DEPARTMENT of FOLKLORE University of Kalyani
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Narration on Ethnic Jewellery of Kerala-Focusing on Design, Inspiration and Morphology of Motifs
Journal of Textile Engineering & Fashion Technology Review Article Open Access Narration on ethnic jewellery of Kerala-focusing on design, inspiration and morphology of motifs Abstract Volume 6 Issue 6 - 2020 Artefacts in the form of Jewellery reflect the essence of the lifestyle of the people who Wendy Yothers,1 Resmi Gangadharan2 create and wear them, both in the historic past and in the living present. They act as the 1Department of Jewellery Design, Fashion Institute of connecting link between our ancestors, our traditions, and our history. Jewellery is used- Technology, USA -both in the past and the present-- to express the social status of the wearer, to mark 2School of Architecture and Planning, Manipal Academy of tribal identity, and to serve as amulets for protection from harm. This paper portrays the Higher Education, Karnataka, India ethnic ornaments of Kerala with insights gained from examples of Jewellery conserved in the Hill Palace Museum and Kerala Folklore Museum, in Cochin, Kerala. Included are Correspondence: Wendy Yothers, Department of Jewellery Thurai Balibandham, Gaurisankara Mala, Veera Srunkhala, Oddyanam, Bead necklaces, Design, Fashion Institute of Technology, New York, USA, Nagapadathali and Temple Jewellery. Whenever possible, traditional Jewellery is compared Email with modern examples to illustrate how--though streamlined, traditional designs are still a living element in the Jewellery of Kerala today. Received: October 17, 2020 | Published: December 14, 2020 Keywords: ethnic ornaments, Kerala jewellery, sarpesh, gowrishankara mala, veera srunkhala Introduction Indian cultures have used Jewellery as a strong medium to reflect their rituals. The design motifs depicted on the ornaments of India Every artifact has a story to tell. -
Eforms Publication of SEM-VI, 2021 on 7-9-2021.Xlsx
THE UNIVERSITY OF BURDWAN COLLEGE NAME- TARAKESWAR DEGREE COLLEGE- 415 LIST OF APPLICANT FOR SEM -VI, 2020 AND THEIR DETAILS AFTER SUBMITTING BA/BCOM/BSC (H/G) SEM-VI, 2021 ONLINE EXAMINATION FORM (যারা অনলাইন পেম কেরেছ ৯/০৭/২০২১ (বার) রাত ৮.০০ িমিনেটর মেধ তােদর তািলকা) Cours Hons/ Hons/ Application e Hons Gen Gen Gen Sub- SEC Seq No Code Registration No Student Name Father Name Sub Honours Sub CC-13 Honours Sub CC-14 Sub-1 Sub-2 3 DSE-3/1B Topic Name DSE-4/2BTopic Name DSE-3B Topic Name GE Sub GE-2 Topic Name Sub SEC-4 Topic Name Bish Sataker Swadhinata- Sahitya Bisayak 20216415AH0 Sanskrita O Ingreji Sahityer Rup- Riti O Purbabarti Bangla Prabandha O 29030 BAH 201501064828 SRIBAS BAG DILIP BAG BNGH Sahityer Itihas Sangrup BNGH BNGH Kathasahitya Lakasahitya Rabindranath's Stage Demonstration - 20216415AH0 DIPENDRA NATH Khyal Vilambit & Gitinatya and Stage Demonstration - Rabindra Sangeet and 33874 BAH 201501070379 ADITI BERA BERA MUCH Drut Nrityanatya MUCH MUCH Khyal Bengali Song Bish Sataker Swadhinata- Sahitya Bisayak 20216415AH0 Sanskrita O Ingreji Sahityer Rup- Riti O Purbabarti Bangla Prabandha O 28925 BAH 201601067467 CHANDRA SANTRA ASIT KUMAR SANTRA BNGH Sahityer Itihas Sangrup BNGH BNGH Kathasahitya Lakasahitya Bish Sataker Swadhinata- Sahitya Bisayak 20216415AH0 Sanskrita O Ingreji Sahityer Rup- Riti O Purbabarti Bangla Prabandha O 28717 BAH 201601073761 MADHUMITA BALI SHYAMSUNDAR BALI BNGH Sahityer Itihas Sangrup BNGH BNGH Kathasahitya Lakasahitya Rabindranath's Stage Demonstration - 20216415AH0 Khyal Vilambit & Gitinatya and -
IQAC Report 2011-12
Internal Quality Assurance Cell Report 2012012011201 111 –––1–1112222 TERESIAN COLLEGE FOR WOMEN SIDDARTHA NAGAR MYSORE 570011 TEL: 0821-2471316 FAX: 0821-2476997 E-MAIL: [email protected] WEBSITE: www.teresian.org Office BBearersearers of IQAC Chair Person - Sr. Sajitha, Principal CoCoCo-Co ---ordinatorordinator - Prof. Annie Mathew Department of Physics. Local Manager --- Sr. Helena Local Society Nominee - Prof. B N Balaji Mr. Fernades Members of the CommitteeCommittee- Prof. Kochubaby P .V., Dept. of Malayalam Prof. Rosamma Joseph, Dept. of Zoology. Prof. Prabhakumari I. M., Dept. of Economics Dr. Managalakumari R. S., Dept. of Hindi Prof. Philomena M. A., Dept. of Economics Dr. Veena D’Almeida, Dept. of Commerce Ms. Rukminiamma, Librarian Sr. Anjali, S.D.A. cum Typist A Brief