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Colorado Chess Informant
Volume 39, Number 3 July 2012 / $3.00 Colorado State Chess Association COLORADO CHESS INFORMANT Photo by Michael Wokurka Grandmaster Tejas Bakre receiving his prize winnings from Organizer, Joe Fromme. Grandmaster In The House! Bobby Fischer Saluted www.colorado-chess.com Volume 39, Number 3 Colorado Chess Informant July 2012 From The Editor Whew, it has been a busy past few months for chess in Colorado. When the membership voted to go to an all electronic issue of the Informant, that gave me the ability to expand an issue as The Colorado State Chess Junior Representative: much as the number of articles allowed without incurring any Association, Inc., is a Section Rhett Langseth cost to the CSCA. 501(C)(3) tax exempt, non- 15282 Paddington Circle 44 pages of chess in Colorado awaits you in this issue! That profit educational corporation Colorado Springs, CO 80921 should keep you busy for the next three months. The feature of formed to promote chess in [email protected] this issue is the wonderful “Salute to Bobby Fischer Chess Tour- Colorado. Contributions are Members at Large: nament” that was held in early May and which I was once again tax deductible. Dues are $15 a Frank Deming honored by the Organizer, Joe Fromme, in having selected me as year or $5 a tournament. Youth 7906 Eagle Ranch Road the Tournament Director. Again a premier event all around and (under 21) and Senior (65 or Fort Collins, CO 80528 even more so when we had the pleasure of hosting Grandmaster older) memberships are $10. [email protected] Tejas Bakre from India, who decided to play. -
Boston Symphony Orchestra Concert Programs, Season 45,1925
ELMWOOD MUSIC HALL . BUFFALO Wednesday Evening, November 4, 1925, at 8.15 Auspices of Buffalo Musical Foundation, Inc. MARIAN DE FOREST, Manager PR5GR2WIE P}3 . // cries nvhen IfeeI like cry- ing, it singsjoyfully when Ifeel like singing. It responds—like a human being—to every mood. " I love the Baldwin Piano. yu*9«J^ rrX.B^t^t,'-1**2 Vladimir de Pachmann loves the Baldwin piano. Through the medium of Baldwin tone, this most lyric of contemporary pianists discovers complete revealment of his musical dreams. For a generation de Pachmann has played the Baldwin; on the concert stage and in his home. That love- liness and purity of tone which appeals to de Pach- mann and to every exacting musician is found in all Baldwins, alike in the Concert Grand, in the smaller Grands, in the Uprights. The history of the Baldwin is the history of an ideal. Ifetftonn CINCINNATI CHICAGO NEW YORK INDIANAPOLIS ST. LOUIS LOUISVILLE DENVER DALLAS SAN FRANCISCO ELMWOOD MUSIC HALL BUFFALO FORTY-FIFTH SEASON, 1925-1926 INC. SERGE KOUSSEVITZKY, Conductor WEDNESDAY EVENING, NOVEMBER 4, at 8.15 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1925, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President GALEN L. STONE Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT ERNEST B. DANE HENRY B. SAWYER M. A. DE WOLFE HOWE GALEN L. STONE JOHN ELLERTON LODGE BENTLEY W. WARREN ARTHUR LYMAN E. SOHIER WELCH W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 1 Ve ^ After more than half a century on Fourteenth Street, Steinway Hall is now located at 109 West 57th Street. -
Lawrencían Chronicle 2011 the University of Kansas, Lawrence, Kansas Vol
Lawrencían Chronicle 2011 The University of Kansas, Lawrence, Kansas Vol. XXIII Editor: Marc L. Greenberg No. 1 Layout: Pam LeRow www.ku.edu/~slavic/ Spring, 2011 Prof. Stephen J. Parker Retires. A Nabokovian Journey. Bridging the East and the West By Marc L. Greenberg Chair’s Corner The previous KU provost, Richard Stephen J. Parker joined Lariviere, asked the KU commu- the KU Slavic Faculty in nity to consider “why we do what 1967 after a brief stint at we do and why we are here.” The the University of Oklaho- Slavic Department responded by demonstrating the ma. A student of the great many ways in which “the Slavs link the East with the writer Vladimir Nabokov, West”— and we have taken this linking mission to as well as the son of a Stephen J. Parker in the early 1970s heart in all that we do. We teach languages and their prominent professor of contexts, which means understanding not only the Russian literature, Fan Parker, he wrote his disserta- complex and dynamic world area of the Slavs, but tion at Cornell University on Vladimir Nabokov-Sirin also its relationship to our own American reality. As as Teacher: The Russian Novels. His Understanding globalization challenges us all, faculty and students Vladimir Nabokov (University of South Carolina Press), alike, we continue to think about ways to help KU first published in 1987, continues to be reprinted. He is students gain skills and knowledge that they can founder (1984) and editor of The Nabokovian, a major deploy in the world. international research companion to Nabokov studies. -
