Redskins in Epping Forest: John Hargrave, the Kibbo Kift and The
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The Leeds Arts Club and the New Age: Art and Ideas in a Time of War by Tom Steele Thank You Very Much Nigel, That's a Very Generous Introduction
TRANSCRIPT Into the Vortex: The Leeds Arts Club and the New Age: Art and Ideas in a Time of War by Tom Steele Thank you very much Nigel, that's a very generous introduction. Thank you for inviting me back to the Leeds Art Gallery where I spent so many happy hours. As Nigel said, the book was actually published in 1990, but it was a process of about 5 or 6 year work, in fact it's turned into a PHD. I've not done a lot of other work on it since, I have to say some very very good work has been done on Tom Perry and other peoples in the meantime, and it's grievously in danger of being the new edition, which I might or might not get around to, but maybe somebody else will. Anyway, what I'm going to do is to read a text. I'm not very good at talking extensively, and it should take about 40 minutes, 45 minutes. This should leave us some time for a discussion afterwards, I hope. Right, I wish I'd thought about the title and raw text before I offered the loan up to the gallery, because it makes more sense, and you'll see why as we go along. I want to take the liberty of extending the idea of war to cover the entire decade 1910-1920, one of the most rebellious and innovative periods in the history of British art. By contrast, in cultural terms, we now live in a comparatively quiet period. -
Appalling! Terrifying! Wonderful! Blaxploitation and the Cinematic Image of the South
Antoni Górny Appalling! Terrifying! Wonderful! Blaxploitation and the Cinematic Image of the South Abstract: The so-called blaxploitation genre – a brand of 1970s film-making designed to engage young Black urban viewers – has become synonymous with channeling the political energy of Black Power into larger-than-life Black characters beating “the [White] Man” in real-life urban settings. In spite of their urban focus, however, blaxploitation films repeatedly referenced an idea of the South whose origins lie in antebellum abolitionist propaganda. Developed across the history of American film, this idea became entangled in the post-war era with the Civil Rights struggle by way of the “race problem” film, which identified the South as “racist country,” the privileged site of “racial” injustice as social pathology.1 Recently revived in the widely acclaimed works of Quentin Tarantino (Django Unchained) and Steve McQueen (12 Years a Slave), the two modes of depicting the South put forth in blaxploitation and the “race problem” film continue to hold sway to this day. Yet, while the latter remains indelibly linked, even in this revised perspective, to the abolitionist vision of emancipation as the result of a struggle between idealized, plaintive Blacks and pathological, racist Whites, blaxploitation’s troping of the South as the fulfillment of grotesque White “racial” fantasies offers a more powerful and transformative means of addressing America’s “race problem.” Keywords: blaxploitation, American film, race and racism, slavery, abolitionism The year 2013 was a momentous one for “racial” imagery in Hollywood films. Around the turn of the year, Quentin Tarantino released Django Unchained, a sardonic action- film fantasy about an African slave winning back freedom – and his wife – from the hands of White slave-owners in the antebellum Deep South. -
Silencing Lord Haw-Haw
Western Oregon University Digital Commons@WOU Student Theses, Papers and Projects (History) Department of History Summer 2015 Silencing Lord Haw-Haw: An Analysis of British Public Reaction to the Broadcasts, Conviction and Execution of Nazi Propagandist William Joyce Matthew Rock Cahill [email protected] Follow this and additional works at: https://digitalcommons.wou.edu/his Part of the European History Commons Recommended Citation Cahill, Matthew Rock, "Silencing Lord Haw-Haw: An Analysis of British Public Reaction to the Broadcasts, Conviction and Execution of Nazi Propagandist William Joyce" (2015). Student Theses, Papers and Projects (History). 46. https://digitalcommons.wou.edu/his/46 This Paper is brought to you for free and open access by the Department of History at Digital Commons@WOU. It has been accepted for inclusion in Student Theses, Papers and Projects (History) by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected]. Silencing Lord Haw-Haw: An Analysis of British Public Reaction to the Broadcasts, Conviction and Execution of Nazi Propagandist William Joyce By Matthew Rock Cahill HST 499: Senior Seminar Professor John L. Rector Western Oregon University June 16, 2015 Readers: Professor David Doellinger Professor Robert Reinhardt Copyright © Matthew Rock Cahill, 2015 1 On April 29, 1945 the British Fascist and expatriate William Joyce, dubbed Lord Haw-Haw by the British press, delivered his final radio propaganda broadcast in service of Adolf Hitler’s Nazi Germany. -
ISCHE 2014 Book of Abstracts
