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Boston Symphony Orchestra Concert Programs, Season 45,1925
ELMWOOD MUSIC HALL . BUFFALO Wednesday Evening, November 4, 1925, at 8.15 Auspices of Buffalo Musical Foundation, Inc. MARIAN DE FOREST, Manager PR5GR2WIE P}3 . // cries nvhen IfeeI like cry- ing, it singsjoyfully when Ifeel like singing. It responds—like a human being—to every mood. " I love the Baldwin Piano. yu*9«J^ rrX.B^t^t,'-1**2 Vladimir de Pachmann loves the Baldwin piano. Through the medium of Baldwin tone, this most lyric of contemporary pianists discovers complete revealment of his musical dreams. For a generation de Pachmann has played the Baldwin; on the concert stage and in his home. That love- liness and purity of tone which appeals to de Pach- mann and to every exacting musician is found in all Baldwins, alike in the Concert Grand, in the smaller Grands, in the Uprights. The history of the Baldwin is the history of an ideal. Ifetftonn CINCINNATI CHICAGO NEW YORK INDIANAPOLIS ST. LOUIS LOUISVILLE DENVER DALLAS SAN FRANCISCO ELMWOOD MUSIC HALL BUFFALO FORTY-FIFTH SEASON, 1925-1926 INC. SERGE KOUSSEVITZKY, Conductor WEDNESDAY EVENING, NOVEMBER 4, at 8.15 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1925, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President GALEN L. STONE Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT ERNEST B. DANE HENRY B. SAWYER M. A. DE WOLFE HOWE GALEN L. STONE JOHN ELLERTON LODGE BENTLEY W. WARREN ARTHUR LYMAN E. SOHIER WELCH W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 1 Ve ^ After more than half a century on Fourteenth Street, Steinway Hall is now located at 109 West 57th Street. -
Lawrencían Chronicle 2011 the University of Kansas, Lawrence, Kansas Vol
Lawrencían Chronicle 2011 The University of Kansas, Lawrence, Kansas Vol. XXIII Editor: Marc L. Greenberg No. 1 Layout: Pam LeRow www.ku.edu/~slavic/ Spring, 2011 Prof. Stephen J. Parker Retires. A Nabokovian Journey. Bridging the East and the West By Marc L. Greenberg Chair’s Corner The previous KU provost, Richard Stephen J. Parker joined Lariviere, asked the KU commu- the KU Slavic Faculty in nity to consider “why we do what 1967 after a brief stint at we do and why we are here.” The the University of Oklaho- Slavic Department responded by demonstrating the ma. A student of the great many ways in which “the Slavs link the East with the writer Vladimir Nabokov, West”— and we have taken this linking mission to as well as the son of a Stephen J. Parker in the early 1970s heart in all that we do. We teach languages and their prominent professor of contexts, which means understanding not only the Russian literature, Fan Parker, he wrote his disserta- complex and dynamic world area of the Slavs, but tion at Cornell University on Vladimir Nabokov-Sirin also its relationship to our own American reality. As as Teacher: The Russian Novels. His Understanding globalization challenges us all, faculty and students Vladimir Nabokov (University of South Carolina Press), alike, we continue to think about ways to help KU first published in 1987, continues to be reprinted. He is students gain skills and knowledge that they can founder (1984) and editor of The Nabokovian, a major deploy in the world. international research companion to Nabokov studies. -
Freedom from Violence and Lies Essays on Russian Poetry and Music by Simon Karlinsky
Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky simon Karlinsky, early 1970s Photograph by Joseph Zimbrolt Ars Rossica Series Editor — David M. Bethea (University of Wisconsin-Madison) Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky edited by robert P. Hughes, Thomas a. Koster, richard Taruskin Boston 2013 Library of Congress Cataloging-in-Publication Data: A catalog record for this book as available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-61811-158-6 On the cover: Heinrich Campendonk (1889–1957), Bayerische Landschaft mit Fuhrwerk (ca. 1918). Oil on panel. In Simon Karlinsky’s collection, 1946–2009. © 2012 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Published by Academic Studies Press in 2013. 