History of Teresian College, Mysore Teresian College, started in 1963 is a first grade Arts, Science and Commerce College for Women, affiliated to the Mysore University. Located in Mysore 4 k.m away from the heart of the city, on Malai Mahadeshwara Road and sprawled on a 25 acre campus in a lush green backdrop, the College offers a serene atmosphere for study and personality development. The college is managed by St. Teresa’s Education Society, which was founded by Carmelite Sisters of St. Teresa (C.S.S.T). C.S.S.T is a religious congregation dedicated primarily to education. Today the congregation runs 70 school and 6 colleges all over India and a few countries abroad. Our goals: To foster total development of each student, in her uniqueness, so that she becomes fully human, alert to the needs of others, willing and prepared to give to others what she has received. -
IJRESS Volume 6, Issue 2
International Journal of Research in Economics and Social Sciences (IJRESS) Available online at: http://euroasiapub.org Vol. 7 Issue 7, July- 2017 ISSN(o): 2249-7382 | Impact Factor: 6.939 | Thomson Reuters Researcher ID: L-5236-2015 Dissemination of social messages by Folk Media – A case study through folk drama Bolan of West Bengal Mr. Sudipta Paul Research Scholar, Department of Mass Communication & Videography, Rabindra Bharati University Abstract: In the vicinity of folk-culture, folk drama is of great significance because it reflects the society by maintaining a non-judgemental stance. It has a strong impact among the audience as the appeal of Bengali folk-drama is undeniable. ‘Bolan’ is a traditional folk drama of Bengal which is mainly celebrated in the month of ‘Chaitra’ (march-april). Geographically, it is prevalent in the mid- northern rural and semi-urban regions of Bengal (Rar Banga area) – mainly in Murshidabad district and some parts of Nadia, Birbhum and Bardwan districts. Although it follows the theatrical procedures, yet it is different from the same because it has no female artists. The male actors impersonate as females and play the part. Like other folk drama ‘Bolan’ is in direct contact with the audience and is often interacted and modified by them. Primarily it narrates mythological themes but now-a-days it narrates contemporary socio-politico-economical and natural issues. As it is performed different contemporary issues of immense interest audiences is deeply integrated with it and try to assimilate the messages of social importance from it. And in this way Mass (traditional) media plays an important role in shaping public opinion and forming a platform of exchange between the administration and the people they serve. -
Department of Music Rabindra Sangeet Hons
Department of Music Rabindra Sangeet Hons. Section Nistarini College, Purulia (Govt. Sponsored and affliated to Sidho-Kanho-Birsha University) Course Outcome The I St paper (101) is Practical. This paper consists of Rabindra Sangeet of 6 Paryas Semester I (I) and some chota kheyals at preliminary level. Students learn the holistic concept of B.A. Hons in Music Rabindra Sangeet in the preliminary level. (Rabindra Sangeet) The 2nd Paper (102) is theoretical. Outline History of Music in Bengal and knowledge of`Raga and Tala GE1 Students of other Hons stream of Sem I and Programme course of Sem V develops foundation of basic knowledge of Rabindi.a Sangeet and chhota kheyal -Practical Paper. Semester 11 The paper 201 is Practical. This paper consists of selected songs based on various B.A. Hons in Music Paryas (]1). (Rabindra Sangeet) The paper 202 is theoretical - general i\'nowledge relating to influence of various songs on Rabindranath's creation. GE2 Students of other Hons stream of Sem 11 and Programme course of Sem Vl develops basic knowledge of selected songs based on various Paryas and knowledge of that ragas. Practical Paper. Two practical papers 301 - selected songs based on various tala coveriiig various Semester 111 Paryas' and types -I. B.A. Hons in Music 302 (Practical) - Selected songs based on various tala covering various Paryas' and types - 11. Paper 303 (Theory) -Knowledge of Ragas, talas and influence of folk (Rabindra Sangeet) songs on Rabindra Sangeet. SEC-1 paper (Theory) -General Aesthetics falls into this category. Semester IV Paper 401 (Practical) -Songs of Rabindranath covering various songs of six Paryas B.A. -
Wedding Videos
