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Question Booklet No. 10U/111121 (To bejilled up by the candidate by blue/black ball-point pen)

Roll No. LI_..L._.L..._L.-..JL--'_....l._....L_.J Roll No. (Write the digits in words) ......

Serial No. of Answer Sheet ......

D~'y and Date ...... ( Signature of Invigilator) INSTRUCTIONS TO CANDIDATES (Use only bluelblack ball-point pen in the space above and on both sides of the Answer Sheet) 1. Within 10 minutes of the issue of the Question Booklet, check the Question Booklet to ensure that it contains all the pages in correct sequence and that no page/question is missing. In case of faulty Question Booklet bring it to the notice oflhe Superintendentllnvigilators immediately to obtain a fresh Question Booklet. 2. Do not bring any loose paper, written or blank, inside the Examination Hall except the Admit Card without its envelope, .\. A separate Answer Sheet b,' given. It !J'hould not he folded or mutilated A second Answer Sheet shall not be provided. Only the Answer Sheet will be evaluated 4. Write your Roll Number and Serial Number oflhe Answer Sheet by pen in the space prvided above. 5. On the front page ofthe Answer Sheet, write hy pen your Roll Numher in the space provided at the top and hy darkening the circles at the bottom. AI!J'o, wherever applicahle, write the Question Booklet Numher and the Set Numher in appropriate places. 6. No overwriting is allowed in the entries of Roll No., Question Booklet no. and Set no. (if any) on OMR sheet and Roll No. and OMR sheet no. on the Queston Booklet. 7. Any change in the aforesaid entries is to be verified by the invigilator, otherwi!J'e it will he taken as unfairmeans. 8. Each question in this Booklet is followed hy four alternative an.nvers. For each question, you are to record till! correct option on the Am'wer Sheet by darkening the appropriate circle in the corresponding row ofthe Answer Sheet, by pen as mentioned in the guidelines given on the first page ofthe Answer Sheet. 9. For each question, darken only one circle on the Answer Sheet. If you darken'more than one circle or darken a circle partially, the answer will be treated as incorrect. 10. Note that the answer once filled in ink cannot be changed. ifyou do not wish to Qttempt a question, leave aI/the circles in the corresponding row blank (wch question wi/! be awarded zero marks). ll. For rough work, use the inner back page of the title cover and the blank page at the end of this Booklet. 12. Deposit both the Question Booklet and the Answer Sheet at the end of the Test. 13. You are not permitted to leave the Examination Hall until the end of the Test. 14. If a candidate attempts to use any fonn of unfair means, he/she shall be liable to such punishment as the University may detennine and impose on him/her. Total No. of Printed Pages :28 10U/111/21

No. of Questions: 100

~

Time : 2 Hours Full Marks : 300

'fIllt : 300

Note: (I) Attempt as many questions as you can. Each question carries 3 (Three) marks. One mark will be deducted for each incorrect answer. Zero mark will be awarded for each unattempted question. 3lf'l'l>lf'l'l> m f.I "" WWI 111 ~ 3l:"!"n:" WR "" ~ I'" i'" 'IE'! WIT I (2) If more than one alternative answers seem to be approximate to the correct answer, choose the closest one. 'If<:: ~'l'I> ~",Rq", "3"iR -mil "3"iR if; f.r

01. Natya Ved was written by (1 ) Natraj (2) Brahma (3) Bharat (4 ) Ved Vyas

1TCll ~ if; {'qr~", :

( 1) ~ (2) ~ (3) 'ffi[ (4) ~=

02. Devi Parvati taught dance to : (1 ) Menka (2) Rambha (3) Usha (4) Urvashi

~ 'tJT$j\ ~ f'IiU 1«1 r\l@~ I?

