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Boston Symphony Orchestra Concert Programs, Season 45,1925 ELMWOOD MUSIC HALL . BUFFALO Wednesday Evening, November 4, 1925, at 8.15 Auspices of Buffalo Musical Foundation, Inc. MARIAN DE FOREST, Manager PR5GR2WIE P}3 . // cries nvhen IfeeI like cry- ing, it singsjoyfully when Ifeel like singing. It responds—like a human being—to every mood. " I love the Baldwin Piano. yu*9«J^ rrX.B^t^t,'-1**2 Vladimir de Pachmann loves the Baldwin piano. Through the medium of Baldwin tone, this most lyric of contemporary pianists discovers complete revealment of his musical dreams. For a generation de Pachmann has played the Baldwin; on the concert stage and in his home. That love- liness and purity of tone which appeals to de Pach- mann and to every exacting musician is found in all Baldwins, alike in the Concert Grand, in the smaller Grands, in the Uprights. The history of the Baldwin is the history of an ideal. Ifetftonn CINCINNATI CHICAGO NEW YORK INDIANAPOLIS ST. LOUIS LOUISVILLE DENVER DALLAS SAN FRANCISCO ELMWOOD MUSIC HALL BUFFALO FORTY-FIFTH SEASON, 1925-1926 INC. SERGE KOUSSEVITZKY, Conductor WEDNESDAY EVENING, NOVEMBER 4, at 8.15 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1925, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President GALEN L. STONE Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT ERNEST B. DANE HENRY B. SAWYER M. A. DE WOLFE HOWE GALEN L. STONE JOHN ELLERTON LODGE BENTLEY W. WARREN ARTHUR LYMAN E. SOHIER WELCH W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 1 Ve ^ After more than half a century on Fourteenth Street, Steinway Hall is now located at 109 West 57th Street. The new Steinway Hall is one of the handsomest buildings in New York on a street noted for finely designed business structures. As a center of music, it will extend the Steinway tradition to the new generations of music lovers. NW THE INST%UMENT OF THE IMMORTALS Forty-fifth Season, 1925-1926 SERGE KOUSSEVITZKY, Conductor Violins. Burgin, R. Hoffmann, J. Gerardi, A. Hamilton, V. Gundersen, R. Concert-master Kreinin, B. Eisler, D. Sauvlet, H. Kassman, N. Theodorowicz, J. Cherkassky, P. Pinfield, C. Mayer, P. Siegl, F. Risman, J. Fedorovsky, P. Leveen, P. Mariotti, V. Thillois, F. Gorodetzky, L. Kurth, R. Riedlinger, H. Murray, J. Fiedler, B. Bryant, M. Knudsen, C. Stonestreet, L. Tapley, R. Del Sordo, R. Messina, S. Diamond, S. Erkelens, H. Seiniger, S. Zung, M. Violas. Lefranc, J. Fourel, G. Van Wynbergen, C. Grover, H. Fiedler, A. Artieres, L. Cauhape, J. Werner, H. Shirley, P. Avierino, Gerhardt, S. N. _ Bernard, A. Deane, C. Violoncellos. Bedetti, J. Zighera, A. Langendoen, J. Stockbridge, C Fabrizio, E. Keller, J. Barth, C. Belinski, M. Warnke, J. Marjollet, L. Basses. Kunze, M. Seydel, T. Ludwig, 0. Kelley, A. Girard, H. Vondrak, A. Gerhardt, G. Frankel, 1. Demetrides, L. Oliver, F. Flutes. Oboes. Clarinets. Bassoons. Laurent, G. Gillet, F. Allegra, E. Laus, A. Bladet, G. Devergie, J. Arcieri, E. Allard, R. Amerena, P. Stanislaus, H. Vannini, A. Bettoney, F. Piccolo. English Horn. Bass Clarinet. I3ontra-Bassoon Battles, A. Speyer, L. Mimart, P. Piller, B. Horns. Horns. Trumpets. Trombones. Wendler, G. Valkenier, W. Mager, G. Rochut, J. Schindler, G. Gebhardt, W. Perret, G. Adam, E. Neuling, H. Van Den Berg, C. Schmeisser, K. Hansotte, L. Lorbeer, H. Mann, J. Kenfield, L. Kloepfel, L. Tuba. Harps. Timpani. Percussion. Sidow, P. Holy, A. Ritter, A. Ludwig, C. Caughey, E. Polster, M. Sternburg, S. Zahn, F. Organ. Piano. Celesta. Librarian. Snow, A. Sanroma, J. Fiedler, A. Rogers, L. J. Raymond-Whltcomb Cruises THEY are famous throughout America as the best way to travel. The Ships are invariably new liners—fresh, clean, and up-to- date — especially adapted for long cruise voyages. The Routes are planned to give the maximum of sightseeing that is consistent with comfort. Shore Excursions are varied and comprehensive. The Manage- ment is experienced, painstaking and agreeable. And the Raymond- Whitcomb Clientele represents the best class of American travelers. to the ^Vest 9hdies (On the largest ship ever to go to the Caribbean) Two Winter Cruises to the most interesting waters of the Western Hemisphere, where picturesque old outposts of Spain and France slumber amid palms and bougainvillea. The Cruise Ship—S.S. "Columbus" (32,000 tons)—is the newest of the world's great liners, and the largest and most luxurious ship ever to sail on a West Indies Cruise. There are visits to 14 places in the West Indies and South America, including Havana, Kingston, Caracas and Panama. All the sightseeing trips and shore excursions are included in the price. Sailing January 30 and February 25. Rates from $375. to the ^Mediterranean A new Cruise which opens fresh possibilities to the traveler. It will sail in April and will be in the Mediterranean at the most delightful season A five-week voyage with visits to the brilliant resorts