i Published 2014 by ISCHE. ISSN 2313-1837 These abstracts are set in Baskerville Old Face, designed in 1757 by John Baskerville in Birmingham, UK. A writing master, businessman, printer and type designer, he conducted experiments to improve legibility which also included paper making and ink manufacturing. In 1758, he was appointed printer to Cambridge University Press, and despite his personal Atheism, printed a folio Bible in 1763. His typefaces were greatly admired for their simplicity and refinement by Pierre Simon Fournier, and Giambattista Bodoni. Benjamin Franklin, printer and fellow member of the Royal Society of Arts, took the designs to the US, where they were adopted for most federal Government publishing. Baskerville type was revived in 1917 by Harvard University Press and may nowadays be found in Microsoft Word. ii Contents Welcome p. iii Acknowledgements p. viii Conference theme p. x Keynotes: biographies and abstracts p. xi Early career bursaries p. xiv Brian Simon bursaries p. xv Guide to using abstract book p. xvi Abstracts of papers p. 1 (In alphabetical order of authors) Synopses of panels p. 385 (In order of sessions presented at conference) Name index / list of presenters p. 422 iii Welcome To all delegates at ISCHE 36 – a very warm welcome to London! We are looking forward very much indeed to hosting this great event, exploring the immense theme of education, war and peace. My thanks go first of all to the ISCHE executive committee for supporting this event, to the UK History of Education Society as the national hosts, and to the Institute of Education at the University of London for the use of its extensive facilities for the conference. -
Lost Knowledge of the Imagination
Praise for Gary Lachman “The Lost Knowledge of the Imagination rejoins the parted Red Sea of modern intellect, demonstrating how rationalism and esotericism are not divided forces but necessary complements and parts of a whole in the human wish for understanding. More still, he elevates the relevancy of spiritual philosophies that we are apt to short-shrift, from Crowley to positive thinking, and issues a warning: If thoughts are causative, it is all the more vital that we, the thinkers, know ourselves.” Mitch Horowitz, PEN Award-winning author of Occult America and One Simple Idea: How Positive Thinking Reshaped Modern Life “A cracking author.” Lynn Picknett, Magonia Review of Books “Lachman is an easy to read author yet has a near encyclopaedic knowledge of esotericism and is hence able to offer many different perspectives on the subject at hand.” Living Traditions magazine “Lachman’s sympathetic, but not uncritical, account of [Rudolf Steiner’s] life is to be recommended to anyone who wishes to be better informed about this gifted and remarkable man.” Kevin Tingay, The Christian Parapsychologist “Lachman challenges many contemporary theories by reinserting a sense of the spiritual back into the discussion” Leonard Schlain, author of The Alphabet Versus the Goddess “Lachman’s depth of reading and research are admirable.” Scientific and Medical Network Review For Kathleen Raine (1908-2003), who showed the way Contents Title Page Dedication Acknowledgments Chapter One: A Different Kind of Knowing Chapter Two: A Look Inside the World Chapter Three: The Knower and the Known Chapter Four: The Way Within Chapter Five: The Learning of the Imagination Chapter Six: The Responsible Imagination Further Reading Also by Gary Lachman Copyright Acknowledgments My thanks go to my editor Christopher Moore for taking on the project and to the staff of the British Library where most of the research was done. -
European Journal of American Studies, 5-4 | 2010 “Don’T Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early A
European journal of American studies 5-4 | 2010 Special Issue: Film “Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema Ian Scott Electronic version URL: https://journals.openedition.org/ejas/8751 DOI: 10.4000/ejas.8751 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Ian Scott, ““Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema”, European journal of American studies [Online], 5-4 | 2010, document 5, Online since 15 November 2010, connection on 08 July 2021. URL: http://journals.openedition.org/ejas/8751 ; DOI: https://doi.org/10.4000/ejas.8751 This text was automatically generated on 8 July 2021. Creative Commons License “Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early A... 1 “Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema Ian Scott 1 “Don't be frightened, dear – this – this – is Hollywood.” 2 Noël Coward recited these words of encouragement told to him by the actress Laura Hope-Crews on a Christmas visit to Hollywood in 1929. In typically acerbic fashion, he retrospectively judged his experiences in Los Angeles to be “unreal and inconclusive, almost as though they hadn't happened at all.” Coward described his festive jaunt through Hollywood’s social merry-go-round as like careering “through the side-shows of some gigantic pleasure park at breakneck speed” accompanied by “blue-ridged cardboard mountains, painted skies [and] elaborate grottoes peopled with several familiar figures.”1 3 Coward’s first visit persuaded him that California was not the place to settle and he for one only ever made fleeting visits to the movie colony, but the description he offered, and the delicious dismissal of Hollywood’s “fabricated” community, became common currency if one examines other British accounts of life on the west coast at this time. -
By Mr Justice Edwin Cameron Supreme Court of Appeal, Bloemfontein, South Africa
