Kindred of the Kibbo Kift
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ISCHE 2014 Book of Abstracts
i Published 2014 by ISCHE. ISSN 2313-1837 These abstracts are set in Baskerville Old Face, designed in 1757 by John Baskerville in Birmingham, UK. A writing master, businessman, printer and type designer, he conducted experiments to improve legibility which also included paper making and ink manufacturing. In 1758, he was appointed printer to Cambridge University Press, and despite his personal Atheism, printed a folio Bible in 1763. His typefaces were greatly admired for their simplicity and refinement by Pierre Simon Fournier, and Giambattista Bodoni. Benjamin Franklin, printer and fellow member of the Royal Society of Arts, took the designs to the US, where they were adopted for most federal Government publishing. Baskerville type was revived in 1917 by Harvard University Press and may nowadays be found in Microsoft Word. ii Contents Welcome p. iii Acknowledgements p. viii Conference theme p. x Keynotes: biographies and abstracts p. xi Early career bursaries p. xiv Brian Simon bursaries p. xv Guide to using abstract book p. xvi Abstracts of papers p. 1 (In alphabetical order of authors) Synopses of panels p. 385 (In order of sessions presented at conference) Name index / list of presenters p. 422 iii Welcome To all delegates at ISCHE 36 – a very warm welcome to London! We are looking forward very much indeed to hosting this great event, exploring the immense theme of education, war and peace. My thanks go first of all to the ISCHE executive committee for supporting this event, to the UK History of Education Society as the national hosts, and to the Institute of Education at the University of London for the use of its extensive facilities for the conference. -
Ernest Thompson Seton 1860-1946
Ernest Thompson Seton 1860-1946 Ernest Thompson Seton was born in South Shields, Durham, England but emigrated to Toronto, Ontario with his family at the age of 6. His original name was Ernest Seton Thompson. He was the son of a ship builder who, having lost a significant amount of money left for Canada to try farming. Unsuccessful at that too, his father gained employment as an accountant. Macleod records that much of Ernest Thompson Seton 's imaginative life between the ages of ten and fifteen was centered in the wooded ravines at the edge of town, 'where he built a little cabin and spent long hours in nature study and Indian fantasy'. His father was overbearing and emotionally distant - and he tried to guide Seton away from his love of nature into more conventional career paths. He displayed a considerable talent for painting and illustration and gained a scholarship for the Royal Academy of Art in London. However, he was unable to complete the scholarship (in part through bad health). His daughter records that his first visit to the United States was in December 1883. Ernest Thompson Seton went to New York where met with many naturalists, ornithologists and writers. From then until the late 1880's he split his time between Carberry, Toronto and New York - becoming an established wildlife artist (Seton-Barber undated). In 1902 he wrote the first of a series of articles that began the Woodcraft movement (published in the Ladies Home Journal). The first article appeared in May, 1902. On the first day of July in 1902, he founded the Woodcraft Indians, when he invited a group of boys to camp at his estate in Connecticut and experimented with woodcraft and Indian-style camping. -
A History of Youth Work
youthwork.book Page 3 Wednesday, May 7, 2008 2:43 PM A century of youth work policy youthwork.book Page 4 Wednesday, May 7, 2008 2:43 PM youthwork.book Page 5 Wednesday, May 7, 2008 2:43 PM A century of youth work policy Filip COUSSÉE youthwork.book Page 6 Wednesday, May 7, 2008 2:43 PM © Academia Press Eekhout 2 9000 Gent Tel. 09/233 80 88 Fax 09/233 14 09 [email protected] www.academiapress.be J. Story-Scientia bvba Wetenschappelijke Boekhandel Sint-Kwintensberg 87 B-9000 Gent Tel. 09/225 57 57 Fax 09/233 14 09 [email protected] www.story.be Filip Coussée A century of youth work policy Gent, Academia Press, 2008, ### pp. Opmaak: proxess.be ISBN 978 90 382 #### # D/2008/4804/### NUR ### U #### Niets uit deze uitgave mag worden verveelvoudigd en/of vermenigvuldigd door middel van druk, fotokopie, microfilm of op welke andere wijze dan ook, zonder voorafgaande schriftelijke toestemming van de uitgever. youthwork.book Page 1 Wednesday, May 7, 2008 2:43 PM Table of Contents Chapter 1. The youth work paradox . 3 1.1. The identity crisis of youth work. 3 1.2. An international perspective . 8 1.3. A historical perspective. 13 1.4. An empirical perspective . 15 Chapter 2. That is youth work! . 17 2.1. New paths to social integration . 17 2.2. Emancipation of young people . 23 2.3. The youth movement becomes a youth work method. 28 2.4. Youth Movement incorporated by the Catholic Action. 37 2.5. From differentiated to inaccessible youth work . -
