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M. P.STATE CONSUMER DISPUTES REDRESSAL COMMISSION, BHOPAL CAUSELIST FOR-16.05. 2013 Website: www.m scdrc.nic.in HoN'BLE PRESIDENT SHRI JUSTICE S.K. KULSHRESTHA & HoN'BLE MEMBERS SMT NEERJA SINGH & SHRI SUBHASH JAIN (TIME· 10·30. A ..M.). SR CASE NO. NAME OF THE PARTIES COUNSEL NAME REMARK .. NO. J FURTHER ORDERS 1 MJC 12/28 ANIL KOTHARI I VIVEK MALHOTRA SH.J.P.SHARMA I D.JOSHI .26,6,/,.3 I I 2 EXE 85/11 SMT.NASHEED AHMED ALSON SH.J.S.PARMAR DJOSHI 2D '5-/3 3 CC/l0/25 SAROJ GOYAL / JABALPUR HOSPITAL SH.D.JOSHI / A.MAHESHW ARI I R.TIW ARI 46·6-/3 4 CC/12/09 KRISHNA KUMAR / SOCIETY OF ST.JOSEPHS SH.D.JOSHI / M.CHOUKSEY I CONVENT 2'~-/3 5 CC/12/32 SAGAR AVENUE KALYANKARI SAMITI / SH.LALIT GUPTA ,I D.JOSHI I . MIS AGRAWAL CONSTRUCTION 4-. r-/3 - - _._. 6 CC/12/36 1\ KlQ " ••..H CA.."R. / IFFCO TOKIO GIC ; ~li..u.ju;sHI/ VIKAS RAI .~. 26·6- /-.S :7 A/08/1038 J3ALVANT SINGH / AJA Y MISHRA SH.VIlA Y TIWARI I ~'6-J~ -- .. I ! FA/13/672 M/SV.TRANS INDIA LTDJSAMEERPATEL SH.SURESH INDOREKAR I . 24.08.1.1 i 8 i I 9 FA/I 0/217 IFFCO TOKIO GIC 1 JITENDRA PATIDAR SH.VlKAS RAIl SAMEER SAHU 2t;;- S -/~ 10 FA/l3/800/ S.R.FALKE 1 DA VINDER PAL SINGH SH.DJOSHI/ ;z". ()r 6 ~/3 J FA/13/803 S.R.FALKE 1 PRABHJEET S.CHAWLA SH.DJOSHI/ 2/0 -6 ·8 ~ I MOTION HEARING MATTERS ! \ 1 ~A!12/12741 MANOHARCHOURASIA/NAGARPALIKA ISH. -
Indian Cultural Troupes As Part of Namaste Russia 2019
Jawaharlal Nehru Cultural Center Embassy of India Moscow – 2019 – With a view to promote and further strengthen cultural ties between India and Russia, cultural troupes of both countries visited each others’ country for performances. In 2018, three groups from Russia – ‘Reverse’ Musical theater production by Moscow Musical Theater, Quintet ‘Timofei Dokshizer New Life Brass’ and Vainakh Chechen State Dance Ensemble – visited India. These groups gave enthralling performances in New Delhi, Chennai, Jaipur, Chandigarh, Kolkata and Hyderabad. People of India got the opportunity to witness their performances. Similarly, four Indian groups - ‘Drishtikon’. a Kathak Dance Group, Hindustani Kalari Sangam, a martial art group, Bollywood Dance Group and Shehnai Group visited Russia. These groups performed in Vladivostok, Khabarovsk, Veliky Novgorod, Saint Petersburg, Moscow, Sochi, Krasnodar, Gelendzhik, Yessentuki and Kislovodsk. Indian groups gave spectacular performances that were highly appreciated by the Russian audiences. ***** Aditi Mangaldas Dance Company – the Drishtikon Dance Foundation, a group of Indian Classical Dance and Contemporary dance based on Kathak, was established with a vision to look at tradition with a modern mind, to explore the past to create a new imaginative future. The dance company aims to achieve excellence and virtuosity in the rich classical Indian dance form of kathak, as well as encourage the spirit of innovation. In doing so, Aditi Mangaldas Dance Company seeks to challenge established norms and develop the courage to dance their own dance, while at the same time being informed about the heritage, cultures, influences and language of other dance styles and forms, viewpoints and ideas. Aditi Mangaldas is a leading dancer and choreographer in the classical Indian dance form of Kathak. -
Narration on Ethnic Jewellery of Kerala-Focusing on Design, Inspiration and Morphology of Motifs