How Female Early-Career Faculty Play the Game of Tenure
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses March 2019 Every Pawn is a Potential Queen: How Female Early-Career Faculty Play the Game of Tenure Bethany Lisi Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Higher Education Commons Recommended Citation Lisi, Bethany, "Every Pawn is a Potential Queen: How Female Early-Career Faculty Play the Game of Tenure" (2019). Doctoral Dissertations. 1512. https://scholarworks.umass.edu/dissertations_2/1512 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Every Pawn is a Potential Queen: How Female Early-Career Faculty Play the Game of Tenure A Dissertation Presented by BETHANY M. LISI Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2019 Higher Education College of Education © Copyright by Bethany M. Lisi 2019 All Rights Reserved Every Pawn is a Potential Queen: How Female Early-Career Faculty Play the Game of Tenure A Dissertation Presented By BETHANY M. LISI Approved as to style and content by: Ezekiel Kimball, Chair Kate Hudson, Member Jennifer Lundquist, Member Jennifer Randall Associate Dean of Academic Affairs College of Education DEDICATION In many ways, writing this dissertation forced me to examine my approach to life and identify areas that bring me happiness. -
Chance Operations and Randomizers in Avant-Garde and Electronic Poetry Tying Media to Language
Chance Operations and Randomizers in Avant-garde and Electronic Poetry Tying Media to Language Jonathan Baillehache Abstract This article explores and compares the use of chance procedures and randomizers in Dada, Surrealism, Russian Futurism, and contemporary electronic poetry. I analyze the role of materiality of media in creating unexpected literary outcomes through a discussion of Freud’s concept of the uncanny and Katherine Hayles’s concept of computation as symptom. The goal of this essay is to compare the literary use of chance operations by historical avant-garde poets (Dadaists, Russian Futurists, and Surrealists) with the use of randomness in electronic lit- erature (specifically in generative poetry). In this essay, randomness and chance are essentially equivalent terms, but reflect different cultural and epistemological contexts. Chance is traditionally associated with art and print literature, such as automatic writing or the cut-up technique, whereas randomness in this essay is associated with computers and electronic litera- ture. Literary uses of chance or randomness are context-bound and reflect different artistic agendas: in the surrealists’ literary technique of automatic writing,1 for instance, randomness is used in order to explore the uncon- scious, whereas in Nanette Wylde’s electronic poem Storyland, randomness is used to explore the ambiguity between human subjects and machines. How do these different contexts of bibliographic publication and protocols . 1 André Breton and Philippe Soupault’s Les Champs Magnétiques, published in France in 1920, is considered one of the first books written with the method of “automatic writing”, or, as Breton puts it, “to blacken paper with a laudable disregard for any literary output” [“noircir du papier avec un louable mépris de ce qui pourrait en sortir littérairement” ]. -
January, 2016
Volume 43, Number 1 COLORADO STATE CHESS ASSOCIATION January 2016 COLORADO CHESS INFORMANT Year in Review Volume 43, Number 1 Colorado Chess Informant January 2016 From the Editor Another year of chess in Colorado is in the record books and an even more exciting year lies ahead. There are just so many op- portunities to play chess that the upcoming schedule is stocked to overflowing. This issue has a brief review of what happened last year with a The Colorado State Chess Association, Incorporated, is a number of fine articles from a few of the events in 2016, and Section 501(C)(3) tax exempt, non-profit educational corpora- along with them is a listing of the winners from some of the larg- tion formed to promote chess in Colorado. Contributions are er tournaments in Colorado. tax deductible. Since I’m talking about articles, when I attended the Member- Dues are $15 a year or $5 a tournament. Youth (under 20) and ship meeting last year I had the honor, of noted author John Wat- Senior (65 or older) memberships are $10. Family member- son come up to me and remark that he really enjoys the maga- ships are available to additional family members for $3 off the zine. Needless to say I was thrilled to hear him say that, because regular dues. what we are doing with the Informant is even appreciated by a talented writer like himself, and that speaks volumes about chess ● Send address changes to Ann Davies. in Colorado and its players. I also remember when Paul Coving- ● Send pay renewals & memberships to Randy Schine. -