(1) iRT (2) ~ (3) "3>'I'T (4) o

P.T.O. IOU/UI/21

03. How many types of Abhinaya is described in Natya Shastra ?

10l -wreI it f'f;lf.t "5f.I;R iii 31f'l'f'! q;r quR t ? ( 1) 3 (2) 4 (3) 5 (4) 2

04. What is Natan Bhed ? ( 1) Drishti Bhed (2) Greeva Bhed (3) Natya Bhed (4) Natya, Nritta, Nritya Bhed

~ ~ flR) q;~H ? ( 1) ~~ (2) mm~ (3) 10l~ (4) 10l. VI, '1<'l ~

05. Sangeet Ratnakar is written by : (1 ) Sharang Dev (2) Jai Dev (3) Pt. Omkar Nath Thakur (4) Acharya Nandikeshwar

Wfu! (<'1I'l>( iii (il f'l

(3) "Ii 0 ail ~ 'l> I( "'!11!! 01¥ (4) ~~m:

06. Number of Rasa described in Natya Shastra :

(1) 8 (2) 9 (3) 12 (4) 10

07. Which name is related to Krishna? (1) Natraj (2) Nritya Shiromani (3) Natwar (4) Nrityamani

2 10U/l11/21

08. Awartan is- (1) Basic bole of Tal (2) Dhun played on Sarangi (3) A Circle of beats (4) Beats of Tal produced by foot

~t-

(1)

(3) =ail "" ~ """ (4) ~ ~

09. Wickram Singhae belongs to which of ? (1) Banaras (2) Jaipur (3) (4) Beekaner

:p> ~ fuW 'li~ 'F'l ~ f

(1) "HR{l (2) ~ (3) <'1"''1£

10. Sangeet ka tukra is performed in which dance- (1) Kathakali (2) Bharat Natyam (3) Kathak (4) Yaksh Gan

-wft

(3) 'li~ (4 ) 'l'IP1R

11. Real Name of is : (1 ) Brij Mohan (2) Jaggan Nath Mishra (3) Baij Nath Mishra (4) Jai Kishan Mishra

3 P.T.O. 10U/111/21

folq '"I~"I"I 'liT cllf

12. Lasya ang is dominent in Kathak of : (1) Lucknow Gharana (2) Jaipur Gharana (3) Banaras Gharana (4) Raigarh Gharana

<'fW1 ;Wi 'lit ~ if "l!m'fill t - (1) ('I',H3> mR if (2) ~mRif (3) ~'1"," mR if (4) ~mRif

13. Anghar is related with: (1 ) Chari (2) Bhramari (3) Karan (4) Ang

aiTJw: 'liT '" kI~ t : (1 )

14. Thumari performed by Lucknow Gharana artist are mainly written by- (1) Wajid Ali Shah (2) Bindadeen ji (3) Birju Maharaj (4) Mahadev Mishra

('I@'13> mR *" "'('II"''' lJ;1§'ffi: it wm ~ i' ~ ,"If,",~1 i' - (1) ~ ~ m (2) flRr