The Boy Scouts, Class and Militarism in Relation to British Youth Movements 1908-1930*
/. 0. SPRINGHALL THE BOY SCOUTS, CLASS AND MILITARISM IN RELATION TO BRITISH YOUTH MOVEMENTS 1908-1930* In the 1960's academic attention became increasingly focused, in many cases of necessity, on the forms taken by student protest and, possibly in conjunction with this, there appeared almost simultaneously a corresponding upsurge of interest in the history of organized inter- national youth movements, many of them with their origins in the late nineteenth or early twentieth centuries.1 Such a development in historiography would seem to contradict the statement once made by an English youth leader, Leslie Paul, that "because the apologetics of youth movements are callow, their arguments crude, and their prac- tices puerile, they are dismissed or ignored by scholars."2 It is certainly refreshing to see discussion of the Boy Scout movement rise above easy humour at the expense of Baden-Powell's more ec- centric views on adolescent sex education.3 Yet despite the change in historical perspective, very little has been done until comparatively recently to place Scouting, as this article cautiously attempts to do, * I would like to thank my colleagues - past and present - at the Lanchester Polytechnic, Coventry, and the New University of Ulster who commented on and made suggestions with regards to earlier drafts of this article. The faults and omissions are, of course, all my own. 1 Cf. A series of essays on "Generations in Conflict" published in: The Journal of Contemporary History, Vol. 4, No 2 (1969), and Vol. 5, No 1 (1970); Walter Z. Laqueur, Young Germany: A history of the German Youth Movement (London, 1962); Robert Hervet, Les Compagnons de France (Paris, 1965); Radomir Luza, History of the International Socialist Youth Movement (Leiden, 1970). -
In Wodue Ti on a GREEN LAND FAR AWAY: a LOOK AT
A GREEN LAND FAR AWAY: A LOOK AT ~E ORIGI NS OF THE GREEN Mo/EMENT In wodue ti on In a previous paper on German self-identity and attitudes to Nature (JASO, Vol. XVI, no.l, pp. 1-18) I argued that one of its main strains was a dissatisfaction with the shifting political and territorial boundaries of the nation and a search for a more authentic, earth-bound identity. This search led to a politically radical 'ecologism' which pre-dated National Socialism, but which emerged as an underlying theme in the Third Reich, reappearing in Germany well after the Second World War in more obviously left oriented groups. In this paper I want to examine the origins and growth of the Green movement itself in England and Germany. While the insecur ity of national identity in Germany was not exactly paralleled in England, the English experience nonetheless demonstrates a search for lost 'roots' after 1880. This crisis of identity fused with criticisms of orthodox liberal economists and mechanistic biolog ists to produce the ecologists and, later, the Greens. This is a shortened version of a paper first given to my own semi nar on Modern Conservatism at Trinity College, Oxford, in June 1985; it was subsequently delivered at a Social Anthropology semi nar chaired by Edwin Ardener at St John's College, Oxford, on 28 October 1985, and at the seminar on Political Theory organised by John Gray and Bill Weinstein at Balliol College, Oxford, on 1 November 1985. Notes have been kept to the minimum necessary to identify actual quotations and the mare obscure works I have cited. -
The Cultural Impact of Science in the Early Twentieth Century
In the early decades of the twentieth century, engagement with science was commonly used as an emblem of modernity. This phenomenon is now attracting increasing attention in different historical specialties. Being Modern builds on this recent scholarly interest to explore engagement with science across culture from the end of the nineteenth century to approximately 1940. Addressing the breadth of cultural forms in Britain and the western world from the architecture of Le Corbusier to working class British science fiction, Being Modern paints a rich picture. Seventeen distinguished contributors from a range of fields including the cultural study of science and technology, art and architecture, English The Cultural Impact of culture and literature examine the issues involved. The book will be a valuable