of the Riviera; to historic cities such as Granada, Algiers, Naples and Athens; and to several fascinating old places that are new on Cruises. On the S.S. "Carinthia" (20,000 tons)—a new Cunard liner designed especially for Cruises. Sailing April 3. .Rates (including return at any date) $625 and upward. A Winter Cruise visiting Nice during the Carnival; the Alhambra without extra charge; Palermo and Syracuse; Venice, Cattaro, and the Greek Islands—in addition to the "stan- dard" ports. Sailing January 28 on the "Samaria"* Rates (including return) $92 5 & up. individual ^Travel Service Made-to-order trips in Europe and America. We will not only help plan such jour- neys, but will make all the arrangements in advance, securing railroad and steamship tickets and reserving rooms at hotels. With this wise preparation the traveler will be spared the usual anxiety and trouble, and will be free to enjoy himself. Send for booklets describing any Cruises or Tours or the Raymond* Whitcomb Guides to European Travel or to American Travel* 'Raymond & Whitcomb Co * 165 Tremont Street, Boston — Telephone : Beach 696$ Buffalo Trust Co. Manufacturers and Traders National Bank ELMWOOD MUSIC HALL BUFFALO Forty-fifth Season, 1925-1926 SERGE KOUSSEVITZKY, Conductor WEDNESDAY EVENING, NOVEMBER 4 AT 8.15 PROGRAMME Weber . Overture to "Euryanthe" Liadov "Kikimora," a Folk Fairy-tale, Op. 63 Rimsky-Korsakov . "The Battle at Kerjenetzt" from the Opera "Kitesch" Ibert "Escales" ("Ports-of-Call") I. Calme; Assez anime; Calme. II. Modere, tres rythme. III. Anime; moder6. Brahms .... Symphony No. 1 in C minor, Op. 68 I. Un poco sostenuto; Allegro. II. Andante sostenuto. III. Un poco allegretto e grazioso. IV. Adagio; Allegro non troppo, ma con brio. There will be an intermission before the symphony For announcement of future concerts by the Buffalo Musical Foundation, Inc., see page 17 Overture to "Euryanthe" . Carl Maria von Weber (Born at Eutin, in the grand duchy of Oldenburg, December 18, 1786; died at London, June 5, 1826) "Euryanthe," grand heroic-romantic opera in three acts, book founded by Helmina von Chezy on an old French tale of the thir- teenth century, "Histoire de Gerard de Nevers et de la belle et vertueuse Euryant de Savoye, sa mie,"—a tale used by Boccaccio ("Decameron/' second day, ninth novel) and Shakespeare ("Cymbe- line"),—music by Von Weber, was produced at the Karnthnerthor Court opera theatre, Vienna, October 25, 1823. The cast was as follows : Euryanthe, Henriette Sontag ; Eglantine, Therese Gruen- baum (born Mueller); Bertha, Miss Teimer; Adolar, Haizinger; Rudolph, Rauscher; Lysiart, Forti; King Ludwig, Seipelt. The composer conducted. "Kikimora" a Folk Fairy-tale for Orchestra, Op. 63. Anatol Constantinovich Liadov (Born at Leningrad, May 11, 1855; died on August 28, 1914*) "Kikimora" was published in 1910. The first performance in America was at a concert of the Russian Symphony Orchestra in New York, November 16, 1910. The first performance in Boston was by the Boston Symphony Orchestra, Mr. Monteux conductor, on February 10, 1922. The score, dedicated to N. N. Tcherepnin, calls for these instruments: piccolo, two flutes, two oboes, English horn, two clarinets, bass clarinet, two bassoons, four horns, two trumpets, kettledrums, celesta, xylophone and strings. *Some music lexicons say at Novgorod ; some say at Leningrad. THE TERM'S MUSIC By Cedric H. Glover Studies of composers from Handel to Debussy $2.00 PHILIP HALE writes in The Boston Herald: "The book is stimulating, abounding in good sense, frank in expression. There are short analyses of various works of the composers chosen." A DICTIONARY OF MODERN MUSIG AND MUSICIANS General Editor: A. EAGLEFIELD-HULL Price. $12.00 WALTER DAMROSCH writes: "It will soon find a place in the library of every musician in America." E. P. BUTTON & CO., 681 Fifth Ave., New York, Publishers An explanatory programme is printed in Russian on a fly-leaf of the score, translated into German by W. Czumikov. It is an extract from Sakharov's folk-tales. "Kikimora lived and grew up at the fyouse of a Sorcerer dwelling among stony mountains. From morning till evening a wise cat told her tales of foreign lands. In seven years Kikimora was fully grown. She is lanky and dark ; her head is as small as a thimble ; her body is like a straw. She is noisy from morning till evening; she whistles and hisses from twilight till midnight; from midnight till day- break she spins hemp, reels yarn, and at the loom fits her silken dress. Kikimora spins and plots in her mind evil against all mankind." W. R. S. Ralston, in "The Songs of the Russian People," says that Kikimora, or Shishimora (the French "cauchemar" ) , is the Russian word for the incubus associated with nightmare. "The first half of the word," says Afanasiev, "is probably the same as the provincial expression 'shish': Domovoy, demon, etc.
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