DOCSLIB.ORG

German Culture News Cornell University Institute for German Cultural Studies

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
German Culture News Cornell University Institute for German Cultural Studies GERMAN CULTURE NEWS CORNELL UNIVERSITY INSTITUTE FOR GERMAN CULTURAL STUDIES fall 2003 VOIIlIII/! X Jl Nn I RETROSPECTIVE OF POET OSWALD EGGER GERMAN COLLOQUIUM OPENS SYMPOSIUM FALL 2003 Scan Fmnzel Samuel Frederick Sean Fmnzcl Amalia Hcnmann Cassandr.tCarnpbell "(Dis)locating Poetries: Transatlantic Marlim.Ma.\iulis Connections'- \\,as the tilk of the poelT)' Joshua Dittrich symposium that brought poet Oswald Egger's \ isit as a writcrin residence to its culmination. A mixture of acadcmic In the firM colk'quiuln 'iCssion of the intenentions. poelOlogical rcncctions. yc:lr. Daniel Purdy of Pcnn State and poetry reading. the ~ymposium UniversityptC'lCnled a paperentitled'"l1lc H"in"rMuliu brought togcthcr writers. graduatc Building in Bi/dll1lf(: Architectum] studl:nts. and facully for a producti"e Spt.'C13IOrship in GnClhc and Benjamin:' discussion on the currl:nt ,tate of poetry. Purdy argued thai eIghteenth century HEINER MOLLER IN Samuel Frederickofthe Dcpanmentof Illoc.kh. orthe ideal \l. ay Incll.pcricncc and PERFORMANCE: Gennan Studiesopenro up thesymposium undcrsland architecture arc being with a paper on O,m'ald Egger's poetics rcasscrlcd in conh.'lllporary discus~ion\ A SYMPOSIUM entitled ..Os...... ald Egger's Poetry ofRirds. about an;hitct:turc 111 GeTmany and in the Beasts and thc An ofBeholding. or Poetic United SI:Jlcs. Sean Fr..mzel Augury in the Uner Zoo of Semiotics:' ~ought Purdy cnnlra'lcd Ihe reception of Samuel Frederick Frederick to examine Egger', architecture in 'l:\cT:l1 IC:\IS of Goethe poi.:tksandsomecentralthemcs running with Benjamin'" under-landing ofa POSI­ lamieTmka through the body of his work. Frederick ;lUrali, c.~pcricncc Ill" modern architecture considcred whai it means \0 observe. to in order In show tll.1I contemporary sec. and tll read as he rumin:lIed on one of n.:prcscntation" of hUlldings (and ruins) Jonathan Kalb (Chair of the Theater the multivalent titles of Egger's books. in visual and print media est;lhlish a clear department at HunlcrC\lllege)opcned up "Observc the Obverse." Tne "Obverse:" rebtionship hctween the spectator and the twod:ly symposium "Heiner Mililerin this \rore contains sevcral moments the viewed or framed image, Benjamin Pcrformance:' by presenlinl,! a paper central to Egger's work. one being the argued lhat hccaui>e city dwellers live cntitlL'(i "Genn:mia .3: Gcspcnstcr:lmTOIcn vcry question ofthc possibility ofpoetry, amid" great m\x1ernisl ;Irchilectural Mann: Heiner Muller and the Art of [n German, "Oh-Verse'!" is a question. monstrositics.lhey relatc tn the buildings Posthumous Provocation." Kalb ("whether verseT) and calls intoquestion not through dl!>taneed. disinterested investigated Gemwn;aJ. Heiner Mi.i11cr· s the statUi> of thc poetic ai> well as thc spcctato~hip. hut rather by hrushing up last work. and the notorioui> difficultle~ ~tatu!> as poctry of Egf:!er'~ own against them. by COllllOg inlo eont:lct that mterpreters have had in stagmg it. uncon"entional texts. The obverse is at wilh themon:l much nlore \ iscemlle\el, Kalb argued that the provocation the same time the surf:K"C or the top. and The understanding of buildings represented hy this "'ork qucstion~ imphl:~ a kind of staying on the surface aniculated (and repeatcd) in recent ml.-dia romantic ideas of stahle authorship that charaCleri/es the experience of debate!> seems to reini>(:ribc an :lesthetics bccauscofthcwork'scali forintctprctation reading Egger. Frederick wentontodr.lw of .. pect:ltorshlp rCl1llniSt:cnt of and misinterpretall on. The work is out M>mc Implications of seeing and of eighteenth century debates on the uniquely malleable tospecific historical. the poetic observatIonofbeing by read109 pag~ (NNlllnlU'd on lJa~,.JJ !ronllnu,don pug" 6J (contlTlUt't! on 71 Genmm Cullur, N"KS Page I FLOWER POWER? THEGERMAN GREEN PARTY TURNSTWENTY: REVISITING ENVIRONMENTAL POLITICS IN THE 21st CENTURY. DAAD Weekend, September 20-21, 2003 Organizer Professor Diana Reese MelanieSteiner order. Renecling on the history of (Cornell) opened this year's annual Martins Ma~ulis international affairs since the Treaty of DAADconfcrcncc by presenting the topic Westphalia in 1648, lhe cornerstone for as one that fosters an interdisciplinary modern Europe, Lankowski