengali Song Bish Sataker Swadhinata- Sahitya Bisayak 20216415AH0 Sanskrita O Ingreji Sahityer Rup- Riti O Purbabarti Bangla Prabandha O 28925 BAH 201601067467 CHANDRA SANTRA ASIT KUMAR SANTRA BNGH Sahityer Itihas Sangrup BNGH BNGH Kathasahitya Lakasahitya Bish Sataker Swadhinata- Sahitya Bisayak 20216415AH0 Sanskrita O Ingreji Sahityer Rup- Riti O Purbabarti Bangla Prabandha O 28717 BAH 201601073761 MADHUMITA BALI SHYAMSUNDAR BALI BNGH Sahityer Itihas Sangrup BNGH BNGH Kathasahitya Lakasahitya Rabindranath's Stage Demonstration - 20216415AH0 Khyal Vilambit & Gitinatya and -
UPSC Daily Current Affairs | Prelim Bits 25-08-2020
UPSC Daily Current Affairs | Prelim Bits 25-08-2020 National Strategy for Financial Education (NSFE) RBI has released the National Strategy for Financial Education (NSFE): 2020-2025 document for creating a financially aware and empowered India. It is the second NSFE, the first one being released in 2013. It aims to strengthen the ecosystem for various modes of digital financial services in all Tier-II to Tier VI centers to create the necessary infrastructure to move towards a less-cash society by March 2022. NSFE has been prepared by the National Centre for Financial Education (NCFE), under the aegis of the Technical Group on Financial Inclusion and Financial Literacy (TGFIFL). NCFE is a Section 8 (Not for Profit) Company under the Companies Act, 2013 promoted by RBI, SEBI, IRDAI and PFRDA. It has recommended a ‘5 C’ approach for dissemination of financial education in the country: 1. Content - Financial Literacy content for various sections of population. 2. Capacity - Develop the capacity and ‘Code of Conduct’ for financial education providers. 3. Community - Evolve community led approaches for disseminating financial literacy in a sustainable manner. 4. Communication - Use technology, media and innovative ways of communication for dissemination of financial education messages. 5. Collaboration - Streamline efforts of other stakeholders for financial literacy. TGFIFL Technical Group on Financial Inclusion and Financial Literacy (TGFIFL) was set up in November 2011 by the FSDC. It is responsible for periodic monitoring and implementation of NSFE under the oversight of Financial Stability and Development Council (FSDC). Nuakhai Juhar Nuakhai Juhar is an agricultural festival, also called Nuakhai Parab or Nuakahi Bhetghat. -
Odisha Review Dr
Orissa Review * Index-1948-2013 Index of Orissa Review (April-1948 to May -2013) Sl. Title of the Article Name of the Author Page No. No April - 1948 1. The Country Side : Its Needs, Drawbacks and Opportunities (Extracts from Speeches of H.E. Dr. K.N. Katju ) ... 1 2. Gur from Palm-Juice ... 5 3. Facilities and Amenities ... 6 4. Departmental Tit-Bits ... 8 5. In State Areas ... 12 6. Development Notes ... 13 7. Food News ... 17 8. The Draft Constitution of India ... 20 9. The Honourable Pandit Jawaharlal Nehru's Visit to Orissa ... 22 10. New Capital for Orissa ... 33 11. The Hirakud Project ... 34 12. Fuller Report of Speeches ... 37 May - 1948 1. Opportunities of United Development ... 43 2. Implication of the Union (Speeches of Hon'ble Prime Minister) ... 47 3. The Orissa State's Assembly ... 49 4. Policies and Decisions ... 50 5. Implications of a Secular State ... 52 6. Laws Passed or Proposed ... 54 7. Facilities & Amenities ... 61 8. Our Tourists' Corner ... 61 9. States the Area Budget, January to March, 1948 ... 63 10. Doings in Other Provinces ... 67 1 Orissa Review * Index-1948-2013 11. All India Affairs ... 68 12. Relief & Rehabilitation ... 69 13. Coming Events of Interests ... 70 14. Medical Notes ... 70 15. Gandhi Memorial Fund ... 72 16. Development Schemes in Orissa ... 73 17. Our Distinguished Visitors ... 75 18. Development Notes ... 77 19. Policies and Decisions ... 80 20. Food Notes ... 81 21. Our Tourists Corner ... 83 22. Notice and Announcement ... 91 23. In State Areas ... 91 24. Doings of Other Provinces ... 92 25. Separation of the Judiciary from the Executive .. -
Ganjifa, the Delicate Art on These Tiny Playing Cards
Kunapipi Volume 22 Issue 2 Article 7 2000 Raghupathi Bhatta: Reviving a Dying Art June Gaur Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Gaur, June, Raghupathi Bhatta: Reviving a Dying Art, Kunapipi, 22(2), 2000. Available at:https://ro.uow.edu.au/kunapipi/vol22/iss2/7 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Raghupathi Bhatta: Reviving a Dying Art Abstract Raghupathi Bhatta of Mysore, one of India's most promising traditional artists, hails from a family of South-Indian Pandits (Brahamin priests). It was in the ancient town of Nagamangala, seventy kilometers from Mysore, that his artistic imagination was fired. First, by the exquisite details of Hoysala craftsmanship in the temples there, and then, by the beautiful nineteenth-century playing cards of the Mysore Maharaja, Krishnaraja Wodeyar IV. He began his artistic career by learning Ganjifa, the delicate art on these tiny playing cards. But there were no gurus in the family from whom he could learn this centuries-old craft which had fascinated him since he was a child. To quote Bhatta: 'In the early seventies, I bought a few Ganjifa paintings from the Mysore Palace. Since then, it's grown into an obsession and I've lived for, and by Ganjifa, collecting as much information as I could, including old photographs and cards from all over India and Nepal'. This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol22/iss2/7 Raghupathi Bhatta: Reviving a Dying Art 33 JUNE GAUR Raghupathi Bhatta: Reviving a Dying Art Raghupathi Bhatta of Mysore, one of India's most promising traditional artists, hails from a family of South-Indian Pandits (Brahamin priests).