Journal of Textile Engineering & Fashion Technology Review Article Open Access Narration on ethnic jewellery of Kerala-focusing on design, inspiration and morphology of motifs Abstract Volume 6 Issue 6 - 2020 Artefacts in the form of Jewellery reflect the essence of the lifestyle of the people who Wendy Yothers,1 Resmi Gangadharan2 create and wear them, both in the historic past and in the living present. They act as the 1Department of Jewellery Design, Fashion Institute of connecting link between our ancestors, our traditions, and our history. Jewellery is used- Technology, USA -both in the past and the present-- to express the social status of the wearer, to mark 2School of Architecture and Planning, Manipal Academy of tribal identity, and to serve as amulets for protection from harm. This paper portrays the Higher Education, Karnataka, India ethnic ornaments of Kerala with insights gained from examples of Jewellery conserved in the Hill Palace Museum and Kerala Folklore Museum, in Cochin, Kerala. Included are Correspondence: Wendy Yothers, Department of Jewellery Thurai Balibandham, Gaurisankara Mala, Veera Srunkhala, Oddyanam, Bead necklaces, Design, Fashion Institute of Technology, New York, USA, Nagapadathali and Temple Jewellery. Whenever possible, traditional Jewellery is compared Email with modern examples to illustrate how--though streamlined, traditional designs are still a living element in the Jewellery of Kerala today. Received: October 17, 2020 | Published: December 14, 2020 Keywords: ethnic ornaments, Kerala jewellery, sarpesh, gowrishankara mala, veera srunkhala Introduction Indian cultures have used Jewellery as a strong medium to reflect their rituals. The design motifs depicted on the ornaments of India Every artifact has a story to tell. -
Part 05.Indd
PART MISCELLANEOUS 5 TOPICS Awards and Honours Y NATIONAL AWARDS NATIONAL COMMUNAL Mohd. Hanif Khan Shastri and the HARMONY AWARDS 2009 Center for Human Rights and Social (announced in January 2010) Welfare, Rajasthan MOORTI DEVI AWARD Union law Minister Verrappa Moily KOYA NATIONAL JOURNALISM A G Noorani and NDTV Group AWARD 2009 Editor Barkha Dutt. LAL BAHADUR SHASTRI Sunil Mittal AWARD 2009 KALINGA PRIZE (UNESCO’S) Renowned scientist Yash Pal jointly with Prof Trinh Xuan Thuan of Vietnam RAJIV GANDHI NATIONAL GAIL (India) for the large scale QUALITY AWARD manufacturing industries category OLOF PLAME PRIZE 2009 Carsten Jensen NAYUDAMMA AWARD 2009 V. K. Saraswat MALCOLM ADISESHIAH Dr C.P. Chandrasekhar of Centre AWARD 2009 for Economic Studies and Planning, School of Social Sciences, Jawaharlal Nehru University, New Delhi. INDU SHARMA KATHA SAMMAN Mr Mohan Rana and Mr Bhagwan AWARD 2009 Dass Morwal PHALKE RATAN AWARD 2009 Actor Manoj Kumar SHANTI SWARUP BHATNAGAR Charusita Chakravarti – IIT Delhi, AWARDS 2008-2009 Santosh G. Honavar – L.V. Prasad Eye Institute; S.K. Satheesh –Indian Institute of Science; Amitabh Joshi and Bhaskar Shah – Biological Science; Giridhar Madras and Jayant Ramaswamy Harsita – Eengineering Science; R. Gopakumar and A. Dhar- Physical Science; Narayanswamy Jayraman – Chemical Science, and Verapally Suresh – Mathematical Science. NATIONAL MINORITY RIGHTS MM Tirmizi, advocate – Gujarat AWARD 2009 High Court 55th Filmfare Awards Best Actor (Male) Amitabh Bachchan–Paa; (Female) Vidya Balan–Paa Best Film 3 Idiots; Best Director Rajkumar Hirani–3 Idiots; Best Story Abhijat Joshi, Rajkumar Hirani–3 Idiots Best Actor in a Supporting Role (Male) Boman Irani–3 Idiots; (Female) Kalki Koechlin–Dev D Best Screenplay Rajkumar Hirani, Vidhu Vinod Chopra, Abhijat Joshi–3 Idiots; Best Choreography Bosco-Caesar–Chor Bazaari Love Aaj Kal Best Dialogue Rajkumar Hirani, Vidhu Vinod Chopra–3 idiots Best Cinematography Rajeev Rai–Dev D Life- time Achievement Award Shashi Kapoor–Khayyam R D Burman Music Award Amit Tivedi. -