then focused perspective within German Studies. acid rain. and refused 10 witness Kohl on the emergence of the Green Party raising questions of globalization. the taking the oath. Were lhe Greens a against lhe background of a post-war feminist movement. pacifism. social provoc3tivc bunch of troublemakers? conservatism lhat encouraged a justice. and. ofcourse. environmentalism. "withdrawal from politics" and "amnesia". In 1983. the Green Party entered the Having refuscd 10 take up a strong German parliament as the strongest attachment to the German nation slate, oppositional force chalknging existing the members of the Green Party conceplionsofmodcm life. In honorofits concentrated lheir cfforts on posilioning twentieth anniversary. Reese invited posi-war Germany within a European guest speakers to prescnt on its history frame thaI askcd for a Europcan..rather as well as on current issues relevant to the than German. identity.thus leading away Green Party. which in turn allowed for from the focus inwards. Having firmly rcncction on the pany's future. establishcd thcmseIYes as a pari iamentary For a glimpse into the party's early party in thc late 1990's. the Greens struggles. Reese chose to show historical contribute today to an inlcrprelalion of video material on the Green Party'sentry globalization that putS the emphasis not into the Tenth Bundestag in 1983. LlIsl on economics but rather on ,wd Frllst presented the party as a environmcntal and peace-making policies. "'colorful faction"' that combined The Green Party. Lankowski concluded. opposition<ll forces from differenl parts aims at global politics made forthc future. ofthc left spectrum, unifying them through not a politics designed for the current the underlying desire to "radically generation ofGermans. ch<lllenge the lifestyle in late capitalisl The second panel began with Dr. societies." The Greens began their march DiallaReest! Gabriele Vogi (East Asia Program, through parliamentary institutions Cornell) who presented on the knowing that street fights did not provide The first speaker. Dr, Carl Lankowski contemporary Green Party and "'The Issue a lrue opportunity for real change. The (Expert on the Greens, Deputy Directorof of War and Peacc". A graduate of the video clip introduced the most important Area Studies. Coordinator for European University of Hamburg with a figures of the early Green Party, among Area Sludies. George P, Schultz Nalional specializalion in peace movemenlS. VOgl them the familiar faces ofJoschka Fischer Foreign AffairsTrainingCenler. Foreign offcred an analysis of the Green Party's and Otto Schily. highlighted some orthe Service Instilute) offered to situate lhe relationship to social movements and its bureaucratic and administrative Greens and evaluate theirrole in a broader engagement with the anti-war protests of difficulties the young parliamenlary historical selling. His paper. entilled "A lhe past five years. In the latc 1990's. the members struggled with, and offered Post-Westphalian P3rty: The Germ<ln goals ofpeace acti vi sts and pari iamenlary examples of their rhetorical skills in Greens:'traced lheGreens' development represcm;llives diverged. crealing a gap p..'lJ'1 i3ment (.. We demand the endofsex ism from a protest organization to a pragmatic that splil the party inlO fundamentalisls in this parliament!"), The dip provided oppositional force to today's parlia­ and realists. In 19991he contlicl hardened insight into the heated discussion <lhout mentary power. Lankowski offered the because of the German military the Green party's reaction 10 Dr. HelmUI thesis that the Green Parly's vision was involvement in Kosovo. a move that Kohl's inauguration as German 10 leave behind the Westphal ian di vision certainly compromised the Green P3rty'S chancellor: the Greens had presented him ofmodern Europe into nation states. thus agenda. Asa resull. many fundamentalists with a lree branch severely damaged by working toward a different international left the party. while Rea/os maintained (col1lillued 011 pap,t! 8J Page Z Germall Cullure News UNIVERSITY OF ANDREW CHIGNELL GIESSEN NEW HIRE IN PROFESSOR VISITS PHILOSOPHY DEPARTMENT CORNELL Sean Franzel Sean Franzel I)rofessor virSchulen berg(Univcrsity Joining the faculty of the Philosophy of Bremen). a visiting scholar sponsored Departmcnt is Assistant Professor by the Institute for German Cultural Andrew Chignell. who specializcs in Studies. gave a lecture in September as seventeenth and eighteenth century part of his visil to Cornell. lh: talk was phi losophy. He wrote his disseTlation on entitled "What docs il Mean 10 do Kant'sepistemology with Allen Wood at American Studies in GermanyT In vicw OSll'ahi Egger Yale University. The dissertation aimed of the faCllhal the relationship Ix:lwccn to givc an account of epistcmic Germany and the United Stales has neen POET OSWALD EGGER justification (Fiinl'(lllrl!