resource for students, and a spur to scholars to further examination of culture as an Science in the Early interconnected web of which science is a critical part, and to supersede such tired formulations as ‘Science and culture’. Twentieth Century Robert Bud is Research Keeper at the Science Museum in London. His award-winning publications in the history of science include studies of biotechnology and scientific instruments. Frank James and Morag Shiach James and Morag Frank Robert Greenhalgh, Bud, Paul Edited by Paul Greenhalgh is Director of the Sainsbury Centre at the University of East Anglia, Edited by and Professor of Art History there. He has published extensively in the history of art, design, and the decorative arts in the early modern period. Robert Bud Paul Greenhalgh Frank James is Professor of History of Science at the Royal Institution and UCL. -
Ritual, Craft and Camping: How the Kindred of the Kibbo Kift Tried to Re-Make the World an Interview with Annebella Pollen
1 Ritual, craft and camping: How the Kindred of the Kibbo Kift tried to re-make the world An interview with Annebella Pollen This is a transcript of an interview that took place in July 2016 with Andrew Sleigh, co-founder of Maker Assembly. The interview was published on 1 August 2016 and can be found at https://medium.com/maker-assembly/kindred-of-the-kibbo-kift-7943a4c095fc#.cunmdf6gf Boys and men in the Touching of the Totems rite, Althing, 1925. © Kibbo Kift Foundation, courtesy of London School of Economics Library If you had ventured out onto the downs of southern England during the 1920s, you might have crossed paths with a group of extravagantly-clad youngsters, bearing totems, and carrying on their backs hand-made tents and simple camping equipment. At their head, you might have seen their leader, White Fox, otherwise known as John Hargrave, who along with a group of like-minded pacifists, disgruntled ex-Scouts and woodcrafters set out to create a new social movement based on the principles of a healthy outdoor life, self-reliance, handcraft, and peaceful fraternity. They were the Kindred of the Kibbo Kift. 2 The movement was short-lived, and they never had more than a few hundred members, but their ambitions were global, and their extraordinary rituals, costumes and handcrafted objects, not to mention their charismatic front man, ensured their influence would continue on to today, and likely far beyond. A splinter group of the Kindred went on to become the Woodcraft Folk, an alternative scout-style organisation still operating today. -
This Is an Author-Produced PDF of an Book Chapter Accepted For
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Brighton Research Portal 1 This is an author-produced PDF of an book chapter accepted for publication in European Avant-Garde and Modernism Studies Vol.4 Utopia: The Avant-Garde, Modernism and (Im)possible Life. The published version is available as Annebella Pollen, 'Utopian futures and imagined pasts in the ambivalent modernism of the Kibbo Kift Kindred', book chapter in David Ayers and Benedikt Hjartarson (eds), European Avant-Garde and Modernism Studies Vol.4 Utopia: The Avant-Garde, Modernism and (Im)possible Life (Berlin: De Gruyter, 2015) Utopian futures and imagined pasts in the ambivalent modernism of the Kibbo Kift Kindred Annebella Pollen, University of Brighton, UK As one of a number of progressive English open-air organisations founded in the 1920s, the little-remembered Kindred of the Kibbo Kift had radical ideas for the making of a new society, in their case, based on world peace, handicrafts and camping. Combining elements from an eclectic range of influences, from esoteric spirituality to back-to-the- land impulses, the organisation, under the director of its charismatic leader, artist and author John Hargrave, was more than just another manifestation of the ‘simple life’ movement. With wide-ranging ambitions including extensive educational and economic reform, Kinsfolk committed themselves to the creation of a new world, combining historical enthusiasms with a notable modernist aesthetic. For the purposes of this chapter, the group’s particular entanglement in the complex temporalities of modernity 2 forms a central focus for analysis. -
The Many Histories of Woodcraft Folk