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Names on the Internet: Towards Electronic Socio-onom@stics Katarzyna Aleksiejuk PhD Thesis University of Edinburgh 2015 2 Declaration of Authorship I declare that this thesis has been written by me and has not been submitted for any other degree or professional qualification. Signature ________________________________ Date _________________________________ 3 4 Acknowledgements First of all, I would like to express my gratitude to my supervisors, Dr Lara Ryazanova-Clarke and Dr Alan Macniven, for their engagement and always valuable feedback. Thank you for sharing your priceless time and knowledge with me. I would like to thank Chris Tolland, my manager at work, who helped me greatly to accommodate working and studying. My warm thanks go to my family, friends and colleagues for their understanding and support. I would also like to take this opportunity to pass my special thanks to Prof. -
Russian Folktale by Vladimir Yakovlevich Propp
Series in Fairy-Tale Studies General Editor Donald Haase, Wayne State University Advisory Editors Cristina Bacchilega, University of Hawai`i, Mānoa Stephen Benson, University of East Anglia Nancy L. Canepa, Dartmouth College Isabel Cardigos, University of Algarve Anne E. Duggan, Wayne State University Janet Langlois, Wayne State University Ulrich Marzolph, University of Gött ingen Carolina Fernández Rodríguez, University of Oviedo John Stephens, Macquarie University Maria Tatar, Harvard University Holly Tucker, Vanderbilt University Jack Zipes, University of Minnesota A complete listing of the books in this series can be found online at wsupress.wayne.edu W5884.indb ii 8/7/12 10:18 AM THE RUSSIAN FOLKTALE BY VLADIMIR YAKOVLEVICH PROPP EDITED AND TRANSLATED BY SIBELAN FORRESTER FOREWORD BY JACK ZIPES Wayne State University Press Detroit W5884.indb iii 8/7/12 10:18 AM © 2012 by Wayne State University Press, Detroit, Michigan 48201. English translation published by arrangement with the publishing house Labyrinth-MP. All rights reserved. No part of this book may be reproduced without formal permission. Manufactured in the United States of America. Library of Congress Cataloging-in-Publication Data 880-01 Propp, V. IA. (Vladimir IAkovlevich), 1895–1970, author. [880-02 Russkaia skazka. English. 2012] Th e Russian folktale by Vladimir Yakovlevich Propp / edited and translated by Sibelan Forrester ; foreword by Jack Zipes. pages ; cm. — (Series in fairy-tale studies) Includes bibliographical references and index. ISBN 978-0-8143-3466-9 (paperback : alkaline paper) — ISBN 978-0-8143-3721-9 (ebook) 1. Tales—Russia (Federation)—History and criticism. 2. Fairy tales—Classifi cation. 3. Folklore—Russia (Federation) I. -
Notes on the Prologue to Pushkin's Ruslan and Ludmila
The Curving Shore of Time and Space: Notes on the Prologue to Pushkin’s Ruslan and Ludmila The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Russell, James R. 2012. The Curving Shore of Time and Space: Notes on the Prologue to Pushkin’s Ruslan and Ludmila. In Shoshannat Yaakov: Jewish and Iranian Studies in Honor of Yaakov Elman, ed. Shai Secunda and Steven Fine, 323–370. Leiden and Boston: Brill Academic Publishers. Published Version doi:10.1163/9789004235458_018 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:34257918 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Open Access Policy Articles, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#OAP 1 THE CURVING SHORE OF TIME AND SPACE: NOTES ON THE PROLOGUE TO PUSHKIN’S RUSLAN AND LUDMILA. By James R. Russell, Harvard University, Cambridge, Mass. Золотое руно, где же ты, золотое руно? Всю дорогу шумели морские тяжёлые волны, И, покинув корабль, натрудивший в морях полотно, Одиссей возвратился, пространством и временем полный! (“Golden fleece, where are you now, golden fleece? All the journey long roared the heavy sea waves, And, leaving the ship that had worked a canvas of the seas, Odysseus returned, replete with time and space!”) —Osip Mandelstam (1891-1938).1 “As lucid as you like or as deep as you choose to dive.” —Adam Gopnik, on the Alice books of Lewis Carroll.2 PREFACE. -
Cómo Usar El Libro De Programa