(l[fell) that would profoundly disturbed by the United GIVES READING revisecommon understandings of Kant's Slates' unilateral decision to gain war in position and open up an intcresting Iraq. Schulenberg felt that an intensified dialogue with contemporary discussions Samuel Frederick transatlantic dialogue between German of epistemology. Among Professor and American intellectuals was nceded. Chigncll's
Load more

Recommended publications
  • Green New Deal INFORMATIONEN DER HEINRICH-BÖLL-STIFTUNG
    Das Magazin der Heinrich-Böll-Stiftung Ausgabe 1, 2009 Green New Deal INFORMATIONEN DER HEINRICH-BÖLL-STIFTUNG Der besondere Tipp Transatlantische Konferenz Blogs Campus-Tour Green New Deal – Investieren in die Zukunft Baustellen der Globalisierung Wissen, was wirkt. Campustour 2009 7. Mai 2009, 11 bis 18 Uhr www.baustellen-der-globalisierung.blogspot.com 23. April – 26. Juni 2009 Beletage der Heinrich-Böll-Stiftung Rainer Falk nimmt im Blog «Baustellen der Globa­ An rund 25 Hochschulen in ganz Deutschland Gibt es gemeinsame Ziele, Strategien und politi­ lisierung» – eine Koproduktion des Informations­ macht die Campustour halt. Die Themen sind viel­ sche Instrumente für Europa und die USA, um briefs Weltwirtschaft & Entwicklung (W&E) und fältig: Klimawandel und Energieversorgung, Fi­ nachhaltige Antworten auf die multiplen Krisen zu der Heinrich-Böll-Stiftung – u. a. die Unterregulie­ nanzkrise, Demokratie und europäische Integration. finden? Wie könnte ein transatlantischer « Green rung der globalen Finanzmärkte und die mangelnde Wissenschaftler/innen, Studierende, Prominente New Deal » aussehen? Mit Gästen aus Obamas demokratische Legitimität in internationalen Insti­ aus Politik und Wirtschaft kommen miteinander ins Thinktank CAP, Washington D.C. tutionen wie der UN oder der Welthandelsorganisa­ Gespräch – bei Workshops, Diskussionen, Partys tion in den Blick. u.v.m. Publikation Infos unter www.boell.de/campustour Klima – eine Gerechtigkeitsfrage? Wem gehört die Welt? Zur Wiederentdeckung www.klima-der-gerechtigkeit.de der Gemeingüter.
    [Show full text]
  • Art in Europe 1945 — 1968 the Continent That the EU Does Not Know
    Art in Europe 1945 Art in — 1968 The Continent EU Does that the Not Know 1968 The The Continent that the EU Does Not Know Art in Europe 1945 — 1968 Supplement to the exhibition catalogue Art in Europe 1945 – 1968. The Continent that the EU Does Not Know Phase 1: Phase 2: Phase 3: Trauma and Remembrance Abstraction The Crisis of Easel Painting Trauma and Remembrance Art Informel and Tachism – Material Painting – 33 Gestures of Abstraction The Painting as an Object 43 49 The Cold War 39 Arte Povera as an Artistic Guerilla Tactic 53 Phase 6: Phase 7: Phase 8: New Visions and Tendencies New Forms of Interactivity Action Art Kinetic, Optical, and Light Art – The Audience as Performer The Artist as Performer The Reality of Movement, 101 105 the Viewer, and Light 73 New Visions 81 Neo-Constructivism 85 New Tendencies 89 Cybernetics and Computer Art – From Design to Programming 94 Visionary Architecture 97 Art in Europe 1945 – 1968. The Continent that the EU Does Not Know Introduction Praga Magica PETER WEIBEL MICHAEL BIELICKY 5 29 Phase 4: Phase 5: The Destruction of the From Representation Means of Representation to Reality The Destruction of the Means Nouveau Réalisme – of Representation A Dialog with the Real Things 57 61 Pop Art in the East and West 68 Phase 9: Phase 10: Conceptual Art Media Art The Concept of Image as From Space-based Concept Script to Time-based Imagery 115 121 Art in Europe 1945 – 1968. The Continent that the EU Does Not Know ZKM_Atria 1+2 October 22, 2016 – January 29, 2017 4 At the initiative of the State Museum Exhibition Introduction Center ROSIZO and the Pushkin State Museum of Fine Arts in Moscow, the institutions of the Center for Fine Arts Brussels (BOZAR), the Pushkin Museum, and ROSIZIO planned and organized the major exhibition Art in Europe 1945–1968 in collaboration with the ZKM | Center for Art and Media Karlsruhe.