P1: IML/IKJ P2: IML/IKJ QC: IML/TKJ T1: IML PB199A-20 Claus/6343F August 21, 2002 16:35 Char Count= 0 WEDDING VIDEOS band, the blaring recorded music of a loudspeaker, the References cries and shrieks of children, and the conversations of Archer, William. 1985. Songs for the bride: wedding rites of adults. rural India. New York: Columbia University Press. Most wedding songs are textually and musically Henry, Edward O. 1988. Chant the names of God: musical cul- repetitive. Lines of text are usually repeated twice, en- ture in Bhojpuri-Speaking India. San Diego: San Diego State abling other women who may not know the song to University Press. join in. The text may also be repeated again and again, Narayan, Kirin. 1986. Birds on a branch: girlfriends and wedding songs in Kangra. Ethos 14: 47–75. each time inserting a different keyword into the same Raheja, Gloria, and Ann Gold. 1994. Listen to the heron’s words: slot. For example, in a slot for relatives, a wedding song reimagining gender and kinship in North India. Berkeley: may be repeated to include father and mother, father’s University of California Press. elder brother and his wife, the father’s younger brother and his wife, the mother’s brother and his wife, paternal KIRIN NARAYAN grandfather and grandmother, brother and sister-in-law, sister and brother-in-law, and so on. Alternately, in a slot for objects, one may hear about the groom’s tinsel WEDDING VIDEOS crown, his shoes, watch, handkerchief, socks, and so on. Wedding videos are fast becoming the most com- Thus, songs can be expanded or contracted, adapting to mon locally produced representation of social life in the performers’ interest or the length of a particular South Asia. -
Arts-Integrated Learning
ARTS-INTEGRATED LEARNING THE FUTURE OF CREATIVE AND JOYFUL PEDAGOGY The NCF 2005 states, ”Aesthetic sensibility and experience being the prime sites of the growing child’s creativity, we must bring the arts squarely into the domain of the curricular, infusing them in all areas of learning while giving them an identity of their own at relevant stages. If we are to retain our unique cultural identity in all its diversity and richness, we need to integrate art education in the formal schooling of our students for helping them to apply art-based enquiry, investigation and exploration, critical thinking and creativity for a deeper understanding of the concepts/topics. This integration broadens the mind of the student and enables her / him to see the multi- disciplinary links between subjects/topics/real life. Art Education will continue to be an integral part of the curriculum, as a co-scholastic area and shall be mandatory for Classes I to X. Please find attached the rich cultural heritage of India and its cultural diversity in a tabular form for reading purpose. The young generation need to be aware of this aspect of our country which will enable them to participate in Heritage Quiz under the aegis of CBSE. TRADITIONAL TRADITIONAL DANCES FAIRS & FESTIVALS ART FORMS STATES & UTS DRESS FOOD (ILLUSTRATIVE) (ILLUSTRATIVE) (ILLUSTRATIVE) (ILLUSTRATIVE) (ILLUSTRATIVE) Kuchipudi, Burrakatha, Tirupati Veerannatyam, Brahmotsavam, Dhoti and kurta Kalamkari painting, Pootha Remus Andhra Butlabommalu, Lumbini Maha Saree, Langa Nirmal Paintings, Gongura Pradesh Dappu, Tappet Gullu, Shivratri, Makar Voni, petticoat, Cherial Pachadi Lambadi, Banalu, Sankranti, Pongal, Lambadies Dhimsa, Kolattam Ugadi Skullcap, which is decorated with Weaving, carpet War dances of laces and fringes. -
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Orality, Inscription, and the Creation of a New Lore Orality, Inscription …[The] peculiar temporality of folk- and the Creation of a New Lore lore as a disciplinary subject, whether coded in the terminology of survival, archaism, antiquity, and tradition, or Roma Chatterji in the definition of folkloristics as a University of Delhi historical science, has contributed to India the discipline's inability to imagine a truly contemporary, as opposed to a contemporaneous, subject… Folklore is by many (though not all) definitions out of step with the time and the con- Abstract text in which it is found. This essay examines the process by which Barbara Kirshenblatt-Gimblett, the discourse of folklore is used to "Folklore's Crisis" 1998, 283 entextualize and recontextualize the oral tra- dition in West Bengal through a discussion of