15. Exponent who named his / her Kathak as Natwari is : (1) (2) Krishna Kumar (3) (4) Shambhoo Maharaj

4 lOU/lll/21

"'''1'1> • ~ r"l~\~ ~ 1<"! <.it ~ '!iQT - (1 ) fu

16. Prominent Rasa in Lucknow Gharana Kathak is :

(1 ) Bhakti Ras (2) Shant Ras

(3) Sringar Ras (4) Karun Ras

"",H£ 'l 1<"! ij >Ill'" ~ t -

(1 ) 'lft!; ~ (2) 'IIRl ~ (3) ~~ (4) ~~

17. The name Kathak of Kathak Dance is derived from word: (1) Kath (2) Kathik

(3) Krishna (4) Kaliya Nag

( 1 ) "''I 'Ifii; -B (2) 'lif"l'l> 'Ifii; -B (3) 'l""1-B (4) ililr<:1~I"'IJlT-B

18. Tala word is derived from word:

(1) Tal (2) (3) Tukra (4) Tihai

(1) (f(1-B (2) ~-B (3) ~-B (4) _-B

19. Tukra performed in Kathak Dance is - (1) Angik Abhinaya (2) Vachik Abhinaya (3) Aharya Abhinaya (4) Satvik Abhinaya

5 P.T.O. 10U/lll/21

"'~ ~ it ~ orR "IR'IT ~ t - (1 ) a:rtflril;- aTI'R'l (2) 'l1fi4'h aTI'R'l

(3) ~ aTI'R'l (4) \ilf;q 'h aTI'R'l

20. Krishna Kumar belongs to (1 ) Lucknow Gharana (2) Jaipur Gharana (3) Banaras Gharana (4) Raipur Gharana

¥'1 ~ flRI ~ it \i~f.-mr t ? (1 ) <1',Hl, ~ it (2) ~~it (3) 'l11\\i ~ it (4) ~~it

21. Abhinay Darpan is writtan by : (1 ) Abhinav Gupta (2) Nandi Keshwar (3) Jaidev (4) Sharang dey

aTI'R'l

22. Haw many pranas Tal has:

(fT(1 ~ ~ >lJUT i' ? (1 ) 5 (2) 6 (3) 10 (4) 15

23. Prominent Rasa in Jaipur Gharana of Kathak is (1) Raudra (2) Shant (3) Karun (4) Veer Ras

~ ~ ~ "'~ it >!'IR m t- (1) ~ (2) 'IIRI (3) 'R'D1 (4)

6 lOU/111/21

24. Amad is performed in- (1 ) Vilambit Laya (2) Drut Laya (3) Madhya Laya (4) Teevra Laya

3WR "'!T'

25. Jati is following Types:

;;nfu f.r"I ~ q,'j m t - (1 ) 6 (2) 7 (3) 5 (4) 10

26. Katha Kali is a kind of (1 ) Drama (2) Singing (3) Folk Dance (4) Classical Dance

q;-~~~q;r-

(1 ) ~t (2) 'IT'R M t (3) ~~t (4) ~1I1

27. Abhinav Bharti is written by- ( 1) Anand Vardhan (2) Abhinav Gupta (3) Nandi Keshwar (4) Bharat

3lf'lffm (4) 'IR"

28. Pipilika is kind of (1 ) Jati (2) Paran (3) Tukra (4) Yati

7 P.T.O. 10U/111/21

RlRIfcl'hl f

( 1) "11ft! (2) 'R'! (3) ~ (4)

29. Paran Mainly belongs to (1) Pakhawaj (2) Dance (3) Tabla (4) Nal

'R'! ~ _ -B flI;m) BklF-'R! t- (1) Q1 (2) 1"'1 (3)

30. Smt is related to which dance? (1) Kathak (2) Bharat Natyam (3) Kuchipuri (4) Oddisi

~ ~f'l"1un ~ 31<"ui;M fil;u 1"'I-B Bklf~ ~ ? (1) 'l>",,", (2) 'ffil 110l'{ (3) !f"

31. Which of the following Tal Starts from Khali ?

(1) Trital (2) Kaharva (3) Roopak (4) Jhaptal

Rl'1fclfijj(1 i! -B q;B "ill

(1) fun<;[ (2) 'h,{'11 (3) ~ (4) ~QctIM

32. In Kathak dance Kasak Masak is related to - (1) Gat (2) That (3) Tukra (4) Paran

'l>",,", 1"'1 i! ~-1Rl'f> f BklF-'R! t ?

(1) 1fct (2) 01C (3) ~ (4) 'R'!

8 10U/l11/21

33. In Kathak Dance Kataksh is related to : (1) Greeva (2) Shero bhed (3) Drishti (4) Haste

'li'!'li 1"1 it 'RTll.1 ~ ~ Bklf.'ld t?