    [Show full text]
  • GLOBAL CONTROL and CENSORSHIP 3.10.2015 –1.5.2016 ZKM Atrium 1+2, 1St Floor
    THE NEW ART EVENT IN THE DIGITAL AGE GLOBAL CONTROL AND CENSORSHIP 3.10.2015 –1.5.2016 ZKM_Atrium 1+2, 1st floor control_bruchuere_E_20150928-1.indd 1 28.09.15 11:20 Halil Altındere, Mobese, 2011, Photo: Murat Germen Fidel García, 28%, 2009 control_bruchuere_E_20150928-1.indd 2 28.09.15 11:20 Zach Blas, Facial Weaponization Suite, 2011–2014 aaajiao, GFWlist, 2010 control_bruchuere_E_20150928-1.indd 1 28.09.15 11:20 YOUNG-HAE CHANG HEAVY INDUSTRIES, CUNNILINGUS IN NORTH KOREA, 2003 James Coupe, SWARM, 2013 Chen Ching-Yao, International Radio Exercise Taiwan Version, 2012 control_bruchuere_E_20150928-1.indd 2 28.09.15 11:20 Benjamin Gaulon, 2.4 GHz from Surveillance to Broad- cast, 2008 – ongoing Anca Benera & Arnold Estefan, Urban Wildlife: The Human Influence on the Social Life of Birds, 2013 control_bruchuere_E_20150928-1.indd 3 28.09.15 11:20 Jonathon Keats and Team Titanic, The Century Camera, 2014 Kenneth Tin-Kin Hung, The Travelogue of Dr. Brain Damages, 2011 control_bruchuere_E_20150928-1.indd 4 28.09.15 11:20 Laurent Grasso, On Air, 2009–2012 Erik Mátrai, Turul, 2012 Marc Lee, Me, 2015 control_bruchuere_E_20150928-1.indd 5 28.09.15 11:20 GLOBAL CONTROL AND CENSORSHIP GLOBAL CONTROL AND CENSORSHIP Bernhard Serexhe Knowledge is power. And power is above all possessed by whoever controls the flow of information. This applies particularly to digital culture, because all the information on the World Wide Web can be surveilled and manipulated, unhindered. That mobile communication devices have been enthusiastically embraced means, that these days, billions of people all over the world are connected to each other.
    [Show full text]
  • The Green Tent (Das Grüne Zelt) Joseph Beuys and the Extended Concept of Ecology
    PRESS RELEASE The Green Tent (Das Grüne Zelt) Joseph Beuys and the extended concept of ecology Saturday 5 November 2016 – Sunday 19 March 2017 On Friday November 4 at 6 pm inaugurates The Green Tent (Das Grüne Zelt) curated by Marco Scotini that place itself as the third chapter of an ideal trilogy, finishing the cycle of exhibitions with which the PAV intended to reconstruct a possible genealogy of the relationship between the artistic practices and the ecological conscience during the 1970s in Europe. After the exhibitions Earthrise (2015) and ecologEast (2016), this project will focus on the activity of one of the most recognized artists from the second half of the last century: Joseph Beuys, putting a particular emphasis on his involvement with the political institutions and his response to the threats of environmental crisis. The exhibition, which coincides with the 30th anniversary of Beuys’ death, wants to become a tribute to the author of the "social sculpture," within the institution founded by Piero Gilardi, who was the first to write about Beuys in Italy, as early as in 1967. Despite the consistent amount of critical literature available about the German artist’s activity, only in rare circumstances can we find examples where the romantic and spiritual matrix of the word “nature” has been used in a political sense, using the term ecology. All this in spite of the fact that Beuys’ perspective was strongly militant in that direction, leading him to chair the constitution of the German Greens movement that saw him, even if for a short time, as a candidate for the parliament.