The Bentam Club Presidential Address Wednesday 24 March ‘When Judges Fail Justice’ by Mr Justice Edwin Cameron Supreme Court of Appeal, Bloemfontein, South Africa 1. It is a privilege and a pleasure for me to be with you this evening. The presidency of the Bentham Club is a particular honour. Its sole duty is to deliver tonight’s lecture. In fulfilling this office I hope you will not deal with me as Hazlitt, that astute and acerbic English Romantic essayist, dealt with Bentham.1 He denounced him for writing in a ‘barbarous philosophical jargon, with all the repetitions, parentheses, formalities, uncouth nomenclature and verbiage of law-Latin’. Hazlitt, who could, as they say, ‘get on a roll’, certainly did so in his critique of Bentham, whom he accused of writing ‘a language of his own that darkens knowledge’. His final rebuke to Bentham was the most piquant: ‘His works’, he said, ‘have been translated into French – they ought to be translated into English.’ I trust that we will not tonight need the services of a translator. 2. To introduce my theme I want to take you back nearly twenty years, to 3 September 1984. The place is in South Africa – a township 60 km south of Johannesburg. It is called Sharpeville. At the time its name already had ineradicable associations with black resistance to apartheid – and with the brutality of police responses to it. On 21 March 1960, 24 years before, the police gunned down more than sixty unarmed protestors – most of them shot in the back as they fled from the scene. -
The Distributist Alternative
www.secondspring.co.uk/economy The Distributist Alternative Russell Sparkes When people think of G.K. Chesterton, they normally remember his literary achievements: the essays, the Father Brown stories, the wealth of aphorisms that are still widely quoted. However, I suspect that if you had asked the man himself what part of his work he was most proud of, he would have said something that is almost totally forgotten today: his advocacy of a social and political philosophy called ‘Distributism’. In my talk today I want to tell you what this was, what its antecedents and inspirations were, and its lasting value. Distributism’s main tenet was that property should be as widely distributed as possible, and business should be local. There was advocacy of the economy being centred upon the production of goods, and suspicion of the role of high finance. It was advocated principally by G.K. Chesterton and Hilaire Belloc from 1910 onwards, although others such as the Dominican priest Vincent McNabb, the artist Eric Gill, and the guild socialist Arthur Penty also contributed ideas. However, many of these latter had their own agenda, and while they were active in the Distributist movement, their advocacy of homespun craftsmanship or of the ‘social credit’ theories of Major Douglas.[1] They were peripheral to Distributism whose key texts are Chesterton’s Outline of Sanity published in 1926, and Belloc’s Essay on the Restoration of Property of 1936. In the depressed economic conditions of the 1920s Distributism became a political movement as well as an economic programme which was led and inspired by Chesterton through a little magazine that he edited and whose heavy losses he funded. -
Michael Black
THE SOURCES AND USES OF DISTRIBUTISM: A ROMAN CATHOLIC’S VIEW OF ANGLO-CATHOLIC GENIUS Michael Black The past popularity, the long tradition of religion supported it diverse champions against a present neglect. --Charles Williams, Shadows of Ecstasy Tradition asserts itself especially in a crisis. Deeply held but forgotten beliefs present us with familiar novelty, a ‘commodius vicus of recirculation’ of ideas which offer themselves as solutions to contemporary social problems. In our current economic crisis, the early 20th-century idea of Distributism is receiving renewed attention as a serious contribution to national policy in the United Kingdom. This essay is a personal response which I hope may find a place in the growing debate. In September 2008, the bankruptcy of the Wall Street investment bank Lehman Brothers caused financial markets around the world to freeze with fear. The consensus of City pundits and Whitehall policy-makers was that the world had entered uncharted economic waters. Not just respectable opinion, but long-held theories about economics were discredited decisively. A revival of the unconventional and marginal in an environment of intellectual despair was probably inevitable. One little known socio-economic concept, Distributism, which was championed by G.K Chesterton and Hilaire Belloc in the 1920’s and 30’s, came to some renewed prominence on both sides of the Atlantic. In North America, for example, within only a few months of the Lehman failure, the American quarterly Chesterton Review conducted a symposium advertising the relevance of Distributism as a solution to the global economic meltdown. Fr Ian Boyd, the editor, recommended what he considered an ‘evolved distributism’ in several cooperative industrial movements as economic models on a scale which could be controlled by human beings.1 In July, Fr Boyd gave a further lecture in Oxford on ‘A Distributist View of the Economic Crisis’. -
"Weapon of Starvation": the Politics, Propaganda, and Morality of Britain's Hunger Blockade of Germany, 1914-1919