(1) lj\qj (2) fu1J~ (3) <;Ii! (4) ~

34. Kala kshetra was founded by­ (1) Birju Maharaj (2) Rukmini Devi Arundale (3) Pratima Bedi (4) Daksha Seth

'li<'!T~ 'lil f'l14'11 f

35. Kavitta is performed in which dance (1) Manipuri (2) Katha kali (3) Kathak (4) Kuchipudi

(2) 'li~ (3) 'li'!'li

36. Raja-Radha Reddy belongs to which dance form? (1) Kathak (2) Katha Kali (3) Kuchipudi (4) Oddissi

=-U'l1 ~ f'Rl1"l fI Bklf.'fd ~? ( 1) 'li'!'li (2) 'li~ (3) if -..11 ~$l (4) ~

37. Guru Kellu Charan Mahapatra belongs to which dance form: (1) Kathak (2) Bharat Natyam (3) Kuchipudi (4) Oddissi

9 P.T.O. 10U/111/21

:P' '1i1{UI ~"Iql~ foR! '1"l "it Bklf.->rn -t ? (1) ~~ (2) 'Iffi! 11Cil~ (3) ~Pi11$'l (4) ~

38. Single Hand gesture is known as : (lj Ekal Haste (2) Nritya Haste (3) Asanyaukta Haste (4) Nritta Haste

~

39. Kumudini Lakhiya belongs to which dance: (1) Kuchipudi (2) Bharatnatyam (3) Manipuri (4) Kathak

:p~<;;j1 (1lf!lj~1 foR! '1"l "it Bklf-"'l

(1) :p4l~~n (2) 'Iffi! 11Cil'l (3) ~fUI1('l (4) ~~

40. Darshna Jhaweri belongs to which dance- (1) Manipuri (2) Kathak (3) Bharatnatyam (4) Mohini Attam

~ wiro foR! '1"l "it Bklf-"'f

(1) '1fUIP'l (2) ~~

(3) 'Iffi! 11Cil~ (4) ~~

41. The style of speaking the boIs with the beats in Kathak dance is called: (1) Tali lagana (2) Kavitta (3) Padhant (4) Tatkar

~~ '1"l-it (IT('! (1'II'M ~ -4 offi1 ~ 'iii '1'11 ~ -t? (1) GR'ft WTRf (2) ~ (3) ~ (4)

10 10U/111/21

42. Paran Judi Amad is presented in : (I) Pakhawaj (2) Tabla (3) Kathak Dance (4) Nal

q('1'!l$l 3lJl'Ii; %WI ~ qi\ "IT

(1) Q'l9l'NI (2) ~ (3) '1>""" ~ (4) 'W'f

43. Neck Movement is mainly of following types -

1WlT it; !j&ld: f.p:;j q;r t - (I) 6 (2) 8 (3) 4 (4) 5

44. Drishti bhed is mainly Following types-

WE it; qi\ B&lT !!&l d: f.p:;j t- (1 ) 6 (2) 8 (3) 4 (4) 12

45. Number of Shero bhed according to Abhinay Darpan-

(1) 7 (2) 8 (3) 9 (4) 10

46. Story Presented in Gat is known as - (I) Gat Nikas (2) Gati Bhav (3) Katha (4) Katha Nartan

'ld &m ~ aTI'R'l '!'IT 'Ii~<'Ildl t? (I) 'ld R'lil\i (2) 'ld 'lJC! (3) '1>"11 (4) '1>"11 1

47. Name of Nawab who contributed for Kathak dance: (1) Nawab Sadat Ali Khan (2) Nawab SuJJaudaulla (3) Shahjahan (4) Nawab Wajid Ali Ahah

11 P.T.O. 10U/111/21

~ ~ 'liT 'PTI 'I1l1 t f;;RR 'I>'l'!> 1"1 'ii; fWl q;rj f'f;7:n ? (1 ) ~

48. Permelu is related with: (1 ) (2) Vocal (3) Tabla (4) Kathak dance

w't'l'!>

49. Rang manch ka tukra is synonim of- (1) Amad (2) Paran (3) Salami (4) Tukra

~ 'liT ~ f

(1) 3!TIR (2) 'R'! (3) {1<'1141 (4) ~

50. Origin of Kathak Natwari Nritya is related to which God? (1) Lord Krishna (2) Lord Shiva (3) Bharat Muni (4) Lord Vishnu