    [Show full text]
  • Eine Klitze- Kleine Utopie
    KANZLER UND KOALITIONEN Atomkraftgegner, Pazifisten, Frauen- rechtlerinnen – in den siebziger und achtziger Jahren schickte sich eine Generation an, die Gesellschaft zu verändern. Mit den Grünen erreichte der Protest auch die Parlamente. Eine klitze- kleine Utopie Von MANFRED ERTEL wei Tage lang hatten sie Die Ansage ist für viele loren, unter anderem sind sich redlich gemüht, ei- ein Schock. Bis spätes- sie mit ihrer Forderung nem der großen politi- tens 17.15 Uhr, so nach einem „Recht auf schen Projekte im Nach- wollte es die Ver- Notwehr und sozia- kriegsdeutschland auf die sammlung, muss die len Widerstand“ un- ZBeine zu helfen. Sie wollten eine Alter- Parteigründung be- terlegen. Vor allem native zu den etablierten Parteien schaf- schlossen sein – oder aber soll Aktivisten fen: die Grünen. eben nicht. Eine Ver- in K-Gruppen und Linke und Landschaftsschützer, längerung um eine Bunten Listen eine Anarchos und Anthroposophen, Chris- Viertelstunde ist da Doppelmitgliedschaft ten und kommunistische Kader hatten schon inklusive, ein bei den Grünen ver- gestritten, getrickst und gepöbelt. Und weiterer Nachschlag ei- wehrt sein. sich immer wieder zusammengerauft. gentlich ausgeschlossen. Plagemann will die Par- Sie hatten in der stickigen Halle gedul- Doch immer neue Abstim- tei retten, noch bevor sie dig skurrilen Minderheiten zugehört mungen und Auszählungen Parteilogo 1980 richtig am Leben ist. Er ver- und über jede noch so krude Idee im- lähmen den Saal, die liest einen Antrag auf eine mer schön basisdemokratisch abge- Schlussabstimmung scheint in weiter zweite Verlängerung: „15 Minuten mehr, stimmt. Ferne. das müsste reichen.“ Das Protokoll der Doch dann, gegen 17.10 Uhr, steht Geschulten Wortführern aus dem historischen Sitzung vermerkt an dieser plötzlich wieder alles auf der Kippe.
    [Show full text]
  • Press Release
    Press Release extended until 02.02.2011 Pablo Picasso, Woman (from the period of Demoiselles d‘Avignon), 1907 Fondation Beyeler, Riehen/Basel, Inv. 65.2 © Succession Picasso/VBK, Vienna 2010 PLEASE ADDRESS QUESTIONS TO Mag. Klaus Pokorny Leopold Museum-Private Foundation Press / Public Relations MuseumsQuartier Wien Tel +43.1.525 70-1507 1070 Vienna, Museumsplatz 1 Fax +43.1.525 70-1500 www.leopoldmuseum.org [email protected] Press Release Page 2 CÉZANNE – PICASSO – GIACOMETTI Masterpieces from the Fondation Beyeler 17.09.2010 – 17.01.2011 In its exhibition Cezanne – Picasso – Giacometti, the Leopold Museum is hosting Austria’s first-ever showing of a representative selection of works from the collection of the Beyeler Foundation. Shortly before his surprising death in June of this year, Prof. Dr. Rudolf Leopold (1925–2010) personally selected the works to be shown. The Picasso painting Woman (1907), created during the same period as Demoiselles d’Avignon, is a work that was particularly cherished by Ernst Beyeler—and which will now be seen in Vienna. This painting otherwise never leaves the building in Riehen near Basel which star architect Renzo Piano built to house the Beyeler Collection. Elisabeth Leopold, Patricia Spiegelfeld and Franz Smola are the curators of this exhibition, to open on Friday, 17 September 2010, which will show outstanding works of classical modernism complimented by non-European art. Peter Weinhäupl, Managing Director of the Leopold Museum, also brought architect Markus Spiegelfeld on board to transfer the atmosphere of the Beyeler Collection’s exhibition building into the Atrium of the Leopold Museum by means of a few effective architectural adjustments.