two contemporary Bangla novels. Motifs from folk tales, myths, and popular epic po- n an essay that critically reviews ems are being re-appropriated by urban cul- folklore's disciplinary position vis-à- tural forms– both popular as well as elite – Ivis history and culture, Kirshenblatt- to articulate new identities and subject posi- Gimblett (1998) says that temporal dis- tions. I selected these novels by considering location between the site of origin and the mode in which orality is inscribed and the present location of particular cultural the time period. One of the novels attempts forms signals the presence of folklore. to re-constitute oral lore from a popular epic Kirshenblatt-Gimblett thus conceptual- composed in the medieval period, and the izes culture as heterogeneous, layered other re-inscribes an origin myth that is part and composed of multiple strands that of folk ritual into a new genre via the media- are interconnected in rather haphazard tion of folklore discourse that is responsible and contingent ways. -
English Departmental Activities 2019-2020
English Department Reports 2019 -2020 Orientation Program for I BA Students for the Academic Year 2019-20 The Orientation programme conducted by the Department of English for the I BA students. It was organized with the objective of familiarizing the students about the vision, mission, history and objectives of what the Department aspire to inculcate and develop in their students. It was scheduled on 18th July, 2019. The vision of the Department is to help students imbibe the seamless integration of literary experience and expression. In this endeavour, it attempts to introduce students to the recent literary trends, to sensitize them to the socio- cultural issues of the time, to empower them to respond intellectually and emotionally, to advance their language skills. Along with this, the main objectives of the English Department was explained by the Head of the Department, Mrs. Brinda Srinivasan. Ms. Suganthi and Ms. Jean, explained to the students about the History, Programme Outcome, Course Outcome, the Student Support Academics, Methodology of Evaluation and Assessment of Performance to enlighten the students about the rules and regulations of the Programme they have chosen. The Orientation Programme was beneficial to the students as they understood their roles and responsibilities and this will aid them in the successful completion of their course. (Mrs. Brinda Srinivasan explaining the students about the Vision and Mission of the Department of English) Ms. Suganthi and Ms. Jean elaborating on the Academic activities and Student Support-Academic Strategies and Equipment at the campus to enhance learning. Bridge Course 2019 -2020 A Bridge Course was organized by the Department of English for the first year B.A Optional English students on the 22nd, 27th, 30th of July and 2nd of August 2019 respectively. -
A Case Study of Different Folk Cultures of Purulia: a Study of Folk Songs and Dances and the Problems at “Baram” Village, Purulia, West Bengal, India
Reinvention International: An International Journal of Thesis Projects and Dissertation Vol. 1, Issue 1 - 2018 A CASE STUDY OF DIFFERENT FOLK CULTURES OF PURULIA: A STUDY OF FOLK SONGS AND DANCES AND THE PROBLEMS AT “BARAM” VILLAGE, PURULIA, WEST BENGAL, INDIA SANTANU PANDA* CERTIFICATE This is to certify that Santanu Panda has completed his general work for partial fulfilment of M.A 3rd semester bearing Roll- 53310016 No-0046 Session- 2016-2017 of Sidho-Kanho-Birsha-University, carried out his field work at Baram village of Purulia district under supervision of Dr Jatishankar Mondal of Department of English. This is original and basic research work on the topic entitled A Case Study of Different FOLK CULTURES OF Purulia: A study of FOLK SONGS AND DANCES AND THE PROBLEMS AT “BARAM” VILLAGE He is very energetic and laborious fellow as well as a good field worker in Field study. Faculty of the Department of English ACKNOWLEDGEMENT I, Santanu Panda a student of semester III, Department of English, Sidho-Kanho-Birsha University, Purulia, acknowledge all my teachers and guide of the research project who help me to complete this Outreach Program with in time I, acknowledge Dr. Jatishankar Mondal, Assistant Professor, from the core of my heart because without his guidance and encouragement, this work is not possible. I also acknowledge my group members (Raju Mahato, Ramanath Mahato, Nitai Mondal, Nobin Chandra Mahato, Pabitra Kumar and Saddam Hossain) for their participation and the other group also for their support. My sincere thanks also go to the respondents, that is, the villagers, the Chhau club and Jhumur club in Baram for their sincere co-operation during the data collection. -