'I>'l'!> 1"1 q,'\ ~ ~ ~ it {1~f.-'l

51. Sattria belongs to which state? (1) Assam (2) Bihar (3) Bengal (4) Tamilnadu

~ %T 'liT 1"1 t ? (1) 3lffiT1'! (2) ~ (3) "I'lf<'I

12 10U/ll1/21

52. Kanak Rale belongs to which dance form: (1) Sadir Attam (2) Dasi Altam (3) Mohini Altam (4) Yakash Gan ~ to ~ Fl it ~,,"f.->jij~? (1) ~~ (2) c::mt ~ (3) ~~ (4) 'll(fllR

53. Bindadeen ji was a court dancer in the court of : (1) Nawab wajid Ali Shah (2) Nawab Sadat Ali Khan (3) Amminudaulla (4) Shahjahan

r"'<;IGl1 oft ~ "'f1lT'I i\; G<'!R ij ~<'ml • it ? (1) "'f1lT'I ~ awn m (2) "'f1lT'I ~ awn "lSif (3) 3l

54. Sangeet consists of : (1) Geetam Vadyam (2) Natyam Nrilta (3) Vadyam cha Nrittyam (4) Geetam Vadyam cha Nrittam

Wfu1 'lit (i

55. Name of the king from Raigarh who contributed for the development of Kathak dance- (1) Rana Kumbha (2) Sawai Jai Singh (3) Raja Nawab Ali (4) Raja Chakkradhar Singh

"lJ"'f1Tip i\; u;;n 'I>T 'lJlI r"1'l;l~ q;1!fi!> Fl i\; rq,"l~ ij ~l'I~H f<:;n- (I) UUTT ¥'11 (2) ~ "l'l ftt;l" (3) u;;n"'f1lT'l awn (4) u;;n"ifjii'f{ ftt;l"

13 P.T.O. 10U/l11/21

56. Main Rasa in Thumari is : (1) Adbhut Rasa (2) Hasya Rasa (3) Shringar (4) Viyog Shringar

~ i\ >I'lTHt! ~ -

(1) ~UI (2) w

(3) ~ UI (4) f

57. Poetry danced in Kathak is Known as : (1) Permalu (2) Kamali (3) Kavitta (4) Paran

'1'''1'1> ~ i\ ~ 'R ~ q;f.t qi't 'I

58. Dhamar tal has - "l"'lR ~ i\ ¥f llf5Il ~ - (1 ) 12 Matras (2) 14 Matras (3) 10 Matras (4) 7 Matras

59. Geet Govind is written by : (1 ) Kalidas (2) Jai Dev (3) Abhinav Gupta (4) Ban Bhatta

-rfuj 'Tirol"; it {i1r~ill t- (1 ) i'fi If<'l <; I{i (2) ~

(3) 3TI'll"'f'! "T

60. Name the dancer who is also a singer: (1 ) Birju Maharaj (2) Gopi Krishna (3) Shobhna Narayan (4)

14 IOU/UI/21

(1) f.rq Il~RI'" (2) Wit 'f"'T (3) 'IIT'RT 'i1(I~OI (4) ~~

61. How many chapters are there in the book Natya Shastra ?

'iICiHII'-'l "!R[ if ~ a1"'W! %? (1) 28 (2) 36 (3) 42 (4) 40

62. Footwork in Kathak is known as - (1) Padhant (2) Paran (3) Permelu (4) Tatkar

Ofil$ 'J<'! if w it fi<;it ""IR ~ ~ '!

63. After performing the tukra when dancer comes to the starting position it is known as- (1) Avartan (2) Theka (3) Sam (4) Tihai

• 'j,U ~ 'il'lf

64. Number of Asanyukta Hasta mudras according to Natya-Shastra is - 'iI&l~II'-'l i\; 3f:1BR a1/iigm ~f<1~1 'lit f'Iiwft ri= %? (1) 24 (2) 13 (3) 42 (4) 28