Annual Report 2014 - 2015 Ministry of Culture Government of India
ANNUAL REPORT 2014 - 2015 MINISTRY OF CULTURE GOVERNMENT OF INDIA Annual Report 2014-15 1 Ministry of Culture 2 Detail from Rani ki Vav, Patan, Gujarat, A World Heritage Site Annual Report 2014-15 CONTENTS 1. Ministry of Culture - An Overview – 5 2. Tangible Cultural Heritage 2.1 Archaeological Survey of India – 11 2.2 Museums – 28 2.2a National Museum – 28 2.2b National Gallery of Modern Art – 31 2.2c Indian Museum – 37 2.2d Victoria Memorial Hall – 39 2.2e Salar Jung Museum – 41 2.2f Allahabad Museum – 44 2.2g National Council of Science Museum – 46 2.3 Capacity Building in Museum related activities – 50 2.3a National Museum Institute of History of Art, Conservation and Museology – 50 2.3.b National Research Laboratory for conservation of Cultural Property – 51 2.4 National Culture Fund (NCF) – 54 2.5 International Cultural Relations (ICR) – 57 2.6 UNESCO Matters – 59 2.7 National Missions – 61 2.7a National Mission on Monuments and Antiquities – 61 2.7b National Mission for Manuscripts – 61 2.7c National Mission on Libraries – 64 2.7d National Mission on Gandhi Heritage Sites – 65 3. Intangible Cultural Heritage 3.1 National School of Drama – 69 3.2 Indira Gandhi National Centre for the Arts – 72 3.3 Akademies – 75 3.3a Sahitya Akademi – 75 3.3b Lalit Kala Akademi – 77 3.3c Sangeet Natak Akademi – 81 3.4 Centre for Cultural Resources and Training – 85 3.5 Kalakshetra Foundation – 90 3.6 Zonal cultural Centres – 94 3.6a North Zone Cultural Centre – 95 3.6b Eastern Zonal Cultural Centre – 95 3.6c South Zone Cultural Centre – 96 3.6d West Zone Cultural Centre – 97 3.6e South Central Zone Cultural Centre – 98 3.6f North Central Zone Cultural Centre – 98 3.6g North East Zone Cultural Centre – 99 Detail from Rani ki Vav, Patan, Gujarat, A World Heritage Site 3 Ministry of Culture 4. -
Sadir, Bharatanatyam, Feminist Theory Sriv1dya
ANOTHER STAGE IN THE LIFE OP THE NATION: SADIR, BHARATANATYAM, FEMINIST THEORY A THESIS SUBMITTED TO THE UNIVERSITY OF HYDERABAD FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE SCHOOL OF HUMANITIES SRIV1DYA NATARAJAN FEBRUARY, 1997 CERTIFICATE This is to certify that Ms. Srividya Natarajan worked under my supervision for the Ph.D. Degree in English. Her thesis entitled "Another Stage in the Life of the Nation: Sadir. Bharatanatyam. Feminist Theory" represents her own independent work at the University of Hyderabad. This work has not been submitted to any other institution for the award of any degree. Hyderabad Tejaswini Niranjana Date: 14-02-1997 Department of English School of Humanities University of Hyderabad Hyderabad February 12, 1997 This is to certify that I, Srividya Natarajan, have carried out the research embodied in the present thesis for the full period prescribed under Ph.D. ordinances of the University. I declare to the best of my knowledge that no part of this thesis was earlier submitted for the award of research degree of any University. To those special teachers from whose lives I have learnt more than from all my other education put together: Kittappa Vadhyar, Paati, Thatha, Paddu, Mythili, Nigel. i ACKNOWLEDGEMENTS In the course of five years of work on this thesis, I have piled up more debts than I can acknowledge in due measure. A fellowship from the University Grants Commission gave me leisure for full-time research; some of this time was spent among the stacks of the Tamil Nadu Archives, the Madras University Library, the Music Academy Library, the Adyar Library, the T.T. -