    [Show full text]
  • Postwar Landscapes: Joseph Bevys and the Reincarnation of German Romanism
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Senior Thesis Projects, 2003-2006 College Scholars 2003 Postwar Landscapes: Joseph Bevys and the Reincarnation of German Romanism Lauren Smith Follow this and additional works at: https://trace.tennessee.edu/utk_interstp3 Recommended Citation Smith, Lauren, "Postwar Landscapes: Joseph Bevys and the Reincarnation of German Romanism" (2003). Senior Thesis Projects, 2003-2006. https://trace.tennessee.edu/utk_interstp3/38 This Project is brought to you for free and open access by the College Scholars at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Senior Thesis Projects, 2003-2006 by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. COLLEGE SCHOLARS PROJECT PROPOSAL APPROVAL . ." 'i;t' " Scholar Mentor Proposed Project Title and Completion Date (semester &year) SU'll\e.~{e.y ~ 3~~~ doo3 COMMITTEE MEMBERS' SIGNATURES (Minimum 3 Required) Cl...vL~ lkkJ..Y2:fi~. · ----",,-l>owtta~'.'.• '. ,~. M~' HM~_ . l . ) 1_______ { ~' . -~ " ... ,'.....+-. ') .. , PLEASE ATTACH A COPY OF THE WRITTEN PROPOSAL TO THIS SHEET, AND RETURN BOTH TO THE COLLEGE SCHOLARS OFFICE (1208 MCCLUNG TOWER). DATE APPROVED ______________ Postwar Landscapes: Joseph Beuys and the Reincarnation of German Romanticism Lauren E. Smitil College Scholars Senior Thesis University of Tennessee May 1,2003 Dr. Dorothy Habel, Dr. Tim Hiles, and Dr. Peter Hoyng, presiding committee Contents I. Introduction 3 II. Beuys' Germany: The 'Inability to Mourn' 3 III. Showman, Shaman, or Postwar Savoir? 5 IV. Beuys and Romanticism: Similia similibus curantur 9 V. Romanticism in Action: Celtic (Kinloch Rannoch) 12 VI. Celtic+ ---: Germany's symbolic salvation in Basel 22 VII.
    [Show full text]
  • Humanités Environnementales – Quoi De Neuf Du Côté Des Méthodes ?
    Revue d’Allemagne et des pays de langue allemande 50-2 | 2018 Humanités environnementales – Quoi de neuf du côté des méthodes ? Édition électronique URL : https://journals.openedition.org/allemagne/768 DOI : 10.4000/allemagne.768 ISSN : 2605-7913 Éditeur Société d'études allemandes Édition imprimée Date de publication : 30 décembre 2018 ISSN : 0035-0974 Référence électronique Revue d’Allemagne et des pays de langue allemande, 50-2 | 2018, « Humanités environnementales – Quoi de neuf du côté des méthodes ? » [En ligne], mis en ligne le 30 décembre 2019, consulté le 21 septembre 2021. URL : https://journals.openedition.org/allemagne/768 ; DOI : https://doi.org/ 10.4000/allemagne.768 Revue d’Allemagne et des pays de langue allemande revue tome50 numéro 2 d’Allemagne juillet-décembre 2018 et des pays de langue allemande Dossier Humanités Une expérience d’interdisciplinarité en environnementales – action à l’échelle du Rhin supérieur Quoi de neuf du côté FLORENCE RUDOLF des méthodes ? Introduction ......................................................................................309 PAUL AVERBECK, OLIVER FRÖR FLORENCE RUDOLF SWOT-Analyse der Klimawandel-Anpassungs- Introduction ......................................................................................227 bereitschaft von Unternehmen ........................................ 319 CHRISTOPHE BATICLE, FLORENCE RUDOLF, NICOLAS SCHOLZE, RÜDIGER GLASER, ANAHITA GRISONI, SOPHIE NÉMOZ SOPHIE ROY La sociologie à l’épreuve de l’altérité. Klimavulnerabilität von Unternehmen in Esquisse d’une
    [Show full text]
  • Oase Vor Der Haustür