65. Pataka Haste is a- (1) Head Gesture (2) Sanyukta Haste (3) Asanyukta Haste (4) Dristi Bhed

15 P.T.C. 10U/1U/21

'1 ~ (4) Wl! ~

66. pt. Shiv Kumar Sharma plays­ (1) Sitar (2) Santoor (3) Rudra Veena (4) Tabla

'10 filICj!ll~I( W'lf 'lit.! W Cjl'l~"! ~ ~ ? (1) fu

67. Sashabd and Nishabd term are used for: (1) Kala (2) Graha (3) Marg (4) Kriya

( I) 'lif('! (2) ~ (3) "!lJl! (4) flI;>:n

68. Shubha Mudgal is a Famous­ (1) Dancer (2) Sarod Player (3) Sitar Player (4) Vocalist

'{I'lT ~ foRllWl "l!ftr.& ~? (1) i«li'HI (2) WR CjIf~q;1 (3) fu

69. Teejanbai is a famous for: (1) Nautanki (2) Ghoomar (3) Pandwani (4) Ras Lee1a

16 10U/1l1/21

(1) ~ (2) 'i:R (4) \m~

70. Gulabi Bai is related to which state- (1) Gujrat (2) Madhya Pradesh (3) Rajasthan (4)

(1) !I"RI~ (2) ll"'l m (3) (I"I'MR

71. "Man and Machine" is a famous composition of : (1) PI. Shankar (2) Pt. Shiv Kumar Sharma (3) Shankar Ahasan Layal (4) it.! 1lYi' -.roR f

72. Bharat Ratna is awarded to­ (1) Birju Maharaj (2) (3) (4)

'lm! «'! f

(1) ~ ~~I(l"l (2) ~ ~~l(["l (3) f'l fI fA ttl 1

73. Arnan Ali bangesh is a famous: (1) Sufi Singer (2) Dilruba Player (3) Player (4) Sarood Player

17 P.T.O. 10U/lll/21

(1)

74. Famous Dance Form of Lucknow is : (1) Kathakali (2) Chhau (3) Kathak (4) Bharatnattyam

W,I'1& 'fIT ~ Fl ~ ~ "ill i?

(1 ) q;~ (2) ~ (3) q;2!'Ii' (4) 'l«l 112i1 ~

75. Number of Lalit Kala is :

<'If(;rn 'li'ffiaiT 'fIT ~ flI;(r;fi i? ( I) 5 (2) 6 (3) 3 (4) 4

76. Pt. is a brother of : (1) Udai Shankar (2) Gauri Shankar (3) Anand Shankar (4) Mamta Shankar

'10 {f<1~iq;{ ;;ft fMil> ~ i ? (1) ~m (2)

77. Real name of Madem Menka is - (1) Leela Sokhe (2) Vaijantimala (3) Mrinalini (4) Amla Shankar

-4s

18 10U/111/21

78. Bala Saraswati is a famous for: (1) Katha Kali (2) Mohiniattam (3) Bharat natyam (4) Kathak

Iftr.l; i? (1) q;~ (2) ~ ~ (3) 'ffiI '118:14 (4) q;'l'l>

79. Famous female Kathak dancer from Banaras is : (1 ) UmaSharma (2) Maya Rao (3) Damyanti Joshi (4) Sitara Devi

ij'll{{l ,,;r >Iftr.l; q;'l'l> ie'Pi'l1 '!>T'lJl1- (1 ) 641 W4f (2) l1T'!1 '"' (3) <; 4 ~ '

80. Bharat Muni learnt the out of dance from (1) Brahma (2) Shiva (3) Narad (4) Tandu

'ffiI :Jf.! ij "'l"< '!><'ll '!>T ~ ~ m'

(1) om! (2) fuq (3) ~ (4) ~

81. belongs to which Gharana ? (1 ) Lucknow (2) Jaipur (3) Banaras (4)

~ ~ ~ mA U W

(1) (1'@'""l3'l (2) ~ (3) ij'll({l (4) ~

82. Ghoongros are most important part of which dance - (1) Bharat Natyam (2) Kathak (3) Manipuri (4) Oddissi

19 P.T.O. 10U/111/21

( 1) 'ffif 11 CiI q (2) '1>"1'1> (4) ~

83. Guru of which dance form is known as Nattuvan ? (1) Kathak (2) Bharat natyam (3) Manipuri (4) Oddissi

fiR:r 'f<'!I ij;- "¥' ~ 'lit<<'11 iI ~ ? ( 1) '1>"1'1> (2) 'ffif 11Ci1,\ (3) qfU13,1 (4) ~