List of Candidates Who Have Not Submitted Their Neet Ug 2017 Roll Number
LIST OF CANDIDATES WHO HAVE NOT SUBMITTED THEIR NEET UG 2017 ROLL NUMBER Sl. Application Candidate's Name Father's Name Mother's Name DOB No. No. 1 100249 SACHIN KUMAR PAWAN KUMAR ANITA SHARMA 15.Nov.93 2 100808 ANUSHEEL NAGAR OMBIR SINGH GEETA DEVI 07/Oct/1998 3 101222 AKSHITA DAAGAR SUSHIL KUMAR SEEMA 24/May/1999 4 101469 ANKITA YADAV SANJAY YADAV CHANCHAL YADAV 31/Dec/1999 5 101593 ZEWA NAWAB KHAN NOOR JAHAN 10/Feb/1999 6 101814 SHAGUN SHARMA GAGAN SHARMA RACHNA SHARMA 13/Oct/1998 7 102087 MOHD FAISAL SHAHABUDDIN JANNATUL FIRDOUS 14/Aug/1998 8 102121 SNEHA SOBODH KUMAR RAJENDRI 20/Jul/1998 9 102256 ABUZAR MD SHAHZAMAN SHABNAM SABA 25/Mar/1999 10 102397 ANJALI DESWAL JAGBIR SINGH RAJ RANI 05/Sep/1998 11 102402 RASMEET KAUR SURINDER PAL SINGH GURVINDER KAUR 11/Sep/1997 12 102474 ABU TALHA MD SHAHZAMAN SHABNAM SABA 25/Mar/1999 13 102515 SHIVANI SHARMA RAKESH KUMAR SHARMA KRISHNA SHARMA 01/Aug/2000 14 102529 POONAM SHARMA GOVIND SHARMA RAJESH SHARMA 04/Nov/1998 15 102532 SHAISTA BANO MD SHAHZAMAN SHABNAM SABA 09/Nov/1997 KARUNA KUMARI 16 102711 ANUSHKA RAJ SINGH RAJ KUMAR SINGH 12/Mar/2000 SINGH 17 102841 AAMIR SUHAIL MALIK NASIMUDDIN SHANNO 26/May/1996 18 102971 ABLE MOGHA MANOJ KUMAR MOGHA SARITA MOGHA 19/Aug/1998 19 103053 HARSHITA AGRAWAL MOHIT AGRAWAL MEERA AGRAWAL 07/Sep/1999 20 103245 HIMANSHI GUPTA VIJAY KUMAR GUPTA INDU GUPTA 09/May/2000 NGULLIENTHANG 21 103428 PAOKHUP HAOKIP VANKHOMOI HAOKIP 03/Oct/1998 HAOKIP 22 103433 APOORVA SINHA GAUTAM BIRENDRA ALPANA DEVA 12/Sep/1999 23 103518 TANYA GUPTA RAJIV GUPTA VANDANA GUPTA 29/Apr/1999 -
Adavu’ Groups of Sangita Saramrta with the Present Practicing Tradition of Bharatanatyam ADITI NIGAM BATRA / 45
ISSN 2455-7250 Vol. XVII No. 1 January - March 2017 A Quarterly Journal of Indian Dance Cover Feature: Buddhist Dances of Bhutan A Quarterly Journal of Indian Dance Volume: XVII, No. 1 January-March 2017 Sahrdaya Arts Trust Hyderabad RNI No. APENG2001/04294 ISSN 2455-7250 Nartanam, founded by Kuchipudi Kala Kendra, Founders Mumbai, now owned and published by Sahrdaya G. M. Sarma Arts Trust, Hyderabad, is a quarterly which provides a forum for scholarly dialogue on a broad M. Nagabhushana Sarma range of topics concerning Indian dance. Its concerns are theoretical as well as performative. Chief Editor Textual studies, dance criticism, intellectual and Madhavi Puranam interpretative history of Indian dance traditions are its focus. It publishes performance reviews Patron and covers all major events in the field of dance in Edward R. Oakley India and notes and comments on dance studies and performances abroad. Chief Executive The opinions expressed in the articles and the Vikas Nagrare reviews are the writers’ own and do not reflect the opinions of the editorial committee. The editors and publishers of Nartanam do their best to Advisory Board verify the information published but do not take Anuradha Jonnalagadda (Scholar, Kuchipudi dancer) responsibility for the absolute accuracy of the Avinash Pasricha (Former Photo Editor, SPAN) information. C.V. Chandrasekhar (Bharatanatyam Guru, Padma Bhushan) Cover Photo: A Buddhist Monk, dancing