CÓMO USAR EL LIBRO DE PROGRAMA Este año las sesiones regulares se llevarán a cabo entre el miércoles 23 y el sábado 26 de Mayo. Cada sesión será de una hora y media, empezando a las 9:00 a.m. y terminando a las 9:00 p.m. Los horarios son: 9 a.m. a 10:30 a.m., 10:45 a.m. a 12:15 p.m., 12:30 p.m. a 2:00 p.m., 2:15 p.m. a 3:45 p.m., 4:00 p.m. a 5:30 p.m., 5:45 p.m. a 7:15 p.m. y de 7:30 p.m. a 9:00 p.m.. El libro de programa tiene tres índices diferentes: 1. El índice por días: este índice tiene 2. El índice por área del programa 3. El índice por participante: listadas todas las actividades de (ver el listado abajo señalado): este índice lista todos a todos los acuerdo al siguiente orden: fecha, este índice lista todas las participantes del congreso en orden horario, área del programa, nombre actividades por área temática del alfabético de acuerdo a su apellido de la actividad. Tómese en cuenta programa, en orden del número e indica el número correlativo de la que a cada actividad se le ha correlativo asignado. actividad en la que aparecerá dicho asignado un número correlativo, el participante. cual identificará a dicha actividad en todoslos índices. Así mismo, en el índice por días y en el índice por área del programa, usted podrá ver la ubicación de donde se llevará a cabo cada actividad. -
Russian & Slavic
Encyclopedia of Russian & Slavic Myth and Legend Encyclopedia of Russian & Slavic Myth and Legend Mike Dixon-Kennedy Santa Barbara, California Denver, Colorado Oxford, England Copyright © 1998 by Mike Dixon-Kennedy All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publishers. Library of Congress Cataloging-in-Publication Data Dixon-Kennedy, Mike, 1959– Encyclopedia of Russian and Slavic myth and legend. p. cm. Includes bibliographical references and index. Summary: Covers the myths and legends of the Russian Empire at its greatest extent as well as other Slavic people and countries. Includes historical, geographical, and biographical background information. 1. Mythology, Slavic—Juvenile literature. [1. Mythology, Slavic. 2. Mythology—Encyclopedias.] I. Title. BL930.D58 1998 398.2'0947—dc21 98-20330 CIP AC ISBN 1-57607-063-8 (hc) ISBN 1-57607-130-8 (pbk) 0403020100999810987654321 ABC-CLIO, Inc. 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116-1911 Typesetting by Letra Libre This book is printed on acid-free paper I. Manufactured in the United States of America. For Gill CONTENTS Preface, ix How to Use This Book, xi Brief Historical and Anthropological Details, xiii Encyclopedia of Russian and Slavic Myth and Legend, 1 References and Further Reading, 327 Appendix 1, 331 Glossary of Terms Appendix 2, 333 Transliteration from Cyrillic to Latin Letters Appendix 3, 335 The Rulers of Russia Appendix 4, 337 Topic Finder Index, 353 vii PREFACE Having studied the amazingly complex sub- This volume is not unique. -
The Human-Headed Bird Figure in Painting from the Bronze Age to the Early Twentieth Century
Rania Elhelw - JAARS Volume 1 - Issue 1 – June 2020 THE HUMAN-HEADED BIRD FIGURE IN PAINTING FROM THE BRONZE AGE TO THE EARLY TWENTIETH CENTURY Rania Elhelw Painting Department – Faculty of Fine Arts – Helwan University [email protected] ABSTRACT The avian humanoids always seemed like fantastical creatures that mediate between heaven and earth by having human and avian features together. They mostly referred to the souls lingering between the living and the divine. There are many types of them, and this paper is specifically concerned about the human-headed bird imagery; and how it is depicted in different ways and what are their symbolic meanings in many cultures. This specific imagery appeared in many different mythologies along history; such as, the ‘Ba’ in the Ancient Egyptian, ‘Sirens’ and ‘Harpies’ in the Greek and the Byzantium, the ‘Humayun’ in the Mesopotamian and perhaps in the Islamic too; and eventually, the ‘Alkonost’, the ‘Sirin’, and the ‘Gamayun’ in the Slavic mythology. An analytical comparative study of this imagery in different mythologies and in the paintings by different artists, such as P. Rubens, J. Pasch, V. Vasnetsov, and M. Vrubel; will be followed. KEYWORDS Ba; Siren; Harpies Avian humanoids are different forms of human-bird/bird-human imagery, which took various forms and styles in cultures around the world such as, winged-human, bird-headed human, bird-headed and winged human, and finally the human-headed bird that is the main concern in this paper. Mostly, all those imageries hold the same main characteristics mixed between those of human beings and birds’, bridging between the realms of heaven and earth. -
The Vampire in Slavic Cultures