84. Allaripu is a term related with which dance? (1) Kathak (2) Bharat natyam (3) Manipuri (4) Oddissi

3k<'1IR3'1T'<; fiR:r 'f<'!I it {l"'4f.-'1a i ? (1) '1>"1'1> (2) 'ffif 11Ci1,\

(4) ~

85. Songs of Geet Govind is related with which God? (1) Seeta Ram (2) Devi Durga (3) Natraj (4) Radha Krishna

-,fur Iilfq,<; i'i fowl ~ it w

86. Tabla player is a son of: (1) Allarakha Khan (2) Hafiz Ali Khan (3) (4) Vilayat Hussain Khan

20 10U/1l1/21

(1) 3l0.11(@ 191 (2) ~lfiI>"I ~ 191 (3) 3l0.113ij'l 191 (4) F'kll~d ~ 191

87. Which Sangeet Paddhati is developed by Ravindra Nath Tagore ? (1) Hindustani Sangeet (2) Karnatak Sangeet (3) Ravindra Sangeet (4) Shastriya Sangeet

( 1) fu ">«II oft Wfl

88. Yaksha Gang is a dance drama from? (l) Madurai (2) Malabar (3) South Karnatak (4) Trivendram

(1) ~ (2) 1l1i.11~1( (3) <:f!\!"T i'li'lki'li (4) F~~'l;~

89. With which state Satriya is related? (l) Assam (2) Bengal (3) Maharashtra (4) Manipur

(l) 31W! (2) iif'lT<'I

21 P.T.O. 10U/111/21

90. The Hindi Journal "Sangeet" is published from: (1) (2) Banaras (3) Hathras (4) Lucknow

~ ~ "Wfu!" ~ i\ Q'hIRI

91. Rabindra Nath Tagore was awarded which of the following prize? (1) SangeetNatakAcaderniAward (2) Noble Prize (3) Oscar Award (4) ~ 'll>< OT¥ 'liT r~"1r<:1rlSi

92. Makhan Char is denoted for? (1) Ganesh (2) Vishnu (3) Buddha (4) Krishna

'4IlSi1'

93. Which Tal among the following has 10 Matras ? (1) Trital (2) Jhaptal (3) Dhamar (4) Ada Chautal r~"1r<:1rlSid it i\ om "{fi OR'! G

94. Ashta ...... (1) Abhinaya (2) Haste (3) Nayak (4)Nayika Bhed

311': •...... (1) 3jf'R'f (2) ffi (3) "1f'I'!> (4) 1Ir~'h1 i'R

22 10U/l11/21

95. Madan ...... (1 ) Leela (2) Dev (3) Dahan (4) Raas

~ ......

(1 ) <4ffiT (2) ~ (3) ~ (4) m!

96. Gadigan ...... (1) Nagetit (2) Dhage (3) Ta (4) Tit 'lfi:!O'H ...... (1 ) '11~R1Wt (3) OJ (4) fiR:

97. Tigdha...... dig thai (1 ) Tigdha (2) Dig (3) Tat (4) Thurn

funn ...... ft:1T ~ ( 1) funn (2) ft:1T (3) mt. (4) Tl

98. Dheena ...... na (1 ) Dhi dhi (2) Gadi gan (3) Tit kat (4) Tir kit

~ ...... 'lT (1 ) mm (2) 7Jf<::'R (3) fiR:q;q (4) fiRf

99. Aharya ...... (1 ) Drishti Bhed (2) Greeva Bhed (3) Abhinaya (4) Shirobhed 31®'t ...... ( 1) ~~ (2) J:ftqf~ (3) aTI'R'l (4) fu{)~