    Thema: Kampf gegen Steueroasen DROGEN IN DER POLITIK GEHEIMDIENSTE IN DER POLITIK Briefkastenfirmen im Visier Wie Terminhatz und Geltungsbedürfnis Eine Kommission äußert sich zur SEITE 1-3 Abgeordnete süchtig machen können SEITE 9 Zukunft der Stasi-Behörde SEITE 13 Berlin, Montag 18. April 2016 www.das-parlament.de 66. Jahrgang | Nr. 16-17 | Preis 1 € | A 5544 KOPF DER WOCHE Steuersündern auf der Spur Panama ist riesengroß Wolfgang Schäuble Kaum ist der Ärger über die „Panama Papers“ und die Machenschaften von Steuerflüchtlingen hochgekocht, schon hat FINANZEN Milliarden-Schäden durch Briefkastenfirmen. Fraktionen kündigen Maßnahmen an sich der deutsche Fi- nanzminister in die erste Reihe der wei Wörter haben die politi- Kämpfer gegen Steu- sche Debatte völlig verän- eroasen und Geld- dert: „Panama-Papers“. Seit wäsche gestellt. In der auszugsweisen Veröffent- seinem 10-Punkte- lichung von 2,6 Terabyte Da- Plan präsentierte ten über Briefkastenfirmen Wolfgang Schäuble Zvon Panama bis Hongkong durch ein in- (CDU) jetzt, wie er ternationales Netzwerk investigativer Jour- gegen die internatio- nalisten ist das Ausmaß der globalen Steu- © picture-alliance/dpa nalen Panama-Profi- ervermeidung, Steuerhinterziehung und teure vorgehen will. Geldwäsche deutlich geworden: Experten So soll der automatische Steuer-Informations- gehen von zwei Millionen Offshore-Fir- austausch der Staaten ausgedehnt sowie die men weltweit aus. Allein die geleakte pana- Überwachung verschärft werden und es soll mesische Kanzlei Mossack-Fonseca war mit Schwarze Listen für nichtkooperative Länder 240.000 Firmengründungen eine Briefkas- geben. Bei der Parlamentsdebatte am vergan- tenfabrik, aber nur die viertgrößte ihrer Art genen Mittwoch drückte der längstgediente Ab- weltweit (Einzelheiten siehe Seite 3). geordnete im Bundestag weiter aufs Tempo und Der französische Wirtschaftswissenschaft- appellierte an die EU, schnell die Voraussetzun- ler Gabriel Zucman schätzt, dass bis gen zu schaffen für den Datenaustausch der 7,5 Billionen US-Dollar in Briefkästen ste- nationalen Firmen-Register.
    [Show full text]
  • New Perspectives on Joseph Beuys Saturday 15Th October 2016
    ECA/NGS Symposium An Expanded Concept of Art: New Perspectives on Joseph Beuys Joseph Beuys and Henning Christiansen performing the ‘Celtic (Kinloch Rannoch) Scottish Symphony’ at Edinburgh College of Art, 1970 Saturday 15th October 2016 [13:00 – 20:00] Main Lecture Theatre, Edinburgh College of Art Main Building, 74 Lauriston Place This academic symposium, which will present new perspectives on Joseph Beuys and his works, celebrates both Beuys exhibitions currently on show at Modern Two, Scottish National Gallery of Modern Art. These exhibitions are Richard Demarco and Joseph Beuys: A Unique Partnership and ARTIST ROOMS: Joseph Beuys - A Language of Drawing, the latter curated by Anthony d’Offay and Keith Hartley. A towering and highly influential figure of twentieth-century art, Beuys died thirty years ago in 1986, but his legacy remains very strong. It is most fitting that this symposium will take place in the Main Building of Edinburgh College of Art. This was the venue for Richard Demarco’s ground-breaking Strategy: Get Arts in 1970, which involved artists such as Beuys, Gerhard Richter, Sigmar Polke, Daniel Spoerri, Blinky Palermo, Günther Uecker and others, a major exhibition of contemporary German art. Demarco therefore brought Beuys to Britain for the first time and the artist would return to Edinburgh on a number of occasions at Demarco’s invitation. And when Anthony d’Offay, who also studied art in Edinburgh and who remains closely connected with the city, opened an important exhibition space for contemporary art on the first floor at 23 Dering Street in London in 1980, he started that programme with an exhibition by Beuys, the first of many exhibitions he devoted to him.