Freedom from Violence and Lies Essays on Russian Poetry and Music by Simon Karlinsky
Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky simon Karlinsky, early 1970s Photograph by Joseph Zimbrolt Ars Rossica Series Editor — David M. Bethea (University of Wisconsin-Madison) Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky edited by robert P. Hughes, Thomas a. Koster, richard Taruskin Boston 2013 Library of Congress Cataloging-in-Publication Data: A catalog record for this book as available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-61811-158-6 On the cover: Heinrich Campendonk (1889–1957), Bayerische Landschaft mit Fuhrwerk (ca. 1918). Oil on panel. In Simon Karlinsky’s collection, 1946–2009. © 2012 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Published by Academic Studies Press in 2013. 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. -
Everyday Language and Old Rhetorical Modes in the Contemporary Avant-Garde
241 Making it Familiar: Everyday Language and Old Rhetorical Modes in the Contemporary Avant-Garde Sascha Bru One of the more intriguing diary entries in modern history reads: «Germany has declared war on Russia. – Afternoon swimming school».1 This entry was written on August 2, 1914 by Franz Kafka. Much has been made of these two sentences, or rather, of the elliptic and «dashed» blank Kafka inserted in between them. Was he implying that war and a swimming lesson were events interchangeable? Was he withdrawing himself from public life as most exegetes assume? Readers of avant-garde poetry might be tempted to think here of a whole array of writers who before and after Kafka drew on the dash to «make it strange» –– Pound’s famous «it», naturally, signaling prosaic, everyday or conventional language. Kafka’s dash will remind some readers of the proliferous use Laurence Sterne made of the punctuation sign in Tristram Shandy, where he introduced four different lengths of the dash (–– the quarter-inch, –––– half-inch, –––––– three-quarter-inch, and –––––––– inch) to represent various meditative or wool-gathering pauses of diverging durations and qualities. To others Samuel Beckett’s thoughts on the «literature of the unword» might come to mind.2 Still others will no doubt think of Emily Dickinson, for whom the dash appears to have been short-hand for that one unutterable word that could make all others obsolete.3 Yet Kafka’s diary entry is at once the alpha and omega to all those vanguard poetic projects, as the entry marks how at times everyday language in itself is already utterly and horrifyingly strange. -
An Analysis of the Ideologies, Strategies and Applications of Chess and Martial Arts with Respect to Transferable Skills Torriente Toliver Langston University
Langston University Digital Commons @ Langston University McCabe Thesis Collection Student Works 5-2008 An Analysis of the Ideologies, Strategies and Applications of Chess and Martial Arts With Respect to Transferable Skills Torriente Toliver Langston University Follow this and additional works at: http://dclu.langston.edu/mccabe_theses Part of the Other Arts and Humanities Commons, Sociology Commons, and the Sports Studies Commons Recommended Citation Toliver, Torriente, "An Analysis of the Ideologies, Strategies and Applications of Chess and Martial Arts With Respect to Transferable Skills" (2008). McCabe Thesis Collection. Paper 46. This Thesis is brought to you for free and open access by the Student Works at Digital Commons @ Langston University. It has been accepted for inclusion in McCabe Thesis Collection by an authorized administrator of Digital Commons @ Langston University. For more information, please contact [email protected]. AN ANALYSIS OF THE IDEOLOGIES, STRATEGIES, AND APPLICATIONS OF CHESS AND MARTIAL ARTS WITH RESPECT TO TRANSFERABLE SKILLS By Torriente Toliver Acknowledgements This work would not be possible without the training in the skills that I learned to transfer. I want to thank Allen Hammond, my high school chess coach and world history teacher, who taught me the value of information, research, and critical thinking. I would also like to thank the staff of Beverly Pagoda Martial Arts Academy who taught me to put my critical thinking skills to use with practical application and not to waste them on pontification. I would like to thank Sensei Kates Jr. specifically because it was he that taught me about transferable skills and inspired me to create an effective way to analyze my skills and teach others to do the same. -