Wilfrid Laurier University Scholars Commons @ Laurier Theses and Dissertations (Comprehensive) 2015 A "Weapon of Starvation": The Politics, Propaganda, and Morality of Britain's Hunger Blockade of Germany, 1914-1919 Alyssa Cundy Follow this and additional works at: https://scholars.wlu.ca/etd Part of the Diplomatic History Commons, European History Commons, and the Military History Commons Recommended Citation Cundy, Alyssa, "A "Weapon of Starvation": The Politics, Propaganda, and Morality of Britain's Hunger Blockade of Germany, 1914-1919" (2015). Theses and Dissertations (Comprehensive). 1763. https://scholars.wlu.ca/etd/1763 This Dissertation is brought to you for free and open access by Scholars Commons @ Laurier. It has been accepted for inclusion in Theses and Dissertations (Comprehensive) by an authorized administrator of Scholars Commons @ Laurier. For more information, please contact [email protected]. A “WEAPON OF STARVATION”: THE POLITICS, PROPAGANDA, AND MORALITY OF BRITAIN’S HUNGER BLOCKADE OF GERMANY, 1914-1919 By Alyssa Nicole Cundy Bachelor of Arts (Honours), University of Western Ontario, 2007 Master of Arts, University of Western Ontario, 2008 DISSERTATION Submitted to the Department of History in partial fulfillment of the requirements for Doctor of Philosophy in History Wilfrid Laurier University 2015 Alyssa N. Cundy © 2015 Abstract This dissertation examines the British naval blockade imposed on Imperial Germany between the outbreak of war in August 1914 and the ratification of the Treaty of Versailles in July 1919. The blockade has received modest attention in the historiography of the First World War, despite the assertion in the British official history that extreme privation and hunger resulted in more than 750,000 German civilian deaths. -
Racial Fascism in Britain Steven Woodbridge
Racial Fascism in Britain Steven Woodbridge In June,1945, within just a few months of the discovery of the scale and horrors of the German Nazi extermination camps, and shortly after the conclusion of military hostilities in Europe, the British fascist ideologue and racist activist Arnold Spencer Leese (1878-1956) announced to readers of his new monthly news-sheet Gothic Ripples that he had written a book entitled The Jewish War of Survival.1 A month later, Leese revealed to his supporters that he believed that ‘the finest civilisation that Europe ever had has been wiped out of existence by the Allies in a Jewish war’.2 During the course of the rest of the year, as Britain and other countries across Europe tried to recover from all the destruction and chaos caused by five long years of conflict against Nazi Germany, Leese went on to further develop his highly inflammatory views by criticising the war as the product of the ‘Revenge Instinct’ of the Jews.3 He also labelled the evidence presented at the Nuremberg War Crimes trial as ‘Belsen Bunkum’, and dismissed the Nuremberg hearings generally as ‘purely a Jewish and Masonic’ affair, ‘only explicable by the Jewish control of “Democracy” and Bolshevism’.4 It was very clear to veteran anti-fascists and to Jewish groups in Britain, and also to officials in both the British Government’s Home Office and the domestic Security Service (MI5), that Leese, despite being interned in prison under the 18B Defence Regulations during the war as a possible security risk, had not lost his extreme enthusiasm for fascism and, above all, for the anti-Semitic and racial ideas that had 1 characterised the Nazi version of the doctrine. -
Hermes in the Academy WT.Indd
In 1999, an innovative chair and expertise center was created at the Faculty wouter j. hanegraaff and joyce pijnenburg (eds.) of Humanities of the University of Amsterdam, focused on the history of Western esotericism from the Renaissance to the present. The label “Western esotericism” refers here to a complex of historical currents such as, notably, the Hermetic philosophy of the Renaissance, mystical, magical, alchemical and astrological currents, Christian kabbalah, Paracelsianism, Rosicrucianism, Christian theosophy, and the many occultist and related esoteric currents that developed in their wake during the 19th and the 20th centuries. This complex of “alternative” religious currents is studied from a critical historical and interdisciplinary perspective, with the intention of studying the roles that they have played in the history of Western culture. In the past ten years, the chair for History of Hermetic Philosophy and Related Currents has succeeded in establishing itself as the most important center for study and teaching in this domain, and has strongly contributed to the establishment of Western esotericism as a recognized academic field of research. This volume is published at the occasion of the 10th anniversary. Hermes in the Academy in the Hermes It contains a history of the creation and development of the chair, followed by articles on aspects of Western esotericism by the previous and current staff members, contributions by students and Ph.D. students about the study program, and reflections by international top specialists about the field of research and its academic development. Prof. Dr. Wouter J. Hanegraaff is Professor of History of Hermetic Philosophy and Related Currents at the University of Amsterdam.