    [Show full text]
  • ZKM | Zentrum Für Kunst Und Medien Jahresbericht 2017
    ZKM | Zentrum für Kunst und Medien JAHRESBERICHT 2017 ZKM | Zentrum für Kunst und Medien JAHRESBERICHT 2017 3 4 Inhaltsverzeichnis Editorial 7 Kennzahlen 2017 16 Ausstellungen und Installationen (Übersicht) 17 Externe Ausstellungen 30 Hertz-Labor: Forschung und Produktion 33 Institut für Musik und Akustik 33 Institut für Bildmedien 42 Videostudio 50 Wissen: Sammlungen und Archive 52 Publikationen (Übersicht) 69 Veranstaltungen (Übersicht) 73 Vermittlung 120 Kommunikation und Marketing 120 Museumskommunikation 124 Veranstaltungen / Vermietungen 143 EU-Koordinationsstelle 145 Shop 148 Vorträge, Lehre, Jury- und Gremientätigkeiten 151 5 ZKM global seit 2012 (Auswahl) Tallinn Riga Vilnius Moskau London Bialystok Nowosibirsk Žilina Lille Brüssel Karlsruhe Luxemburg Prag Nancy Bratislava Ottawa Montreal Lausanne Bukarest Barcelona Zagreb Sofi a Chicago Boston Skopje Toronto Madrid Thessaloniki Peking Washington D.C. Palma Athen Seoul San Francisco Teheran Yongin Zsolnay Negyed Nanjing Los Angeles Nikosia Belgrad Ramallah Kabul Chengdu Chongqing Shanghai Suzhou Aguascalientes San Luis Potosí Taipeh Guangzhou Guadalajara Toluca Mumbai Mexico City Puebla Dakar Bangkok Manila Singapur Jakarta São Paulo Johannesburg ZKM in den Top 10 der Weltmuseen Im aktuellen Ranking der weltweit größten Datenbank ArtFacts.Net erreicht das ZKM Platz 6. Damit hat das ZKM nicht nur die Spitzenposi- tion unter den deutschen Museen inne, sondern darf sich auch zu den weltweit bedeutendsten Kunstinstitutionen zählen. 1. Museum of Modern Art (MoMA), New York 2. MoMA PS1, New York 3. Centre Pompidou,Paris 4. La Biennale di Venezia 5. Whitney Museum of American Art, New York 6. ZKM | Zentrum für Kunst und Medien Karlsruhe 6 EDITORIAL ZKM – lokal verankert und global vernetzt in je unterschiedlichen Kombinationen. Aus dieser EDITORIAL Programmpolitik resultiert, dass das ZKM sowohl Im neuesten Ranking der weltweit größten Kunst- lokal verankert ist und jährlich ein Publikum von ca.
    [Show full text]
  • Bestand Der Artothek Im Deutschen Bundestag
    Bestandsliste der Artothek im Deutschen Bundestag Stand: 01.08.2021 Name Vorname Titel des Werkes Künstlerische Technik Aarland Wilhelm Der Reichstag in Berlin Xylographie Abel G. Konrad Adenauer Mischtechnik Abels Margitta o.T. Öl auf Leinwand Abels Margitta o.T. Öl auf Leinwand Achterholt Udo o.T. Farblithographie Ackermann Max An die Freude Farblithographie Ackermann Max Festlicher Klang Farblithographie Ackermann Peter Provisorische Maßnahmen zur Erhaltung Radierung 9 Blätter aus der Serie "O Stadt der Schmerzen in Verzweiflung düsterer Zeit" Ackermann Peter (zu: Vorhölle, von Georg Trakl) Radierung Adamski Peter o.T. Farblithographie Adler A. Halberstadt am Harz - Fischmarkt Radierung koloriert Adler A. Görlitz, Rathaustreppe Radierung Adler Karl-Heinz o.T. (Farbschichtung blau) Acryl a. Karton Adler Karl-Heinz o.T. (Farbschichtung grün) Acryl a. Karton Aus der Mappe "Werner Schmidt 80" "Chaos und Ordnung im Adler Karl-Heinz seriellen System" Digitaler Monoprint/Collage Adler Karl-Heinz Farbschichtung, zerstörtes Rechteck Acryl a. Karton Adler Karl-Heinz Zerstörtes Dreieck, neu formatiert Acryl a. Karton Adochi (Heinz Georg) o.T., 2-teilig Öl auf Leinwand Porträt Abgeordneter Waldeck, Abgeordneter zur ersten Preussischen Afinger Nikolaus Nationalversammlung Lithographie Aharonovitch Boaz Dark Matter 1 - 4 Archival Pigment Print Ahrens Georg Widderschädel Federzeichnung Albarrán Cabrera The Mouth of Krishna - #277, Japan, 2016 Pigmentprint auf Gampi-Papier und Blattgold Albarrán Cabrera Kairos, #4016 Pigmentprint auf Gampi-Papier und Blattgold Albers Josef Hommage to the square (SP-X 112-125) Farbserigraphie Albers Josef Hommage to the square (SD-IX 30-125) Farbserigraphie Albrecht Hans o.T. (Komposition mit Stoff u.Stab in Grau) Bleistiftzeichnung Albrecht Petra Auf hellem Grund Farbholzschnitt Albrecht Silke o.T.
    [Show full text]