23 P.T.O. 10U/111/21

100. Kapot...... (1) Sanyukta Haste (2) Greeva Bhed (3) Ahhinaya (4) Drishti Bhed -m ...... (1) ~ ~ (2) Jilqr.rc; (3) .m'l"fll (4)

24 100 (OfT ~Ii#o>, i;; 1/VIlT 3TTlm1T !1"'" 'IT """ 3'fI<-"" i;;;;T;ff '[irj' 3itr ... tI tiq;1r

4, 3l'Rf 31i",~i'" 1Ifur ~ t[( fu"&1 5, 3'fI<-"" i;; 111/1T!1"'" 'IT iR it 3/fm aqlhqiq; f.mlfirl ffII'T,'IT fffii'''''";fIit ~ ?[#t'." ~ iii< ~i ~- ~ 3I, ••• q; t/ ""' 1fI'1- ~Ii#o>, i1iT ~ ",""1k i1iT "",,:ffirrr f1l1l'lr IT( fffii'l

6, aff 0 ~ 0 3/ff 0 "" 'IT 3I:Jlhqiq; mw, »''I~m.q;, "- • "1k "-(.mr ~ t/) "'" R4/Of9fi:aq:;J rrr 3IjfbQiCh 3itr 31T" tr7" 3TTf" fT;f ~ q{f Jjfa/i4f 1(' aqfiMeJOi qff ~ 'It!' II 7, 3T1'fm »fiiliior ff , ff ~ 1fI'1 i;; om: 4q;{;Qih 3'fI< ~ 7]it Ii ~ 1fI'1 i;; i- ~~ tmff i;; 3IlR" iR it ~ q;m II 9, l[(ilq; l[V'f iii 3iR iii fu1l: iI;w 1l:'" ;it Tf 'lit lJfi$I 1i1' I 1l:'" it 3WJq; ¥t 'lit lJfi$I ",,'I t[( ~ 1l:'" Tf 'lit ~ 'lB t[( 'lO 3iR 'l1'I, I(d 3'fI<- "" m """" if ;;jljj "" ~I 13, m "Bll1'lff«l ~ q;rm, 'lfIi\ 1iMT~1 /3, fv!~. (K".;/i"'K) ( 175)

Q. A. Q. A- Q. A- Q. A. Q. A- Q. A. Q. A. Q. A. Q. A. Q. A. I 21 41 3 61 81 J. 2- lZ 2. 101 121 141 161 181 2 3 22 ' 42 3 62 82 ., .'" A , . 102 122 142 162 182 3 ~ 23 43 3 63 83 -, 'I 3 103 123 143 163 183 4 24 44 ., 64 84 .--, '.i Ll ..1 /--- 104 124 144 164 184 5 2S . 45 ?, 6S W. :> 3 85 105 125 145 165 185 6 26 ,0 46 66 ~ J. ~ 'c 86 106 126 146 166 186 7 27 ., :~ ~ 47 67 L 87 £l. 107 127 147 167 187 8 :0 28 Lj Lj 48 68 88 108 128 148 " L1 168 188 9 ,".' 29 69 89 ..l 49 " 3 109 129 149 169 189 10 30 2 70 .3. SO.l "J 90 110 130 150 170 190 II i 31 71 Lj 3 51 ..l 91 III 131 151 171 191 12 32 2 52 3 72 .1 ~-3 92 112 132 152 172 192 13 3 33 2> 73 53 ..1 ~ 93 113 133 153 173 193 14 '7 2 34 ~ 54 2- 74 :3 94 114 134 154 174 194 IS 3S 75 ± 23 55 A 1- 95 .'l 115 135 155 175 195 16 3 36 S6 3 76 3 1. 96 .L 116 136 156 176 196 17 I.:.? 37 57 3 77 ., ~ 1 97 117 137 157 177 197 18 I 38 - 3 58 2- 78 3 98 1 118 138 158 178 198 19 39 J b 59 2- 79 L\ 99 3 119 139 159 179 199 20 ., 40 [j. 60 ..1 80 lit 100 120 140 160 180 200

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