Study of Tribes and Their Festivals, Folk Culture & Art of Bankura District, West Bengal: a Descriptive Review
International Journal of Education, Modern Management, Applied Science & Social Science (IJEMMASSS) 17 ISSN : 2581-9925, Impact Factor: 6.340, Volume 03, No. 02(IV), April - June, 2021, pp.17-20 STUDY OF TRIBES AND THEIR FESTIVALS, FOLK CULTURE & ART OF BANKURA DISTRICT, WEST BENGAL: A DESCRIPTIVE REVIEW Aparna Misra ABSTRACT Several districts of West Bengal have been well-established on the festivals, cultures, and Folk art from the ancient time. A descriptive review was done after compiling historical perspectives, geographical features, and Folk art & culture of Bankura district, West Bengal, India. Interestingly, it was found that cultural activities and Folk art are closely depending upon historical and geographical features of Bankura district. Moreover, tribals are the most important population where traditional knowledge is transferred to craft technology and they enjoy for producing the craft and paintings with the help of local resources. This review may help the academicians, researchers, media personnel and Government authorities to encourage their technology for their household industrial development. Further research is suggested for the socio-economic benefit related to these folk, festivals, culture, and crafts productions through proper trading. In Indian perspective, still various districts of West Bengal are potential for folk music, dance or art which canbe evocative to the rich Indian culture. Keywords: Tribal Culture, Folk Art, Festival, Local Resources, Natural Resources, Craft and Painting. ________________ Introduction According to Dalton (1872), it was established that Bengal has diverse ethnological importance. Different states of India harbour the indigenous people called as “tribes” and “tribes” regarded as a social establishment have been identified in two traditions mentioned in the report of Gramin Vikas Seva Sanshtha (2013)in which one is found in a stage in the history of evolution of human civilization while other is a society organization based on bonding of association that empowered them to be a multifunctional grouping. -
CUJ Advisor • Prof
ACADEMIA FACULTY PROFILE Central University of Jharkhand, Ranchi (Established by an Act of Parliament of India, 2009) Kkukr~ fg cqfº dkS'kye~ Knowledge to Wisdom Publishers Central University of Jharkhand Brambe, Ranchi - 835205 Chief Patron • Prof. Nand Kumar Yadav 'Indu' Vice-Chancellor, CUJ Advisor • Prof. S.L. Hari Kumar Registrar, CUJ Editors • Dr. Devdas B. Lata, Associate Professor, Department of Energy Engineering • Dr. Gajendra Prasad Singh, Associate Professor, Department of Nano Science and Technology • Mr. Rajesh Kumar, Assistant Professor, Department of Mass Communication © Central University of Jharkhand From the Vice Chancellor's Desk... t’s a matter of immense pride that the faculty of our Central University of Jharkhand Iare not only teachers of repute but also excellent researchers. They have received national and international recognition and awards for their widely acclaimed papers and works. Their scholarly pursuit reflect the strength of the University and provide ample opportunities for students to carry out their uphill tasks and shape their career. The endeavour of the faculty members to foster an environment of research, innovation and entrepreneurial mindset in campus gives a fillip to collaborate with other academic and other institutions in India and abroad. They are continuously on a lookout for opportunities to create, enrich and disseminate the knowledge in their chosen fields and convert to the welfare of the whole humanity. Continuous introspection and assessment of teaching research and projects add on devising better future planning and innovations. Training and mentoring of students and scholars helps to create better, knowledgeable and responsible citizens of India. I hope this brochure will provide a mirror of strength of CUJ for insiders and outsiders.