Kedar Mishra (Poet, Scholar, Critic) Kiran Seth (Padma Shri; Founder, SPIC MACAY) Photo Courtesy: Literature of K. K. Gopalakrishnan (Critic, Scholar) Thimphu Tschechu by Bhutan Leela Venkataraman (Critic, Scholar, SNA Awardee) Communications Services, Mallika Kandali (Sattriya dancer, Scholar) [email protected] Pappu Venugopala Rao (Scholar, Former Associate D G, American Institute; Secretary, Music Academy) Photographers: Kezang Namgay, Reginald Massey (Poet, FRSA & Freeman of London) Leon Rabten, Lakey Dorji, Sunil Kothari (Scholar, Padma Shri & SNA Awardee) Lhendup Suresh K. -
DEPARTMENT of FOLKLORE University of Kalyani
DEPARTMENT OF FOLKLORE University of Kalyani COURSE CURRICULA OF M.A. IN FOLKLORE (Two- years Master’s Degree Programme under the Scheme of CBCS) Session: 2017-2018 and onwards As recommended by the Post Graduate Board of Studies (PGBoS) in Folklore in the meeting held on May 05, 2017 OPERATIONAL ASPECTS A. Timetable: 1) Class-hour will be of 1 hour and the time schedule of classes should be from 10.30 a.m. to 5.00 p.m. with 30 minutes lunch-break during 1.30 to 2.00 p.m., from Monday to Friday. Thus there shall be maximum 6 classes a day. 2) Normal 16 class-hours in a week may be kept for direct class instructions. The remaining 14 hours in a week shall be kept for Tutorial, Dissertation, Seminar, Assignments, Special Classes, holding class-tests etc. as may be required for the course. B. Course-papers and Allocation of Class-Hours per Course: 1) For evaluation purposes, each course shall be of 100 marks and for each course of 100 marks total number of direct instruction hours (theory/practical/field-training) shall be 48 hours. 2) The full course in 4 semesters shall be of total 1600 marks with total 16 courses (Fifteen Core Courses & One Open Course). In each semester, the course work shall be for 4 courses of total 400 marks. C. Credit Specification of the Course Curricula: M.A. Course in Folklore shall comprise 4 semesters. Each semester shall have 4 courses. In all, there shall be 16 courses of 4 credits each. -
Odissi Dance
ORISSA REFERENCE ANNUAL - 2005 ODISSI DANCE Photo Courtesy : Introduction : KNM Foundation, BBSR Odissi dance got its recognition as a classical dance, after Bharat Natyam, Kathak & Kathakali in the year 1958, although it had a glorious past. The temple like Konark have kept alive this ancient forms of dance in the stone-carved damsels with their unique lusture, posture and gesture. In the temple of Lord Jagannath it is the devadasis, who were performing this dance regularly before Lord Jagannath, the Lord of the Universe. After the introduction of the Gita Govinda, the love theme of Lordess Radha and Lord Krishna, the devadasis performed abhinaya with different Bhavas & Rasas. The Gotipua system of dance was performed by young boys dressed as girls. During the period of Ray Ramananda, the Governor of Raj Mahendri the Gotipua style was kept alive and attained popularity. The different items of the Odissi dance style are Mangalacharan, Batu Nrutya or Sthayi Nrutya, Pallavi, Abhinaya & Mokhya. Starting from Mangalacharan, it ends in Mokhya. The songs are based upon the writings of poets who adored Lordess Radha and Krishna, as their ISTHADEVA & DEVIS, above all KRUSHNA LILA or ŎRASALILAŏ are Banamali, Upendra Bhanja, Kabi Surya Baladev Rath, Gopal Krishna, Jayadev & Vidagdha Kavi Abhimanyu Samant Singhar. ODISSI DANCE RECOGNISED AS ONE OF THE CLASSICAL DANCE FORM Press Comments :±08-04-58 STATESMAN őIt was fit occasion for Mrs. Indrani Rehman to dance on the very day on which the Sangeet Natak Akademy officially recognised Orissi dancing -