BB 2017-10-06 Chess
Volume 10, Issue 10 October 6th, 2017 Bradford Bulletin BRADFORD ACADEMY’S PARENT UPDATE SPECIAL POINTS OF UpperUpper SchoolSchool ChessChess INTEREST: • 10/6 - End of Quarter The first Bradford Academy • 10/9 - 13 - FALL Chess Tournament was BREAK recently completed. Thirty- • 11/10: Veterans two students from grades 7 – Day (observed), no 10 battled over the boards school through five rounds 11/16 : Bradford • conducted over a period of 6 Night / Open House, 7 weeks. The tournament was PM organized using the Swiss • 12/1: Prospective format, meaning all players Parent Open House, 9 played all five rounds. In AM each round the participants were each assigned white or P R A Y E R black pieces as well as an opponent who had an Please pray for God’s identical record. The mention goes to Owen supply regarding specific competitors had one week to Williams, who was the needs: complete their matches. only other competitor out • Students: Academic Most matches were played of thirty-two to win four success and growth in during one or more lunch breaks at the DTC. On matches. Owen’s lone loss came in Round 2. virtue and love. any given day, several boards would be active • Staff: Wisdom, grace, with the students studying the situations and Each Monday during the tournament, Dr. and creativity. planning their attacks and defenses. Some of James would meet with the students for 10 • Financial: Funds for the matches concluded minutes during lunch to our scholarship outside of school, being present a chess tactic on program and future completed over a the demonstration board. -
The Sound of Poetry / the Poetry of Sound
THE SOUND OF POETRY THE POETRY OF SOUND Marjorie Perlof is professor of English emerita at Stanford University and author of many books, including Wittgenstein’s Ladder and T e Futurist Moment, both also from the University of Portions of the introduction are reprinted from Chicago Press. PMLA (May 2008) and appear here in revised, expanded form. Reprinted by permission of Craig Dworkin is associate professor of English the copyright owner, T e Modern Language at the University of Utah and the author of, most Association of America. recently, Language to Cover a Page: T e Early Writtings of Vito Acconci. A slightly dif erent version of the chapter by Susan Howe appeared in Souls of the Labadie T e University of Chicago Press, Chicago 60637 Tract, copyright © 2007 by Susan Howe. T e University of Chicago Press, Ltd., London Reprinted by permission of New Directions © 2009 by T e University of Chicago Publishing Corp. All rights reserved. Published 2009 Printed in the United States of America Library of Congress Cataloging-in-Publication Data 18 17 16 15 14 13 12 11 10 09 1 2 3 4 5 T e sound of poetry, the poetry of sound / edited by Marjorie Perlof and Craig Dworkin. isbn-13: 978-0-226-65742-4 (cloth) p. cm. isbn-13: 978-0-226-65743-1 (paper) Includes index. isbn-13: 978-0-226-65742-4 (cloth : alk. paper) isbn-10: 0-226-65742-6 (cloth) isbn-13: 978-0-226-65743-1 (pbk. : alk. paper) isbn-10: 0-226-65743-4 (paper) isbn-10: 0-226-65742-6 (cloth : alk. -
Russian Plates Pp. 290-303
INDEX OF ARTISTS Dorfman, Elizaveta, 733 Ivanova, Vera, 868, 869 Litvak, M., 652 Index Dovgal’, Oleksandr, 783 Izenberg, Vladimir, 592–594, 643 Liubavina, Nadezhda, 74, 186, 364 Adlivankin, Samuil, 524, 525, 572, 573 Dubyns’kii, Hr., 858 (see also Author Index) Izoram, 1019 Liubimov, Aleksandr, 1197 Coordinated by Sarah Suzuki. (see also Author Index) Duplitskii, 1019 Liushin, 896 Contributors include Sienna Brown, Aivazovskii, 1021 Dvorakovskii, Valerian, 1080 K., B., 697, 698 Lopukhin, Aleksandr, 128 (see also Author Emily Capper, and Jennifer Roberts. Akishin, Leonid, 1019 K., F. P., 1151 Index) Aksel’rod, Meer (Mark), 789 Echeistov, Georgii, 284, 378–382, 455 K., N., 222 Lozowick, Louis, 706 Aleksandrova, Vera, 329 Efimov, B., 532 Kalashnikov, Mikhail, 263, 264 All numbers refer to the Checklist. Alekseev, Nikolai, 526, 574 Egorov, Vladimir, 583 Kalmykov, Mykola, 262 M., D., 608 Al’tman, Natan, 55, 56, 59, 117, 143, Elin, V. M., 1205 Kamenskii, Vasilii, 75, 76, 90, 94, 95, M., E., 751 144, 169, 215, 330, 331, 364, 447, Elkin, Vasilii, 793 142, 150, 164–66, 218 (see also Author Makarov, Mikhail, 1023 451, 527, 575, 636, 731, 1019, 1124, El’kina, D., 326 (see also Author Index) Index) Makletsov, Sergei, 206, 207 1162 (see also Author Index) Ender, Boris, 533, 584, 1228 Kandinsky, Vasily, 181, 223 (see also Malevich, Kazimir, 21, 37–40, 55, 56, Andreev, Aleksandr, 4 Epifanov, Gennadii, 1081 Author Index) 68, 69, 79–81, 91, 129, 236, Andreevskaia, M., 361 Epple, L., 1056 Kanevskii, A., 852 306–308, 348, 884, 1126–1128, 1153 Andronova,