The Vampire in Slavic Cultures Included in this preview: • Copyright Page • Table of Contents • Excerpt of Chapter 1 UNIVERSITY OF TEXAS–AUSTIN Copyright © 2010 by Th omas J. Garza. All rights reserved. No part of this publica- tion may be reprinted, reproduced, transmitted, or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfi lming, and recording, or in any information retrieval system without the written permission of University Readers, Inc. First published in the United States of America in 2010 by Cognella, a division of University Readers, Inc. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identifi cation and explanation without intent to infringe. 14 13 12 11 10 1 2 3 4 5 Printed in the United States of America ISBN: 978-1-934269-67-1 Contents 1. Introduction By Th omas J. Garza 1 DEFINITIONS OF VAMPIRE 5 2. A Defi nition of Vampire from Funk and Wagnalls Standard Dictionary of Folklore, Mythology, and Legend Edited by Maria Leach 7 3. A Defi nition of Vampire from Brewer’s Dictionary of Phrase and Fable Edited by Ivor H. Evans 9 4. A Defi nition of Vampire from Th e Encyclopedia of Ghosts and Spirits By Rosemary Guiley 11 5. Defi nitions of Upyr’ and Vampire By Th omas J. Garza 13 6. What Is a Vampire? By Dudley Wright 15 7. Vampires By Brad Steiger 23 ORIGINS OF THE VAMPIRE 29 8. Heretics as Vampires and Demons in Russia By Felix Oinas 31 9. -
Romantic Nationalism and the Image of the Bird-Human in Russian Art of the 19Th and Early 20Th Century
Bard College Bard Digital Commons Senior Projects Spring 2016 Bard Undergraduate Senior Projects Spring 2016 Romantic Nationalism and the Image of the Bird-Human in Russian Art of the 19th and early 20th Century Kathleen Diane Keating Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2016 Part of the Painting Commons, and the Slavic Languages and Societies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Keating, Kathleen Diane, "Romantic Nationalism and the Image of the Bird-Human in Russian Art of the 19th and early 20th Century" (2016). Senior Projects Spring 2016. 285. https://digitalcommons.bard.edu/senproj_s2016/285 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Romantic Nationalism and the Image of the Bird-Human in Russian Art of the 19th and early 20th Century A Senior Project by Kathleen Keating for the program of Russian and Eurasian Studies at Bard College, May 4th, 2016 Acknowledgements ТО Oleg Minin, my advisor, -
SOVIET ATLANTIS: Rice University, Houston BETWEEN SCIENCE FICTION and ESOTERIC COMMUNITIES
Stanislav PANIN [email protected] SOVIET ATLANTIS: Rice University, Houston BETWEEN SCIENCE FICTION AND ESOTERIC COMMUNITIES Abstract: The paper concentrates on the history of the myth of Atlantis in twentieth century Russian culture. It traces the transmission of Atlantis narratives starting from artistic and esoteric circles of the early twentieth century, through Soviet science fiction, to the esoteric revival of the 1980s. Contemporary fictional literature is understood as a modern, secularized form of mythology, intrinsically connected to traditional mythological nar- ratives. The story of Atlantis, as one of these narratives, played an import- ant role in Russian esoteric and fictional literature. The transmission of the Atlantean narrative through the Soviet period is analyzed herein and can benefit scholars in several ways. It shows how esoteric narratives can change and assume a fictional nature to survive in hostile and highly secularized environments. It also contributes to the understanding of particular aspects of contemporary Russian spiritual life related to the revival of Russian eso- teric communities, which began during the Perestroika and continued after the collapse of the Soviet Union. It also contributes to the study of twentieth century Russian cultural history, as well as to the academic study of esoter- icism. Keywords: Soviet literature, Atlantis, science fiction, symbolism, West- ern esotericism, anarcho-mysticism This paper provides an overview of the transmission of the myth of Atlantis through the Soviet era and its revival in contemporary Russian esotericism. By no means complete, it intends to emphasize the intimate relationship between artistic and esoteric narratives about the supposedly lost continent. It is argued that art, and particularly fictional literature, can assume the role of a new mythology in modern society, surviving by stating its fictional character, yet powerful enough to inspire imagina- tion and return to its claims of reality when social conditions allow such change.