New and Bestselling Titles Sociology 2016-2017
New and Bestselling titles Sociology 2016-2017 www.sagepub.in Sociology | 2016-17 Seconds with Alice W Clark How is this book helpful for young women of Any memorable experience that you hadhadw whilehile rural areas with career aspirations? writing this book? Many rural families are now keeping their girls Becoming part of the Women’s Studies program in school longer, and this book encourages at Allahabad University; sharing in the colourful page 27A these families to see real benefit for themselves student and faculty life of SNDT University in supporting career development for their in Mumbai; living in Vadodara again after daughters. It contributes in this way by many years, enjoying friends and colleagues; identifying the individual roles that can be played reconnecting with friendships made in by supportive fathers and mothers, even those Bangalore. Being given entrée to lively students with very little education themselves. by professors who cared greatly about them. Being treated wonderfully by my interviewees. What facets of this book bring-in international Any particular advice that you would like to readership? share with young women aiming for a successful Views of women’s striving for self-identity career? through professionalism; the factors motivating For women not yet in college: Find supporters and encouraging them or setting barriers to their in your family to help argue your case to those accomplishments. who aren’t so supportive. Often it’s submissive Upward trends in women’s education, the and dutiful mothers who need a prompt from narrowing of the gender gap, and the effects a relative with a broader viewpoint. -
Odisha Review Dr
Orissa Review * Index-1948-2013 Index of Orissa Review (April-1948 to May -2013) Sl. Title of the Article Name of the Author Page No. No April - 1948 1. The Country Side : Its Needs, Drawbacks and Opportunities (Extracts from Speeches of H.E. Dr. K.N. Katju ) ... 1 2. Gur from Palm-Juice ... 5 3. Facilities and Amenities ... 6 4. Departmental Tit-Bits ... 8 5. In State Areas ... 12 6. Development Notes ... 13 7. Food News ... 17 8. The Draft Constitution of India ... 20 9. The Honourable Pandit Jawaharlal Nehru's Visit to Orissa ... 22 10. New Capital for Orissa ... 33 11. The Hirakud Project ... 34 12. Fuller Report of Speeches ... 37 May - 1948 1. Opportunities of United Development ... 43 2. Implication of the Union (Speeches of Hon'ble Prime Minister) ... 47 3. The Orissa State's Assembly ... 49 4. Policies and Decisions ... 50 5. Implications of a Secular State ... 52 6. Laws Passed or Proposed ... 54 7. Facilities & Amenities ... 61 8. Our Tourists' Corner ... 61 9. States the Area Budget, January to March, 1948 ... 63 10. Doings in Other Provinces ... 67 1 Orissa Review * Index-1948-2013 11. All India Affairs ... 68 12. Relief & Rehabilitation ... 69 13. Coming Events of Interests ... 70 14. Medical Notes ... 70 15. Gandhi Memorial Fund ... 72 16. Development Schemes in Orissa ... 73 17. Our Distinguished Visitors ... 75 18. Development Notes ... 77 19. Policies and Decisions ... 80 20. Food Notes ... 81 21. Our Tourists Corner ... 83 22. Notice and Announcement ... 91 23. In State Areas ... 91 24. Doings of Other Provinces ... 92 25. Separation of the Judiciary from the Executive ..