Education for Social Change: The many histories of Woodcraft Folk 12 Themes Archives How far can the aims and principles of Woodcraft Folk, and its activities (camping, group night activities, badge work, etc) be understood in terms of progressive education? To what TBC extent do these mirror or oppose practices of other youth organisations? To what extent can Woodcraft Folk be positioned at the vanguard of progressive educational practice in Britain? Has Woodcraft Folk influenced progressive educational develop- ments, and/or does it adopt and adapt ideas and practices from elsewhere? To what extent has Woodcraft Folk had a clear relationship with the Labour Movement? To what extent has Woodcraft Folk provided a political education similar to that of other socialist and democratic youth movements (e.g., Internation- al Falcon Movement / Socialist Education International)? In what ways has co-operative learning been central to Woodcraft Folk? How can this be understood as part of its relationship with the Co-operative Movement? How has that relationship shifted over time? How far have the educational practices and objectives of Woodcraft Folk been able to reflect and adapt to changing priorities and struggles in society, such as pacifism, feminism, environmental politics, anti-racism, civil rights, LGBTQ+ and disabled rights? Can we characterise Woodcraft Folk as a radical and disruptive organization or a more guarded and traditional one? Woodcraft Folk has a strong and proud tradition of internationalism. What has this meant for -
Download Thesis
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The fashioning of a new world youth culture and the origins of the mass outdoor movement in Interwar Britain Thompson, Simon Robert Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 07. Oct. 2021 The Fashioning of a New World Youth Culture and the Origins -
Performing Cultural Evolution in the Kibbo Kift Kindred Dr Annebella Pollen
14 ‘More Modern than the Moderns’: performing cultural evolution in the Kibbo Kift Kindred Dr Annebella Pollen Introduction The legacy of evolutionary theory had a profound effect upon art and culture in the early twentieth century, not least via the various manifest- ations of evolutionary ideologies that were widely embraced across the political spectrum and sharpened in the popular mind by the events of the First World War. As Gillian Beer has argued, evolutionary theory was ‘a form of imaginative history’ that impacted upon notions of the past and visions of the future, and acted as a guiding metaphor for a wide range of cultural applications that reached far beyond biology.1 Drawing on works that assess the intersection of scientific ideas in application, from Stephen Jay Gould to Oliver Botar, this chapter explores the ways that popular scientific ideas about the life force, degeneration, cultural evolution and the biogenetic law were disseminated and incorporated into the symbols, philosophies and practices of experimental woodcraft campaign groups in interwar England. Woodcraft During and after the First World War, when a stream of pacifist troop leaders split from the British Boy Scouts, disillusioned with what they perceived to be its increasing militarism, they frequently sought to return to the founding ideals of artist and naturalist Ernest Thompson Seton.2 CULTURAL EVOLUTION IN THE KIBBO KIFT KINDRED 311 English by birth but American resident for most of his life, Seton had devised a system of ‘Woodcraft Indians’ training for boys as a broadly socialist educational scheme that combined knowledge of nature with so-called picturesque practices, loosely inspired by idealised Native Americans drawn from myth and literature.3 These ideas had, in part, inspired British scouting endeavours but some felt that they had been pushed too far aside in the dominating disciplinary structure of drills and ‘preparedness’ in Baden-Powell’s imperialist project. -
The Kindred of the Kibbo Kift, 1920-1932
Cheng, Rachel K. (2016) “Something radically wrong somewhere”: the kindred of the Kibbo Kift, 1920-1932. PhD thesis. http://theses.gla.ac.uk/7693/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] “Something Radically Wrong Somewhere”: The Kindred of the Kibbo Kift, 1920-1932 Rachel K. Cheng M.A. History, B.A. History with a minor in Political Science Submitted in fulfilment of requirements for the Degree of Doctor of Philosophy in History School of Humanities College of Arts University of Glasgow FINAL COPY October 2016 2 Abstract This thesis examines the Kindred of the Kibbo Kift, a co-educational outdoors organisation that claimed to be a youth organisation and a cultural movement active from August 1920 to January 1932. Originally part of the Boy Scouts and Girl Guides, the Kibbo Kift offers rich insight into the interwar period in Britain specifically because it carried forward late Victorian and Edwardian ideology in how it envisioned Britain. Members constructed their own historical narrative, which endeavoured to place the organisation at the heart of British life.